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Posted 08/26/2021
Even if you are not currently on your beach vacation, let’s take a little trip to Hawaii’s shores for today’s episode of the B&H Photography Podcast. Joining us is photographer Zak Noyle, who was born and raised in Hawaii and began publishing his surf photography while still in high school. Noyle has photographed the sport’s top surfers and events, has been published in Sports Illustrated and National Geographic, and has traveled the world for brands such as Billabong, Stussy, and Chanel. He also contracts commercial and editorial work (note our chat about photographing Michael Phelps) and has recently opened the Eleven17 Creative Agency. With Noyle we discuss how he started photographing simply to share his love for the ocean and surfing, but we learn that his father is a successful commercial photographer and we chat about the influence and support of family and friends. We also learn that Noyle was a state champion swimmer and how staying in top physical and mental shape is key to working in waves up to sixty feet high. We also discuss the techniques and gear he uses to work below and at the water’s surface, including the signature camera housing that he developed with Aquatech. In this pleasant and wide-ranging conversation, we get to understand how keeping a healthy balance between work and play can spark creativity and how preparation and experience lead to opportunity. Join us in “paradise.” Guest: Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Photograph © Zak Noyle Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 08/21/2020
We present a fun and insightful conversation on this week’s episode of the B&H Photography Podcast, perhaps due to the Midwestern charm of photographer Julie Blackmon and the enjoyable discussion of her wonderful tableaux vivants of family life in middle America. We also welcome back to the show gallery owner Robert Mann, who is currently hosting an exhibit of Blackmon’s photographs titled Talent Show. Mann was a guest on our show, in 2018, when we spoke about the work of Australian photographer Murray Fredericks. The medium format compositions of Julie Blackmon infuse innocent playtime with a creeping sense of danger to create works with a wonderful dark humor. There is also a welcome DIY spirit to her work, and we talk about the creation of her photos and the involvement of her own family and friends in the images; even photos that have up to twenty-five subjects are produced and organized with her sisters and fellow parents.  She is hands-on in all aspects of the work, including making the large prints herself. We also talk about her use of the Hasselblad H system and how she combines wide angle and normal perspectives in her detailed final prints. After a break, Robert Mann takes the lion’s share of the questions as we discuss the many challenges faced by photography galleries. In addition to the expense of a brick and mortar gallery and the proliferation of online viewing and sales, the COVID-19 pandemic has forever changed the idea of a public art gallery.  Mann relates the decision to close his Chelsea gallery and receive collectors on a by-appointment basis, as well as his thoughts on creating editions and limiting prints and the general state of the fine art photo market. Join us for this enlightening four-way conversation as we gain insight from the perspective of the artist and the gallerist. Guests: Julie Blackmon and Robert Mann Photograph © Julie Blackmon River, 2020 © Julie Blackmon, Courtesy Robert Mann Gallery Baby Toss, 2009 © Julie Blackmon, Courtesy Robert Mann Gallery Stock Tank, 2012 © Julie Blackmon, Courtesy Robert Mann Gallery Talent Show, 2019 © Julie Blackmon, Courtesy Robert Mann Gallery Outing, 2019 © Julie Blackmon, Courtesy Robert Mann Gallery Spray Paint, 2020 © Julie Blackmon, Courtesy Robert Mann Gallery Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/18/2019
The B&H Photography Podcast wraps up 2019 expanding our minds, with the help of Swedish photographer Erik Johansson. Enabling his playful and slightly sinister imagination with a wealth of design and photographic talent, Johannsson makes images that toy with the veracity of a photo while using relatively basic photographic processes to create them. It is certainly worth viewing Johansson’s website or Instagram feed before (or while) listening to this episode to familiarize yourselves with the images we discuss and to gain a sense of his mastery of scale and narrative. Combining landscape photography, staged scenes with actors, oversized props, and the best of digital collage, Johansson creates images that seem to emanate directly from his dreamy imagination, but are undoubtedly the product of much real-world work, and he kindly takes the time to explain his process and workflow to us. A woman emerges from a shopping mall escalator to find herself in a dark forest, a man pulls a lonely country road across a field like a bed sheet, a house is tossed as verdant farmland turns into a violent tidal wave. These scenes, along with many others (and some with a decidedly MC Escher feel), have us wondering, “how does he do it?” Join us for our conversation with Johansson to find out the tools he uses (starting with his Hasselblad camera system) and the amount of time and production it takes to create each of these surrealistic vignettes. As we celebrate our 200th episode, chime in on our Facebook group with your all-time favorite episode or let us know a subject you’d like us to cover in 2020. Thanks! And have a great New Year. Guest: Erik Johansson Above photograph © Erik Johansson Above All, 2019 © Erik Johansson Just Visiting, 2019 © Erik Johansson Self-Supporting, 2017 © Erik Johansson Lifetime, 2017 © Erik Johansson Road Closed Unexpectedly, 2019 © Erik Johansson Office Escape, 2019 © Erik Johansson The Cover-Up, 2013 © Erik Johansson Let’s Leave, 2013 © Erik Johansson Daybreaker, 2018 © Erik Johansson Demand & Supply, 2017 © Erik Johansson Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/15/2018
We tried something new for this episode of the B&H Photography Podcast —we ventured into the B&H SuperStore to interview camera shoppers, fans of the podcast, and attendees of the Panasonic Lumix Day Event. We coordinated with our marketing team and organized a sweepstakes to give away a Lumix DMC-GX85 Mirrorless camera with a 12-32mm lens and a 45-150mm lens. We became acquainted with our audience a bit better by asking people two simple questions and chatting with them about photography. The first question was: “Which is the favorite photo you have ever taken?” and the second question was, “How would winning a GX85 change your photography?” The answers were as varied and entertaining as one would expect, and we include several of these short conversations in this episode. When we finished our recordings, we randomly picked a winner of the sweepstakes, and the winner will also be announced toward the end of the show. Because we were recording as part of the Lumix Day event, several interesting photographers and videographers, each a Lumix ambassador, were speaking at the B&H Event Space. After their talks, they joined us for a brief chat, and we include these conversations with documentary filmmaker Griffin Hammond, lifestyle photographer Jeff Carpenter and wedding and travel photographer William Innes. Each brings insight to his respective disciplines, and the engagement with shoppers and fans is not to be missed.  Join us for this fast-paced and entertaining episode. Guests: Jeff Carpenter, William Innes, Griffin Hammond, B&H SuperStore Shoppers William Innes © John Harris Griffin Hammond © John Harris Jeff Carpenter © John Harris Panasonic Lumix DMC-GX85 Mirrorless Micro Four Thirds Digital Camera Lumix G Vario 12-32mm f/3.5-5.6 Lens Lumix G Vario 45-150mm f/4-5.6 Lens B&H customer Vivian speaks with Allan Weitz © John Harris B&H customer Joseph speaks with the podcast team © John Harris B&H customer Katia speaks with the podcast team © John Harris B&H customer Jenny speaks with the podcast team © John Harris B&H customer Stanley speaks with the podcast team © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/23/2018
If you follow photography industry news, two words that may have caught your attention recently are “Kodak” and “cryptocurrency,” and the fact that they were in the same sentence might just have caused you to sit up and click. There was an outburst of opinion filling the blogosphere after the January announcement that KODAK and WENN Digital had entered into a brand-licensing agreement to launch KODAKOne, an image rights management platform, and KODAKCoin, a photo-centric cryptocurrency. The worlds of cryptocurrency and blockchain, the distributed ledger technology supporting many cryptocurrencies, are arcane, but merging one of the most recognized brands in photography with these new platforms and adding into the mix a potential fix for the image licensing business brought not only a lot of opinion, but a good deal of confusion. On this episode of the B&H Photography Podcast, we hope to clear the air and to do so we sit with the principals behind KodakOne and experts on both blockchain technology and image-rights licensing. We welcome Jan Denecke, the CEO of KODAKOne, and Volker Brendel, their CTO, to this discussion. We are also joined by attorney Andrew Hinkes, a professor at New York University and author of more than twenty articles on blockchain technologies and virtual currency, and Maria Kessler, the former president of Digital Media Licensing Association and an expert in stock photography and digital-image licensing. Join us for this rousing conversation in which we get firsthand information on KODAKOne’s business plans, insight on how the blockchain will affect photographer’s interests, and a general sense of what we can buy with a KODAKCoin. Guests: Jan Denecke, Volker Brendel, Andrew Hinkes, and Maria Kessler Jan Denecke, Volker Brendel, Maria Kessler, Philipp Kohn, Allan Weitz, Jason Tables John Harris DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/12/2018
If you are a regular listener to the B&H Photography Podcast, you’ve probably heard us talk a lot recently about our milestone 100 th episode and a camera sweepstakes that we were eventually going to announce. Well, that day is here, and if you follow this link, you will be directed to the page that describes the contest and the methods of entry. No purchase is necessary, and entering on Twitter or Facebook is quite easy. As the episode title should indicate, the sweepstake’s grand prize is a Canon EOS 5D Mark IV DSLR camera, but that prize also includes a 50mm f/1.8 lens —and there is a second prize: the Canon EOS 80D DSLR with a 50mm f/1.8 lens. Each of these items was supplied to us by our friends at Canon USA and, with that in mind, we invited Canon Product Specialist Rudy Winston to our studio to discuss the gear Canon has announced over the past year. We also talk about the two “prize” cameras offered in our sweepstakes and we take some time to ask Winston his thoughts on what changes we can expect to see in cameras and lenses in the future. We talk about ISO range, image processors, memory card formats, lens technology, connectivity, and the fate of the point-and-shoot. More than just a promotion for our sweepstakes, this episode is an informative chat on the state of the camera gear industry. With much gratitude to our listeners—both newbies and long-timers—we present this sweepstakes, so stay tuned to the end of the show when we will explain how to enter. In the meantime, enjoy the conversation, tell your friends about the sweepstakes, SUBSCRIBE, and thank you so much for tuning in. Guest: Rudy Winston DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/09/2017
Underwater photography does not have to include sharks, whales, or seals and, for that matter, does not even have to utilize scuba equipment or be near the ocean. Our second episode on underwater photography profiles two photographers who have found their niche shooting wedding, portrait, fashion, and dance themes beneath the surface. Jenna Martin walked away from a career in psychiatry, built her own underwater housing and began using friends and models local to her home in Billings, Montana, to shoot portrait and fine art images. Surprisingly, Martin doesn’t use scuba gear or a wetsuit when shooting in pools, lakes, and oceans—she often utilizes props and, most notably, the texture and flow of fabric to create her sensuous and imaginative photos. Jenna Martin Adolfo Maciocco started as a dive instructor and eventually turned to underwater photography while working in the Red Sea and Thailand. Upon his return to his native Sardinia, Italy, he began to combine his day job as a wedding photographer with his passion for the water, and specializes in underwater wedding photography. He has also collaborated with ballet dancers and free divers in a series of images shot undersea, then flipped upside down to create a wonderful, disorienting effect. from the series, Liquid Dreams Adolfo Maciocco We speak with these two photographers about their technique and gear, and focus on their DIY approach, as well as on issues regarding safety, working with non-professional divers, and the differences between shooting in a pool and in open water. Be sure to chcek out our previous podcast on underwater photography, Black and White and Blue—Fine Art Underwater Photography. Guests: Jenna Martin and Adolfo Maciocco Jenna Martin Adolfo Maciocco DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/26/2017
Today we welcome two photographers from two distant parts of the globe, but both share a sense of a serene underwater world that they envision mostly in black-and-white. Perhaps, surprisingly, Hengki Koentjoro and Christian Vizl claim Ansel Adams as a prime influence on their work, and we talk with them about not only about their artistic influences but about their choice of gear, shooting styles, post-process techniques and safety concerns. We start our episode with Hengki Koentjoro, who is based in Indonesia, and whose work on land and sea is simply stunning. His black-and-white compositions of sea creatures and the interplay between sun and water are more still life than wildlife, as they explore the textures, lines, and shapes found in the waters of his native archipelago. Koentjoro speaks with us about the simple set of tools with which he captures his images and his uncomplicated approach to exploring the waters he knows so well. Hengki Koentjoro Christian Vizl brings a similar perspective to his relationship with the sea, although the creatures he normally photographs tend to be much bigger and faster-moving, and the waters he explores extend across the planet. A life-long diver, Vizl has recently received well-deserved attention for his black-and-white images of rays, sharks, and whales, including a 2017 Sony World Photography Award. His approach places experience before image and his respect for the sea and its animals is evident in all he does and says. Christian Vizl Stay tuned to the end of this show, when we announce a promo code for a 10% discount on all Ikelite camera housings, and, specifically for this episode, we encourage you to visit our podcast landing page to see examples of the images created by these two supremely talented photographers. Guests: Hengki Koentjoro and Christian Vizl Photograph by Hengki Koentjoro Photograph by Hengki Koentjoro Photograph by Christian Vizl Photograph by Christian Vizl Photograph by Christian Vizl DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/06/2017
On today’s episode, we welcome Katrin Eismann and Peter Krogh to our studio and, with a chance to speak to the “Photoshop Diva” and the man who wrote The DAM Book, you count your lucky stars and soak up as much insight from these experts as possible. Peter Krogh is a photographer, writer, consultant, and a foremost authority on digital asset management and workflow. His clients include top-tier photographers and the Library of Congress; he has served on the ASMP Board of Directors. A recent collaboration with PhotoShelter produced its Libris cloud-based asset management system, and his latest book is Organizing Your Photos with Lightroom. Katrin Eismann is a member of the Photoshop Hall of Fame, an Adobe MAX Master, and a Sony Artisan. She is founder and Chair of the Masters in Digital Photography Program at the School of Visual Arts and the author or co-author of several books, including Photoshop Masking & Compositing, The Creative Digital Darkroom, Photoshop: Restoration and Retouching and Real World Digital Photography. Our guests walk us through their capture and post-process workflow and we talk best practices for image management and storage. The conversation gets theoretical before we bring it back to the pragmatic with specific questions about noise reduction, curves, levels, and general Lightroom and Photoshop applications. Guests:  Katrin Eismann and Peter Krogh Katrin Eismann       Peter Krogh Peter Krogh, Allan Weitz, and Katrin Eismann DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/03/2016
We run a little long on this episode, but when you have guests of this caliber, it’s well worth the extra time. Today we welcome the legendary Associated Press Photo Editor Hal Buell and Time LightBox Photo Editor Olivier Laurent. Bringing distinctive cultural and generational perspectives to the table, our two guests discuss the idea of an iconic photograph. We start with an attempt to define an iconic photo and, along the way, we talk about the editing process, war photography, mobile technology, photo manipulation, important photos from 2015 and many, many of the greatest photos ever taken. For working professionals, photo historians and anyone interested in how photography impacts our life, this is an episode for you.    Guests: Hal Buell and Olivier Laurent To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. Hal Buell and AP staffer Jim Palmer work with Leafax transmitter at the Atlanta Democratic National Political Convention in 1988. It was the first time digital scanning was used on a major news story. Hal Buell edits film at the Los Angles 1984 Olympic games. Hal Buell, far left, poses with other judges at a World Press Photo session in Amsterdam in the early 1960s. Hal Buell, Allan Weitz, Olivier Laurent, and John Harris b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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