Portraiture Lenses

0 Views ·Posted 10/13/2021
Sony has announced the FE 70-200mm f/2.8 GM OSS II lens, an extensive overhaul of one of the most popular lenses in the G Master lineup. The upgrade boasts completely reconfigured optics, faster and more accurate autofocus, and a laundry list of practical improvements for still and video shooters. A favorite zoom of professional portrait, event, sports, and wildlife photographers, this bright, constant max-aperture lens works well for a wide variety
0 Plays ·Posted 08/12/2021
On this week’s episode of the B&H Photography Podcast, we welcome back an old friend of the show, photographer Mark Mann. Mann is known for a catalog of portrait work that includes celebrities, musicians, and politicians of the highest regard. In our previous episode with Mann, we discussed photographing Bill Murray
0 Views ·Posted 03/16/2021
Sony has officially entered the realm of extremely fast glass with its newest addition to the G Master family: the FE 50mm f/1.2 GM lens. Not only does the new lens add one of the most popular prime focal lengths to Sony’s top-tier lineup, but it also becomes Sony’s fastest E-mount lens to date. The flexibility of the 50mm focal length and brightness of an f/1.2 aperture make this lens an ideal candidate for portraiture and fashion, whether
by Bjorn Petersen ·Posted 12/02/2020
Compared to many other manufacturers, FUJIFILM’s strategy has been to skip the trend of full frame by “sandwiching it” and focusing on APS-C-format and medium format mirrorless systems. This unique decision means that FUJIFILM is pressed to keep two lens mounts active to maintain interest for both systems, and 2020 saw FUJIFILM on its game with a series of releases for X and G lens mounts. Its APS-C-size X System is the more mature system and, as such, the company has been focusing on filling in gaps and even repeating focal lengths with
by Bjorn Petersen ·Posted 10/20/2021
With another year dedicated to mirrorless, Canon had a productive 2021 regarding lens releases, with seven new optics added to its rapidly growing RF system. The brand’s releases this past year straddle both ends of the focal length spectrum, with a few falling into the ultra-wide-angle category and a few hitting the telephoto and super-telephoto sweet spots for which RF shooters, especially those who picked up the new EOS R3 this year, have been pining. Let’s dive into Canon’s lens releases from 2021. RF 100mm f/2.8L Macro IS USM Maybe the
by John Harris ·Posted 09/23/2020
The most engaging portraits seem to have direct eye contact between subject and viewer, as if the camera were simply a window through which we’re looking. But is it that simple? So much goes into making a good portrait, can success simply come down to eye contact between subject and camera and is it even necessary to concentrate on the eyes for a portrait? There are certainly wonderful portraits that do not focus exclusively on the eyes that illustrate character with other aspects of the body, from posture to hands, but as an introduction to
by Allan Weitz ·Posted 07/08/2020
Few camera lenses helped to define a brand name more than Nikon’s NIKKOR 105mm f/2.5. Produced from 1959 to 2005, this portrait lens underwent five updates during the course of its production run, including a complete makeover, in 1977. Considered by many photographers to be one of the sweetest portrait lenses ever made, it shouldn’t be a surprise to learn it was the very lens used by Steve McCurry when he photographed the legendary “Afghan Girl” cover for National Geographic magazine. Photographs © Allan Weitz 2020 Based on Nikon’s 10.5cm f/2
by Allan Weitz ·Posted 06/05/2020
Pentax has announced the latest addition to its next-generation Star series prime lens family—the HD PENTAX-D FA* 85mm f/1.4 ED SDM AW. Designed for use with all full-frame and APS-C format, Pentax K-mount cameras, Pentax’s latest flagship prime lens features a
by Bjorn Petersen ·Posted 03/02/2023
Just like any other genre of photography, portraiture is a creative field that knows no bounds. There are no rules dictating how a portrait needs to be made, how it needs to look, or more specifically, how it was shot. On the other hand, photographers love to categorize and label things based on “best” and “typical” usage situations (and I’m certainly guilty of doing this). One of the labels that bothers me is the term, “portrait lens.” I think most photographers would have a decent sense of what kind of lens I’d be referring to if I wrote “