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Posted 09/18/2019
On today’s episode of the B&H Photography Podcast, we revisit our conversation with Stephen and Bette Wilkes in honor of the release of Wilkes’s great new book Day to Night, and the accompanying gallery show at the Bryce Wolkowitz gallery, in New York. We also spend a bit of time reflecting on a few of the legendary photographers who have died recently. The Day to Night series that Stephen Wilkes has been working on for ten years has received much-deserved attention and has grown from its New York roots to encompass locations in Europe, the Middle East, Asia, and Africa. These photographs, which capture a full 24-hour cycle in one frame, are awe-inspiring when viewed as a whole; fascinating when analyzed in detail; and monumental when considered as a production. On today’s episode of the B&H Photography Podcast, we speak with Stephen Wilkes and Bette Wilkes—his wife, business manager, and the behind-the-scenes producer of these incredible photographs. Our conversation is easygoing and bounces back and forth between Mr. and Ms. Wilkes, emphasizing their intertwined working relationship. With Mr. Wilkes, we speak of the genesis of the project and the influences he finds in the paintings of the Dutch Masters and the Hudson River School. We also discuss his process, which is physically and technically demanding. He speaks of a desire to “get lost” in the moment and ultimately how his images are “a representation of his memory” from the day and place. With Ms. Wilkes, we speak of the knotty and time-consuming process of arranging a shoot that will last more than twenty-four continuous hours in some of the world’s busiest and most desolate locations. We discuss many photographs, but concentrate on two images from the Day to Night series to highlight their complicated productions—the first is a photograph of New York City’s Flatiron Building and, in the second half of the show, we visit a watering hole in the Serengeti Plain. To see these images, please visit our website, and, if you are in New York prior to October 26, 2019, check out the Day to Night exhibit at Bryce Wolkowitz Gallery. Guests: Stephen Wilkes and Bette Wilkes Highline, New York © Stephen Wilkes Times Square, New York © Stephen Wilkes Flatiron Building, New York © Stephen Wilkes Coney Island, New York © Stephen Wilkes Yosemite National Park © Stephen Wilkes Venice, Italy © Stephen Wilkes Serengeti Plain, Tanzania © Stephen Wilkes Bette Wilkes, Allan Weitz, and Stephen Wilkes © John Harris Mourner in front of Robert Frank’s apartment building, New York © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
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Posted 11/19/2020
On November 22 and 23, B&H will host the 2020 OPTIC All Stars Conference, with a stellar list of outdoor, travel, and adventure photographers giving online presentations and, on this week’s episode of the B&H Photography Podcast, we are pleased to welcome one of those photographers: Rachel Jones Ross. Ross is a landscape and night sky photographer based near Banff, in the Canadian Rockies, and our conversation with her is rife with practical tips for shooting in the mountains and with suggestions to improve your night photography. For starters, we speak with Ross about her workflow as it pertains to planning her shoots, which often require long hikes into the mountains. We discuss the apps she uses to gather information on weather, trails, and the night sky. We also ask about staying warm in subzero temperatures and find out that her most important piece of gear is her pair of  Heat Company gloves. From there we discuss basic (and not so basic) techniques for star and night sky photography, including tips on composition, focus, and focus stacking, including a handy “sharp star” filter for accurate focus. Because Ross is also a well-respected educator, we discuss transitioning to online workshops during the COVID-19 pandemic and her “Night Photography in your Pyjamas” course, and she offers a preview of her OPTIC All Stars presentation. We also discuss her go-to gear and how she decides which cameras and lenses to use for particular locations. Ross is a member of the Sony Alpha Imaging Collective, and she relates her preferences for the various Alpha series cameras and when and why she’ll decide to use a Sony 16-35mm zoom lens or a Zeiss Batis 18mm or Zeiss Loxia 21mm lens. There is a lot of solid information as well as practical tips enmeshed in a very pleasant conversation with the wonderful Rachel Jones Ross. Join us for this episode and register for the free 2020 OPTIC All Stars Conference. Guest: Rachel Jones Ross Photograph © Rachel Jones Ross Moraine Lake, 2020 © Rachel Jones Ross Mt. Assiniboine, 2020 © Rachel Jones Ross Blue Dragon Ice Cave, 2020 © Rachel Jones Ross Lake Minnewanka, Banff National Park © Rachel Jones Ross Bow Lake, Jasper National Park, 2020 © Rachel Jones Ross Abraham Lake, Alberta, Canada © Rachel Jones Ross Methane bubbles at Vermillion Lake, 2019 © Rachel Jones Ross Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/21/2017
When you get a chance to speak with an expert, you take advantage. At this year’s OPTIC 2017 Conference, when Lance Keimig and Chris Nicholson passed by our mobile studio, we did just that. Keimig is an author, instructor, and above all, a photographer who specializes in night photography. Well before digital technology made photographing the Milky Way an easy endeavor, Keimig was experimenting with film stock and developing processes to create long-exposure images. He is currently an instructor at National Parks at Night and along with Nicholson, offers workshops in night photography at many US National Parks. On today’s episode, we speak with Keimig and Nicholson about the differences between creating night photography with film and with digital cameras. There are obviously many modes and functions on a digital camera that make night photography simpler, but at the heart of the enterprise, is the process the same? We ask this question and discuss techniques used with film and the advantages that accompany digital cameras. We also ask, “What is night photography?” and “What are the charms that keep these two photographers interested in this specific discipline?” Listen as Keimig provides insight into the history of night photography and Nicholson discusses his shooting methods and ideas on composition that he applies while working in national parks. Guests: Lance Keimig and Chris Nicholson Click here if you missed our episode,  Night Photography—Exploring the Creative Possibilities. Click here for Jill Waterman’s article on Lance Keimig’s switch from Canon to Nikon equipment. Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Digital photograph, Lance Keimig Digital photograph, Lance Keimig Blue Ridge Parkway, Chris Nicholson Cape Cod National Seashore, Chris Nicholson Death Valley National Park, Chris Nicholson Joshua Tree National Park, Chris Nicholson Mount Rainier National Park, Chris Nicholson Olympic National Park, Chris Nicholson Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/21/2018
Today we welcome two of professional basketball’s best photographers, and that’s not just me talking. Nat Butler is Senior Photographer for NBA Entertainment and has worked the last thirty-three NBA Finals. He is also the official photographer for the New York Knicks and Brooklyn Nets. Andrew Bernstein is the longest-tenured official NBA photographer, the photographer for the L.A. Lakers and L.A. Clippers, a recent inductee to the NBA Hall of Fame, and the photographer of the new book, The Mamba Mentality, by Kobe Bryant. So, enough of the bona fides, these two photographers are also great friends, and they bring their easy-going banter and the ultimate insider’s perspective to the B&H Photography Podcast. Our conversation covers a wide range of topics, from the gear they use (and what they don’t), to the lighting systems they’ve developed, the intimacy of basketball photography compared to other sports, and how fashion and social media has affected their day-to-day work. We also dig into the shooting strategies they employ for each game and how their images are used by NBA Photos. Butler noted that in the past, a cover photo on Sports Illustrated would have been seen by approximately 3 million subscribers and, now, with tethering and instant feeds, a game photo can be seen by up to 30 million subscribers to the NBA Instagram feed within five minutes of the photo having been taken. Whether you are into sports photography, event and production photography, or NBA history, this easy-going episode is for you. Guests: Nat Butler and Andrew Bernstein Patrick Ewing at Madison Square Garden © Nathaniel S. Butler / NBAE / Getty Images Larry Bird and Magic Johnson © Nathaniel S. Butler / NBAE / Getty Images Tim Duncan © Nathaniel S. Butler / NBAE / Getty Images Bill Russell © Nathaniel S. Butler / NBAE / Getty Images Kobe Bryant, 1996 © Andrew Bernstein / NBAE / Getty Images Kobe Bryant © Andrew Bernstein / NBAE / Getty Images Kobe Bryant and Phil Jackson, 2009 © Andrew Bernstein / NBAE / Getty Images Kobe Bryant and Andrew Bernstein, Photograph courtesy Andrew Bernstein Magic Johnson, 1987 NBA Finals Game 4 winning shot © Andrew Bernstein / NBAE / Getty Images Kevin Durant and Steph Curry, 2017 NBA Finals © Andrew Bernstein / NBAE / Getty Images LeBron James, 2018 © Andrew Bernstein / NBAE / Getty Images Nat Butler and Andy Bernstein, 1980s Photograph courtesy Andrew Bernstein Nat Butler and Andy Bernstein, 2018 © John Harris Allan, Andrew, and Nat on the B&H Photography Podcast © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/29/2016
In celebration of Gail Buckland ’s wonderful new book, Who Shot Sports: A Photographic History, 1843 to the Present, and the accompanying exhibition at the Brooklyn Museum, we take a look at sports photography from all angles. With Buckland, we discuss the making of her book and the role that sports photography has played in the history and technology of photography. Buckland breaks apart false distinctions by including photographers as diverse as Andy Warhol, Henri Cartier-Bresson, and Stanley Kubrick with legendary sports photographers such as Walter Iooss and Charles Conlon. Her research on individual photos and overall perspective on sports photography opens up the genre to the wide world of art, and her insights are invaluable. Also joining us is photographer Andrew Bernstein, well known as the long-time photographer for the Los Angeles Lakers. He has served as official photographer for the L.A. Clippers, Kings, and Dodgers, and held the position of Senior Director of NBA Photos. Bernstein has photographed a wide variety of sports and has published several books, including Journey to the Ring, documenting the 2009-10 Lakers championship season. His awards and accolades run deep and he was instrumental in developing the multiple camera Flash Wizard II system, which revolutionized indoor sports action photography through the use of triggers and remotes with strobe lighting. Bernstein discusses his career development, gear setups and shooting techniques, as well as his relationship with athletes, specifically with Kobe Bryant, whose photo is included in the book and exhibit, Who Shot Sports. Photograph above courtesy Tim Clayton Guests: Gail Buckland and Andrew Bernstein Andrew Bernstein Photos © Andrew D. Bernstein / NHLI / Getty Images © Andrew D. Bernstein / NBAE / Getty Images © Andrew D. Bernstein / NBAE / Getty Images © Andrew D. Bernstein / NBAE / Getty Images © Andrew D. Bernstein / NBAE / Getty Images Photos from Who Shot Sports: A Photographic History, 1843 to the Present George Demany- Chronophotograph – Copyright INSEP IconothEque Hill and Adamson – Courtesy Scottish National Portrait Gallery Jeorg Mitter – Courtsy Jeorg Mitter/Limex Images John Dominis – Courtesy John Dominis/Getty Images Mark Leech – Courtesy Mark Leech and Offside Sports Photography Lucy Nicholson – Alzheimer’s Ping Pong Therapy- Courtesy Lucy Nicholson/Reuters Bob Martin- Courtesy Bob Martin/Sports Illustrated Krystle Wright- Base Jumpers- Collection of Krystle Wright Courtesy Tim Clayton Gail Buckland, Allan Weitz, and Andrew Bernstein Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/06/2019
On today’s episode of the B&H Photography Podcast, we welcome photojournalist and sports photographer Nick Didlick to our show. Didlick has been a freelance shooter, a staff photographer, an agency photographer for Reuters and UPI and, while covering the world news, was nominated for two Pulitzer Prizes. He also is an accomplished videographer, editor, and producer, and has served as Photo Chief for the 2010 Vancouver Winter Olympics and as Director of Photography at the Vancouver Sun, where he oversaw the staff change from film to digital photography. As a photographer, Didlick has always been ahead of the technological curve, willing to try new cameras and transmission systems and push existing technology to its limits. He joins us to discuss his technical evolution as a sports photographer and the features that he considers important to balance technological advances with age-old experience of craft. We ask Didlick to look back on his career and discuss important steps in the evolution of his kit, including autofocus features, compact lenses, telephoto extenders, remote control, wireless transmission and, of course, the development of digital photography. We also look ahead to improvements in metadata and artificial intelligence and his overarching philosophy that all advances should be embraced if they are needed to improve your workflow. Throughout the episode, Didlick pokes fun at my “old” DSLR technology in favor of his Sony Alpha a9 II Mirrorless camera but, in doing so, he underscores his point, that as photographers, the hardest part of advancing your skill set is “un-learning” what you considered fundamental and embrace the changes that can improve your photography. Join us for this rollicking and enjoyable episode. Guest: Nick Didlick Above Photograph © Nick Didlick Wayne Gretzky © Nick Didlick Ronald Reagan and Mikhail Gorbachev © Nick Didlick Remnants of Pan Am Flight 103, Lockerbie, Scotland © Nick Didlick Tiger Woods © Nick Didlick 2019 NCAA Final Four © Nick Didlick Lindsey Vonn © Nick Didlick Rodeo © Nick Didlick Usain Bolt stumbles and falls during race © Nick Didlick IAAF World Athletics Championship, 2019 © Nick Didlick Venus Williams © Nick Didlick Sloane Stephens with U.S. Open trophy, 2018 ©Nick Didlick Aibo dogs from Sony © Nick Didlick Nick Didlick and Allan Weitz © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/31/2018
Today, we discuss tennis photography from two distinct points of view. Our first guest is an independent photographer with twenty years of tennis photography experience to his credit and, later, we’re joined by representatives from Drawbridge Digital, the company that is present for all three weeks of the 2018 U.S. Open, creating and managing the still photography used on U.S. Open.org. and archived by the U.S.T.A. On the first half of the show, we welcome Chris Nicholson, a veteran of our podcast, and a multi-faceted photographer whose tennis work has been published in Wired, Men’s Health, Golf Digest, Tennis Magazine, and the New York Times. We speak with Nicholson about the opportunities available for freelancers and even amateurs to shoot tennis matches and high-profile players. We discuss techniques, settings, and gear that will make your job easier and your photos better. After a break, we are joined by photographer Jen Pottheiser, and Reid Kelley of Drawbridge Digital, and we explore their massive undertaking to photograph the U.S. Open for the host organization. They work with all facets of the U.S.T.A. to provide photography to the editors at usopen.org, to their social media outlets, their marketing partners, as well as provide image storage solutions so that the thousands of photos taken at the Open can be made available for future needs. We speak with Pottheiser and Kelley about managing the workflow of the almost thirty photographers and editors on staff during the Open, about the on- and off-court images they look for, the systems they use to edit and organize the photos, and how to maintain your creativity while shooting nothing but tennis for three weeks. Join us for this timely and interesting look behind the scenes at the 2018 U.S. Open Grand Slam Tournament. Guests: Chris Nicholson, Jen Pottheiser, Reid Kelley © Chris Nicholson © Chris Nicholson © Chris Nicholson © Chris Nicholson © Chris Nicholson © Chris Nicholson © Chris Nicholson The Drawbridge Digital Team at the 2018 U.S. Open. Courtesy Drawbridge Digital Arthur Ashe Kids Day performers at 2018 U.S. Open. Courtesy Drawbridge Digital Jen Pottheiser and Reid Kelley © John Harris Reid Kelley, Allan Weitz, and Jen Pottheiser © John Harris Chris Nicholson on the B&H Photography Podcast © John Harris The B&H Photography Podcast team at Arthur Ashe Stadium. Courtesy Jen Pottheiser Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/13/2018
The “Day to Night” series that Stephen Wilkes has been working on for several years has received much-deserved attention and has grown from its New York roots to encompass locations in Europe, the Middle East, Asia, and Africa. These photographs, which capture a full 24-hour cycle in one frame are awe-inspiring when viewed as a whole; fascinating when analyzed in detail, and monumental when considered as a production. On today’s episode of the B&H Photography Podcast, we speak with Stephen Wilkes and Bette Wilkes, his wife, business manager, and the behind-the-scenes producer of these incredible photographs. Our conversation is easy-going and bounces back and forth between Mr. and Ms. Wilkes, emphasizing their intertwined working relationship. With Mr. Wilkes, we speak of the genesis of the project and the influences he finds in the paintings of the Dutch Masters and the Hudson River School. We also discuss his process, which is both physically and technically demanding. He speaks of a desire to “get lost” in the moment and ultimately how his images are “a representation of his memory” from the day and place. With Ms. Wilkes, we speak of the knotty and time-consuming process of arranging a shoot that will last more than twenty-four continuous hours in some of the world’s busiest and most desolate locations. We discuss many photographs, but concentrate on two images from the “Day to Night” series to highlight their complicated productions—the first is a photograph of New York City’s Flatiron Building and, in the second half of the show, we visit a watering hole in the Serengeti Plain. To see these images, please visit our website, and, if you are in Washington D.C. prior to April 29, 2018, check out the “Day to Night” exhibit at the National Geographic Museum, and keep your eye out for the upcoming book, to be published by Taschen. Guests: Stephen Wilkes and Bette Wilkes The Highline, New York City © Stephen Wilkes Times Square, New York City © Stephen Wilkes The Flatiron Building, New York City © Stephen Wilkes Coney Island, New York City © Stephen Wilkes Santa Monica Pier © Stephen Wilkes The Western Wall, Jerusalem © Stephen Wilkes Inauguration Day, 2013, Washington D.C. © Stephen Wilkes Yosemite National Park, California © Stephen Wilkes Serengeti National Park, Tanzania © Stephen Wilkes The Grand Canyon © Stephen Wilkes Regata Storica, Venice, Italy © Stephen Wilkes Stephen Wilkes © John Harris Bette Wilkes © John Harris Stephen and Bette Wilkes © John Harris Bette Wilkes, Allan Weitz, and Stephen Wilkes © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/23/2020
For the headline of this week’s episode of the B&H Photography Podcast, we lifted a line from our guest’s own Instagram bio. It would have been too easy to call a show with Walter Iooss Jr. “Sports Photography Legend” or some such, but that pigeonholes Iooss too easily, and does not recognize the scope of his engagement with photography and with the creative process. Yes, Walter Iooss Jr. is sports photography. He has more than 300 Sports Illustrated covers to his name, his first professional gig was at age 17, and for six decades he has photographed several Hall of Fames’s worth of athletes, including names like Arnold, Mary Lou, Muhammad, and Tiger, and his work with Michael Jordan is unparalleled. Also—every Super Bowl. But he has also photographed rock stars, models, fashion and commercial assignments, portraits, and documentary series. And he tells us of his love for music and that if not for a twist of fate, he might have been a musician. The man is a creator for life, a photographer for life. With Iooss, our conversation takes a leisurely approach, touching on a few of his more memorable photos and some of the interesting lesser knowns; the breadth of his work alone could keep us talking for hours. Along the way, we learn a little about his upbringing, the love for music, his mentors, and the time he shot for Atlantic Records. We discuss how he builds a composition, whether it be an action shot during a game or a complicated portrait setup. We also talk about using a giant Polaroid camera, the coming of autofocus, and Canon DSLRs. Join us for this pleasant conversation that is sure to interest not only fans of sports, but fans of photography. Guest: Walter Iooss Jr. Photograph © Walter Iooss Jr. Andy Samberg, 2011 © Walter Iooss Jr. Muhammad Ali and Joe Frazier, 2003 © Walter Iooss Jr. Emmet Ashford, 1968 © Walter Iooss Jr. Tony Scott and Gary Templeton, 1979 © Walter Iooss Jr. Greg Louganis, 1984 © Walter Iooss Jr. Dave Parker and Grant Jackson, 1980 © Walter Iooss Jr. Jack Nicklaus, 1967 © Walter Iooss Jr. The Blue Dunk, Michael Jordan, 1987 © Walter Iooss Jr. The Corner, Havana, Cuba, 1999 © Walter Iooss Jr. Leipzig, East Germany, 1976 © Walter Iooss Jr. Lee Trevino, 1991 © Walter Iooss Jr. Willis Reed, 1973 © Walter Iooss Jr. Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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