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by David Flores · Posted 04/22/2012
Every non-broadcast prosumer camera from Canon, Sony, and JVC has gone from 3-chip to single-chip CMOS. Not that it’s a bad thing. Simplifying sensor design reduces manufacturing complexity and lowers the cost of ownership for imaging enthusiasts. But by reserving 3-sensor builds for premium cameras, there are increasingly fewer options for the budget-conscious videographer or indie filmmaker. Panasonic stands alone as the champion of the low-cost 3-chip. Here’s their latest and greatest --So what’s the big deal with 3-chip cameras anyway? Are
by Michael Antonoff · Posted 04/22/2012
Ever since nanny-cams grabbed the spotlight, video surveillance has hardly been the monopoly of law enforcement. Cameras masquerading as common household objects can be bought by anyone. This raises the question: sure it's a hidden camera, but is the outward product functional? Can the clock with a clandestine camera tell time? As a value-oriented consumer, I want the cover story to be genuine, not a prop. It turns out the answer depends on the product.For example, the
by J. Carlos Perez · Posted 04/22/2012
You’ve got a lot of options these days when it comes to shooting video. You can shoot video with a multimedia phone, or you can opt for the convenience and decent image quality of a shoot-and-share camera like the Flip, or you can even shoot video with your digital camera. All of these options are great when you just want to capture a moment and maybe post it quickly to YouTube, but when you want more quality and a few more bells and whistles, your best option is still a handy, compact camcorder. You can now get several excellent camcorders
by Trevor Boyer · Posted 01/20/2012
This video kicks off our four-part series on teleprompters with a broad overview of the indispensible tool that facilitates truly professional on-camera presentation. The series examines what a professional through-the-glass teleprompter can help you do, and spells out some of the advantages it provides over other options such as cue cards and off-camera teleprompters. You’ll learn the basic components of a through-the-glass teleprompter system, including both hardware and software. In addition, the series delves into more high end,
by Trevor Boyer · Posted 01/20/2012
This segment focuses on simple, entry-level teleprompter systems and teleprompter software. It touches on topics such as smooth scrolling, the distance from the presenter to the lens, and (related to that) the appropriate size for text. For simple teleprompter systems, several freeware teleprompter programs are available. Some of these can smooth out the jitter that can sometimes plague teleprompter playback, and many include views for both the on-camera talent (flipped view) and producer (standard view).
However, for advanced functions
by Trevor Boyer · Posted 01/20/2012
Complex, time-sensitive video projects require higher-end teleprompter gear. This section covers the advantages that higher-end teleprompter systems bring to the table, in both software and hardware. For news programs and for pre-taped multi-segment shows, teleprompter software needs to be capable of handling multiple scripts and multi-segment scripts. For these higher-end programs, script importing needs to incorporate not just simple text, but also bold and multi-colored text. And of course, image flipping needs to happen through the
by Trevor Boyer · Posted 01/20/2012
News broadcasts and live, multi-camera shoots are demanding projects and as such, they require extremely high-end features from their teleprompter systems. Script changes often need to be inserted into the teleprompter script stream in real time. Computer crashes cannot be allowed to derail prompting, which means a backup system of some sort is required.
At this level, the teleprompter hardware and software will come from a single manufacturer. This segment explores the features that the highest levels of professional users demand from
by Marc Spiwak · Posted 12/06/2011
It’s very easy today to record stunning HD video, even with an inexpensive camcorder. But if you want to achieve the video quality demanded by professionals you should be using a large-sensor camcorder. Here’s a look at some of the highest functioning large sensor camcorders on the market.
Sony PMW-F3
“One size fits all” is fine for most consumers, but the ability to change lenses is critical in the world of professional video production.
by Marc Spiwak · Posted 05/02/2011
So you’ve decided to buy a new camcorder. This could be your first camcorder purchase, but it’s far more likely that you’re replacing an older unit. Analog camcorders are now history. Even if you’re not looking to record in high definition or widescreen, you will still be buying a digital camcorder.
The first thing you have to decide is what you want to do with your new camcorder. Are you looking for something that’s super simple to use? Are you looking for something that will fit in a purse or coat pocket? Are you looking for
by Marc Spiwak · Posted 11/11/2010
MiniDV camcorders still offer many benefits, not to mention the terrific quality of the video they capture. Sticking with MiniDV is a no-brainer if you already have a lot of time and money invested in the format. B&H still carries the most popular MiniDV models at the best prices you’ll find anywhere.
If you’re shopping for a MiniDV camcorder this holiday season, be sure to make B&H your first stop. You definitely won’t have to look anywhere else.
MiniDV offers
by Kyle Doris · Posted 06/10/2010
While the camera does most of the heavy lifting, it's always good to grab a few 'essentials' as well as keeping in mind some of the more useful products and the market designed specifically for P2 technology.The most important accessory for the HPX300 is clearly its P2 card. The cards come in three flavors; 16GB, 32GB
by David Flores · Posted 03/25/2010
If you take your camera work seriously, it's impossible to overstate the importance of a tripod. Quality tripod kits do more than just hold your camera rig up. These supports improve composition, force perspective, and provide smooth pan and tilt movements. While taking a look at some fine options from Sachtler and Vinten, we'll examine the form and function of professional tripod supports.Pro tripod systems typically consist of a head, legs (sometimes referred to as sticks), feet, and a spreader. The modular nature of these components allows
by David Speranza · Posted 03/16/2010
For anyone who's bought--or considered buying--a video camera in the last couple years, these are certainly interesting times. That's especially true in the consumer camcorder world, where tape has gone the way of the Tyrannosaurus, taking evolutionary wing into a cloud of 1's and 0's. Whether recording to hard drives or memory cards--and whether or not you're ready for it--solid state recording is the method of choice.
Even Canon,
by Staff Writer · Posted 03/15/2010
The reality of batteries is that unless you have back-ups (or the option of plugging into AC), when they poop out, it's a wrap. Game over. And while it's a common practice (not to mention common sense) to have multiples of critical power supplies on hand when shooting on assignment, you never hear anybody complain about their batteries lasting too long. If anything you're more likely to hear praises to the
by Staff Writer · Posted 03/11/2010
Mixing video is an art. Cutting at exactly the right time to maximize impact, pacing the length of each shot, choosing the best footage or angles to show-- it's about finding the right cadence and rhythm for the audio and visuals.
Finding the right rhythm when mixing a live performance becomes even more critical, because you don't get any second chances.
There's no time for second-guessing yourself. You make your choices, and they're instantly out there for the world to judge.Much like a musician needs the right instruments to play at his