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Posted 05/13/2021
This week’s episode of the B&H Photography Podcast is an old-fashioned hands-on review, but in this case, made with six hands. Allan, Jason, and I were pleased to be loaned the Leica Q2 Digital Camera and the Leica Q2 Monochrom Digital Camera, and we use our consideration of these 47MP cameras as a springboard to talk about camera grips, and point-and-shoot cameras, and value. We also talk about macro photography and cropping and about how to create black-and-white images from color files. We begin the conversation mentioning the specs and features of these two incredible cameras and each of us offers our pros and cons regarding the features we liked best and those we felt lacking. Autofocus, body design, focal length, and responsiveness are mentioned. Other Leica cameras, such as the Leica M10-P, get discussed, too, as do the practical differences between rangefinders with removable lenses and point-and-shoots. Join us for this casual chat about photography and about how each of us, with our different workflows, aesthetics, and goals, found these cameras to be versatile, yet also challenged us to create better images. Guests: Allan Weitz, Jason Tables, John Harris Photograph © John Harris © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris © John Harris Leica Q2 Monochrom Digital Camera © John Harris © Allan Weitz © Allan Weitz © Allan Weitz Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/01/2018
From massive ensemble photographs to celebrity portraiture, advertising high-rollers, and about every movie and television poster you’ve ever seen, Art Streiber anchors the spot where Hollywood and the magazine industry meet. His versatility and production acumen are well recognized, and our conversation ambles easily through a wide range of subjects, but what remains evident—in addition to his quick wit—is that Streiber is a problem solver. Big concept, small budget? No problem. Giant set piece with 150 A-list subjects? We’ll figure it out. Just you, me, a camera and a hotel room window? Done. Streiber learned early that being a jack-of-all-trades does not correlate to a master-of-none and that the answer is always, “Yes.” In addition to his obvious photographic chops, this attitude seems to be at the heart of his success. With Streiber, we speak about soaking up the magazine aesthetic through his family’s business in Los Angeles, about early rejections, understanding the story behind a photo concept, and how the image “bears the burden” of telling that story. We also dig deep into his archive to discuss specific images of Steven Spielberg, Paul Rudd, Oscar nights, and others. We touch on picture research, budgeting concepts, lighting choices, working with celebrities, seeing big photos on small screens, older CCD sensors, and “how to eat an elephant.” This is a funny and incredibly informative episode of the B&H Photography Podcast. Join us. Guest: Art Streiber Seth Rogen as Cary Grant, in "North by Northwest," 2008 © Art Streiber Paul Rudd as Gene Wilder, in "Young Frankenstein" © Art Streiber Paramount 100th Anniversary Photo, 2012 © Paramount Pictures, Courtesy Art Streiber Campus Climate Challenge Activists © Art Streiber Steven Spielberg, for Empire Magazine © Art Streiber Brie Larson, for WWD, 2016 © Art Streiber Cate Blanchett, for Entertainment Weekly, 2014 © Art Streiber Behind the scenes at the Oscars © Art Streiber Behind the scenes at the Oscars © Art Streiber Behind the scenes at the Oscars © Art Streiber The cast of "The Princess Bride," for Entertainment Weekly, 2011 © Art Streiber The cast of "Taking Woodstock," for Vanity Fair, 2009 © Art Streiber Blaine Lourd, for Conde Nast Portfolio © Art Streiber Art Streiber on B&H Photography Podcast © John Harris Allan Weitz and Art Streiber © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/05/2016
In addition to her fashion and commercial photography, Lindsay Adler is also a much sought-after speaker and educator and, after listening to this episode, there’ll be no surprise as to why. With clarity and conviction, she walks us through all the steps of producing commercial and editorial fashion shoots, beginning with the initial contact with the client to concept development, budgeting, casting, and collaboration, all the way to delivery of the final product. Adler offers concrete examples and insightful anecdotes that will appeal to photographers at any stage in their career. Hair, makeup, lighting, gear, set building, retouching, keeping your crew happy, and just how many assistants a professional parrot needs are all part of this enjoyable conversation.   Guest: Lindsay Adler To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. Photographs © Lindsay Adler   b Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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Posted 07/14/2016
Are dance and photography natural enemies? Well, of course not, but one art form is about the still, captured moment, and the other about choreographed movement and fluidity. However, anyone who truly understands photography knows the importance of timing, grace, and harmony, and a dancer must also recognize the relevance of rest and static. Sculpture, or gesture perhaps, is their common bond and our two guests know well the significance of gesture and the conflicting and compatible characteristics of dance and photography. They join us to talk about their distinct work and shooting styles. Lois Greenfield is one of the recognized masters of the craft, having developed a singular style sought by the world’s most renowned dance companies, and Omar Z Robles, an official Fujifilm X-Photographer, brings a fresh take, blending aspects of documentary and street photography. Enjoy this episode as we discuss improvisation, inspiration, dodging taxis and, of course, lighting systems and camera and lens choices. Guests: Lois Greenfield and Omar Z. Robles   Photographs by ©  Lois Greenfield Photographs by ©  Omar Z. Robles   Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play           Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/04/2018
The B&H Photo SuperStore recently hosted the two-day Depth of Field Portrait, Wedding, and Event Photography Conference, in New York City, and invited many talented, experienced photographers to speak and show work. The conference also included representatives from most of the major camera, lens, and lighting companies. We set up our mics close to the main stage, grabbed vendors as they passed by and spoke with them about their latest and greatest offerings for photographers and videographers. For this week's episode of the B&H Photography Podcast, we have edited together a sampling of our conversations with the following manufacturers: Nikon, Pentax/Ricoh, Westcott, Sony, Sigma, Luxli, Canon LG, TogTees, Godox, Leica, and Adobe. It's a long one, but we have blended a bit of elucidation with some humor and, hopefully, created an informative and enjoyable show. Join us, por favor. Guests: Lindsay Silverman, Nikon (01:16) Ken Curry, Ricoh (03:15) David Piazza, Westcott (08:16) Lavonne Hall, Adobe (16:35) Jason Mantell, Sony (22:20) Marc Farb, Sigma (36:24) Casey Krugman, Luxli (45:06) Rudy Winston, Canon (53:04) Gregg Lee, LG (01:00:54) Pano Kalogeropoulos, TogTees (01:10:14) Stephen Gomez, Godox (01:18:32) John Kreidler, Leica (01:25:49) Top Shot © Lindsay Adler DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/09/2018
Are the 1990s history? Well, for today’s episode of the B&H Photography Podcast, we look back to that decade when a new aesthetic in fashion photography was born in England, and later spread to the United States and the world; a transformative style whose influence is apparent almost thirty years after its birth. First appearing in small but influential magazines such as The Face, i-D, and Blitz, and growing from a reactionary youth culture, this raw style reflected a new aesthetic, one that rejected the glam, the supermodel, and the highly stylized photos of the 1980s in favor of eclectic clothing, waifish models, a low-tech, "straight-up" photo style, and a lot of “frickin’ attitude.” For this episode, we welcome fashion photographer Michael Sanders, who is a regular contributor to Italian Elle and who shot for many of the ’90s “style bibles” mentioned above. Sanders came of age in this era and discusses the social and economic factors that lead to this new aesthetic, the cyclical nature of fashion, and the overly simplistic idea of heroin-chic. He also provides a sense of the technologies that made this movement a reality, the gear most commonly used, and the assignment process and shooting-styles embraced. Finally, Sanders offers firsthand insight into the community of photographers, stylists, and models who are associated with this movement, including David Sims, Corinne Day, Kate Moss, Melanie Ward, and the important photographer and bridge figure, Nick Knight. Join us for this interesting look back to the birth of a style and photographic movement that is still reverberating. Guest: Michael Sanders Photograph © Corinne Day, model: Kate Moss, The 3rd Summer of Love cover from “The Face.” 1990 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, courtesy “Italian Elle” Allan Weitz and Michael Sanders, Photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/29/2021
It’s Macro Photo Week at the Explora blog and you’ll find many helpful articles and videos about the tools, techniques, and practitioners of macro photography. On the podcast, however, we go deeper than macro, like 1000x deeper—our conversation is with geologist, gemologist, and microscopist Nathan Renfro, of the Gemological Institute of America. Renfro is a renowned photomicrographer, and his images of the interiors of gems, with their unique inclusions and imperfect perfections, are stunning color abstractions of the natural world. With Renfro we speak about the art, craft, and science of photomicrography—using microscopes to make photos—and how he documents the inner life of a stone. Renfro got his start in gemology thanks to the collection of rocks and gems his grandfather, a miner from North Carolina, left to him. From this collection a fascination grew, ultimately taking him to GIA as a protégé of John Koivula, noted gemologist and author of the Photo Atlas of Gems series. Renfro himself has become one of the leading image makers in his field, and we discuss the tools and techniques he uses to create his work, including fiber optic lighting, focus stacking, and Differential Interference Contrast. We also discuss the surprisingly simple cameras that he uses, as well as the adapters, filters, and apps that enable his wonderful creations. We ask about the advantages that mirrorless photography holds for his craft, about the commercial and scientific applications of his work, and how traditional photography with a standard zoom lens has improved his understanding of composition and color, thus benefiting his photomicrography. Join us for this exploration deep into microverses, which are as complex and unique as any place on Earth or beyond. Guest: Nathan Renfro Photograph © Nathan Renfro Today’s episode of the B&H Photography Podcast was produced using Audio-Technica  microphones. Amethyst © Nathan Renfro Arkansas Quartz © Nathan Renfro Blue Diamond © Nathan Renfro Chrysoprase © Nathan Renfro New South Wales Sapphire © Nathan Renfro Greenland Diamond Trigons © Nathan Renfro Topaz © Nathan Renfro New South Wales Iris Agate © Nathan Renfro ZEISS microscope with Canon 6D DSLR © Nathan Renfro Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 06/17/2020
On this week’s episode of the B&H Photography Podcast, we welcome Margit Erb and Michael Parillo, of the Saul Leiter Foundation, to discuss Saul Leiter’s career and their work preserving the art and the legacy of this pioneer of color photography. Born and raised in Pittsburgh, Leiter veered from the traditional religious path his parents desired for him and moved to New York City to follow his own calling. Met with early success in the 1950s—Leiter’s photography was included in exhibits at MoMA and he built a steady career as a fashion photographer for Esquire and Harper’s Bazaar —by the 1980s, he was forced to give up his studio and struggled financially, but late in life his huge archive of color street photography, much of which was unseen beyond a few curators and colleagues, became a treasure chest of fine art photography. A painter and photographer, he left behind a tremendous amount of work, including hundreds of rolls of unprocessed film, that has been entrusted to Erb and the Leiter Foundation. We talk with Erb and Parillo about Leiter’s early life, his growth as a photographer, his shooting style, his work in fashion, and even how he turned down an invitation to be included in the legendary “Family of Man” exhibition at MoMA. After a break, we discuss the nuts and bolts of organizing and maintaining an archive that is at once massive and unwieldy and a never-ending source of inspiration. Join us for this fascinating conversation about a photographer whose complete body of work is yet to be fully appreciated. Guests: Margit Erb and Michael Parillo Photograph © Saul Leiter Foundation, courtesy of Howard Greenberg Gallery Sunday Morning at the Cloisters, 1947 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Five and Dime, 1950 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery From Harper’s Bazaar, February, 1959 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Mirrors, 1962 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Red Curtain, 1956 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Red Umbrella, 1955 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Haircut, 1956 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Snow, 1970 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Untitled, 1950s © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Self-portrait, 1950s © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/06/2021
This is one of the most enjoyable chats on photography we’ve had in a while, and our subject is the history of amateur and popular photography as understood through photography how-to books and manuals. Joining us on the B&H Photography Podcast is Dr. Kim Beil, professor at Stanford University and author of Good Pictures: The History of Popular Photography, and with Professor Beil we not only speak about what is and has been considered a “good photo,” we specifically talk about her collection of photography how-to books and camera manuals, which act as a guide to this “good photography” over the years. A sense of the collection can be found on her Instagram page, and we discuss examples from various decades, as well as those aimed at certain disciplines and those written by popular instructors and well-known photographers, such as Ansel Adams and Gordon Parks. We also talk with Beil about certain trends in popular photography, including ideas as simple as cropping and the many techniques born of technical and artistic innovation. The role that Kodak played in the early years of amateur photography is touched upon, as is that of Polaroid instant photos of the 1970s. Beil has her favorite type of instructional book and we discuss authors who insisted on a prescriptive style of photography rules and those that were more “amateur to amateur.” We find out how she acquires books and also how YouTube tutorials are affecting the genre. Finally, we talk about digital photography trends and what she considers a good photo. Join us for this wide-ranging conversation sure to please any lover of amateur photography. Guest: Kim Beil Photograph © Kim Beil © Kim Beil © Kim Beil © Kim Beil © Kim Beil © Kim Beil © Kim Beil Cover of “Good Pictures: The History of Popular Photography” © Kim Beil From “Good Pictures: The History of Popular Photography” © Kim Beil From “Good Pictures: The History of Popular Photography” © Kim Beil Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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