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Posted 01/19/2022
Canon has announced the new EOS R5 C, a compact, hybrid camera that is ideal for journalists, event photographers, and drone users who routinely capture stills and video over the course of their workday. This RF-mount mirrorless camera combines the full-frame 45 MP resolution and speed of EOS R5 stills capture with up to 8K60, 12-bit Cinema RAW Light internal video capture, HDMI raw output, Canon Log 3, HLG and PQ HDR, unlimited recording
Posted 10/20/2021
DJI has just announced the Ronin 4D, the brand’s newest line of professional cameras for the next generation of cinema production, featuring two all-in-one 4-axis gimbal cameras: the Ronin 4D 8K Cinema Camera and the Ronin 4D 6K Cinema Camera. The Ronin 4D’s modular system is made up of a core processing unit and a
Posted 10/07/2021
The compact cinema camera market has become even more competitive with the announcement of Panasonic’s new Lumix BS1H box-style camera that sports a long list of professional features in a tiny form factor. This mirrorless camera joins the S1H and BGH1 compact camera line, featuring a full-frame 24.2MP CMOS sensor that captures cinema-quality video up to 10-bit 6K24 resolution, 14+ stops of advertised dynamic range using V-
Posted 03/17/2021
Canon has never been one to sit out an opportunity to enter new markets, and during the past year, a need has manifested itself in the world for remotely controlled, networked cameras to create high-quality broadcast productions with minimal staff and crew over the Internet, from just about anywhere. To meet the requirements of the times, Canon has just announced a new line of 4K PTZ cameras, including the CR-N300 and
Posted 02/23/2021
Emphasizing compactness, Sony's FX3 Cinema Camera is the latest take on blurring the lines between Sony's Cinema and Alpha lines of cameras, marrying the top-end video capabilities of the FX cameras with a portable, handheld-optimized form factor like the a7S III. As a camera straddling the lines of capability and versatility, the FX3 takes some of the most coveted features from both to make the ideal camera for solo
Posted 12/29/2020
Every filmmaker has their own needs on set, so which Canon camera is right for you? In this cinema camera comparison, Doug takes a look at the Canon C70, the Canon C300 Mark III, and the Canon C500 Mark II, as well as rigging options for the
Posted 12/10/2020
Go behind the scenes on our team’s latest video production as they try the Z CAM E2-S6 with the Atomos Ninja V. Doug Guerra shows you his ProRes Raw workflow for filming and color grading, and he also compares the E2-S6 to the
Posted 11/17/2020
In this video review, Doug Guerra explores the features of the Sony PXW FX6, a full-frame 4K cinema camera. This compact camera sits between the Sony FX9 and a7S III and was built for filmmakers who demand light, mobile tools that don’t sacrifice image quality or control. The FX6 is versatile, allowing you to use it on a variety of shoots—from gimbal to drone to documentary work.
Features include a 10.2MP full-frame BSI CMOS Sensor, 15+ stops
Posted 11/16/2020
The RED KOMODO 6K Digital Cinema Camera marks a first for many features never seen before in a RED DIGITAL CINEMA camera. It features a built-in LCD screen, 19.9MP Super35 Global Shutter CMOS, phase-detect autofocus system, 16+ stops dynamic range, the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production, and more. Check out Doug
Posted 05/03/2020
The B&H film crew took the RED Gemini 5K S35 out for a real-world test to see if this cinema camera could work in a run-and-gun situation. Bobby takes you behind the scenes on an independent WW1 film to see this camera in action, then Doug takes you through the post production process and tells you how color grading worked for this 5K cinema camera.
To learn more about the RED Gemini 5K, watch this
Posted 04/20/2020
Jake talks to Paul and Ryan from Canon about the new EOS C300 Mark III Digital Cinema Camera and the CINE-SERVO 25-250mm lens. The Canon C300 III is made for versatility and flexibility. Built on Canon's new Super 35mm
520 Views· Posted 09/12/2019
Sony has just announced the Sony FX9 XDCAM Cinema Camera. Jeff Rojas sat down for an in-depth first look of the camera with Sony's Tom Cubby. A worthy successor to the Sony FS7 and FS7II, the PXW-FX9 features a new full-frame 6K Exmor R sensor, 15+ stops of dynamic range, dual native 800/4000 ISOs, a variable ND and fast hybrid auto focus.
Also announced, Sony’s new
794 Views· Posted 09/05/2019
Canon has just announced the return of the EOS C500 Cinema Camera with the new C500 Mark II. Capable of more than 15 stops of dynamic range, the newly added 5.9k full-frame sensor is sure to bridge the gap for documentary and feature filmmakers, making it the most outstanding feature of this new cinema camera.
Meanwhile, the newly developed DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as 5.9k
1,634 Views· Posted 08/28/2019
We got our hands on the Blackmagic Pocket 6K and took it to the streets of New York City to see how it compares to its predecessor, the Blackmagic Pocket 4K. We explore shooting modes, lens options, settings, and accessories. What do you think of the new features and quality of the footage? Let us know in the Comments section, below.
To read more about the Blackmagic Pocket Cinema 6K, check out
6,476 Views· Posted 03/12/2018
ARRI made cinematic history when the company introduced the ALEXA, in 2010. Now, with the introduction of the ALEXA LF, ARRI has taken its technical know-how and applied it to create a large-format cinema camera. In the video below, Michel Suissa, from The Studio at B&H, converses with Sebastien Laffoux, the President of Camera Sales for ARRI USA, about the ALEXA LF and its new features, as well as its ability to fit into modern cinema and TV production
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