Cinema Lenses

by Zack Young ·Posted
Venus Optics is following up its popular Laowa Ranger full-frame lens series with a new set of cine lenses designed for the S35 market. Announced ahead of NAB 2024, the Laowa Ranger S35 Cine Zoom Lens set features three compact cinema lenses with focal length ranges of
by Jordan Gallant ·Posted
DZOFilm’s PAVO 2x Anamorphic line has added new focal lengths to further expand your filmmaking capabilities with vintage cine qualities. Included in this release are 65mm, 135mm, and
by Shawn C. Steiner ·Posted
We’re a week away from the 2024 NAB Show and lots of exciting new products have already been announced. Lens-crafters NiSi and Atlas Lens Co. unveiled new additions to their signature cinema lineups. Industry-titan Sachtler updated its lauded Ace tripod system. We also got not one but two teasers for upcoming product launches from DJI.  NiSi ATHENA PRIME series brings on 18mm, 40mm, and 135mm lenses NiSi is a relative newcomer to the world of cinema lenses, but they’ve made a strong showing so far, offering lenses that strike the right balance
by Zack Young ·Posted
A little over a year ago, Atlas Lens Co. made major waves in the cinema world with the release of its original eight Orion 2x T2 Super35 prime anamorphic lenses. Merging vintage characteristics like notable flare and disproportionate breathing with more modern color consistency and controlled bokeh, these lenses quickly found a home in Hollywood features and high-end independent work. Now, Atlas has announced three focal lengths—
0 Views ·Posted
If your next project is budget-driven but you need that classic cinema look, the new ZEISS Nano Prime lens line is designed for mid-range cameras, such as the Sony FX9 or BURANO, to lower-end cinema cameras, such as the Sony FX6 or FX3. The entry-level E-mount lenses come in 18, 24,
by Jordan Gallant ·Posted
DZOFilm has rounded out its Gnosis Macro Prime series with the new Gnosis 24mm T2.8 Macro Lens, available with imperial or metric focus markings to create one cohesive range for wide-angle, macro-focused shots. The 24mm lens itself, like others in the series, has a built-in ARRI LPL-mount with PL and EF-mount adapters to
by Jordan Gallant ·Posted
IRIX Cine has released a telephoto counterpart to its macro lens to better suit your long-distance focusing needs. These 150mm T3.0 Telephoto Cine Lenses come in a slew of mount options—Canon EF, Canon RF,
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Let’s take a look at DZOFilm's line of macro prime lenses and how they look when used for food videography. Each lens includes ARRI PL and Canon EF lens mounts, making it suitable for use with a wider selection of cameras. DZO Film 35, 65, 90mm primes The 32mm T2.8 Gnosis Macro Prime Lens from DZOFilm provides impressive close-up
by Jordan Gallant ·Posted
Designed with the arthouse filmmaker in mind, DZOFilm’s limited-edition VESPID Retro 7-Lens Kit with Hard Case features seven PL-mount lenses of varying focal lengths, with silver detailing, for a complete system suited for full-frame cinema cameras. The kit embraces the “retro” look while executing modern imagery.
by Steven Gladstone ·Posted
Do you wish the classic Leica M lenses, with their iconic look, were better suited for large format cinematography? Well, Leitz has some great news for you. The new Leitz HUGO lenses use the same Leica M optics that have made the Leitz M 0.8 series so popular, but feature the same housing style and build quality that have helped make the Leitz's cinematography lenses a reliable choice in the demanding cine production field. Lightweight, with close-focusing capability, these new HUGO lenses are a wonder, blending the classic Leica M look with
by Jennifer Hahn ·Posted
Sigma has just announced two new additions to its Cine Lens lines, bringing the 65mm focal length to the already impressive lineup. The 65mm T1.5 FF High-Speed Cine Prime is a welcome addition to the high-speed Cine Prime line that already includes 20, 24, 28, 35, 40, 50, 85, and 105mm models. Meanwhile, the new
by Jordan Gallant ·Posted
DZOFilm’s newest full-frame lens line provides impressive magnification for small subject matter with a wide range of camera mounting capabilities. The Gnosis Macro Prime lenses come in 32mm, 65mm, and 90mm
by Jordan Gallant ·Posted
DZOFilm rounds out its VESPID and Catta lens collections with exciting new products. Coming to the VESPID T2.1 prime lens line are two new focal lengths for PL-mounts—21mm and 40mm—and an all-inclusive PL-mount
by Steven Gladstone ·Posted
The Laowa Nanomorph 1.5x anamorphic lenses from Venus Optics combine innovative design with high-quality optics to create a set of anamorphic lenses for Super35-sized sensors that are incredibly compact and lightweight, enabling you to take your anamorphic cinematography to places undreamed of in the past. The lenses are available in three focal lengths—
by Mary Latvis ·Posted
B&H is excited to share DZOFilm’s announcement of its new VESPID Cyber full-frame cine-style prime lenses. While full details are still yet to come, these primes appear to be updated versions of the existing VESPID Cyber lenses with the addition of a lens data interface that can transmit information that is vital to F/X work and to matching shots on different days or in different locations. Unique Data Interface Function Available to start in