Let’s take a look at DZOFilm's line of macro prime lenses and how they look when used for food videography. Each lens includes ARRI PL and Canon EF lens mounts, making it suitable for use with a wider selection of cameras.
DZO Film 35, 65, 90mm primes
The 32mm T2.8 Gnosis Macro Prime Lens from DZOFilm provides impressive close-up views of your subjects with up to 1:1
Our video team tests the DZOFilm VESPID Prime Lens Kit, which is well-suited for filmmaking productions, ranging from independent to studio. These affordable cinema lenses boast impressive build quality, versatile mount-ability, and stunning cinematic image quality.
Have you used any of these lenses? Share your experiences below in the Comments section!
See how the brand new ARRI Signature Zooms were integrated into the emerging world of LED Video Wall and Virtual Production for a fashion shoot with the set design rendered in real time via Epic Games’ Unreal Engine.
Have you used ARRI Signature Zooms on your film or video production? Tell us about your experience in the Comments, below!
There is a new cinema zoom lens in B&H's inventory—the Sony FE C 16-35mm T3.1 G—and we are testing it on the Sony PXW FX6 cinema camera. This lens has been designed for filmmakers and video professionals, combining traditional cinema lens operability with the benefits of the Sony E Mount, which allows for autofocus and precise manual focus control. The 16-35mm offers superior sharpness, excellent resolution, a constant aperture of T3.1,
B&H’s Michel Suissa talks with DPs Logan Schneider and Jimmy Matlosz about their experiences filming with ARRI’s Signature Zoom Lenses.
After you've enjoyed this conversation, learn more about The Studio at B&H Professional Services and shop for the ARRI Signature Zooms.
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We'll use some affordable cinema lenses to walk you through the basic benefits of using these high quality lenses in your next video production.