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Posted 08/05/2021
The photos of David Rothenberg are some of the most exciting that we have seen in a while―condensed and entangled compositions of airplanes over urban housing and portraits of travelers, through plane windows, or bathed in a holy light at a train station. His work is provocative, playful, and compassionate and asks us to look at compositions and subjects carefully, addressing issues of isolation and hope. On this episode of the B&H Photography Podcast, we ask how a fine-art photographer works his way through the neighborhoods and transportation hubs of Queens, NY, making such insightful images. Rothenberg’s books, Landing Lights Park and Roosevelt Station, are wonderful series and, with him, we discuss the evolution of these projects, the gear and locations he chooses, how he interacts with subjects, and the editing and sequencing of the books. Guest: David Rothenberg Photograph (detail) © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 02/16/2018
For the average photographer, many aspects of virtual reality imaging are confusing, and when you add 360° and 3D to the equation, we can really be in over our heads. Fortunately, on this episode of the B&H Photography Podcast, we have a guest with more than his fair share of experience in these matters, who will make the going easy as we discuss virtual reality, 3D, and 360° imaging technologies. Jim Malcolm is the North American General Manager of Humaneyes, and an expert in VR and computer vision. As President and CMO of Ricoh, Malcolm helped bring the Theta spherical cameras to the market and has now joined the pioneering 3D company Humaneyes to launch the Vuze 4K 3D 360 Spherical VR Camera. He joins us to discuss the evolution of VR technology and gear and the current tools available for professionals and consumers. He also touches on aspects of the hardware and storytelling which still need to be developed to improve the experience and we consider how certain disciplines, such as medical imaging, are already effectively utilizing these tools and how “social VR” may be the breakthrough platform for this technology. Malcolm also explains the features of the Vuze cameras and how they are bringing 360° 3D imaging to a whole new set of users with a sturdy and compact build, easy to use controls, apps and software. Join us for this very educational episode. Guest: Jim Malcolm Jim Malcolm and Allan Weitz Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/24/2020
I think most photographers have tried to document their experience during the COVID-19 shutdown, but none have done it quite like Neil Kramer. Kramer is riding out the pandemic in a two-bedroom apartment in Queens, New York, with his 86-year-old mother and his ex-wife. Did I mention that this is the apartment in which he grew up…and that he is living with his mother and his ex-wife? Kramer has become the star of his own drama and aptly describes the process of creating this series as “part art, part desperation.” Perfectly fitting. Kramer is primarily a street and portrait photographer with a healthy Instagram following and editorial or assignment gigs, but when the streets emptied in early March, he turned to his unlikely living situation for inspiration. Initially, there was humor and novelty in his images; he enlisted his “roommates” as players, and eventually as collaborators, in these one-shot dramas. As the weeks and months passed, his diaristic Instagram feed went from funny shots of faux-fights and crowded bathrooms to more introspective and isolated posts, complete with tender and insightful commentary. On this week’s episode of the B&H Photography Podcast, we speak with Kramer about developing this project, about “learning to take a photo when I’m not behind the camera,” about tethering, lighting, and bribing his “cast and crew” with doughnuts. Join us for this Seinfeldian chat, which might just help us keep our humor and creative spirit alive during the most difficult of situations. Guest: Neil Kramer Photograph © Neil Kramer Quarantine in Queens, Day 11. © Neil Kramer Quarantine in Queens, Day 12. © Neil Kramer Quarantine in Queens, Day 26. © Neil Kramer Quarantine in Queens, Day 49. © Neil Kramer Quarantine in Queens, Day 70. © Neil Kramer Quarantine in Queens, Day 85. © Neil Kramer Quarantine in Queens, Day 133. © Neil Kramer Quarantine in Queens, Day 158. © Neil Kramer Quarantine in Queens, Day 222. © Neil Kramer Quarantine in Queens, Day 263. © Neil Kramer Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/14/2016
Are dance and photography natural enemies? Well, of course not, but one art form is about the still, captured moment, and the other about choreographed movement and fluidity. However, anyone who truly understands photography knows the importance of timing, grace, and harmony, and a dancer must also recognize the relevance of rest and static. Sculpture, or gesture perhaps, is their common bond and our two guests know well the significance of gesture and the conflicting and compatible characteristics of dance and photography. They join us to talk about their distinct work and shooting styles. Lois Greenfield is one of the recognized masters of the craft, having developed a singular style sought by the world’s most renowned dance companies, and Omar Z Robles, an official Fujifilm X-Photographer, brings a fresh take, blending aspects of documentary and street photography. Enjoy this episode as we discuss improvisation, inspiration, dodging taxis and, of course, lighting systems and camera and lens choices. Guests: Lois Greenfield and Omar Z. Robles   Photographs by ©  Lois Greenfield Photographs by ©  Omar Z. Robles   Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play           Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/22/2020
In the 1970s, under the aegis of the Great Society’s Model Cities Program, photographer Earlie Hudnall, Jr. began to document the predominantly African-American neighborhoods of Houston’s 3rd, 4th, and 5th wards, and for more than forty years he has continued to create an indelible portrait of life in these neighborhoods. To be sure, Hudnall has photographed all around the world, and worked for years as the photographer for Texas Southern University, but it is his images of the people of Houston that we discuss today, and that are included in his current exhibition at the Photographs Do Not Bend Gallery in Dallas, running through October 31, 2020. On this week’s episode of the B&H Photography Podcast, we talk with Hudnall about the relationship between the stories he tells with his images and those he grew up with in his native Mississippi; how the tradition, culture, and community of his youth reveal themselves in the faces and facades of modern Houston. We also talk about his organic approach to photography and how respect for his subjects informs his process, and how eye contact and body language are tools to connect with people on the street. Hudnall is old school—he works with digital cameras when needed—but his Hasselblad and Nikon film cameras are his primary tools and he discusses why he chooses one over the other to make a particular image. Hudnall also prints his photographs, so we talk about sourcing supplies, Ilford paper, and darkroom techniques. And while we do get into camera talk and a “sweet, sweet, sweet, soft Rolleiflex,” much of our conversation with Hudnall focuses on how memory and inspiration react in a moment to create a powerful image and how staying sensitive to your surroundings will serve your imaging. It is a joy to listen to Hudnall; please join us for this conversation. Guest: Earlie Hudnall, Jr. Photograph © Earlie Hudnall, Jr. Mr. Shine, 3rd Ward, Houston, 1988 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Girl with Flag, 3rd Ward, Houston, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Hip Hop, Galveston, TX, 1993 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Looking Out, 3rd Ward, Houston, TX, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Feeling the Spirit, 3rd Ward, Houston, TX, 1987 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Boy Eastern Star, 3rd Ward, Houston, TX, 1984, © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, T Roots, 1997 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/14/2021
On this week’s episode of the B&H Photography Podcast, photographer Matt Price describes skate photography as the “perfect blend between studio and sports photography” and, from our engaging conversation, this idea will be made clear. Price knows of what he speaks—in addition to an acclaimed freelance career, he has been a staff photographer and editor for The Skateboard Mag and is currently Brand Director at CCS Skateshop and creates the magazine, Golden Hours Skateboarding. Price has lost more than one lens to the rigors of his craft, and we talk with him about getting close to skateboarders with a fish-eye lens, as well as other shooting and lighting techniques. We also discuss how he fell in love with skating and, at a very young age, began to submit his work to forums and, ultimately, to editors. He admits to taking his lumps from online critics for his early work, but his passion for skating and desire to improve his photo craft provided the courage and commitment to keep going and, eventually, his “energy-based” photo style caught the eye of editors and brands who sent him around the world to cover the skate scene. We discuss many topics in this easygoing conversation, from skating techniques to the business of skateboard photography to the differences between the various skate publications. We also get into the relationship between skater and photographer and how such a niche photo style has grown to influence a range of disciplines. Finally, we talk about gear choices and what has worked for Price. Starting with a Canon Rebel that he purchased with money his grandmother helped him secure, Price has worked with Hasselblad and Sony systems, but is currently back where he started, shooting with a Canon EOS 5D Mark IV and the Canon EF 8-15mm f/4L lens. Guest: Matt Price Photographs © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/27/2018
The simple theme for today’s episode of the B&H Photography Podcast was to be “how to speak to people in the street when you’d like to take their photo.” For this conversation, we invited two of the best street portraitists in New York— Amy Touchette and Ruddy Roye, both incredibly talented photographers (and writers!) whose work has appeared in the New York Times, New Yorker, Time, Esquire, and many other publications. They are both also very active on Instagram, with work that seems ideally suited for the best that medium has to offer. However, as good conversations often do, ours takes a winding road. We discuss personal and family histories, gentrification, race, and a range of subjects, all along tying these ideas to the fundamental aspects of engaging with people, often strangers, to produce passionate and compassionate street photography. We ask our guests how they approach people, how they describe their work when asking for a photograph, and about the importance of body language and eye contact to convey your intention and develop trust. We also examine the differences in approach when photographing people from cultural and economic backgrounds different than your own, when shooting groups of people and, finally, we discuss how to handle pushback, requests for money, outright rejections, and even upsetting encounters. For the gearheads, we touch on working with formats from medium format to cellphone, and how that effects your approach and the interaction with your subjects. Join us for this inspiring conversation. Guests: Amy Touchette and Ruddy Roye Top Shot © Amy Touchette 125 St., Harlem, Manhattan, 2017 © Amy Touchette Bedford Ave, Bed-Stuy, Brooklyn, 2017 © Amy Touchette Skillman St., Bed-Stuy, Brooklyn, 2016 © Amy Touchette From "Personal Ties: Street Portraits in Bed-Stuy, Brooklyn" © Amy Touchette From "Personal Ties: Street Portraits in Bed-Stuy, Brooklyn" © Amy Touchette From "Personal Ties: Street Portraits in Bed-Stuy, Brooklyn" © Amy Touchette © Ruddy Roye © Ruddy Roye © Ruddy Roye © Ruddy Roye © Ruddy Roye From the series “When Living Is a Protest” © Ruddy Roye Amy Touchette © John Harris Ruddy Roye © John Harris Amy Touchette, Ruddy Roye, and Allan Weitz © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/29/2020
On this week’s episode of the B&H Photography Podcast, we present a conversation with two photographers. We start with Aaron Turner, who is also a scholar, an archivist, and the host of the podcast “Photographers of Color.” Turner stays with us as we speak later with Laylah Amatullah Barrayn about her street portraiture during the COVID-19 outbreak in New York and  the recent uprising in Minneapolis. With Turner, we talk about the genesis of The Center for Photographers of Color, which is currently located at the School of Arts at the University of Arkansas, and how it grew from a Twitter feed as an attempt to recognize and connect the many African-American photographers both currently working and of historical significance and influence. We discuss the Center and its research, exhibition, archiving goals, and overall mission to develop and maintain a community of photographers. We also chat with Turner about his personal photography and how that has evolved over the years from photojournalism to documentary to a more conceptual form integrating personal and cultural histories. After a break, we welcome Laylah Amatullah Barrayn and jump right into a conversation about her decision to return to her Brownsville, Brooklyn, neighborhood to photograph the residents during the early uncertain days of the COVID-19 outbreak. In addition to an assignment on funeral directors, she created a wonderful series on the fashion and cultural statements of wearing a mask. We also speak about her work in Minneapolis during the June uprising there, and how she focused on portraiture of the residents, as opposed to the protests themselves. We also discuss technique with a FUJIFILM mirrorless system and a 35mm lens, the need to bear witness, the value of working with a community of photographers, and the “power of the archive.” Join us for this wide-ranging and passionate conversation about the importance of recognizing tradition, supporting your fellow photographers, and pushing for necessary changes within the photography sphere and the culture at large. Guests: Aaron Turner and Laylah Amatullah Barrayn Photograph © Aaron Turner Looking at Drue King, from The Black Alchemy, Vol 2 series, 2018 © Aaron Turner Untitled, from The Black Alchemy, Vol. 1 series, 2015 © Aaron Turner Great Uncle Sammie's Funeral, Marion, Arkansas, 2014 © Aaron Turner Bethel A.M.E. Church, Lansing, Arkansas, 2015 © Aaron Turner Terrence D., Dumas, Arkansas, 2015 © Aaron Turner Lougè Delcy, also known as Dapper Lou, wears a custom-designed mask near the entrance of Prospect Park, May, 2020 © Laylah Amatullah Barrayn Aïssatou, from Conakry, Guinea, waits for the shuttle train at the Prospect Park station, Brooklyn, May 2020 © Laylah Amatullah Barrayn Minneapolis, June, 2020 © Laylah Amatullah Barrayn Minneapolis, June, 2020 © Laylah Amatullah Barrayn Mutual aid networks, distributing food and supplies in north Minneapolis, June 2020 © Laylah Amatullah Barrayn Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/22/2018
On this week’s B&H Photography Podcast, we welcome three members of the Kamoinge photography workshop and, through their collective eyes, we discuss African-American photography of the past sixty years and the role that Kamoinge has played in nurturing and presenting that photography. We also discuss the making of their current exhibition and the artists involved, called, “The Black Woman: Power and Grace,” which is at the National Arts Club through June 30, 2018. To speak on Kamoinge and the exhibit, we have with us photographers Russell Frederick, Delphine Diallo and Jules Allen. Mr. Frederick is the current vice-president of the collective and provides some historical context and a sense of the mission of the group, which was formed in 1963. Mr. Allen discusses a few of the important figures in the group’s history, including Beuford Smith, Roy DeCarava, and Ming Smith; and Ms. Diallo reflects upon the appeal the workshop held for her when she arrived in Brooklyn, as well as thoughts on the obstacles women photographers still face in our industry. Each brings to the table a personal insight on the range of topics that come up during this humorous, provocative, and historically informative conversation. Kamoinge has deep and significant roots, but it is ever-evolving, and the diverse work of Mr. Frederick, Ms. Diallo, and Mr. Allen is testimony to the wide range of photography that finds a home at Kamoinge. Join us for this lively episode and check out the “Power and Grace” exhibit, at the National Arts Club. Guests: Delphine Diallo, Jules Allen, and Russell Frederick From “womensofnewyork” © Delphine Diallo, included in “The Black Woman: Power and Grace” From “Highness” © Delphine Diallo From “Highness” © Delphine Diallo From “Afropunk” © Delphine Diallo "I got your back." Two best friends declare their friendship and loyalty to each other for life. Bedford Stuyvesant, Brooklyn, 2007. © Russell Frederick "We celebrate you. Rest in power." A local marching band honors fallen hometown councilman James Davis. Bedford Stuyvesant, Brooklyn. © Russell Frederick Mrs. Edwards stops for a portrait on Easter Sunday right before she heads to the bus. Bedford Stuyvesant, Brooklyn, 2009. © Russell Frederick Havana, Cuba. © Jules Allen, included in “The Black Woman: Power and Grace” Betty Shabazz at the funeral for her husband, Malcom X. Harlem, N.Y., 1965. ©Adger Cowans, included in “The Black Woman: Power and Grace” Dionne Warwick, Maxine Waters, Johnette Besch-Cole, Maya Angelou, Cicely Tyson, and another distinguished woman, 1993 © Eli Reed, included in “The Black Woman: Power and Grace” “Contrast in Black and White.” New York, 1970. © Frank Stewart, included in “The Black Woman: Power and Grace” Graduates of Spelman College © John Pinderhughes, included in “The Black Woman: Power and Grace” Church ladies. New York, 2005 © Jamel Shabazz, included in “The Black Woman: Power and Grace” Dr. Deb Willis. © Terrence Jennings, included in “The Black Woman: Power and Grace” Untitled © Salimah Ali, included in “The Black Woman: Power and Grace” Delphine Diallo looks at Roy DeCarava photographs. © John Harris Jules Allen © John Harris Russell Frederick, Delphine Diallo, Allen Weitz, Jules Allen © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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