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Posted 09/25/2019
When one of the world’s most “followed” photographers is available for a conversation, you make the time to talk with him, and when that photographer is acclaimed adventure, landscape, travel, and surf photographer Chris Burkard, expect that conversation to include some serious insights into the passion and ambition it takes to create the beautiful images he makes. On this week’s episode of the B&H Photography Podcast, we speak with Burkard about a range of subjects—and this conversation does not disappoint. We get right into it by asking about his penchant for shooting in frigid locations, and how stubbornness and even persistence can be the enemy of good photography in sub-zero temperatures. We discuss the composition of his photographs and how that is indicative of his views on nature, and we dig into his “origin story” and why clients began to come to him for the kind of photography he creates. In general, however, we stick to the nuts and bolts of his photography. We learn why he prefers mirrorless cameras, specifically the Sony Alpha a7R IV, how he organizes his commercial workflow to make time for the adventures he craves, and how he sets time aside to be with his young family. After a break, we ask Burkard to walk us through the creation of a few of his best-known images. Not only does he offer insight into the photographic aspects, but he elaborates to give us a better understanding of the remote locations he finds and the teamwork needed. To quote Burkard, “to better understand how the Earth was made, we must look at it from new perspectives.” Join us for this eye-opening conversation. Guest: Chris Burkard Aleutian Islands, 2013 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Highlining in Joshua Tree with Garrison Rowland on Hall of Horrors formation during the Supermoon, 2016 © Chris Burkard Skógar, Iceland, 2014 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/08/2016
Drones are definitely a hot-button topic and not only for photographers! Despite the controversy and legal conundrums, aerial photography is entering an incredible exciting era with the proliferation of drones. Director and photographer, Randy Slavin, founder of Yeah Drones and the New York City Drone Film Festival, provides his enthusiastic input, with product specialist Dan Campo, to a conversation about the use and misuse of drones. We talk about the legal and safety issues of flying drones, as well as the practical applications of drone shooting and, of course, highlight the best and latest in gear for the drone photographer. Randy, Dan, and our host, Allan, pepper our conversation with anecdotes from their experiences flying and filming with drones.  Guests: Randy Scott Slavin and Dan Campo Randy Scott Slavin   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/01/2017
On today’s episode of the B&H Photography Podcast, we continue our exploration of photographic collaboration with photojournalists Ben Lowy and Marvi Lacar. In addition to sharing a vocation, they also share two children and a life together. Photojournalism is a decidedly independent, at times dangerous, career, certainly not one known for a routine home life, but when domestic responsibilities and children enter the picture, how does a couple balance craft and career with the need to earn a living and the time needed to nurture relationships? More so, when both people are working in the same field, how does bolstering one career cross the line into debilitating the other and how do the individuals comprising a creative couple find ways to support each other’s efforts? Lowy and Lacar bring an animated humor and a willingness to talk about the difficult moments from their lives and careers, and explain how they have come to recognize their best personal and professional attributes, bringing those strengths into a working relationship that continues to evolve. Guests: Marvi Lacar and Ben Lowy From the series "Melting Pot," Marvi Lacar From the series "Melting Pot," Marvi Lacar From the series "U.S. Bases," Marvi Lacar From the series "U.S. Bases," Marvi Lacar From “This Is a Love Story,” Marvi Lacar From “This Is a Love Story,” Marvi Lacar 2004 Democratic National Convention, Ben Lowy Protest at 2004 Republican National Convention, Ben Lowy Iraq Perspectives #1, Ben Lowy Iraq perspectives, #2, Ben Lowy Wounded soldier, Iraq, Ben Lowy Ski Jumper, Sochi, 2014, Ben Lowy Speed Skater, Sochi, 2014, Ben Lowy Great White Shark, 2016, Ben Lowy Seal, 2016, Ben Lowy Ben Lowy and Marvi Lacar at B&H Photography Podcast, John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/03/2016
Despite poking a little fun with this episode’s title, we are big fans of photography websites and camera blogs, and if you are reading this, you probably are, too. On this week’s podcast, we are fortunate to have Kevin Raber and Jason Hermann, proprietors of Luminous Landscape and SonyAlphaLab, respectively. Have you ever wondered how sites like these operate, are funded, get gear to review and deal with the, shall we say “experts,” who populate the comment sections? In this very animated, on-point conversation, Raber and Hermann talk specifically about their sites, the proliferation of gear chat, and the camera industry in general. Guests: Kevin Raber and Jason Hermann To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS.   Photos by  Kevin Raber   Photos by Jason Hermann b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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Posted 03/09/2018
Are the 1990s history? Well, for today’s episode of the B&H Photography Podcast, we look back to that decade when a new aesthetic in fashion photography was born in England, and later spread to the United States and the world; a transformative style whose influence is apparent almost thirty years after its birth. First appearing in small but influential magazines such as The Face, i-D, and Blitz, and growing from a reactionary youth culture, this raw style reflected a new aesthetic, one that rejected the glam, the supermodel, and the highly stylized photos of the 1980s in favor of eclectic clothing, waifish models, a low-tech, "straight-up" photo style, and a lot of “frickin’ attitude.” For this episode, we welcome fashion photographer Michael Sanders, who is a regular contributor to Italian Elle and who shot for many of the ’90s “style bibles” mentioned above. Sanders came of age in this era and discusses the social and economic factors that lead to this new aesthetic, the cyclical nature of fashion, and the overly simplistic idea of heroin-chic. He also provides a sense of the technologies that made this movement a reality, the gear most commonly used, and the assignment process and shooting-styles embraced. Finally, Sanders offers firsthand insight into the community of photographers, stylists, and models who are associated with this movement, including David Sims, Corinne Day, Kate Moss, Melanie Ward, and the important photographer and bridge figure, Nick Knight. Join us for this interesting look back to the birth of a style and photographic movement that is still reverberating. Guest: Michael Sanders Photograph © Corinne Day, model: Kate Moss, The 3rd Summer of Love cover from “The Face.” 1990 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, courtesy “Italian Elle” Allan Weitz and Michael Sanders, Photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/05/2019
Do you have undeveloped rolls of film that have been sitting around forever? Maybe you don't even realize that you have unprocessed rolls from the "good ol' days of analog" in an old camera bag or a dresser drawer. Now is the time to look into this matter and have the chance to explore and share your memories, perhaps even rediscover events and people that memory has left behind. On this week's episode of the B&H Photography Podcast, we welcome the directors of Lost Rolls America, Ron Haviv and Lauren Walsh. Inspired by Haviv's own The Lost Rolls book, they have initiated this project to create a national archive of lost, yet now found, images "to form a collective memory that prioritizes the role of photos in constructing our personal and shared pasts. In revisiting the past, this project also encourages contemplation of how the present and future will be remembered." The idea is simple, but one look at the growing archive and the memories shared, and it becomes clear how powerful this project can be. With Haviv and Walsh, we recount the genesis of the project, how PhotoShelter, PhotoWings, and FUJIFILM came onboard as partners, and they offer insight on the future plans for the project. They also discuss a few of the more interesting images and recollections submitted, how the submission process works and, of course, they encourage our listeners to submit lost rolls. Above Photograph © Mette Lampcov/Lost Rolls America Lost Rolls America: What kind of memories does this photo bring back? Valentina Zavarin: I was leaving alone to America. Time for adventure away from my mother and siblings. I remember how excited I was for this new life ahead after World War II. Everyone is smiling but I remember they were in a shock that they were left behind. Valentina Zavarin/Lost Rolls America, 1950 Lost Rolls America: Does this photo bring back any memories? Debra Miller: Yes. Sadness, horror, shock. Debra Miller/ Lost Rolls America, 2001 Lost Rolls America: Is this what you expected to see? Elizabeth Kamir: No. The old roll of Tri-X that had taken up residence in my drawer for nearly 30 years always dared me to imagine. I never planned to develop it. I assumed if there was anything on the roll, it would either be something innocuous, like pictures of my grandmother or something embarrassing, like theatrical, nude self-portraits. I might have taken pictures like that back then. Elizabeth Kamir/Lost Rolls America, 1990 Lost Rolls America: What kind of memories does this photo bring back? Mette Lampcov: It makes me think of how much I used to laugh my head off with her (Tracy). It makes me miss London and old friends, especially people who have a wicked sense of humor- and seeing her head float in the back garden is a perfect reminder of her beautiful funny madness. Mette Lampcov/Lost Rolls America, 2002 Lost Rolls America: How does this old photo make you feel? Michael Starensic: I feel a sense of accomplishment that I was able to capture the times and emotions as the country swayed from crisis to crisis. This was the last interlude- "coming up for air" I called it- between the major tumult of the Kosovo War two months earlier and the start of renewed opposition that month. We soon headed back to the capital and events were intense for the next 14 months. Nevena and I married 2 months later in Belgrade in the midst of mounting protest and turmoil. Michael Starensic/Lost Rolls America, 1999 Lost Rolls America: How does this old photo make you feel? Bruce Lampcov: Very nostalgic. I miss the days when my children were young and together we discovered new places, new cultures. Bruce Lampcov/Lost Rolls America, 2004 Lost Rolls America: What kind of memories does this photo bring back? Tamika Jancewicz: Just how huge I was when I was pregnant! I think I felt that way when I took the picture as well. Tamika Jancewicz/Lost Rolls America, 2007 Lost Rolls America: What are we looking at here? Russell Gontar: This is my friend, Linda. We spent an afternoon taking pictures at the beach and old amusement park. I asked her to close her eyes in an attempt to be "arty". Russell Gontar/Lost Rolls America, 1977 Lost Rolls America: How does this old photo make you feel? Jennifer Mitchell: As all the kiddos in the picture are my nieces and nephew, it makes me feel amazingly proud. One is in the Air Force Academy, one is a wedding planner in a Colorado Rocky Mountain resort, and one just got accepted into a PhD program for Astrophysics. I bet my sister (who is reading to them) thinks that she might have had a little something to do with it.:) When I showed her the picture, she sighed and said, "Oh, that was always one of my favorite things to do with those kids!" Jennifer Mitchell/Lost Rolls America, 2004 Lost Rolls America: How does this old photo make you feel? Keith Munger: Like One Of The Miraculous Few That Loves His Wife As Much Now As In 1969. I Am A Very Lucky Guy! Keith Munger/Lost Rolls America, 1969 Guests: Lauren K. Walsh and Ron Haviv Ron Haviv is a is an Emmy nominated, award-winning photojournalist and co-founder of the photo agency VII, dedicated to documenting conflict and raising awareness about human rights issues around the globe. He has worked in more than one hundred countries and published four critically acclaimed collections of photography. His work has been featured in numerous museums and galleries, including the Louvre, the United Nations, and the Council on Foreign Relations. Lauren Walsh is a professor and writer who teaches at The New School and NYU, where she is the Director of NYU Gallatin's Photojournalism Lab. She is editor of Macondo, a photo book documenting the long-term conflict in Colombia, and coeditor of the collection, The Future of Text and Image, as well as the Millennium Villages Project, a photography book about efforts to relieve extreme poverty in sub-Saharan Africa. She has appeared on CNN as a scholar of photography and digital culture, as well as in the documentary 9/11: Ten Years Later. Ron Haviv, Allan Weitz, and Lauren Walsh John Harris   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/14/2020
Recognized as a premier headshot and portrait photographer, Peter Hurley has quite the tale to tell. His work is known for the genuine expressions he captures, and he has expanded his business into an international organization. He is also an in-demand speaker and photo educator, but Hurley has an interesting “origin story” when it comes to photography, and we will discuss how he went from being a competitive sailor to a model to a photographer and how sailing remains an integral part of his creative life. This week’s episode of the B&H Photography Podcast is a casual but insightful conversation about life’s twists and turns taking you to a place you never expected and how being open to challenges and to advice can motivate creativity. Sometimes “failing” is the best way to find your success, and Hurley tells us about competing for the U.S. Sailing Team and how accepting opportunities that seemed far from his initial goal led him to photography. We also talk about how he turned his headshot business into the “ Headshot Crew ” and now coaches and disperses work to a network of photographers around the world. Throughout the conversation, we touch on tips to improve your own portrait and headshot game, and Hurley mentions the lighting kit he has created with Westcott. We also discuss the “10,000 Headshot” project, for which he helped to organize his network of photographers to aid folks left unemployed by the COVID-19 pandemic. With the support of Canon and others, members of the Headshot Crew have photographed thousands of people, creating free headshots for anyone out of work. And as we discuss, a quality headshot is increasingly important in the “work from home” era. Join us for this enjoyable conversation. Guest: Peter Hurley Photograph © Peter Hurley Alfredo Plessman III © Peter Hurley Ben Yannette © Peter Hurley Carina Goldbach © Peter Hurley Deborah Robinson © Peter Hurley Fernando Romero © Peter Hurley Jan McCay © Peter Hurley Nancy Randall © Peter Hurley March Palou © Peter Hurley Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/29/2016
In celebration of Gail Buckland ’s wonderful new book, Who Shot Sports: A Photographic History, 1843 to the Present, and the accompanying exhibition at the Brooklyn Museum, we take a look at sports photography from all angles. With Buckland, we discuss the making of her book and the role that sports photography has played in the history and technology of photography. Buckland breaks apart false distinctions by including photographers as diverse as Andy Warhol, Henri Cartier-Bresson, and Stanley Kubrick with legendary sports photographers such as Walter Iooss and Charles Conlon. Her research on individual photos and overall perspective on sports photography opens up the genre to the wide world of art, and her insights are invaluable. Also joining us is photographer Andrew Bernstein, well known as the long-time photographer for the Los Angeles Lakers. He has served as official photographer for the L.A. Clippers, Kings, and Dodgers, and held the position of Senior Director of NBA Photos. Bernstein has photographed a wide variety of sports and has published several books, including Journey to the Ring, documenting the 2009-10 Lakers championship season. His awards and accolades run deep and he was instrumental in developing the multiple camera Flash Wizard II system, which revolutionized indoor sports action photography through the use of triggers and remotes with strobe lighting. Bernstein discusses his career development, gear setups and shooting techniques, as well as his relationship with athletes, specifically with Kobe Bryant, whose photo is included in the book and exhibit, Who Shot Sports. Photograph above courtesy Tim Clayton Guests: Gail Buckland and Andrew Bernstein Andrew Bernstein Photos © Andrew D. Bernstein / NHLI / Getty Images © Andrew D. Bernstein / NBAE / Getty Images © Andrew D. Bernstein / NBAE / Getty Images © Andrew D. Bernstein / NBAE / Getty Images © Andrew D. Bernstein / NBAE / Getty Images Photos from Who Shot Sports: A Photographic History, 1843 to the Present George Demany- Chronophotograph – Copyright INSEP IconothEque Hill and Adamson – Courtesy Scottish National Portrait Gallery Jeorg Mitter – Courtsy Jeorg Mitter/Limex Images John Dominis – Courtesy John Dominis/Getty Images Mark Leech – Courtesy Mark Leech and Offside Sports Photography Lucy Nicholson – Alzheimer’s Ping Pong Therapy- Courtesy Lucy Nicholson/Reuters Bob Martin- Courtesy Bob Martin/Sports Illustrated Krystle Wright- Base Jumpers- Collection of Krystle Wright Courtesy Tim Clayton Gail Buckland, Allan Weitz, and Andrew Bernstein Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/03/2017
The B&H Photography Podcast team was invited to a special event hosted by DJI and the B&H Marketing team to introduce filmmakers and photographers to the Phantom 4 Pro and Inspire 2 drones. Not only did we get to fly these incredible machines, but we took the time to talk with several photographers and drone experts to get their impressions, not only on the latest DJI models, but on other drone platforms and aerial photography applications. We begin this episode with Adam Lisberg, U.S. spokesperson for DJI, and hear his thoughts on its most recent offerings. We then sit with a previous guest, Randy Scott Slavin, of Yeah Drones and the New York City Drone Film Festival. Slavin discusses the technical leaps that drones have made in the past year, and highlights his favorite platforms. Next, we talk with Andrew Scrivani, food photographer and stylist for the New York Times and other publications, on how he is incorporating drones into his work. After a pause, we turn to a lively chat with Sara Dietschy, Kraig Adams, and Ollie Ritchie, three social media influencers using drones in their content creation. Then we speak with Roberto Blake, a YouTube educator, who took advantage of this event to fly his first drone; he offers wonderful insight from the perspective of a newbie. We then welcome podcasters Chris Barrows and Amir Zonozi, from “ Why I Social,” for information on the P4 Pro and on flying in restricted areas, and we conclude with drone builder and pilot Parker Gyokeres, from Propellerheads Aerial Photography, to get his take on why he switched from homebuilding drones to DJI. Join us for this multifaceted episode on the latest in drone technology, and listen for a B&H Photography Podcast exclusive promo code to get free propellers and a discount on the extended protection plan for the Mavic Pro, from DJI. Guests: Adam Lisberg, Randy Scott Slavin, Andrew Scrivani, Sara Dietschy, Kraig Adams, Ollie Ritchie, Roberto Blake, Chris Barrows, Amir Zonozi, and Parker Gyokeres Photographs © John R Harris The DJI Inspire 2 Drone Flying the Phantom 4 Pro on the roof of the Bathhouse Studio Randy Scott Slavin and Allan Weitz Andrew Scrivani Kraig Adams, Ollie Ritchie, Allan Weitz and Sara Dietschy Parker Gyokeres with the Inspire 2 My first photo taken with a drone DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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