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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/03/2017
As we asked in an earlier episode, “When was the last time you touched a photograph?” It’s an interesting question and some of us are still enjoying the tactile nature of a print, or our time in the darkroom, but most photographers now only experience their photos through a monitor. On today’s episode, we try to change all that with a visit from printer and printing experts Jay Tanen and Sam Celebi. We offer an overview of the options available when it comes to printing your photographs digitally. Yes, you can still go to some drugstores and get a set of images in a nice envelope, but even that is less common now, and the quality has always been questionable. Basically, if you want to make common digital prints, your choices are to go (or send your files) to a “lab” and get digital C-prints, inkjet prints, or perhaps “dye-sub” prints, and we’ll compare these types. However, the options for quality printing at home have expanded dramatically as the price of printers has dropped. We talk about the options available up and down the price range for home printing, as well as sort out some of the specifics that differentiate one printer from the next. We take a look at prices for residual items and maintenance and suss what’s best for various photographic needs, from family pics on the mantle to an exhibit of your finest photographs. Join us for this informative episode and keep an eye out for our upcoming show about photographic paper. Guests: Jay Tanen and Sam Celebi Jay Tanen, Allan Weitz, Sam Celebi DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/14/2016
Are dance and photography natural enemies? Well, of course not, but one art form is about the still, captured moment, and the other about choreographed movement and fluidity. However, anyone who truly understands photography knows the importance of timing, grace, and harmony, and a dancer must also recognize the relevance of rest and static. Sculpture, or gesture perhaps, is their common bond and our two guests know well the significance of gesture and the conflicting and compatible characteristics of dance and photography. They join us to talk about their distinct work and shooting styles. Lois Greenfield is one of the recognized masters of the craft, having developed a singular style sought by the world’s most renowned dance companies, and Omar Z Robles, an official Fujifilm X-Photographer, brings a fresh take, blending aspects of documentary and street photography. Enjoy this episode as we discuss improvisation, inspiration, dodging taxis and, of course, lighting systems and camera and lens choices. Guests: Lois Greenfield and Omar Z. Robles   Photographs by ©  Lois Greenfield Photographs by ©  Omar Z. Robles   Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play           Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/30/2021
In support of the 2021 OPTIC Outdoor, Photo/Video, Travel Imaging Conference, to be held online July 11-12, 2021, the B&H Photography Podcast team conducted our own photo walk, much like they do as part of the OPTIC Conference events. For this episode we took our cameras and microphones to the beautiful Elizabeth Park Rose Garden, in West Hartford, Connecticut, and, with Allan as the group’s leader and Jason and I as participants, we completed several photo challenges and practiced our photography and storytelling techniques. Since this is a virtual and audio photo walk, we encourage our listeners to participate on your own time and in convenient locations, such as a local park or even your backyard. The episode is designed so that you can pause the recording after the challenge has been assigned and complete it on your own. You can also just listen as we work through our assigned shots with Allan fielding our questions. The gear we use is our own, nothing fancy, and the various challenges can be completed with almost any camera-and-lens combination. For my part, I am using a full-frame Nikon DSLR with a 24-70mm f/2.8 lens and a 70-200mm f/2.8 lens and Jason is using a full-frame Sony Alpha mirrorless camera with a Sony wide-angle lens and the Sigma 100-400mm f/5-6.3 lens. Assigned shots incorporate wide-angle and telephoto perspectives and utilize basic photo techniques, controlling aperture and shutter speed for varied affects, and applying ideas on composition, shadow, detail, and narrative. There is even a macro photography bonus challenge at the end of the episode, so bring that lens, too, if you have it. We look forward to “hanging out” with you in this virtual setting, as we do to soon returning to “IRL” photo walks with old and new friends. With that in mind, check out the OPTIC Conference events page with two days of online presentations, and register for the free conference hosted by B&H Photo and sponsored by Canon, Nikon, Sony, Sigma, Godox, and many others. Photograph © Jason Tables Photograph © Jason Tables Photograph © Jason Tables Photograph © Jason Tables Photograph © Jason Tables Photograph © Jason Tables Photograph © John Harris Photograph © John Harris Photograph © John Harris Photograph © John Harris Photograph © John Harris Photograph © Allan Weitz Photograph © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 11/06/2019
On today’s episode of the B&H Photography Podcast, we welcome photojournalist and sports photographer Nick Didlick to our show. Didlick has been a freelance shooter, a staff photographer, an agency photographer for Reuters and UPI and, while covering the world news, was nominated for two Pulitzer Prizes. He also is an accomplished videographer, editor, and producer, and has served as Photo Chief for the 2010 Vancouver Winter Olympics and as Director of Photography at the Vancouver Sun, where he oversaw the staff change from film to digital photography. As a photographer, Didlick has always been ahead of the technological curve, willing to try new cameras and transmission systems and push existing technology to its limits. He joins us to discuss his technical evolution as a sports photographer and the features that he considers important to balance technological advances with age-old experience of craft. We ask Didlick to look back on his career and discuss important steps in the evolution of his kit, including autofocus features, compact lenses, telephoto extenders, remote control, wireless transmission and, of course, the development of digital photography. We also look ahead to improvements in metadata and artificial intelligence and his overarching philosophy that all advances should be embraced if they are needed to improve your workflow. Throughout the episode, Didlick pokes fun at my “old” DSLR technology in favor of his Sony Alpha a9 II Mirrorless camera but, in doing so, he underscores his point, that as photographers, the hardest part of advancing your skill set is “un-learning” what you considered fundamental and embrace the changes that can improve your photography. Join us for this rollicking and enjoyable episode. Guest: Nick Didlick Above Photograph © Nick Didlick Wayne Gretzky © Nick Didlick Ronald Reagan and Mikhail Gorbachev © Nick Didlick Remnants of Pan Am Flight 103, Lockerbie, Scotland © Nick Didlick Tiger Woods © Nick Didlick 2019 NCAA Final Four © Nick Didlick Lindsey Vonn © Nick Didlick Rodeo © Nick Didlick Usain Bolt stumbles and falls during race © Nick Didlick IAAF World Athletics Championship, 2019 © Nick Didlick Venus Williams © Nick Didlick Sloane Stephens with U.S. Open trophy, 2018 ©Nick Didlick Aibo dogs from Sony © Nick Didlick Nick Didlick and Allan Weitz © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/09/2019
On this week's episode of the B&H Photography Podcast, we welcome two artists whose work blurs the line between street photography, documentary, installation and digital art, while cultivating a contemporary interpretation of the art and craft of collage. Both artists utilize photography-based processes and take urban architecture and street scenes as their subject, but from there, the work goes in very different directions. Jennifer Williams creates large, often site-specific collages that inspect but distort the architectural scenes she documents. As she has stated, “The rectilinear shape that is the traditional photograph never fulfilled my desire to show everything in space," and that will be immediately clear upon seeing her work. Layering images of buildings upon one another, she creates angular and abstract collages while still providing a path for the viewer to connect the image she creates with the neighborhood or street that she photographed. Williams speaks about her process, including the original imaging, her manipulation in post-process, and her large-scale installations, often made on Photo Tex media. Tommy Mintz wrote a software program that creates "automated digital collages" and he has experimented over the years how he (and the program) composes the street scenes he photographs. The tools he uses for image capture and computation have evolved and become more powerful, but unlike the painstaking control Williams exercises over her collages, the key element in Mintz's process is the random arrangement and layering of images that the software creates. This is not to say that his images are out of control—after all, he wrote the program. He selects scenes to photograph and he does adjust the final product in Photoshop, but the software-generated placement of images creates layers, unexpected shadows, multiple exposures and even seeming glitches that add up to an intriguing and whimsical take on street photography. Join us as we learn about the conceptualizations and processes of these two visual artists and hear how they integrate Nodal Ninja, Epson 24" printers, and the Sigma dp2 Quattro Digital Camera into their workflow. Guests: Jennifer Williams and Tommy Mintz City of Tommorow- Manhatten: Billionaire's Row (57th Street) © Jennifer Williams Blacksburg Unfurled (Virginia Tech, Blacksburg, Virginia) © Jennifer Williams Surveying Liberty (Newbugrh, NY) © Jennifer Williams The High Line Effect: Approaching Hudson Yards © Jennifer Williams Ladders (Installed at Robert Mann Gallery) © Jennifer Williams © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz Jennifer Williams, Tommy Mintz, and Allan Weitz © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/26/2018
We welcome back Chris Williams, of Lens Therapy Live, and photographer David Speiser, of lilibirds.com, to the B&H Photography Podcast for a discussion on the applications, techniques, and specific features of super-telephoto lenses. Super-telephoto lenses are most often used by sports and wildlife photographers—however, photojournalists, law-enforcement, and even landscape photographers are known to use them, as well. They offer the build quality to withstand tough conditions and the optical quality to capture distant subjects clearly. For this conversation, we define “super telephoto” as a lens with a six-degree angle of view, which, on a full-frame sensor, corresponds to a 400mm lens. On APS-C format DSLRs you can get an even longer reach with your super telephotos and, while Fujifilm, Olympus, and Panasonic offer a few super teles for their mirrorless cameras, the ultra-long lenses are still the domain of the professional DSLR. There are high-quality super-telephoto zooms from Sigma and Tamron, but our conversation concentrates on the fast-aperture, prime lenses made by Nikon and Canon. We discuss their unique features, image stabilization systems, filters, methods of support, and the techniques used to handle them effectively. Join us for this very informative episode and, while you are at it, subscribe to our show and check out the B&H Photography Podcast: Canon 5D Mark IV Sweepstakes for your chance to win a Canon 5D Mark IV DSLR or a Canon 80D DSLR! Guests: David Speiser and Chris Williams Hermit Thrush Nelson’s Sparrow Northern Hawk Owl Peregrine Falcon Scissor Tailed Flycatcher Gyrfalcon David Speiser, Allan Weitz, and Chris Williams Previous Pause Next David Speiser DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/23/2020
For the headline of this week’s episode of the B&H Photography Podcast, we lifted a line from our guest’s own Instagram bio. It would have been too easy to call a show with Walter Iooss Jr. “Sports Photography Legend” or some such, but that pigeonholes Iooss too easily, and does not recognize the scope of his engagement with photography and with the creative process. Yes, Walter Iooss Jr. is sports photography. He has more than 300 Sports Illustrated covers to his name, his first professional gig was at age 17, and for six decades he has photographed several Hall of Fames’s worth of athletes, including names like Arnold, Mary Lou, Muhammad, and Tiger, and his work with Michael Jordan is unparalleled. Also—every Super Bowl. But he has also photographed rock stars, models, fashion and commercial assignments, portraits, and documentary series. And he tells us of his love for music and that if not for a twist of fate, he might have been a musician. The man is a creator for life, a photographer for life. With Iooss, our conversation takes a leisurely approach, touching on a few of his more memorable photos and some of the interesting lesser knowns; the breadth of his work alone could keep us talking for hours. Along the way, we learn a little about his upbringing, the love for music, his mentors, and the time he shot for Atlantic Records. We discuss how he builds a composition, whether it be an action shot during a game or a complicated portrait setup. We also talk about using a giant Polaroid camera, the coming of autofocus, and Canon DSLRs. Join us for this pleasant conversation that is sure to interest not only fans of sports, but fans of photography. Guest: Walter Iooss Jr. Photograph © Walter Iooss Jr. Andy Samberg, 2011 © Walter Iooss Jr. Muhammad Ali and Joe Frazier, 2003 © Walter Iooss Jr. Emmet Ashford, 1968 © Walter Iooss Jr. Tony Scott and Gary Templeton, 1979 © Walter Iooss Jr. Greg Louganis, 1984 © Walter Iooss Jr. Dave Parker and Grant Jackson, 1980 © Walter Iooss Jr. Jack Nicklaus, 1967 © Walter Iooss Jr. The Blue Dunk, Michael Jordan, 1987 © Walter Iooss Jr. The Corner, Havana, Cuba, 1999 © Walter Iooss Jr. Leipzig, East Germany, 1976 © Walter Iooss Jr. Lee Trevino, 1991 © Walter Iooss Jr. Willis Reed, 1973 © Walter Iooss Jr. Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/31/2017
This is one of our most informative and, dare I say, best episodes yet. We talk about emulsion-based and inkjet photographic paper, with an emphasis on inkjet papers. We are fortunate to be joined by two talented and articulate guests, photographer Robert Rodriguez Jr. and August Pross, Print Manager and co-owner of LTI-Lightside photographic lab, in New York City. In addition to his outstanding landscape photography, Rodriguez is an author with three books on photography to his credit. He leads a very popular workshop series and is an ambassador for Canson-Infinity paper products. LTI-Lightside is well-known for its professional photo services and as the custom printer for many acclaimed fine-art photographers. In this episode, we talk about the various types of paper available for printing at home and at a lab, and discuss the differences between paper from Fujifilm, Epson, Kodak, Hahnemuhle, Ilford, and others. Topics we touch upon are optical brighteners, outgassing, printing profiles, and Wilhelm Imaging Research, but the focus of our conversation often returns to the tactile nature of the print and the need to understand a photographic print as an entirely different concept than an image on a screen. In addition to the wonderful dialogue, stay tuned throughout the episode for a B&H Photography Podcast exclusive promo code for a discount on all Canson paper products. Also, be sure to visit our podcast homepage for all of our episodes and, while you are there, leave us a voice message on the SpeakPipe widget. Click on this link to subscribe to our show on iTunes. Guests: Robert Rodriguez Jr. and August Pross Robert Rodriguez, Allan Weitz, August Pross Previous Pause Next Robert Rodriguez Jr DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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