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Flo Ngala takes captivating portraits of strangers that tell a person’s story in a short amount of time. In this B&H Event Space video, she breaks down her thought processes into the technical, psychological, and social sides when taking photos. 0:00 - Ngala’s Work 6:05 - Ngala’s Process 6:28 - The Technical Side 11:04 - The Psychological Side 21:01 - The Social Side 31:17 - There is Only One You! 32:33 - Q&A Learn more about B&H Depth of Field.
Panasonic is launching its widest-angle prime rectilinear lens for Micro Four Thirds cameras in the form of the new Panasonic Leica DG Summilux 9mm f/1.7 ASPH with the 35mm equivalent field of view of an 18mm lens. This ultra-wide lens is also the widest Micro Four Thirds Panasonic prime optic to wear the Leica badge. Panasonic Leica DG Summilux 9mm f/1.7 ASPH This new lens is designed to capture expansive vistas and is created for
Let's take a look at the Nikon NIKKOR Z 400mm f/2.8! Made for Nikon's Z mount, this super-telephoto lens is perfect for sports and wildlife photography, with a maximum aperture of f/2.8 and built-in 1.4x teleconverter, as well as sophisticated optical, autofocus, and VR systems. What would you capture with this camera lens? Let us know below in the Comments section!
Sony has announced the FE 70-200mm f/2.8 GM OSS II lens, an extensive overhaul of one of the most popular lenses in the G Master lineup. The upgrade boasts completely reconfigured optics, faster and more accurate autofocus, and a laundry list of practical improvements for still and video shooters. A favorite zoom of professional portrait, event, sports, and wildlife photographers, this bright, constant max-aperture lens works well for a wide variety
The day is finally here! Canon has, at last, unveiled its topflight mirrorless camera, the EOS R3. Combining assets from the EOS R5 and the flagship EOS-1D X Mark III DSLR, the R3 is a high-performance body built for speedy shooting, featuring fast and precise focusing, and sporting a robust, professional-grade body. It's the first 3-Series camera since the film era and introduces a wealth of new tech to Canon's mirrorless system, including an
Expanding its lineup of stylish, compact, and modest primes, Sigma has just announced two new I Series lenses: the 90mm f/2.8 DG DN and 24mm f/2 DG DN. Both of these lenses fall under the Contemporary designation and both are available for L and Sony E mirrorless lens mounts. If you look back to last fall, when
Sigma is breaking new ground once again with the release of the 150-600mm f/5-6.3 DG DN OS Sports Lens. This is the first Sports-series lens built specifically for full-frame mirrorless cameras and is also the longest DG DN lens currently available from Sigma. It’s an ultra-telephoto zoom built with refined optics, updated handling features, and a revised form factor that is lighter and smaller than the past SLR-intended versions of this same lens
Enter the retro-cool and featured-packed Nikon Z fc camera! Lovers and fans of Nikon are certainly familiar with the company’s rich history, and it is difficult not to get excited when the camera’s design team breaks out a brand-new digital camera with a look and feel that harkens back to the days of the Nikon film photography era and its line of 35mm cameras that set a photographic standard for decades. While it looks like it rolled fresh
When it comes to wide-angle photography, pushing the envelope even further, Canon has just released a new versatile wide-angle zoom for its full-frame mirrorless system: the RF 14-35mm f/4L IS USM. Compared to more traditional 16-35mm zooms, this lens gains a bit on the wide end for an even broader field of view, while still maintaining a sleek profile, constant f/4 maximum aperture, and the optical and physical design qualities you’d expect
To some, there’s little that's more perfect than the fast 35mm prime lens. It’s a staple focal length in any lens lineup and a go-to lens for many photographers working in a wide variety of genres. It’s an important lens for Sigma, and the company has just released its latest iteration, with the 35mm f/1.4 DG DN Art lens. Available for L-mount and
Continuing to round out its full-frame mirrorless system, Canon has just launched a trio of RF-mount prime lenses that contribute to this maturing and expanding system. Focusing on the long end of the focal length spectrum, Canon is introducing a fresh take on the popular 100mm f/2.8 macro option, as well as releasing 400mm and
Ever the exciting combination, FUJIFILM has announced the latest high-speed, wide-angle prime: the XF 18mm f/1.4 R LM WR lens. This 27mm equivalent prime is designed for the APS-C-format X Series and blends the versatile everyday wide field of view with an impressively bright design for working in low light and for controlling depth of field. In typical FUJIFILM fashion, too, the lens also features a compact, weather-resistant exterior, a quick
Hot on the heels of its latest G Master lens, Sony has just announced three new compact primes in its G Series lineup: the FE 24mm f/2.8 G, FE 40mm f/2.5 G, and
Sony has officially entered the realm of extremely fast glass with its newest addition to the G Master family: the FE 50mm f/1.2 GM lens. Not only does the new lens add one of the most popular prime focal lengths to Sony’s top-tier lineup, but it also becomes Sony’s fastest E-mount lens to date. The flexibility of the 50mm focal length and brightness of an f/1.2 aperture make this lens an ideal candidate for portraiture and fashion, whether
Sigma has announced a fascinating new f/2.8 standard zoom lens as part of its Contemporary lens line, and true to the Contemporary’s core concept, this 28-70mm f/2.8 DG DN Contemporary lens affords that elusive balance of performance and portability. It is currently the smallest and lightest full-frame f/2.8 standard zoom lens on the market and is available for