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Posted 05/26/21
Dolphia Nandi not only teaches you how to edit photos, but how to edit photos like a pro. In this B&H Event Space video, she shows you the tools of the trade, which you can use when editing your photos. Do you have any questions or tips regarding editing your photographs? Use the comments section, below, to communicate with us.
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Posted 12/21/20
Jesús Ramirez of the Photoshop Training Channel shares his compositing pro tips when trying to blend images in Photoshop. He will go over how to use the Perspective Warp tool, the importance of understanding a vanishing point, how to use an adjustment layer, how to cut out hair in Photoshop, and more. Which of these Photoshop tips did you find the most helpful? Let us know, and share your own tips in the Comments section, below.
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Posted 09/14/20
Join Jesús Ramirez in this information-packed photo editing tutorial where you will learn how to take complete control of your photo’s color and tone. Jesús shows you all the new features that Adobe Photoshop 2020 has to offer when it comes to color correction, color manipulation, color matching, and more. Similar photoshop tutorials How to Mask in Photoshop 2020: Select and Mask Tutorial Focus Stacking for Product Photography: From Photoshoot to Photoshop
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Posted 09/12/20
Jared Platt will not only show you how to edit photos in Lightroom Mobile, but how to take photos using the app as well. Thanks to today’s technology, you too can start doing mobile photography and create amazing images all in one app! Similar photography tutorials: Cleaning up Your Mess in Lightroom How to Create a LIghtroom Preset How to Edit Faster in Adobe Lightroom 2020
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Posted 08/31/20
Have you ever wondered how to edit photos like a professional? It starts with setting up your hardware and software for success. Clifford Pickett shows you how to use Adobe Lightroom to its fullest in order to edit faster and improve your workflow. Similar Lightroom tutorial videos: How to Create a Lightroom Preset 5 Quick Tips to Create Lightroom Presets with Jide Alakja
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Posted 04/03/20
Perhaps you want to create a consistent look for your Instagram feed or improve your photos, in general. Sarah Chaput de Saintonge, of Rocky Mountain School of Photography, encourages you to think about your personal style and how to show it in your photos. In this talk, she discusses photographic style, reviews Lightroom Classic’s editing tools, demonstrates editing techniques and how to create a preset. More photo editing tips: How to Create a Preset in Adobe Lightroom How to Clean up Your Mess in Adobe Lightroom Wedding Lightroom Presets with Jide Alakja
2404 Views
Posted 08/13/15
In this video, the 2015 B&H Optic Imaging Conference photographer Tony Sweet talks about the creative aspects and benefits of making photographs with iPhone  camera s. Supplement your iPhone creativity with a series of images, creative app use, and short process videos. With the iPhone becoming the world's most popular camera, the increased resolution can deliver print- quality and even gallery- quality images, but falls short when telephoto shooting is required. Sweet also discusses the benefits and possibilities of pairing your DSLR with your iPhone to share DSLR images.
404 Views
Posted 12/11/14
New York photographers Mindy Veissid and RA Friedman believe that wherever you are, there is fascinating raw material to use to create eye-popping photographs. A study in contrasting ways of working and seeing, Veissid, whose camera of choice is a Canon DSLR with a 24mm-70mm zoom lens, and RA Friedman, who uses a medium format, 40-year-old, 80mm fixed focal length Hasselblad with black-and-white film, plan to illustrate this idea  artfully  while documenting and sharing their discoveries. The camera work the two photographers do promises to result in a new and resonant body of images filled with pairings of colorful and richly textured black-and-white photos. Veissid and Friedman mutually agree on a subject and create contrasting renditions, showcasing how each has a unique approach and photographic eye. Veissid and Friedman work with minimal camera equipment—one camera and one lens—without flash or tripod. They photograph intensely over five days, in five random locales. On these jaunts, they also do short slide shows of their work and Q&A presentations in high schools and local community groups. They aim to bring their unique photographic techniques, methodologies, and working philosophy directly to young photographers and creative enthusiasts, inspiring them to follow their own vision. In this presentation, Veissid and Friedman show some of their work, talk about their project, and discuss their methods of approaching photography—Veissid, who shoots intuitively and, Friedman, about medium format photography. Fopr more information on their project, click here.   Mindy Veissid  is an award-winning fine art photographer and creator/teacher of the  Art of Intuitive Photography. Her approach to photography is based on a feeling rather than thinking approach, in which she has learned to tap into her intuition to help guide her to a destination or subject. Teaching children, teens, and adults, Veissid teache es about how to trust oneself and how to open up and become aware of and follow our intuitive nudges. Veissid  feels that in order to get a photograph that emits a story or an emotion, it must be recognized and seen for the beauty it contains. She ultimately prefers to experience photography rather than "do" photography. Veissid has taught the Art of Intuitive Photography in institutions such as the New York Open Center in New York City, and the ViewFinder Center in Zurich, Switzerland. She has also presented at the B&H Photo Event Space, has been on NBC TV, and has been written about in BBC Capital. Veissid’s  personal work  has been shown in galleries and displayed in East Hampton, NY; East Sussex, United Kingdom; Middlebury, Vermont; Cold Spring, NY; New York City, NY; and has been printed in The Sun.  Before becoming an international fine art photographer in 2009, Veissid worked in the corporate world, lived in Luxembourg, earned her MBA and worked in Switzerland. She resides in New York City,  currently. RA Friedman  takes photographs and teaches photography in New York City, as well as maintaining a live/work studio in Philadelphia. He shoots  primarily   medium format film. His work utilizes digital technology and traditional photographic tools and techniques that connect with the history of the craft. In 2008, he established Tsirkus Fotografika, a photo-booth venture that uses instant film and vintage equipment. His antique Graflex camera is often seen at Jazz Age and Steampunk events. A Technical Theatre graduate of Harpur College, Binghamton, NY, he studied drawing with Charles Eldred and Linda Sokolowski. He received his M.F.A. in painting from LSU, Baton Rouge. From 2009-2011 he was a fellow for “Journeys South,” an initiative of the City of Philadelphia Mural Arts Project.  Self-initiated projects have included a multi-figure pinhole shoot at Penn’s Rotunda during the 2012 Philadelphia Fringe. Friedman’s work has been shown by the Merchant’s House Museum in New York City, along with pieces by Sally Mann. His photos have appeared in The Sun, New York, and Supplementaire (UK). He is a regular contributor of writing and photography to The Laboratory Arts Collective and publishes a weekly email and blog focused on the urban landscape, entitled "The Concrete Muse." You can view Friedman’s work by clicking here. 
539 Views
Posted 09/12/14
In this installment of Real Exposures, David Brommer interviews international conflict photographer Ben Lowy, whose powerful photographs of war-torn countries around the world are highly stylized without losing the essence of their stories. Lowy’s work has been published in magazines and newspapers around the globe, and is in various collections. In this interview, he describes his process, the kind of gear he uses, and how he prepares himself physically and philosophically for an assignment. A slideshow of Lowy’s photographs is included in this presentation.
384 Views
Posted 02/20/14
In order to be a successful individual artist, it’s an unfortunate reality that one must ask for money. Sadly, however, it seems that many artists have no idea how to approach this uncomfortable subject, and don’t know what to say, falling completely flat in a situation with unlimited potential. In this seminar, participants learn how to construct a pitch in a way that's designed to be completely successful. We create a useable outline you can follow and tailor to your individual needs. Some participants practice pitching in front of the group and get feedback on their pitch.
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