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Posted 03/24/2017
What are the latest camera and lens offerings announced at recent trade shows? We’ll let you know, and throw in our two cents regarding their purpose and performance while we’re at it. In February, the WPPI and CP+ shows were held, the former being the major wedding and portrait photography conference, in Las Vegas. It is attended by hundreds of photographers, and features seminars, networking events, and product exhibitions. CP+ is the annual “camera and photo imaging show,” held in Yokohama, Japan, and is a major platform for the announcement of new gear from the Japanese-based manufacturers. Along with our resident product expert Levi Tenenbaum, we’ll discuss the gear that was announced and offer our opinions—in some cases we even got our hands on the goods and can provide an insight beyond just the specs. We also incorporate a little promotional moment into this week’s episode and, never wanting to be predictable, we do so in Spanish. In truth, the B&H Event Space is offering a two-day workshop with noted Spanish photographer Pepe Castro and, because this event is a Spanish-language presentation, we follow suit and speak to Castro in Spanish, with help from event organizer Carmen Rojas. Don’t worry if your español is rusty—we’ll give you the gist afterwards. Pepe Castro is in the B&H Event Space on March 27 and 28. Check out our new landing page, listing all our episodes, and take a minute to leave us a voice message while you are there. It’s a one-click process and we really want to hear your opinion of the show—on a mobile device, scroll down to the bottom of the page for the SpeakPipe feature. Guests: Levi Tenenbaum, Carmen Rojas, and Pepe Castro Andrés Aberasturi by Pepe Castro Canon EOS 77D DSLR Camera Canon EOS Rebel T7i DSLR Camera Pentax KP DSLR Camera Tamron SP 70-200mm f/2.8 Di VC USD G2 Lens Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Lens Sony FE 85mm f/1.8 Lens Sony 128GB SF-G Series UHS-II SDXC Memory Card Sony HVL-F45RM Wireless Radio Flash Light & Motion Stella Pro 5000 LED Light Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/16/2017
At this year’s OPTIC Photography Conference, we sat down with representatives from camera and gear manufacturers to talk about their latest products, and question them on their company philosophies and the general state of the camera industry. We present here a compilation of conversations with four of our guests: Rudy Winston from Canon, Marc Farb from Sigma, Thomas Curley from Panasonic and Rod Clark, founder and CEO of Wine Country Camera. Within this informative episode, we speak about Canon’s response to the rise of the smartphone, the success of entry-level DSLRs, possible mirrorless offerings and this year’s new releases, at 02:05. With Sigma, we discuss the latest Art series lenses and just who is buying the Foveon-sensor cameras, at 34:40 and, with Panasonic, there is much talk about the GH5, but also about new lenses and the company’s Lumix point-and-shoots, at 47:15. Finally, we chat with Wine Country, which is producing beautiful filter systems for high-end users, and how this small company is making a go of it in the tricky business of camera and lens accessories, at 58:30. Guests: Rudy Winston, Marc Farb, Thomas Curley, Rod Clark DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/25/2019
When one of the world’s most “followed” photographers is available for a conversation, you make the time to talk with him, and when that photographer is acclaimed adventure, landscape, travel, and surf photographer Chris Burkard, expect that conversation to include some serious insights into the passion and ambition it takes to create the beautiful images he makes. On this week’s episode of the B&H Photography Podcast, we speak with Burkard about a range of subjects—and this conversation does not disappoint. We get right into it by asking about his penchant for shooting in frigid locations, and how stubbornness and even persistence can be the enemy of good photography in sub-zero temperatures. We discuss the composition of his photographs and how that is indicative of his views on nature, and we dig into his “origin story” and why clients began to come to him for the kind of photography he creates. In general, however, we stick to the nuts and bolts of his photography. We learn why he prefers mirrorless cameras, specifically the Sony Alpha a7R IV, how he organizes his commercial workflow to make time for the adventures he craves, and how he sets time aside to be with his young family. After a break, we ask Burkard to walk us through the creation of a few of his best-known images. Not only does he offer insight into the photographic aspects, but he elaborates to give us a better understanding of the remote locations he finds and the teamwork needed. To quote Burkard, “to better understand how the Earth was made, we must look at it from new perspectives.” Join us for this eye-opening conversation. Guest: Chris Burkard Aleutian Islands, 2013 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Highlining in Joshua Tree with Garrison Rowland on Hall of Horrors formation during the Supermoon, 2016 © Chris Burkard Skógar, Iceland, 2014 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/09/2020
This is a wonderful conversation for fans of mirrorless cameras, of classic lens design, of the venerable M-mount, and, really, of photography. The joy that our host Allan Weitz exudes while discussing a few of his current favorite lenses is as contagious as it is educational. And I feel that this episode provides a bolt of creative curiosity that might infuse my own photography. For this week’s episode of the B&H Photography Podcast, we asked Weitz to draw up a list of 10 favorite lenses from his personal collection. To be sure, these are not lenses sitting on a shelf or behind glass; these are accessible, affordable lenses that he incorporates regularly into his photography practice, but each has a certain signature or special feature that merits recognition. Most, like the Voigtländer VM 40mm f/2.8 Heliar Lens for Sony E-Mount or the 7Artisans Photoelectric 50mm f/1.1 Lens for Leica M can be purchased new, while some, such as the Zeiss Hologon T* 16mm f/8 lens, are still readily found in the used market. Others, like the Nikon NIKKOR 50mm f/1.2 lens, are perennial favorites, while the Voigtländer Nokton 75mm f/1.5 Aspherical Lens seems classic but is relatively new to the market. While discussing these lenses, we stumble upon a mound of good photography chatter, including practical uses for these optics, tips for using extension tubes and mount adapters, notes on camera history, and plain simple fun facts. Toward the end of the episode we talk about the B&H Used Department, and Jason Tables and I share our current favorite lenses, as well. Join us for this breezy but informative episode and let us know your favorite lenses in the Comments section, below. Photograph © Allan Weitz Nikon NIKKOR 50mm f/1.2 Lens © Allan Weitz Zeiss 16mm f/8 Hologon Lens © Allan Weitz Voigtländer Nokton 75mm f/1.5 Aspherical Lens © Allan Weitz ZEISS Biogon T* 25mm f/2.8 ZM Lens © Allan Weitz Voigtländer Heliar 50mm f/3.5 Lens Voigtländer VM 40mm f/2.8 Heliar Lens for Sony E-Mount Three Lenses © Allan Weitz Taken with Zeiss Biogon 25mm f/2.8 ZM using Leica OUFRO Extension Tube © Allan Weitz Taken with Zeiss Hologon T* 16mm f/8 lens © Allan Weitz Taken with Voigtlander Heliar 50mm f/3.5 lens © Allan Weitz Taken with Voigtlander Nokton 75mm f/1.5 lens © Allan Weitz Taken with the Nikon NIKKOR 50mm f/1.2 AI-S lens © Allan Weitz Taken with Nikon Reflex-NIKKOR 500mm f/5 lens © Allan Weitz Taken with Nikon Reflex-NIKKOR 500mm f/5 lens © Allan Weitz Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/07/2016
As summer rolls around, it’s a good time to assess the best of the new products that have been announced thus far in 2016. With two of our most respected product specialists (and straight-up gear heads) we will discuss the most interesting cameras, lenses, and accessories to be introduced in 2016—some aren’t even on the shelves yet. Cameras from Sigma, Pentax, Sony, Canon, Nikon, and Olympus are considered, and we also touch on new cameras from Leica, Impossible, and Hasselblad. Lenses from these manufacturers, as well as Voigtlander, Tamron, and Lensbaby are highlighted, as is gear from Broncolor, Nissin, and Tether Tools. Enjoy this very informative episode with insight from our in-house experts. Guests: Zev Slotkin and Levi Tenenbaum   Don't miss an episode!     Subscribe on iTunes;   Stitcher   Levi Tenenbaum, Allan Weitz, and Zev Slotkin (left to right) b Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/29/2019
On this week’s episode of the B&H Photography Podcast, we welcome four “makers” who have designed and built impressive imaging tools with their own vision and hands. Their locations, the formats, the materials, and the final products all differ wildly, but the D.I.Y. spirit of the engineer, the tinkerer, the photographer, and the entrepreneur are shared by our four guests. We get a sense of how each came to their product, developed it, and are trying to market it. First, we speak with Sam Cornwell, inventor of The Solarcan, a unique camera designed to produce “extreme time exposures” that capture the sun’s path across the sky; and yes, it is a can. Cornwell offers his love of photography, astronomy, and repurposing household objects as the seeds for this pinhole camera, which comes with its own piece of Ilford 5 x 7" photo paper already inside. After a successful Kickstarter campaign and a lot of work, his fully packaged invention is available for purchase from B&H. Next, we are joined by Steve Lloyd of Chroma Cameras, who liked large format field cameras so much he went and designed one of his own. His are the first field cameras made of laser-cut acrylic. Appropriately available in a choice of unconventional colors, Chroma cameras feature interchangeable film backs that attach to the camera using magnets, which make it possible to switch quickly between 4 x 5" film to roll-film backs. After a short break, Filippo Nishino, of the Swiss company I’m Back, discusses the invention created by his partner, Samuel Mello Medieros, which can capture digital images with a 35mm film camera body. Available in a universal model or numerous customized covers, the back attaches physically to your film camera, enabling high-res digital image capture. Many years in development, the I’m Back is available to the public and on sale at B&H. Our final guest is Ethan Moses, of Cameradactyl, which is his company and his passion. Cameradactyl, along with its “subsidiary,” Butter Grip, makes 3D printed cameras, parts, and accessories, including his incredible CAMERADACTYL 4 x 5 Field Camera and X-Pin 35mm Pinhole Camera Kit. He also sells a wide range of practical and colorful grips and camera accessories, and might make something for your needs, if you ask nicely enough. Guests: Sam Cornwell, Steve Lloyd, Filippo Nishino, and Ethan Moses Solarcan with Red Packaging Solarcan mounted for extended exposure Solarcan sample image Chroma Camera Folded Chroma Camera Large 4 x 5 Field Chroma Camera I’m Back universal digital back I’m Back cover for Canon AE-1/A-1 cameras I’m Back cover for Leica M1 – M4 cameras Cameradactyl Blue Field Camera Cameradactyl ButterMeter Cameradactyl Butter Grip – Red Cameradactyl 4 x 5 Hand Camera Family Portrait Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/03/2016
We run a little long on this episode, but when you have guests of this caliber, it’s well worth the extra time. Today we welcome the legendary Associated Press Photo Editor Hal Buell and Time LightBox Photo Editor Olivier Laurent. Bringing distinctive cultural and generational perspectives to the table, our two guests discuss the idea of an iconic photograph. We start with an attempt to define an iconic photo and, along the way, we talk about the editing process, war photography, mobile technology, photo manipulation, important photos from 2015 and many, many of the greatest photos ever taken. For working professionals, photo historians and anyone interested in how photography impacts our life, this is an episode for you.    Guests: Hal Buell and Olivier Laurent To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. Hal Buell and AP staffer Jim Palmer work with Leafax transmitter at the Atlanta Democratic National Political Convention in 1988. It was the first time digital scanning was used on a major news story. Hal Buell edits film at the Los Angles 1984 Olympic games. Hal Buell, far left, poses with other judges at a World Press Photo session in Amsterdam in the early 1960s. Hal Buell, Allan Weitz, Olivier Laurent, and John Harris b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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Posted 12/22/2017
Photographing food is far from being a new facet of photography. Whether for commercial or artistic purposes—think William Henry Fox Talbot, Edward Weston, Irving Penn—it can be found throughout eras and styles, but it sure seems like we are currently witnessing a boom in food photography. With the foodie culture exploding and the profusion of #foodporn and #foodstagramming, there is no shortage of photographed meals flying around the Internet. Our guests on today’s episode of the B&H Photography Podcast have a wealth of experience in this arena, having shot food photography for a combined total of... many years. Specifically, they join us to talk about their latest book, Eating Delancey: A Celebration of Jewish Food, but while at it, we discuss food photography in general, from gear and technique to workflow for editorial and commercial assignments, and even for cookbooks. We also discuss the change in food photography styles over the years and ask their opinions on the proliferation of “food selfies.” Aaron Rezny has photographed major campaigns for Nestlé, Duncan Hines, Kellogg's, Russell Stover, Nabisco, and Applebee’s, and his work has appeared in Bon Appétit, Food & Wine, New York Magazine, and other publications. Jordan Schaps is an author, Professor of Photography at the School of Visual Arts, and the former Director of Photography at New York Magazine. He has produced shoots for inStyle, GQ, Lincoln Motors, and many other commercial and editorial clients. Together, they have produced a wonderfully engaging book. Join us for this educational and, at times, hilarious episode. Guests: Jordan Schaps and Aaron Rezny Photograph © Aaron Rezny Photograph © Aaron Rezny Photograph © Aaron Rezny Photograph © Aaron Rezny Photograph © Aaron Rezny Photograph © Aaron Rezny Photograph © Aaron Rezny Photograph © Aaron Rezny Photograph © Aaron Rezny Photograph © Aaron Rezny Photograph © Aaron Rezny Photograph © Aaron Rezny Photograph © Aaron Rezny Photograph © John Harris Photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/11/2020
On this week’s episode of the B&H Photography Podcast, we talk about food photography with photographer Chelsea Kyle and food stylist Drew Aichele. There are few photography disciplines that are as complicated as food photography. With the pressure of time, heat, cold, color, and light, a small team must work together to create an image that realistically illustrates the sumptuousness of a dish, but also is a visually striking composition. Collaboration is key and, in this case, it’s fortunate that Kyle and Aichele are also a couple, engaged to be married. We are grateful they were able to join us today. We discuss aspects of the professional process from client and editor, to recipe experts, to the stylists and photographers, and ask who determines what the “look” will be and how that is played out on set. We also discuss camera and lenses, lighting gear, and all accessories that are used in this space, which is part kitchen, part workshop, and part photo studio. Kyle stumps host Allan Weitz, mentioning a piece of grip gear with which even he is not familiar. Because our guests live together, and despite the huge hit the industry has taken, they have been able to work during the shutdown, and we discuss how they have adapted to handling all aspects of a shoot in their own kitchen. We talk about sourcing supplies when many stores and bakeries are closed, about using Zoom to direct a remote shoot, and speculate on the future of this very collaborative profession. Join us for this insightful episode and let us know how these tough times have affected your photography… and your cooking. Guests: Chelsea Kyle and Drew Aichele Above photograph © Chelsea Kyle​ Photograph © Chelsea Kyle, Food Styling by Drew Aichele Photograph © Chelsea Kyle, Food Styling by Drew Aichele Photograph © Chelsea Kyle, Food Styling by Drew Aichele Photograph © Chelsea Kyle, Food Styling by Drew Aichele Photograph © Chelsea Kyle, Food Styling by Drew Aichele Photograph © Chelsea Kyle, Food Styling by Drew Aichele Photograph © Chelsea Kyle, Food Styling by Drew Aichele Photograph © Chelsea Kyle, Food Styling by Drew Aichele Image © Chelsea Kyle, Food Styling by Drew Aichele Image © Chelsea Kyle, Food Styling by Drew Aichele Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/18/2021
Eye-catching and grotesque are words not often placed together, but those accurate descriptors are part of the charm and beauty in the still life and food photography of Emma Ressel. Ressel joins us on this episode of the B&H Photography Podcast to talk about her work, which takes inspiration from, among other things, Dutch Master paintings and her own upbringing in Maine. We discuss with Ressel the evolution of her work and how she attempts to balance the genres of food photography and still life. Many of her images contain aspects of decay and death, and in her personal fine art photography, food is one way to address these topics. She also is a commercial photographer of food, wine, and still life work commissioned by New York Magazine, Refinery29, and other publications and clients. Ressel works with both a 4 x 5" Toya medium format film camera and with a Nikon DSLR, and we find out how and why she chooses which system to utilize. We also talk about her varied lighting choices and how she came to food photography not knowing much about professional workflows and food stylists and how that may have helped her define her look. She is very hands-on with her work, and we discuss sourcing items as diverse as coral snakes and pig’s heads. We also consider issues of waste and overconsumption and how her work attempts to deal with those ideas within an industry that uses food for purposes not directly related to human sustenance. Ressel also tells us about an inspiring artists residency in which she tackled the subject of a decaying whale carcass. This is a very well-rounded conversation, at ease discussing the technical issues of using a view camera as easily as literary inspiration, and how to walk the fine line between working as a commercial food photographer and pushing the genre to uncomfortable new places. Join us for a listen and have a look at Ressel’s Artfare page to see her larger prints. Guest: Emma Ressel Photograph © Emma Ressel From “Trouble in the Garden” © Emma Ressel From “Trouble in the Garden” © Emma Ressel From “Trouble in the Garden” © Emma Ressel From “Olives in the Street” © Emma Ressel From “Olives in the Street” © Emma Ressel From “Olives in the Street” © Emma Ressel From “Insatiable Hunger and the Peacock’s Plume” © Emma Ressel Commission for New York Magazine © Emma Ressel Commission for Wines of Sicily/Refinery29 © Emma Ressel © Emma Ressel Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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