Film Photography

0 Plays ·Posted 11/16/2023
1950s America proved fertile ground for photographers Robert Frank and Todd Webb, who both received Guggenheim Foundation grants to traverse the country in 1955 and record their respective visions. While Frank’s resulting book, The Americans, eventually made him a legend, Webb’s photographs remained unpublished, and were all but lost to history due to a 1970s-era business deal gone bad. The saga of Webb’s unaccounted-for archive and its eventual recovery is one of the juicier tidbits from today’s show, which focuses on the long-awaited
0 Plays ·Posted 12/01/2022
In an era brimming with instant gratification, some things are worth the wait. This is an apt takeaway from our chat with photographer Charles Daniels about his long-outdated film from the legendary Boston Tea Party and other ’60s-era music venues, rarely processed until recently. Joining Daniels in conversation is his long-time partner Susan Berstler, and Gerald Freyer from Film Rescue International, the unique image processing and digitization specialists entrusted with his mother lode of 4,000-plus
0 Views ·Posted 06/16/2022
Berty Mandagie discusses film photography tips that beginners need to know! 0:00 - Intro 0:14 - Tip 1 - Shoot with Confidence 0:36 - Tip 2 - Know Your Camera 1:06 - Tip 3 - Try Them All 1:43 - Tip 4 - Prime Lens 1:59 - Tip 5 - Remember Your Camera Settings 2:35 - Final Thoughts What are your final thoughts? Tell us how you really feel in the Comments section, below!
0 Plays ·Posted 05/19/2022
In 1966, a twenty-one-year-old French woman bought a one-way ticket to Vietnam, where the American military involvement was becoming a full-scale war. The young Catherine Leroy was an admirer of photographer Robert Capa and the “reportage” she grew up seeing in Paris MATCH magazine, but she had little photojournalism experience. Despite that, and despite her particularly small physical frame, Leroy began as a freelance “stringer,” photographing the growing
0 Plays ·Posted 03/03/2022
On today’s episode of the B&H Photography Podcast, we talk to an old friend about a new book―two-time past guest Amy Touchette joins us to discuss her book of street portraits. She also brings a friend with her, none other than photographer Larry Fink. Is it fair to call Fink a photo legend? We think so, and clearly the people at the
0 Views ·Posted 08/23/2021
Join George Tice as he discusses his photography career, from its beginnings to his various photography assignments through the years. What has most inspired you about George Tice’s career? Join us in conversation in the Comments section, below!  
0 Plays ·Posted 06/03/2021
Every now and again there are conversations that flow and sparkle; they seem laden with professional insights and creative gems. Our chat with photographer Mona Kuhn is one, and perhaps it’s Kuhn’s self-awareness, her quiet confidence, and an ability to articulate her motivations that make it so. There are few who will disagree that her visual stories, her portraits, nudes, landscapes, and photo essays are among the most assured in contemporary photography, and on this episode of
0 Plays ·Posted 03/11/2021
This is the second episode of the B&H Photography Podcast produced with the collaboration of Leica Camera, and we are pleased to welcome photographer Stella Johnson to the show. It is the “in-between moments of life” that Johnson describes as the subject of her work, work that includes books and documentary
by Todd Vorenkamp ·Posted 02/11/2021
We cannot be certain, but it is a fair bet that the folks who invented the modern digital cameras, be they DSLR or mirrorless, did not envision that they would be attached to large format view cameras. Can you do it? Yes. Does it work? Yes… I guess. Is it practical and easy? Nope. Should you do it? Maybe. Is it fun? Yes! I will admit, I’ve never shot large format film. I have friends who shoot large format and it always looked super cool watching them adjust focus on a view camera and compose the scene from an inverted image on a beautiful
by Bjorn Petersen ·Posted 02/11/2021
Despite digital being the prominent and popular photographic medium, I’m here to count the ways in which film is still better than digital photography. It’s a bold claim, sure, but it’s a subjective topic that is still worthy of discussion. It’s no surprise that digital technology is still, to this day, modeled after film and made to produce photos that look like they were taken with film. Things might be easier and more efficient with digital, but film is still where it’s at. Film Looks Better This is the area where the debate between film
by Cory Rice ·Posted 02/10/2021
The years between the mid-19th and mid-20th centuries were some of the most inventive for photographic processes. As the camera began to be taken seriously as an expressive tool, photographers started exploring the creative possibilities offered by various printing processes, including pigment-based printing techniques such as carbon printing and later carbro printing. Above photograph: Harry Warnecke, Inauguration of Franklin Delano Roosevelt, 1937, 1937, carbro print. Courtesy of the National Portrait Gallery, Smithsonian Institution The
by Todd Vorenkamp ·Posted 02/11/2021
We asked some long-time film-shooting B&H experts and B&H Creators: What is your favorite film/camera combination? Below are their answers and their photos. Don’t forget to check out the B&H Used Department, where you might be able to grab some of the cameras mentioned below! Allan Weitz, B&H — @allanweitz “If I
by Bjorn Petersen ·Posted 06/20/2023
How much do you know about film photography? We dug deep into the past to find these seven pointers for you. Test your knowledge against our film tips, tricks, and lore. 1. Don’t Shake Your Polaroid Pictures Contrary to the message conveyed in the Outkast song “Hey Ya” (company policy prevents us from linking to it on YouTube), you shouldn’t shake your Polaroid pictures. Besides the fact
by John Harris ·Posted 02/10/2021
I received my Canon T50 as a birthday present from a parent who knew little about photography. But what I surely didn’t know at sixteen was that this camera would mark the beginning of my photography career and also the beginning of the end for Canon’s FD mount. A sentence like that could only float by on a pillow of sentimental hindsight, but it is true that my first photo exhibit was of images taken with the T50 and, also fact, that in 1987 Canon introduced the “Electro-Focus” EF mount and EOS system, which was soon to make the FD mount,
by Shawn C. Steiner ·Posted 02/05/2021
Welcome to B&H's Film Photo Week! Running from February 7-12, 2021 across all of B&H's channels will be loads of new content and events about film photography. You'll find invigorating chats with working photographers who still haven't put away their film cameras, tutorials to make the most of that camera in your closet, and even some opinions on how film works in contemporary photography workflows. Find us on social media at #BHFilmPhotoWeek to talk about all things