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Posted 08/17/2018
It’s no news that the print newspaper business is going through tough times and that newsroom staffs, particularly photographers, often bear the brunt of cost-saving moves. Day rates have stagnated, staff jobs are scarce and, in some cases, entire photography departments have been laid off as video, citizen-provided material, even security footage, is often preferred over news photographs on many digital news platforms. Many factors are involved, but the trend has been clear for some time and, hitting close to home, in July 2018, The New York Daily News eliminated all its staff photography positions. On today’s episode of the B&H Photography Podcast, we welcome Todd Maisel, a renowned New York City photographer and one of the veteran staff photographers at the Daily News to have lost his job in the most recent round of layoffs. Maisel brings a lot of flavor to our discussion, and his years of experience as a freelancer, a staff photographer, a videographer, and a publisher make him the perfect guest to opine on the current and future state of newspaper photojournalism. Among other questions, we ask him if the days of the “chaser,” the local photographer covering spot news, are over. We also discuss the differences between the type of photos that a newspaper wants now, compared to years earlier, and where they are sourced. Andrew Seng has a different perspective. Still in his twenties, he left a staff photographer job at the Sacramento Bee and moved to New York to work as an independent photographer in the journalism, editorial, and commercial photography fields. Seng discusses the reasons he gave up his “plum gig” to make a new path for himself, how he has found work, and how being independent enables him to work on personal projects. We consider the many new opportunities available on the digital platforms that news organizations now offer, the range of potential clients that want quality visuals for their editorial content, and the need to think like an entrepreneur, not just an employee. Join us for this very topical discussion. Guests: Todd Maisel and Andrew Seng Firefighters rescued a small boy from a raging fire in Red Hook, Brooklyn, June 1993. © Todd Maisel Flooding in Brooklyn caused numerous problems. Police yell at a four-wheeler who created a huge wake where ESU officers were assisting a stranded motorist during the flood. © Todd Maisel A 24-year-old woman dangled 100 feet above the ground from a concrete silo on 106th Avenue in Jamaica, Queens. She was grabbed by ESU officers as she was ready to jump. © Todd Maisel Fifth Avenue after a water main broke, flooding and destroying the street and causing a gas fire. January 1998. © Todd Maisel A 3-alarm fire engulfed three floors of the four-story residential building in Crown Heights, Brooklyn. Several injuries were reported during the battle that brought 165 firefighters. © Todd Maisel Sacramento amateur boxer Angel Rios, 2016 © Andrew Seng Butte wildfire, 2015 © Andrew Seng © Andrew Seng © Andrew Seng Arturo Sanchez, who recently moved to Sacramento from Long Beach, works for the City Manager's Office focusing on transparency in police and fire departments, pictured at City Hall, 2017 © Andrew Seng Todd Maisel © John Harris Andrew Seng © John Harris Todd Maisel, Allan Weitz, and Andrew Seng © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/25/2019
When one of the world’s most “followed” photographers is available for a conversation, you make the time to talk with him, and when that photographer is acclaimed adventure, landscape, travel, and surf photographer Chris Burkard, expect that conversation to include some serious insights into the passion and ambition it takes to create the beautiful images he makes. On this week’s episode of the B&H Photography Podcast, we speak with Burkard about a range of subjects—and this conversation does not disappoint. We get right into it by asking about his penchant for shooting in frigid locations, and how stubbornness and even persistence can be the enemy of good photography in sub-zero temperatures. We discuss the composition of his photographs and how that is indicative of his views on nature, and we dig into his “origin story” and why clients began to come to him for the kind of photography he creates. In general, however, we stick to the nuts and bolts of his photography. We learn why he prefers mirrorless cameras, specifically the Sony Alpha a7R IV, how he organizes his commercial workflow to make time for the adventures he craves, and how he sets time aside to be with his young family. After a break, we ask Burkard to walk us through the creation of a few of his best-known images. Not only does he offer insight into the photographic aspects, but he elaborates to give us a better understanding of the remote locations he finds and the teamwork needed. To quote Burkard, “to better understand how the Earth was made, we must look at it from new perspectives.” Join us for this eye-opening conversation. Guest: Chris Burkard Aleutian Islands, 2013 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Highlining in Joshua Tree with Garrison Rowland on Hall of Horrors formation during the Supermoon, 2016 © Chris Burkard Skógar, Iceland, 2014 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/07/2019
At the B&H Depth of Field Wedding and Portrait Conference, being held this week in New York, we were fortunate to sit down with a straight-up legend— Albert Watson. It would be hard to overstate his accomplishments as a photographer, and his ability to master a range of photographic genres—from fashion and advertising to still life, fine art, and reportage—is uncanny. He has shot more than 100 Vogue covers, 40 covers for Rolling Stone, and created iconic images of Steve Jobs, Mick Jagger, Alfred Hitchcock, David Bowie, a nude Kate Moss, and a properly clothed Queen Elizabeth, who later bestowed upon Watson an Order of the British Empire (OBE) for “services to photography.” On this week’s episode of the B&H Photography Podcast, we present our conversation with Watson, which also serves as an intro to future episodes, which will present a sampling of conversations we held with other wedding and portrait photographers at the Depth of Field Conference. Join us for this inspiring conversation and subscribe on Apple Podcast, Google Podcast, Overcast, and Stitcher for all upcoming episodes.  Guest: Albert Watson Albert Watson on the B&H Photography Podcast © John Harris Albert Watson on the B&H Photography Podcast at the 2019 Depth of Field Conference © John Harris Allan Weitz and Albert Watson © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/20/2019
Of course, there are several renowned photography book publishers, but if you know just one name in photo book publishing, it should be Aperture. Edward Weston, Diane Arbus, Stephen Shore, Sally Mann, Deana Lawson, and Martin Parr are just a few of the artists who have had at least one of their most significant books published by Aperture Publishing. Book publishing is just one of the ways that this non-profit organization, founded by Minor White and others, supports the art and craft of photography; they produce their quarterly magazine, host exhibitions, workshops, panel discussions, sponsor book and portfolio awards, and publish The PhotoBook Review and the Aperture blog. On today’s episode of the B&H Photography Podcast, we welcome Lesley Martin, Creative Director at Aperture and Publisher of The Photobook Review. Who better to speak about the process of photography-book publishing and, in general, the state of the photobook community today? With Martin, we discuss the important books from their 2019 catalog and how their editorial team decides which projects to publish each year, how large the runs will be and the costs associated with publishing in the US and abroad. We also examine what distinguishes Aperture—their non-profit status, the platform they create for artists, their collaborative philosophy, and the need to balance contemporary photo projects with compilation and themed photo books, classic editions and works about photography. We also ask about the impact of Amazon on their book trade and general questions on the current state of the photo-book business. In the second half of our show, we discuss the recently announced winners of the Paris Photo–Aperture Foundation PhotoBook Awards. This important award has three categories: Photography Catalogue of the Year, First PhotoBook of the Year, and Photobook of the Year. We ask about the criteria for judging in each category, about the subtle distinctions between a good photo series and a good photo book and clarify who can submit to the contest. Finally, we ask Martin about some of her personal dos and do nots when it comes creating your own photography book. This is a very enlightening conversation for those interested in creating a photobook and for anyone curious about what goes into running a successful editorial house. Guest: Lesley Martin “Brooklyn: The City Within” by Alex Webb and Rebecca Norris Webb “Deana Lawson: An Aperture Monograph” by Deana Lawson, Essay by Zadie Smith “Immediate Family” by Sally Mann “Diane Arbus: An Aperture Monograph” Fortieth-anniversary edition by Diane Arbus “The New Black Vanguard: Photography between Art and Fashion” by Antwaun Sargent “Walter Chandoha: The Cat Photographer,” Interviews by David La Spina and Brittany Hudak “Border Cantos” by Richard Misrach Allan Weitz and Lesley Martin © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/01/2018
From massive ensemble photographs to celebrity portraiture, advertising high-rollers, and about every movie and television poster you’ve ever seen, Art Streiber anchors the spot where Hollywood and the magazine industry meet. His versatility and production acumen are well recognized, and our conversation ambles easily through a wide range of subjects, but what remains evident—in addition to his quick wit—is that Streiber is a problem solver. Big concept, small budget? No problem. Giant set piece with 150 A-list subjects? We’ll figure it out. Just you, me, a camera and a hotel room window? Done. Streiber learned early that being a jack-of-all-trades does not correlate to a master-of-none and that the answer is always, “Yes.” In addition to his obvious photographic chops, this attitude seems to be at the heart of his success. With Streiber, we speak about soaking up the magazine aesthetic through his family’s business in Los Angeles, about early rejections, understanding the story behind a photo concept, and how the image “bears the burden” of telling that story. We also dig deep into his archive to discuss specific images of Steven Spielberg, Paul Rudd, Oscar nights, and others. We touch on picture research, budgeting concepts, lighting choices, working with celebrities, seeing big photos on small screens, older CCD sensors, and “how to eat an elephant.” This is a funny and incredibly informative episode of the B&H Photography Podcast. Join us. Guest: Art Streiber Seth Rogen as Cary Grant, in "North by Northwest," 2008 © Art Streiber Paul Rudd as Gene Wilder, in "Young Frankenstein" © Art Streiber Paramount 100th Anniversary Photo, 2012 © Paramount Pictures, Courtesy Art Streiber Campus Climate Challenge Activists © Art Streiber Steven Spielberg, for Empire Magazine © Art Streiber Brie Larson, for WWD, 2016 © Art Streiber Cate Blanchett, for Entertainment Weekly, 2014 © Art Streiber Behind the scenes at the Oscars © Art Streiber Behind the scenes at the Oscars © Art Streiber Behind the scenes at the Oscars © Art Streiber The cast of "The Princess Bride," for Entertainment Weekly, 2011 © Art Streiber The cast of "Taking Woodstock," for Vanity Fair, 2009 © Art Streiber Blaine Lourd, for Conde Nast Portfolio © Art Streiber Art Streiber on B&H Photography Podcast © John Harris Allan Weitz and Art Streiber © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/29/2018
On this week’s episode of the B&H Photography Podcast, we welcome photographer Rick McGinnis and curator Julie Grahame, to discuss blogging and archiving. While this is certainly a broad subject, we will focus on the work of our two guests while considering how best to keep a collection of photos vibrant and valuable. Rick McGinnis is a veteran portrait, editorial, and travel photographer based in Toronto. Most of his assignments and self-assignments had been for local newspapers and magazines and, when this professional landscape changed and motivation was lacking, he almost got out of the business entirely. With a little encouragement, he began to explore the many images he had shot over the previous twenty years—some he had never even viewed—despite being gorgeous portraits of well-known musicians, actors, and artists. The result of this deep dig was a blog he simply called someoldpicturesitook. The blog proved to be an avenue not only into his past, but to his future, because images never seen were now appreciated, discussed, shared, and ultimately, licensed. McGinnis is now on to a new travel blog  and a new chapter in his career, and we will hear what he has learned along the way. Curator, consultant, and writer  Julie Grahame is the publisher of aCurator.com, a full-screen photography magazine, and the associated aCurator blog. She directed the Retna photo agency for 16 years and currently represents the estate of Yousuf Karsh for image licensing and maintains the extensive karsh.org website. We speak with Grahame about the benefits of a blog compared to a website, Instagram, or in her case, a webzine, and we discuss her relationship with the Karsh archive and insights she has drawn from licensing his iconic portraits. Throughout the humorous conversation, we consider Google search tools, tagging, preferred blogging sites, and repurposing older work, but we also touch on the personal, professional, and historical importance of valuing and maintaining your photo collection. Guests: Julie Grahame and Rick McGinnis Fela Kuti, 1989 © Rick McGinnis John Waters, 1987 © Rick McGinnis Patti Smith, 1995 © Rick McGinnis Jay McInerney, 1998 © Rick McGinnis Bjork, 1997 © Rick McGinnis Anne Hathaway, 2004 © Rick McGinnis Rebecca Hall, 2016 © Rick McGinnis Kinky Friedman, 2016 © Rick McGinnis Dwight Eisenhower, 1946 © Yousuf Karsh Ernest Hemingway, 1957 © Yousuf Karsh Winston Churchill, 1941© Yousuf Karsh Ansel Adams and Yousuf Karsh, Courtesy Yousuf Karsh Archive Rick McGinnis © John Harris Rick McGinnis and Julie Grahame © John Harris Rick McGinnis, Allan Weitz, and Julie Grahame © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/30/2017
Many photographers begin their careers wanting to “make a difference” with their photography, to bring some good to the world, or at least to the people they photograph. It’s one of the greatest aspects of the craft and its adherents, but can a photo really bring about long-term change? This is an increasingly relevant question, and one that dogs even the most experienced and socially conscious photographers. Despite this dilemma, many photographers forge ahead, shining a light on horrors and glories with the hope that their images have a positive influence and perhaps, because of this dilemma, some photographers have found ways to use their art, labor, contacts, experiences, and insight to raise money specifically for organizations that are “making a difference.” Salem Krieger is an experienced editorial and portrait photographer who had a seemingly simple realization in 2015: he could sell prints of his work and give a portion of the revenue to a non-profit organization of his choice. From this grew Art is Helping, his system for putting artists and art buyers together and letting the buyers determine how much they spend and which organization they support. In a short time, the roster of artists has grown, as has the varied list of non-profits that benefit from the transactions. Alison Wright is an accomplished documentary photographer and author whose work has taken her to every corner of the world. Her latest book,  Human Tribe,  is available through Amazon and Barnes & Noble. In 2000, a tragic, near-death accident on a jungle road in Laos and a remarkable story of heroism and recovery brought a heightened perspective to the strength and spirit that pushes people to help one another—even to risk their lives to help complete strangers. With the resolve and empathy born from suffering, Wright rebuilt her life and career and founded Faces of Hope, a fund that provides medical care and education, especially to women and children in crisis around the world. The first act of Faces of Hope was to return to the village in Laos—and the people who saved her life—with five doctors and $10,000 worth of medical supplies. We speak with these two photographers about their work and about the mechanisms they have created to bring assistance to those who need it, while continuing to do the photography they love. Guests: Alison Wright and Salem Krieger “Tibet Girl” 2005. Photograph by Alison Wright Malagan Ceremonial Mask, Papua New Guinea, 2010. Photograph by Alison Wright Cover of Alison Wright’s latest book, “Human Tribe” “NYC News Stand” by Salem Krieger, from Art is Helping “42nd St. Alien” by Antonio Mari, from Art is Helping “Shadows” by Cynthia Karalla, from Art is Helping “VSH #4” by Julie Gross, from Art is Helping “Beetle” by Jose Maximiliano Sinani Paredes Shezchez, from Art is Helping “Auto America: New Mexico” by Salem Krieger, from Art is Helping Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/24/2018
It has been a fabulous year for the B&H Photography Podcast, with an incredibly diverse set of topics we discussed, and guests we welcomed. The podcast team is very thankful to those who gave their time to talk about our shared passion, and to the listeners who join us every week, and those who chime in with comments and suggestions. Although today’s episode is looking back at our favorite moments from 2018, we also look forward to 2019 and improving the podcast: experimenting with our audio stylings, expanding engagement with listeners, offering more sweepstakes and, of course, continuing to bring wonderful guests to explore the worlds of photography. For today’s “clip show,” Jason, Allan, and I offer our own lists of best moments from the year’s episodes and then try to come up with a personal favorite. It’s not easy, but Allan settled on our recent episode with Jay Maisel and Stephen Wilkes. We include clips from this episode and few others, including my surprise favorite, “The Story Demands More,” with Greg Constantine. Some of our choices overlap, but Jason couldn’t decide between “Embracing Technology in the ‘New’ Landscape Photography” or “Time Vector—Day to Night,” with Stephen and Bette Wilkes. Have a listen to moments from these episodes and a few others, and go back through our catalog of more than 150 episodes. Hopefully, there’s something in there for every type of photographer. Let us know your favorite of the year, and thank you again to everyone who has made this a successful and enjoyable year at the B&H Photography Podcast. Bangladesh, 2017 Greg Constantine   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/01/2017
On today’s episode of the B&H Photography Podcast, we continue our exploration of photographic collaboration with photojournalists Ben Lowy and Marvi Lacar. In addition to sharing a vocation, they also share two children and a life together. Photojournalism is a decidedly independent, at times dangerous, career, certainly not one known for a routine home life, but when domestic responsibilities and children enter the picture, how does a couple balance craft and career with the need to earn a living and the time needed to nurture relationships? More so, when both people are working in the same field, how does bolstering one career cross the line into debilitating the other and how do the individuals comprising a creative couple find ways to support each other’s efforts? Lowy and Lacar bring an animated humor and a willingness to talk about the difficult moments from their lives and careers, and explain how they have come to recognize their best personal and professional attributes, bringing those strengths into a working relationship that continues to evolve. Guests: Marvi Lacar and Ben Lowy From the series "Melting Pot," Marvi Lacar From the series "Melting Pot," Marvi Lacar From the series "U.S. Bases," Marvi Lacar From the series "U.S. Bases," Marvi Lacar From “This Is a Love Story,” Marvi Lacar From “This Is a Love Story,” Marvi Lacar 2004 Democratic National Convention, Ben Lowy Protest at 2004 Republican National Convention, Ben Lowy Iraq Perspectives #1, Ben Lowy Iraq perspectives, #2, Ben Lowy Wounded soldier, Iraq, Ben Lowy Ski Jumper, Sochi, 2014, Ben Lowy Speed Skater, Sochi, 2014, Ben Lowy Great White Shark, 2016, Ben Lowy Seal, 2016, Ben Lowy Ben Lowy and Marvi Lacar at B&H Photography Podcast, John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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