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Cinematography
0 Views ·Posted 06/18/2021
Have you ever wanted to learn how to animate a picture or make an endless looping photo? Jennifer O’Brien shows you how to create cinemagraphs.
Share your experience with cinemagraphs in the Comments section, below.
0 Views ·Posted 05/28/2021
Go behind the scenes with Food Visualist and Commercial Director David Ma as he shares his five tips for food videography, including food styling, creating cinematic shots, producing and more.
Do you work in food videography? If you have any tips you’d like to share, or questions about the process, please use our Comments section.
0 Views ·Posted 05/01/2021
Have you ever wanted to film an epic-looking commercial? Filming close-ups (or macro) allows you to capture epic b roll that will make your product videos stand out. Visual engineer @Steve Giralt shares his macro videography tips to help you create a cinematic product video.
Are you a macro videographer? Share your tips or ask questions in the Comments section, below. We are always pleased to hear from you.
0 Views ·Posted 11/16/2020
The RED KOMODO 6K Digital Cinema Camera marks a first for many features never seen before in a RED DIGITAL CINEMA camera. It features a built-in LCD screen, 19.9MP Super35 Global Shutter CMOS, phase-detect autofocus system, 16+ stops dynamic range, the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production, and more. Check out Doug
With its global market share now approaching eighty percent, DJI is the undisputed leader when it comes to consumer drones. However, despite widespread recognition and its dominant market standing, many consumers don’t realize DJI’s product line goes well beyond its unmanned flyers. For those understandably unaware individuals, we’ve put together this buying guide that covers several of DJI’s prominent categories, with exemplary products from each.
Drones
Despite
1,102 Views ·Posted 11/21/2019
Take your videos to the next level with this introduction to camera movement for cinematic video. Jake shows you some basic filming techniques, as well as equipment!
41 Views ·Posted 01/02/2019
Come learn about VR and AR video workflows with Director and Cinematographer Jim Geduldick, of Wairua Studios. Geduldick will showcase his work and his creative process, as well as his workflow between Mac and PC computers with G-Technology products. We hope you enjoy this presentation, and we invite you to view the wide selection of other instructional and informative videos at BandH.com.
179 Views ·Posted 07/13/2018
In this installment of B&H's Prospectives Series, we sit down with cinematographer William Wages, ASC. He shares his approach to cinematography, and how naturalistic, motivated lighting helps tell a story in the best possible way. Wages also goes into his thoughts on the digital versus film debate, preparing for a shoot ahead of time, and his experiences with the new Panasonic Varicam LT.
In the following video, Doug Guerra of B&H discusses 4K video and why it is becoming an ever more common format. This is an introduction to 4K and the beginning of a multi-part series where you can learn more about the ever-growing format. Guerra hits on a variety of points, such as future-proofing, impacts to overall image quality, and even how it can benefit Full HD productions. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative
Cinematographer Mark Raker illustrates his techniques for macro cinematography that help create a realistically life-size image, using a model car. Raker shows us what lighting, lenses, and other gear to use, as well as the correct perspective and set for creating the illusion of a larger image.
1,739 Views ·Posted 01/17/2018
In this B&H Event Space video, Jem Schofield, founder of the production company and educational resource the C47, walks you through the challenges of and effective solutions to film production as a solo endeavor or with a small crew.
While film production equipment has gotten better and less expensive in recent years, the size of film crews have shrank. Companies are building small in-house production teams to create ongoing and high-quality content for their web and social media outlets, and corporate video production companies have also
In this B&H Prospectives video, we catch up with Academy Award-winning cinematographer Russell Carpenter, ASC, who describes his philosophy, breaks down his process and shares some indelible filmmaking experiences, along with valuable wisdom for creatives in all disciplines. As the guardian of the director’s intent, Carpenter talks about how he wears at least four hats on set, as a storyteller, a technician, a manager of time and resources, and a politician—especially when things aren’t going the way one might have hoped. From pre-
949 Views ·Posted 05/23/2017
Cinematographer Mark Raker illustrates his techniques for macro cinematography that help create a realistically life-size image, using a model car. Raker shows us what lighting, lenses, and other gear to use, as well as the correct perspective and set for creating the illusion of a larger image.
Polly Morgan (BSC) was born in London and worked internationally as a Camera Assistant before attending The American Film Institute, in 2010. Named an ASC Rising Star, in 2012, Morgan has since become one of the youngest members to join the British Society of Cinematographers.
In 2016, she was named as one of Variety’s Ten Cinematographers to Watch. Her feature film credits include The Intervention (Sundance Film Festival); The Truth About Emanuel (Sundance Film Festival); and The Pretty One (Tribeca Film Festival). Her TV credits include:
One of several innovations brought about by the Panasonic Varicam line lives inside the sensor. The fact that this sensor can operate at not one, but two native ISO values (800 and 5000), means reduced noise and images with higher dynamic range in low-light scenarios, without sacrificing standard performance in more typical situations. In this video, cinematographer Charles Papert explains how this feature can be leveraged for achieving natural-looking images in both low-light and bright situations. We hope you enjoy the video, and invite you
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