The Sony Cinema Camera Experience

Since the introduction of the first 24 fps digital film system in 1999, Sony’s Cinema Line cameras continue to evolve, incorporating cutting-edge technology while creating film-like looks. This latest generation of digital cine cameras features innovations like the immersive look of full-frame sensors, wider color gamuts, dual-base ISOs, and extensive dynamic range. Choose Sony CineAlta cameras to bring extraordinary color science, full-frame depth-of-field looks, and a selection of cinematic lenses to your motion picture imaging. The line of Sony cinema cameras ranges from the compact FX3 and FX30 to the truly cinematic VENICE 2 with both 8K and 6K options.

A Camera for Everyone

Sony has aggressively expanded its Cinema Line by upgrading its top-of-the-line VENICE series and adding a class-leading PTZ option while also pushing the entry level with better and more accessible models for all types of shooters. Whether you are a beginner or working pro you’ll find something great in this series.

For Creators

FX30: Leap into Filmmaking

Aspiring filmmakers now have a more accessible—yet still feature packed—compact cinema camera in the FX30. This camera keeps the same external design as the highly-regarded FX3 while swapping out that model's sensor for a 26MP APS-C/Super35 model. The camera can still realize advanced recording in 10-bit 4K up to 120p, output raw video, and make full use of Sony’s advanced S-Log3 and S-Cinetone Picture Profiles. This is the camera to beat for up-and-coming filmmakers.

Could this be the best entry-level cinema camera? Check out our Sony FX30 Hands-on Review.

FX3: Cinematic Freedom

Designed for individual users, the FX3 offers full-frame capture in a super-compact, cage-free, mirrorless-sized form with UHD 4K frame rates up to 120 fps. The FX3’s advanced autofocus features, an expandable 80-102,400 ISO range that handles a range of exposure levels, in-camera stabilization, mobile control, and S-Cinetone compatibility all help solo users create pro-level footage. You can mount a variety of accessories directly on the ultra-compact FX3 form for a streamlined, cage-free rig that is easy to take almost anywhere, and you can add two XLR audio inputs using the detachable top handle. Independent content creators, travel mavens, and event photographers will appreciate the FX3’s ability to capture still images and uninterrupted 4K60 video and to output 16-bit raw video.

*The Sony FX3 Is Now Netflix Approved with the release of firmware version 2.0.

For Professional Cinematography

FX6: Tell Amazing Stories

Designed with “grab-and-go” mobility in mind, the compact and lightweight FX6 will appeal to documentary and indie feature or series creators, either as your main camera or—thanks to key shared features such as DCI 4K60 capture, HLG gamma, and a variable ND filter—as a “B” camera, drone, or gimbal unit companion to your FX9 or VENICE “A” camera. Pro FX6 features include an SDI video output, a time-saving quick menu, 16-bit raw video output, Wi-Fi connectivity, and dual XLR audio inputs. Record 10-bit 4:2:2 X-AVC I video at rates up to 4K 120p to efficient CFexpress Type A cards or to widely available SD cards. Multiple autofocus options and quick switching to manual focus let operators instantly select whichever method suits the current action.

FX9: Full-Frame Creativity

Create expressive features, television shows, and commercials with high-resolution, full-frame DCI 4K30, oversampled Super 35 UHD 4K60, or full-frame 1080p video at up to 120 fps using the modular Sony FX9. Dual-native 800 and 4000 ISO bases let the FX9 shine at low-light capture, and its ability to import up to 16 LUTs enables you to customize your look. Incredibly nuanced details are revealed by its back-illuminated 6K sensor and 15+ stops of dynamic range, whether you’re internally recording 4:2:2 10-bit video or outputting 16-bit raw using the optional XDCA-F9 external recorder. Dual HDR/SDR support enables you to shoot for HDR while also preparing an SDR version of your content. Choose HLG gamma for a fast, ready-to-view workflow or opt for S-Log3 when you want the freedom to grade for a specific look in.

FR7: Truly Cinematic PTZ

Claiming the title of world’s first full-frame PTZ camera, the FR7 brings Cinema Line image quality and functions into a whole new arena. Using the Sony E mount and a 10.2MP (effective) full-frame image sensor, complete with advanced autofocus and high-sensitivity imaging capabilities, the FR7 captures video that is a perfect match to cameras like the FX6 in 10-bit 4K at up to 120p. It is a full-fledged PTZ camera as well, with smooth remote control functionality for adjusting the pan, tilt, and zoom positions using a remote, such as the optional Sony RM-IP500.

The FR7 has additional hardware for cinematic capture, including an built-in electronic variable ND filter. It also has standard connectors to integrate it into a full PTZ setup, including S700 protocol support via Ethernet, power over Ethernet, and more.