Refine
Done
0 Views
Posted 02/19/21
Portrait and wedding photographer Kesha Lambert talks about her career progression from lawyer to Sony Artisan of Imagery and shares her five tips for posing couples in order to get beautifully candid images during a photoshoot. What tips do you have for couples or wedding photography? Share them in the Comments section, below.
0 Views
Posted 02/17/21
Expanding its L-mount portfolio, Panasonic has just announced the Lumix S 70-300mm f/4.5-5.6 Macro O.I.S. lens, a flexible telephoto zoom with unique close-focusing capabilities. Fitting into the full-frame L-mount lens lineup as a lighter-weight, longer-reaching telephoto zoom than the 70-200mm options, this lens adds on to these benefits with the inclusion of a 1:2 macro designation and apt image stabilization to promote sharper handheld shooting. Considering its portrait-length to super-tele zoom range, this lens is perfect for portraiture, sports, and even wildlife shooting applications. Its quick-focusing Linear AF motor pairs with Panasonic’s DFD technology for responsive subject tracking, and the lens’s physical design, with a built-in focus mode switch and focus range limiter, offers intuitive handling in quick-paced scenarios. Also, benefiting video creators, this lens has well-controlled focus breathing for consistent rendering throughout the zoom and focusing ranges. In addition, one of the spotlight features of this tele zoom is the impressive 1:2 maximum magnification ratio, at the 300mm focal length and 2.4' focusing distance, for half life-size shooting. Optically, this lens features two ED elements, one ultra ED element, and one ultra-high-refractive index element, which all help to suppress various aberrations and distortion throughout the zoom range to achieve high sharpness and clarity, along with accurate color fidelity. An 11-blade diaphragm is featured, too, and yields soft bokeh, along with distinct 22-point starbursts when stopped down. Contributing to intuitive handling, this Panasonic 70-300mm also includes a 5.5-stop effective image stabilization system, which works in conjunction with Dual I.S. 2 on select Panasonic cameras, for robust shake correction to enable sharper handheld shooting. Additionally, this lens is dust, splash, and freeze resistant to suit working in harsh weather conditions. What are your thoughts on Panasonic’s new L-mount telephoto zoom? What lenses do you think are still needed for the L-Mount Alliance? Let us know your thoughts in the Comments section, below. Previous Pause Next
0 Views
Posted 02/09/21
Maria Perez demonstrates how to develop your 35mm black-and-white film at home. She helps you compile a list of all the supplies you will need, shows you the different steps in the developing process, and throws in a few tips and tricks along the way to ensure that your negatives will be well developed. For more exciting DIY videos, click here for BandH.com. Do you have a special setup for developing your film at home? Tell us about in the Comments section!
0 Views
Posted 02/08/21
Great portrait photography comes of careful planning and keeping your eye on specific details, such as lighting, posing, using complementary backdrops, and camera placement. In this B&H video, Jeremy Cohen shares five tips that will help you improve your portrait photography, from how to direct a model to the benefits of framing and using a wide aperture to allow for selective focus. Follow us for more instructive videos, at BandH.com. Do you have any tips for intermediate portrait photographers? Share them in the Comments section.
0 Views
Posted 02/05/21
Portrait photographer Shotti shares his techniques for utilizing negative space in your portraiture, from photo composition to visual storytelling. Join in the conversation—share your own tips on incorporating negative space in your portraits in the Comments, below.
0 Views
Posted 02/04/21
In this B&H Online Video, Doug Guerra tests Sony’s newest full-frame mirrorless camera, the Alpha 1. Sony’s flagship camera is designed to do it all, boasting impressive features such as: 50MP Full-Frame Sensor Up to 30 fps Shooting ISO 50-102400 8K 30p and 4K 120p Video in 10-Bit Real-time Eye AF for humans and animals 759 phase-detection points and 425 contrast-detection areas 120 AF and AE calculations per second and much more! Learn more about the Sony Alpha 1 at the links below, and when you have had any experience with this camera, tell us all in the Comments section! B&H Explora blog post Watch our First Look video Live Panel Discussion
0 Views
Posted 01/31/21
Go behind the scenes with Maria Perez as she shares her snow photography ideas, as well as camera settings, gear, and the meticulous planning and preparation that goes into a winter photoshoot. You can even do this photoshoot at home, in your neighborhood or right in your own backyard. Are you a snow photographer? Care to tell us about your adventures making photos in and around snow? Tell us all, in the Comments section, below, and be sure to come back to BandH.com for more video tips and solutions. 
0 Views
Posted 01/29/21
Professional photographer and post-production wizard Scott Kelby shares five flash photography tips to help bring your portraiture from amateur to amazing. From camera settings to gear, you’ll learn how to utilize flash both in the studio and in the great outdoors! Which do you prefer: indoor or outdoor portraits? What sort of flash do you use, and how do you use it for portraiture? Tell us about your preferences and experiences in the Comments section, below. 
0 Views
Posted 01/22/21
Portrait and headshot photographer and personal branding expert Maurice Jager shares his 5 tips on how to build your personal brand. Authenticity is key when building a business, and Maurice stresses the importance of staying true to yourself when embarking on a branding campaign. What are some of your own tips for branding? Share them in the Comments, below!
0 Views
Posted 01/21/21
Breaking the status quo of medium format, FUJIFILM has announced the GFX 100S. This mirrorless medium format camera ups the resolution to 100MP, shrinks the body size to something highly portable, and packs in a full suite of multimedia recording features to suit both photo and video needs. Alongside the camera body, FUJIFILM has also introduced the fastest autofocus-enabled medium format lens to date: the GF 80mm f/1.7 R WR. Combined, the new camera and lens make medium format approachable and viable for the contemporary image maker, together bringing more speed, more resolution, and more versatility. When FUJIFILM entered the medium format realm in 2017, the company changed the genre with the GFX 50S. This was one of the smallest medium format cameras to date, as well as being one of the more affordable cameras relative to the category. Four years later, FUJIFILM is once again shaking things up with the GFX 100S. Stated simply, this camera is putting 100MP and medium format within reach (and physical grasp) of many photographers. Besides coming in at an impressive price point, this camera is also among the smallest, lightest, and most portable medium format cameras around, feeling more like a full-frame camera than something containing a large 44 x 33mm BSI CMOS sensor. Up until this camera, FUJIFILM’s medium format lineup has consisted of three separate models that were distinct due to physical traits and sensor details. This GFX 100S feels like it’s picking the best features of all three models—the 102MP sensor of the GFX 100, the sleekness of the GFX 50R, and the forethought and presence of the original GFX 50S—and combining them into something truly useful. Statement piece aside, the GFX 100S is, undoubtedly, characterized by its huge, high-res sensor along with its X-Processor 4 image processor, which help to achieve up to 5 fps continuous stills shooting at full-res, along with expandable sensitivity from ISO 50 to 102,400. The slimmed-down body design required an updated 5-axis in-body image stabilization mechanism, which successfully reduces the appearance of camera shake by up to 6 stops when combined with an OIS-enabled GF lens. The new body design also required a new shutter design, which offers increased accuracy and reduced vibration to suit the sensor’s resolution. Both of these elements help facilitate the Pixel Shift Multi-Shot mode, which can be used to create 400MP composited shots in-camera. Beyond stills, the GFX 100S uses its huge sensor area to provide a unique look when recording video, with DCI/UHD 4K recording possible up to 30p with 10-bit F-log or 12-bit ProRes RAW output supported. Complementing stills and video, FUJIFILM has also released a new Film Simulation mode with this camera: Nostalgic Neg, which further emphasizes the filmic look achievable with this camera. The sensor’s design also offers a hybrid autofocus system, which employs 425 selectable points to achieve focus in as little as 0.16 of a second, with AF sensitivity down to-5.5 EV. Phase-detection points cover the full width of the sensor, for high accuracy across the frame, and the processing capabilities afford responsive subject tracking and Face and Eye-Detection AF. Equally as impressive as the high resolution is the compact body, which looks and feels decidedly smaller than your typical medium format body—weighing just about 2 lb for the body and measuring 5.9 x 4.1 x 3.4". Despite the attention given to portability, FUJIFILM has still ensured durability by featuring a magnesium-alloy chassis and full weather sealing around the body, making it suitable for working in inclement weather and freezing temperatures down to 14°F. The body also features a fixed, built-in 3.69m-dot OLED EVF, which offers 0.77x magnification, along with a three-way tilting 3.2" 2.36m-dot touchscreen LCD. A top settings LCD is featured, too, along with a control set that feels like a balance between the GFX 50S and the original GFX 100. The single adjustable mode dial gives quick access to six custom modes, while the top LCD offers immediate confirmation of shooting and exposure settings. Finally, announced alongside this compact beast of a camera, FUJIFILM is also announcing the GF 80mm f/1.7 R WR lens, the fastest autofocus lens available for medium format. Historically, medium format lenses have never been known as being “fast,” and one of the most frequently heard requests from shooters, especially since medium format’s recent bump in popularity, has been to make brighter lenses that are akin to the focal length and aperture combos we’re familiar with in the 35mm format world. FUJIFILM is taking on this challenge with this 80mm f/1.7—a short portrait-length prime that should feel like a 63mm lens on full frame. It’s wide enough to give some context to the scene, tight enough to home in on your subjects, and the bright f/1.7 design will certainly contribute to shallow depth of field to help blur away busy backgrounds. Beyond getting the bright maximum aperture right, FUJIFILM has also made sure to limit the physical size of the lens so as not to be too unwieldy. It weighs 1.75 lb and measures 3.7 x 3.9", making it suitable for location-based jobs and all-day handheld shooting sessions. Optically, the lens features one aspherical element and a pair of ED elements, which boost sharpness and color accuracy, and the lens has a rounded nine-blade diaphragm that further contributes to smooth, round bokeh. And, complementing the camera body, the lens is also weather sealed, capable of performing in freezing temps, and has a protective fluorine coating on the front lens element. FUJIFILM is certainly making big moves with the announcement of the GFX 100S and the GF 80mm f/1.7 R WR. It definitely feels like the company is making a pointed attempt at blurring certain barriers between full-frame and medium format while relying on medium format’s inherent strengths to keep the two formats distinct and separate. It’s exciting to see an attainable 100MP medium format mirrorless camera out in the world, as well as relatively compact and impressively fast lens for the system. What are your thoughts on FUJIFILM’s latest splash in the medium format realm? Do you think the GFX 100S is helping to bridge the gap between full-frame and medium format? What about the fast lens? Let us know your thoughts on FUJIFILM’s announcement in the Comments section, below.
21 — 31 of 586 items

Pages

Close

Close

Close