Sony Unveils Evolved FE 70-200mm f/2.8 GM OSS II Lens10/13/2021
Sony has announced the FE 70-200mm f/2.8 GM OSS II lens, an extensive overhaul of one of the most popular lenses in the G Master lineup. The upgrade boasts completely reconfigured optics, faster and more accurate autofocus, and a laundry list of practical improvements for still and video shooters. A favorite zoom of professional portrait, event, sports, and wildlife photographers, this bright, constant max-aperture lens works well for a wide variety of subjects.
Inheriting lens tech from Sony’s super-telephoto G Master primes, the new lens boosts performance while simultaneously cutting back on weight. At 2.3 lb, it is 30% lighter than the previous model and claims the title of lightest large-aperture 70-200mm on the market. Collectively, it comprises 17 elements in 14 groups and includes an extreme aspherical (XA) element that eliminates distance-related aberrations, like onion-ring bokeh. Two ED and two Super ED elements have also been added to combat chromatic aberration for accurate image rendering. On the exposed elements, a Nano AR Coating II provides anti-reflection protection to temper flare and ghosting so you can use it in challenging lighting environments with minimal distortion.
Corner-to-corner sharpness has been improved, providing the kind of resolution photographers have come to expect from Sony’s G Master line. With a minimum focusing distance a hair under 16" and maximum magnification of 0.3x, the new lens will get you closer to your subjects than its predecessor could. It’s also compatible with Sony’s 1.4x and 2x teleconverters to achieve the reach of up to a 400mm f/5.6 while retaining all communication and functionality. An 11-blade circular aperture produces smooth, natural-looking bokeh when separating subjects from their environments.
Not content to simply tweak optics, the latest G Master also features evolved autofocusing capabilities, making it four times faster and 30% more accurate than its past version. In order to achieve this feat, four extreme dynamic linear motors are used—two for each focusing group—making this the first large-aperture tele-zoom to feature such a design. Internal focusing permits fast, smooth, and quiet capture with less distraction when shooting, and floating elements are featured, too, for consistent sharpness throughout the focusing range.
Videographers will appreciate reduced focus breathing, focus shift while zooming, and axis shift while zooming for consistent capture. Like other recent G Master lenses, the 70-200 includes a de-clickable aperture ring for smooth depth of field adjustments. A full-time DMF switch allows you to activate manual focusing when the focusing ring is used, even in AF-C mode so you can easily fine-tune capture. Linear response manual focusing enables intuitive and accurate focus adjustment, too. Optical image stabilization is available with the addition of Mode 3, which benefits framing stability for moving subjects.
Physically, the lens incorporates a blend of new and old features. Focus, zoom, and aperture are all independently controllable for streamlined, on-lens adjustments. Three customizable focus hold buttons further expand on-lens functionality. Additionally, a focus limiter switch offers full range or infinity-to-3m for more efficient capture. An iris-lock switch is also incorporated into the lens barrel to revert adjustments to the camera body, preventing accidental on-lens changes.
Dust and moisture resistance have been boosted around seams, buttons, and the lens mount so you can take this lens on assignment virtually anywhere with confidence. A fluorine coating on the front element protects against fingerprints, dust, and oil. Last, but not least, the new lens incorporates a refashioned lens hood that has an opening so you can adjust circular polarizer and ND filters, a flocked interior to prevent reflections, and silicone rubber on the front edge for added protection.
Are you a fan of Sony’s G Master lenses? What would you photograph with its latest zoom? Share your thoughts in the Comments section, below.
Wow! Some people will never be satisfied and see the greater value of things. Instead, some will always point or find something negative to say! Thus, with that, I am going to find something negative to say, since this seems to be the trend. I don’t like the blue skies, I would prefer purple or green skies! Really!!! I can make that “white” lens work in any environment, even if I have to cover it! Just saying! If a black lens is that important for the job, spray paint it, cover it, or buy the cheaper alternative. Their is always an option.
Sony, pleased keep the lens white and distinctive!
Black lenses absorb heat when in the sun. This can effect the function of the lens. That’s why Canon & other super teles are white.
This is not true: Tests have proven there is no difference in the solar radiation absorbed (heat) between a white and black object. You can discover this for your self
Why does a black object absorb more radiation than a white one?
Now, something that is black absorbs more wavelengths of the visible spectrum than a white object- none of the visible spectrum reflects off a black object. The opposite is true for a white object. That means black objects absorb more radiation than white ones.
I agree with Jeffery. And why is body of the lens white? I shoot video in theaters and want my cameras (and my clothes) to be dark. Plus, aestheticly it just looks like a total mismatch when attached to the FX9. I know that has nothing to do with the quality of what the lens can deliver, but why can't Sony make the lens look like belongs on the body of the camera?
Yes, it's too bad Canon's white lenses have been a marketplace disaster. 🙄
Get a lens skin for it.
A servo lens would have benefited videographers and cinematograpers. Especially the new FX 6.
Yes a servo lens of this particular lens will be great. I hope they are in the process of doing this . That line started with the 16-35 needs to continue.
In the meantime I will most likely purchase this lens as is for my a7siii. I just got FollowFocusGears for my Nikon 70-200 f/2.8 e , fl , vr .