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Posted 09/09/2021
What do the films Goodfellas, The Devil Wears Prada, Creed, Ocean’s 8, and Die Hard with a Vengeance have in common? The poster art, publicity, and behind-the-scenes photography for these and about one hundred other feature films were made by photographer Barry Wetcher, and we welcome Wetcher to this week’s episode of the B&H Photography Podcast. On-set still photography or, simply, “still photography” is one of the more unique jobs found under the big tent that is photography. The skills needed to excel in this work incorporate abilities from many photographic genres. Portraiture, documentary, news, action, and still life talents are all called upon to create the images needed for varied purposes, but perhaps the most important skill is the ability to understand the many moving parts and dynamic personalities of a film shoot and to find a way to be everywhere but nowhere at the same time. With Wetcher, we talk about the specific demands of the craft, about the evolution of gear from film to DSLR and, ultimately, to mirrorless (Nikon and FUJIFILM, in Wetcher’s case), and mostly about how to best navigate the world of producers, directors, cinematographers, and actors to create the seemingly ephemeral but truly indelible images of movie history. We also find time to ask Wetcher about some of the legendary actors and directors he has photographed over the years. Join us for this enjoyable and informative chat with Wetcher and, as it turns out, his “Brooklyn Brother,” host Allan Weitz. Guest: Barry Wetcher Photograph © Barry Wetcher Chadwick Boseman in “Marshall,” 2017 © Barry Wetcher/Open Road Films Human Green Screen from “I Am Legend,” 2007 © Barry Wetcher/Warner Bros. Pictures James Gandolfini in “Not Fade Away,” 2012 © Barry Wetcher/Paramount Vantage Joe Pesci in “GoodFellas,” 1990 © Barry Wetcher/ Warner Bros. Pictures Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 08/05/2021
The photos of David Rothenberg are some of the most exciting that we have seen in a while―condensed and entangled compositions of airplanes over urban housing and portraits of travelers, through plane windows, or bathed in a holy light at a train station. His work is provocative, playful, and compassionate and asks us to look at compositions and subjects carefully, addressing issues of isolation and hope. On this episode of the B&H Photography Podcast, we ask how a fine-art photographer works his way through the neighborhoods and transportation hubs of Queens, NY, making such insightful images. Rothenberg’s books, Landing Lights Park and Roosevelt Station, are wonderful series and, with him, we discuss the evolution of these projects, the gear and locations he chooses, how he interacts with subjects, and the editing and sequencing of the books. Guest: David Rothenberg Photograph (detail) © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/07/2019
At the B&H Depth of Field Wedding and Portrait Conference, being held this week in New York, we were fortunate to sit down with a straight-up legend— Albert Watson. It would be hard to overstate his accomplishments as a photographer, and his ability to master a range of photographic genres—from fashion and advertising to still life, fine art, and reportage—is uncanny. He has shot more than 100 Vogue covers, 40 covers for Rolling Stone, and created iconic images of Steve Jobs, Mick Jagger, Alfred Hitchcock, David Bowie, a nude Kate Moss, and a properly clothed Queen Elizabeth, who later bestowed upon Watson an Order of the British Empire (OBE) for “services to photography.” On this week’s episode of the B&H Photography Podcast, we present our conversation with Watson, which also serves as an intro to future episodes, which will present a sampling of conversations we held with other wedding and portrait photographers at the Depth of Field Conference. Join us for this inspiring conversation and subscribe on Apple Podcast, Google Podcast, Overcast, and Stitcher for all upcoming episodes.  Guest: Albert Watson Albert Watson on the B&H Photography Podcast © John Harris Albert Watson on the B&H Photography Podcast at the 2019 Depth of Field Conference © John Harris Allan Weitz and Albert Watson © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/10/2016
Every year, B&H hosts the OPTIC Imaging Conference, a four-day event showcasing the best nature, landscape, and travel photography. The 2016 edition was a stellar outing, with presentations from some of the most interesting photographers working in those fields. It also serves as a chance for participants to put their hands on the latest cameras, lenses, and gear from all the major manufacturers.  To hear the segment of a particular manufacturer, go to any of these marks in the timeline: • Sigma: 2:10 • Fujifilm: 10:18 • Canon: 16:40 • Lensbaby: 24:40 • Sony: 35:20 • Panasonic: 45:35 • Tiffen: 54:12 • Tamron: 61:17 • Nikon: 68:46 OPTIC is a wonderful opportunity to embrace photography, interact with incredible photographers, and play with the latest tools of the trade. This year, legends such as Michael Kenna and Paul Caponigro spoke and presented work, and we will be sharing our conversations with them and other photographers in future episodes, but today we feature a collection of our talks with representatives of the major camera and lens makers. And while we tried to have them divulge secrets for their as-of-yet-unannounced marvels waiting for us on the designer’s tables, we had to settle for updates on their newest cameras, lenses, filters, and adapters. We also snuck in some chat about the current and future state of the camera industry, and a few laughs to boot.  Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play. Guests: Marc Farb, Michael Bulbenko, Rudy Winston, Ken Mitchell, Amy Klotsman, Tom Curley, Michael Cassara, K.T. Leung, Lindsay Silverman b Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producers: Bryan Formhals, Lawrence Neves
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Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
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Posted 06/16/2016
The OPTIC 2016 Imaging Conference provided numerous opportunities to talk with some of the most respected nature and landscape photographers working today, but the highlights of our two days at OPTIC had to be our chat with Michael Kenna, the event’s keynote presenter, and our conversation with Paul and John Paul Caponigro. It is unnecessary to summarize the work of these three photographers in any quick description but, suffice it to say, each is a master of his craft. While their work is distinctive and unique, it was wonderful to hear of their common vision, approach—and yes, spirituality—and for this reason, we present their conversations together. With Kenna we spoke of process, why he sticks with medium format film photography and what motivates and inspires his work. With the Caponigros, we touched upon the spirit of art, how to communicate with nature and, with Father’s Day in mind, how to let a child discover his or her own path to artistic expression. Join us for these two inspirational conversations. Photographs © Paul Caponigro (left) and John Paul Caponigro  Guests:  Michael Kenna (1:30-30:05), Paul and John Paul Caponigro (31:00-57:10)   Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play. Michael Kenna, Jason Tables, Allan Weitz John Harris Paul Caponigro, John Paul Caponigro, Jason Tables, Allan Weitz, John Harris Dana Glidden b Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producers: Bryan Formhals, Lawrence Neves
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Posted 02/10/2016
If you’ve ever doubted that photography is a multi-faceted endeavor, this episode should cure you of that delusion. Here at B&H, we deal with the nuts and bolts of photography—we can talk f/stops, megapixels, composition, and classic cameras with the best of ’em, but for today’s podcast, we clean ourselves up to chat with two leading figures from the art and theoretical side of photography. Roxana Marcoci, Senior Curator in the Museum of Modern Art’s Department of Photography and the adroit, multi-talented Stephen Mayes join us to discuss Ocean of Images, MoMA’s most recent iteration of its venerable New Photography exhibition series. This impressive gathering of photographers and artists sparks themes regarding the proliferation of images, the fluidity of photography, and the ever-evolving interpretation of how photography fits into the world of art. Strap on your thinking caps.  Guests:  Roxana Marcoci and Stephen Mayes To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS.         Photos by John Harris         Installation view of Ocean of Images: New Photography 2015. The Museum of Modern Art, New York, November 7, 2015–March 20, 2016. © 2016 The Museum of Modern Art. Photo: Thomas Griesel b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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Posted 10/19/2018
In less than an hour, this podcast will teach you everything you need to know about night photography. Seriously. While our show is not a tutorial, the conversation is so broad and so deep; it touches upon every aspect of the craft. Guests Gabriel Biderman and Todd Vorenkamp blanket this subject with an engaging and humorous tone—from the psychological predisposition common to night shooters and the science of rods and cones to cameras, gear, apps and a recipe for creating images of star trails. This is truly an episode for all levels of shutterbugs seeking to explore or master image making at night. Well done guys! Guests: Gabriel Biderman and Todd Vorenkamp To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. Thank you for joining our journey into night photography! For more Visualizing the Night content, please click here: Visualizing The Night and share your enthusiasm for the art below in the comments section or reach out to us on social media using #visualizethenight. Thanks for reading!       Photos by Todd Vorenkamp www.trvphoto.com    Photos by Gabriel Biderman www.ruinism.com b Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/07/2016
Pulitzer Prize and Cannes Lions award winner Vincent LaForet has accomplished so much in still and motion photography, yet he continues to push himself to create images he has “never seen before” and this drive has led to his most recent passion project on high-altitude night photography and the incredible book, AIR. LaForet joins us for an in-depth conversation on the thrills, as well as the logistical, technical, and physical challenges of creating the images for this book. From lessons taught to him by his father, to combat and sports photography, to the pressure of self-funding a project, to gear and technical advice, LaForet regales us with wonderful stories from his career and the making of AIR. To see footage of LaForet in action and the making of AIR, check out this B&H Prospectives Video. Guest: Vincent LaForet To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. Thank you for joining our journey into night photography! For more Visualizing the Night content, please click here:  Visualizing The Night  and share your enthusiasm for the art below in the comments section or reach out to us on social media using #visualizethenight. Thanks for reading! Berlin Chicago Las Vegas Miami New York Sydney Photographs © Vincent LaForet (Left to right): Todd Vorenkamp, Vincent LaForet, Allan Weitz   b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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