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Posted 01/13/2016
Well, what does that mean? Yes, it’s owned by Facebook and yes, Taylor Swift has 62 million followers, but we asked two professional photographers with hundreds of thousands of followers and a magazine editor how they use Instagram to engage their followers, interest clients, raise revenue, and keep the creative blood flowing. DSLR or smartphone? Hashtag or not? Strategies for gaining followers? More important than your webpage? Is it the most important brand in photography? These are some of the questions we ask in this casual conversation with three savvy veterans of social media. Since Instagram is already five years old, we also discuss future possibilities for this incredible image platform. Guests: Sharon Radisch, Sam Horine, and Libby Peterson To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS.         Instagram page of Sam Horine         Instagram page of Sharon Radisch   Instagram page of Rangefinder Magazine     b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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Posted 06/30/2020
This week on the B&H Photography Podcast, we welcome two old friends of the podcast to talk about the latest gear from their respective companies. First up is Rudy Winston, Technical Advisor at Canon USA, and then we welcome Marc Farb, Technical Rep from Sigma. Both Winston and Farb are breaking records with this, their fifth visit to our show. With Rudy Winston, we discuss a few cameras that were released last year or earlier in 2020, such as the Canon EOS 6D Mark II DSLR and the EOS 1D X Mark III DSLR, to get a sense of how they are being received, and then we briefly discuss what may be the most-anticipated camera of 2020, the upcoming EOS R5 Mirrorless Digital Camera. In addition, we talk about the latest Rebel T8i DSLR, CF Express memory cards, and the incredible RF 50mm f/1.2L USM Lens. After a short break, we start our conversation with Marc Farb, discussing the impressive Sigma fp Mirrorless Camera, which was announced almost a year ago but has become the latest big deal for those wanting a compact full frame camera that can be the basis of both a complete photo or cine system. From there, we talk lenses. Sigma continues to produce incredible lenses in all categories and for most major camera systems, including the 100-400mm f/5-6.3 DG DN OS Lens for the Sony E system and the just-announced 16mm f/1.4 DC DN and 30mm f/1.4 DC DN for L-mount systems. After a quick mention of Sigma’s adapters and its new UD-11 USB Dock for Leica L-mount lenses, Farb relates an all-time favorite lens of his that is ideal for sports, wedding, and concert photographers, among others: the Sigma 120-300mm f/2.8 DG OS HSM Sports Lens. Join us for this informative and practical discussion of the most interesting new gear from Canon and Sigma. Guests: Rudy Winston and Marc Farb Canon EOS 6D Mark II DSLR Camera Body with Accessory Kit Canon EOS 1D X Mark III DSLR Camera Canon EOS Rebel T8i DSLR Camera Canon RF 50mm f/1.2L USM Lens Sigma fp Mirrorless Digital Camera Sigma 16mm f/1.4 DC DN Contemporary Lens Sigma 100-400mm f/5-6.3 DG DN OS Contemporary Lens for Sony E-mount Sigma 120-300mm f/2.8 DG OS HSM Sports Lens Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/10/2017
With great thanks to Vikki Tobak and the Contact High Project, we welcome three photographers to our studio who are responsible for some of the most iconic images from the history of hip-hop. Janette Beckman, Eric Johnson, and Danny Hastings join us to tell the stories behind their photos of RUN-DMC, Wu Tang Clan, Lauryn Hill, and many others. We also speak about issues important to photographers, from on-set technique, to artistic collaboration and influence, to gear, to networking and, of course, licensing of images. For us, this was a highly anticipated recording and it did not disappoint. Whether you are a hip-hop fan interested in behind-the-scenes stories or a photographer looking for insight, join us for this incredible conversation. Janette Beckman began her career at the dawn of punk rock in the U.K., photographing The Clash, Sex Pistols, and Boy George, as well as three Police album covers. Moving to New York in 1982, she was drawn to the underground hip-hop scene and photographed pioneers such as Run DMC, Slick Rick, Salt’n’Pepa, Grandmaster Flash, and Big Daddy Kane. She has published four books and currently has an exhibition of silkscreen prints at 212 Arts in New York. Eric Johnson has created iconic hip-hop images of Notorious B.I.G, Lauryn Hill, Dipset, Li’l Wayne, and newer artists like G Herbo and Cakes da Killa. His work stretches across music genres to include Lady Gaga, Bruno Mars, and Maxwell and, for the past decade, he has helmed Upstairs at Eric’s, a loft space in Manhattan that is equal parts studio, gallery, disco, lounge, and design studio. Danny Hastings has shot 150 album covers and directed more than 40 music videos. Listed in Complex Magazine as one of the rap photographers every rap fan should know, his most notable album covers include Enter the Wu-Tang (36 Chambers), Big Pun’s Capital Punishment, Nas’s IA, as well as album art for Raekwon, Eminem, and Jeru the Damaja. Hastings is now directing his second feature film. Vikki Tobak is a journalist, correspondent, and former CNN producer who currently writes and produces for Complex, Mass Appeal, and The FADER. She is the author of Contact High: Hip-Hop Photography + Visual Culture, an upcoming book from Penguin/Random House. Guests: Janette Beckman, Eric Johnson, Danny Hastings, Vikki Tobak Afrika Bambaata, 1983. Photograph © Janette Beckman Boogie Down Productions- Scott La Rock & KRS-One, 1987. Photograph © Janette Beckman Beastie Boys with Rick Rubin, 1985. Photograph © Janette Beckman Jam Master Jay and son, 1991. Photograph © Janette Beckman LL COOL J, 1985. Photograph © Janette Beckman Native Tongues Posse, 1990. Photograph © Janette Beckman Run-D.M.C. Posse, 1984. Photograph © Janette Beckman Salt-N-Pepa, 1987. Photograph © Janette Beckman Women Rappers NYC, 1988. Photograph © Janette Beckman Wu Tang Clan (from "Enter the Wu-Tang"), 1993. Photograph © Danny Hastings Raekwon (from "Only Built 4 Cuban Linx"), 1995. Photograph © Danny Hastings Gang Starr (from "Hard to Earn"), 1994. Photograph © Danny Hastings Jeru the Damaja (from "The Sun Rises in the East"), 1994. Photograph © Danny Hastings Ice Cube (for Rap Pages magazine), 1994. Photograph © Danny Hastings Big Pun (from "Capital Punishment"), 1998. Photograph © Danny Hastings Eminem (from "The Slim Shady LP"), 1999. Photograph © Danny Hastings Jay Z (from Stress Magazine. Jay Z’s first magazine cover), 1996. Photograph © Danny Hastings Notorious B.I.G. Photograph © Eric Johnson Notorious B.I.G. and Faith Evans, Photograph © Eric Johnson Lauryn Hill (from "The Miseducation of Lauryn Hill"), 1998. Photograph © Eric Johnson Cam’ron (from "Come Home with Me"), 2002. Photograph © Eric Johnson Juelz Santana and Cam’ron of The Diplomats (aka Dipset), 2002. Photograph © Eric Johnson De La Soul, "Stakes Is High," 1996. Photograph © Eric Johnson Jason Tables, Vikki Tobak, Danny Hastings, Janette Beckman, Eric Johnson, Allan Weitz Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/24/2020
I think most photographers have tried to document their experience during the COVID-19 shutdown, but none have done it quite like Neil Kramer. Kramer is riding out the pandemic in a two-bedroom apartment in Queens, New York, with his 86-year-old mother and his ex-wife. Did I mention that this is the apartment in which he grew up…and that he is living with his mother and his ex-wife? Kramer has become the star of his own drama and aptly describes the process of creating this series as “part art, part desperation.” Perfectly fitting. Kramer is primarily a street and portrait photographer with a healthy Instagram following and editorial or assignment gigs, but when the streets emptied in early March, he turned to his unlikely living situation for inspiration. Initially, there was humor and novelty in his images; he enlisted his “roommates” as players, and eventually as collaborators, in these one-shot dramas. As the weeks and months passed, his diaristic Instagram feed went from funny shots of faux-fights and crowded bathrooms to more introspective and isolated posts, complete with tender and insightful commentary. On this week’s episode of the B&H Photography Podcast, we speak with Kramer about developing this project, about “learning to take a photo when I’m not behind the camera,” about tethering, lighting, and bribing his “cast and crew” with doughnuts. Join us for this Seinfeldian chat, which might just help us keep our humor and creative spirit alive during the most difficult of situations. Guest: Neil Kramer Photograph © Neil Kramer Quarantine in Queens, Day 11. © Neil Kramer Quarantine in Queens, Day 12. © Neil Kramer Quarantine in Queens, Day 26. © Neil Kramer Quarantine in Queens, Day 49. © Neil Kramer Quarantine in Queens, Day 70. © Neil Kramer Quarantine in Queens, Day 85. © Neil Kramer Quarantine in Queens, Day 133. © Neil Kramer Quarantine in Queens, Day 158. © Neil Kramer Quarantine in Queens, Day 222. © Neil Kramer Quarantine in Queens, Day 263. © Neil Kramer Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/03/2019
We welcome to the B&H Photography Podcast two photographers who have brought their talent and dedication to bear on the complex and beautiful lives that exist on the U.S.-Mexico border. Our first guest is photographer Stefan Falke, who is engaged in a 10-year portrait project called LA FRONTERA: Artists along the US-Mexico Border, which is dedicated to documenting the “influence that artists have on their community.” He has photographed more than 200 artists, writers, singers, and photographers who live on both sides of the 2,000-mile-long border. With Falke we discuss the development of this project, his style of shooting, how he met the many artists he has photographed, and the complications and joys of shooting in border towns in the U.S. and Mexico. He also discusses how he pared down his camera and lens choices for this project to just his trusty Nikon D850 and a 24-70mm lens. After a short break, we welcome photographer Monica Lozano, who is included in Falke’s project, and describes her portrait session with him in the main market, in Juarez, Mexico. We also discuss her incredible photographic series, which blend documentary and fine art styles to bring awareness to the struggle of migrants in Europe and the Americas. Lozano, a Mexican-American artist with roots in both countries, brings a compassionate yet objective depiction to a complex situation, and she even blends in a touch of humor. With Lozano, we discuss her evolution as an artist, the differing effects that stylized photos have compared to straight documentary, and the resounding need to understand the long and evolving history and culture of “la frontera.” Join us for this compelling conversation and check out the B&H Photography Podcast Facebook Group. Guests: Stefan Falke and Monica Lozano Raechel Running, Agua Prieta, Mexico, 2015© Stefan Falke Alfredo “Libre” Gutierrez, Tijuana, Mexico, 2016 © Stefan Falke Tom Kiefer, Ajo Arizona, 2017 © Stefan Falke Jellyfish, Ciudad Juarez, Mexico, 2015 © Stefan Falke Monica Lozano, Ciudad Juarez, Mexico, 2015 © Stefan Falke Pablo Llana, Playas de Tijuana, Mexico, 2016 © Stefan Falke from the “What Remains” series © Monica Lozano from the “What Remains” series © Monica Lozano from the “What Remains” series © Monica Lozano from the “What Remains” series © Monica Lozano from the “Borders” series © Monica Lozano from the “Borders” series © Monica Lozano from the “Borders” series © Monica Lozano from the “Hugs Not Walls” series © Monica Lozano from the “Hugs Not Walls” series © Monica Lozano Allan Weitz, Monica Lozano, and Stefan Falke © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/15/2021
On this episode of the B&H Photography Podcast, we are thrilled to help celebrate the first anniversary of Black Women Photographers. Founded in July 2020 by Polly Irungu, the mission of Black Women Photographers is to “disrupt the notion that it is difficult to discover and commission Black creatives.” And toward that goal, BWP is now a global organization of more than 600 members, and as an online directory, has become a home for Black women and non-binary photographers to receive proper recognition and, most importantly, to get hired. We welcome Polly Irungu to discuss the founding of BWP, and to talk about the challenges and joys of running an organization that has blossomed so quickly, and about the successes of the past year and goals for the future. On that note, Irungu thrills us by announcing new grants available to photographers. We are also joined by photographer Dawn Bangi, who received her first professional assignment—with the New York Times, no less—through Black Women Photographers. We ask Bangi how she became familiar with BWP and about the assignment she received. We also discuss her other work, the Nikon and Mamiya gear she uses, and the influence of Gordon Parks. Join us for this inspiring episode and discover some of the great work found at Black Women Photographers. Guests: Polly Irungu and Dawn Bangi Photograph © Polly Irungu © Polly Irungu © Polly Irungu © Polly Irungu Courtesy of Polly Irungu/Black Women Photographers © Dawn Bangi/New York Times From the “Davin and Davis series” © Dawn Bangi From the “Davin and Davis series” © Dawn Bangi From the “Davin and Davis series” © Dawn Bangi Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 11/29/2018
On this week’s episode of the B&H Photography Podcast, we welcome photographer Rick McGinnis and curator Julie Grahame, to discuss blogging and archiving. While this is certainly a broad subject, we will focus on the work of our two guests while considering how best to keep a collection of photos vibrant and valuable. Rick McGinnis is a veteran portrait, editorial, and travel photographer based in Toronto. Most of his assignments and self-assignments had been for local newspapers and magazines and, when this professional landscape changed and motivation was lacking, he almost got out of the business entirely. With a little encouragement, he began to explore the many images he had shot over the previous twenty years—some he had never even viewed—despite being gorgeous portraits of well-known musicians, actors, and artists. The result of this deep dig was a blog he simply called someoldpicturesitook. The blog proved to be an avenue not only into his past, but to his future, because images never seen were now appreciated, discussed, shared, and ultimately, licensed. McGinnis is now on to a new travel blog  and a new chapter in his career, and we will hear what he has learned along the way. Curator, consultant, and writer  Julie Grahame is the publisher of aCurator.com, a full-screen photography magazine, and the associated aCurator blog. She directed the Retna photo agency for 16 years and currently represents the estate of Yousuf Karsh for image licensing and maintains the extensive karsh.org website. We speak with Grahame about the benefits of a blog compared to a website, Instagram, or in her case, a webzine, and we discuss her relationship with the Karsh archive and insights she has drawn from licensing his iconic portraits. Throughout the humorous conversation, we consider Google search tools, tagging, preferred blogging sites, and repurposing older work, but we also touch on the personal, professional, and historical importance of valuing and maintaining your photo collection. Guests: Julie Grahame and Rick McGinnis Fela Kuti, 1989 © Rick McGinnis John Waters, 1987 © Rick McGinnis Patti Smith, 1995 © Rick McGinnis Jay McInerney, 1998 © Rick McGinnis Bjork, 1997 © Rick McGinnis Anne Hathaway, 2004 © Rick McGinnis Rebecca Hall, 2016 © Rick McGinnis Kinky Friedman, 2016 © Rick McGinnis Dwight Eisenhower, 1946 © Yousuf Karsh Ernest Hemingway, 1957 © Yousuf Karsh Winston Churchill, 1941© Yousuf Karsh Ansel Adams and Yousuf Karsh, Courtesy Yousuf Karsh Archive Rick McGinnis © John Harris Rick McGinnis and Julie Grahame © John Harris Rick McGinnis, Allan Weitz, and Julie Grahame © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/10/2019
This is one of the more informative and hands-on practical episodes of the B&H Photography Podcast that we have produced in some time. Obviously, it helps if you are “practicing” car photography, but the insights provided in this episode are useful for a wide range of photo disciplines, and touch on techniques for making better images of moving objects, reflective and non-reflective products, tight interiors, and how to photograph large items in a studio or on location. For this wealth of information, we must thank photographer Nate Hassler, who joined us to talk about his extensive work photographing cars, whether for advertising, editorial, or for personal projects, a.k.a. fun. Hassler is accomplished in each of these areas, and his advertising clients include Toyota, Honda, Lexus, and Mercedes. He is also a respected motorsport photographer, with work appearing regularly in Road & Track magazine. We find out that Hassler grew up around photography, helping in his parents’ photo studio, but developed a love for cars all on his own and seems to have found the perfect career that blends his two passions. We learn a bit about the automobile advertising business, but mostly we discuss capture technique, including the rigs and gear he prefers, shooting moving vehicles, stabilization, bracketing, back-lighting, lens distortion, and post-process. This truly is an educational and entertaining episode, and check out the B&H Photography Podcast Facebook Group for an image of Hassler’s “Franken-Instax” camera that he created to make instant photos with a Schneider lens. Guest: Nate Hassler Photograph © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler “Franken-Instax” camera © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/11/2016
There are good reasons for this episode to have a two-in-one headline. Our initial idea for this show was to discuss the role that happenstance and luck play in photography, but the conversation with our impassioned and articulate guests, Amy Touchette and Gus Powell, quickly turned to a more generalized chat on the principles and practices of street photography—and how lucky we were to have them speak intimately about their work and on photography as an artistic and personal endeavor. For me, it doesn’t get much better! But back to the two headlines within a headline—perhaps it is our collaboration with chance and a photographer’s ability to recognize, organize, prepare for, and even control what is referred to as chance that is the true essence of street photography. As better writers than I have written, “You make your own luck, Gig,” or “Luck is not chance, it's toil; fortune's expensive smile is earned.” Finally, and this quote seems made for the street photographer: “Chance favors those in motion.” Drop us a comment if you can name the above-quoted writers and share with us a story on how you collaborated with chance to make a wonderful photo. Photograph above © Gus Powell Guests: Amy Touchette and Gus Powell   Chelsea, Manhattan, 2013 (Rolleiflex)   from The Insiders (Rolleiflex)   from Street Dailies, South Williamsburg/Bed-Stuy, Brooklyn, 2016 (iPhone)   from Street Dailies, Bed-Stuy, Brooklyn, 2014 (iPhone) Photographs by Amy Touchette   from The Company of Strangers   from The Company of Strangers   from Mise en Scène   from The Lonely Ones Photographs by Gus Powell Gus Powell, Allan Weitz, and Amy Touchette Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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