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Posted 12/02/2015
On the historic occasion of more than 150 heads of state gathering in one place on one day (Monday, in Paris, for COP2015) it’s fortuitous for us to be able to present an episode that recognizes photography's ongoing role in addressing our most serious concerns. We are pleased to have three photographers on the podcast, all with a wide body of work—in photojournalism, documentary, and fine art—discussing the photography they do in regard to climate change. From collaborative efforts to going it alone, international adventure to gaining the trust of small communities, aerial photography to dusty river beds, Ed Kashi, Greg Kahn, and Carolyn Monastra bring their distinctive approaches to the subject and agree that photography can play an important role in advocating for progress and that innovation will spring from addressing this issue facing us.  Guests: Greg Kahn, Ed Kashi, Carolyn Monastra To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. The views and opinions expressed in this podcast are those of the individual guests and do not necessarily represent the views of B&H Photo. Photos by Greg Kahn from the 3 Millimeters project   Photos by Carolyn Monastra from The Witness Tree project   A family of workers digs and sifts earth at a small gold- mining camp, near Takorasi, Ghana. A gold trader in his office, in Takorasi, Ghana Washing ethanol storage tanks at an organic sugar and ethanol plant, Ribeirão Preto, Brazil. Photos by Ed Kashi   b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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Posted 07/14/2016
Are dance and photography natural enemies? Well, of course not, but one art form is about the still, captured moment, and the other about choreographed movement and fluidity. However, anyone who truly understands photography knows the importance of timing, grace, and harmony, and a dancer must also recognize the relevance of rest and static. Sculpture, or gesture perhaps, is their common bond and our two guests know well the significance of gesture and the conflicting and compatible characteristics of dance and photography. They join us to talk about their distinct work and shooting styles. Lois Greenfield is one of the recognized masters of the craft, having developed a singular style sought by the world’s most renowned dance companies, and Omar Z Robles, an official Fujifilm X-Photographer, brings a fresh take, blending aspects of documentary and street photography. Enjoy this episode as we discuss improvisation, inspiration, dodging taxis and, of course, lighting systems and camera and lens choices. Guests: Lois Greenfield and Omar Z. Robles   Photographs by ©  Lois Greenfield Photographs by ©  Omar Z. Robles   Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play           Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/26/2017
Today we welcome two photographers from two distant parts of the globe, but both share a sense of a serene underwater world that they envision mostly in black-and-white. Perhaps, surprisingly, Hengki Koentjoro and Christian Vizl claim Ansel Adams as a prime influence on their work, and we talk with them about not only about their artistic influences but about their choice of gear, shooting styles, post-process techniques and safety concerns. We start our episode with Hengki Koentjoro, who is based in Indonesia, and whose work on land and sea is simply stunning. His black-and-white compositions of sea creatures and the interplay between sun and water are more still life than wildlife, as they explore the textures, lines, and shapes found in the waters of his native archipelago. Koentjoro speaks with us about the simple set of tools with which he captures his images and his uncomplicated approach to exploring the waters he knows so well. Hengki Koentjoro Christian Vizl brings a similar perspective to his relationship with the sea, although the creatures he normally photographs tend to be much bigger and faster-moving, and the waters he explores extend across the planet. A life-long diver, Vizl has recently received well-deserved attention for his black-and-white images of rays, sharks, and whales, including a 2017 Sony World Photography Award. His approach places experience before image and his respect for the sea and its animals is evident in all he does and says. Christian Vizl Stay tuned to the end of this show, when we announce a promo code for a 10% discount on all Ikelite camera housings, and, specifically for this episode, we encourage you to visit our podcast landing page to see examples of the images created by these two supremely talented photographers. Guests: Hengki Koentjoro and Christian Vizl Photograph by Hengki Koentjoro Photograph by Hengki Koentjoro Photograph by Christian Vizl Photograph by Christian Vizl Photograph by Christian Vizl DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/30/2017
Many photographers begin their careers wanting to “make a difference” with their photography, to bring some good to the world, or at least to the people they photograph. It’s one of the greatest aspects of the craft and its adherents, but can a photo really bring about long-term change? This is an increasingly relevant question, and one that dogs even the most experienced and socially conscious photographers. Despite this dilemma, many photographers forge ahead, shining a light on horrors and glories with the hope that their images have a positive influence and perhaps, because of this dilemma, some photographers have found ways to use their art, labor, contacts, experiences, and insight to raise money specifically for organizations that are “making a difference.” Salem Krieger is an experienced editorial and portrait photographer who had a seemingly simple realization in 2015: he could sell prints of his work and give a portion of the revenue to a non-profit organization of his choice. From this grew Art is Helping, his system for putting artists and art buyers together and letting the buyers determine how much they spend and which organization they support. In a short time, the roster of artists has grown, as has the varied list of non-profits that benefit from the transactions. Alison Wright is an accomplished documentary photographer and author whose work has taken her to every corner of the world. Her latest book,  Human Tribe,  is available through Amazon and Barnes & Noble. In 2000, a tragic, near-death accident on a jungle road in Laos and a remarkable story of heroism and recovery brought a heightened perspective to the strength and spirit that pushes people to help one another—even to risk their lives to help complete strangers. With the resolve and empathy born from suffering, Wright rebuilt her life and career and founded Faces of Hope, a fund that provides medical care and education, especially to women and children in crisis around the world. The first act of Faces of Hope was to return to the village in Laos—and the people who saved her life—with five doctors and $10,000 worth of medical supplies. We speak with these two photographers about their work and about the mechanisms they have created to bring assistance to those who need it, while continuing to do the photography they love. Guests: Alison Wright and Salem Krieger “Tibet Girl” 2005. Photograph by Alison Wright Malagan Ceremonial Mask, Papua New Guinea, 2010. Photograph by Alison Wright Cover of Alison Wright’s latest book, “Human Tribe” “NYC News Stand” by Salem Krieger, from Art is Helping “42nd St. Alien” by Antonio Mari, from Art is Helping “Shadows” by Cynthia Karalla, from Art is Helping “VSH #4” by Julie Gross, from Art is Helping “Beetle” by Jose Maximiliano Sinani Paredes Shezchez, from Art is Helping “Auto America: New Mexico” by Salem Krieger, from Art is Helping Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/11/2017
Structure and limitation is the key to the artistic process. This is the idea that opens our conversation with photographer and publisher Brooks Jensen. In addition to his work as a fine-art photographer, Jensen is well recognized as the publisher of LensWork, the beautiful print magazine (and website) about photographs (not cameras!). We speak with him about LensWork’s “Seeing in Sixes” competition, in which photographers submit a series of just six images with the idea that this limited number forces efficiency and creativity. Our discussion glides to other topics, such as the purpose of art, digital versus analog preservation, and the simple joy of creating and sharing your work. On the second half of our show we return for Episode Four of “Dispatch,” with Adriane Ohanesian. In this segment, Ohanesian talks about the cameras, lenses, and gear she uses in covering breaking and long-form news in Africa. She compares her newer Sony mirrorless to her Canon “tanks,” and offers insight on working in some of the toughest conditions imaginable. Ohanesian also continues to detail her assignment work and, on this occasion, she is in the Democratic Republic of the Congo with rangers combating illegal poaching and mining in the Okapi Wildlife Reserve. She tells of the region and its struggle for resources, and of the dangers, both natural and human, which confront locals and visitors. Chronicling her time with the rangers and her miles-long hikes through thick jungle, she shares thoughts on developing the photo narrative she hopes to relate with understated humor, and prepares us for the next chapter to this story, which ultimately turns quite tragic. Guests: Brooks Jensen and Adriane Ohanesian Previous Pause Next "Shoji – In Praise of Shadows," from Seeing in Sixes Brooks Jensen DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/05/2018
What a start to the New Year for the B&H Photography Podcast. We are incredibly fortunate to kick off our year with photographer Cig Harvey and gallerist Caroline Wall, director of the Robert Mann Gallery. In conjunction with her new book, You an Orchestra, You a Bomb, Harvey is currently exhibiting at the Robert Mann Gallery, and we were able to speak with artist and gallerist to discuss the making of her latest portfolio and the collaborative process of exhibition. This is Cig Harvey’s third monograph and, in addition to her photographic creativity, she is also very articulate when describing her artistic process and techniques. This is a true benefit to us at the podcast. Her description of the “gasp” moments that she seeks when working, whether they be gasps of fear or in the presence of beauty, was a wonderful moment in our interview. The titular mantra that describes part of her process is something that we will keep with us as we advance in our own photographic journey. Join us as we talk with Harvey and Wall about how an idea becomes a series, how editing can be a physical act, and the two distinct ways she approached imaging for this most recent series. We also discuss the role that a gallery—in this case through the eyes of a trusted collaborator—plays in the editing of a body of work and, ultimately, its exhibition and sale. The exhibit, Cig Harvey—You an Orchestra, You a Bomb, is on display at the Robert Mann Gallery through January 27, 2018 and, on that date, Ms. Harvey will be present for an artist’s talk. Her book of the same name is available wherever you find fine books and, specifically, here. Guests: Cig Harvey and Caroline Wall Birds of New England, Rockport, Maine, 2016 © Cig Harvey, Courtesy Robert Mann Gallery Wild Orchid, Lincolnville, Maine, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Magnolia Tree, Rockport, Maine, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Sky Lantern, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Sparks, Lake Meguntacook, Maine, 2016 © Cig Harvey, Courtesy Robert Mann Gallery Blizzard on Main Street, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Prism, Rockport, Maine, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Lips, Faith, Rockport, Maine, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Scout in the Blizzard, Rockport, Maine, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Scout with Reflections, Rockport, Maine, 2016 © Cig Harvey, Courtesy Robert Mann Gallery Caroline Wall and Allan Weitz Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/09/2018
Murray Fredericks considers his landscape photography series, "Vanity," as just one aspect of a larger body of work, a project for which he has spent fifteen years shooting in southern Australia's remote Kati Thanda–Lake Eyre. However, this part of the larger series has one aspect that the others do not—a large mirror placed in the lake bed, reflecting other angles of the land and sky. This seemingly simple idea transforms not only the vista but our visual understanding of this singular place, and I think it's fair to say that there is nothing comparable to these large color photographs that attempt to represent the "overwhelming emptiness and powerful emotional resonance of remote land and sky." For this episode of the B&H Photography Podcast, we took our mics to the Robert Mann Gallery, in New York, to speak with Murray Fredericks and gallery owner Robert Mann on the opening day of Fredericks’s first solo exhibit in the United States. We walked through the gallery, soaking up the sublimity of these images and discussing the challenges of the project, the gear, the prints, and all aspects of the collaboration between artist and gallery. Join us for this extraordinary conversation. Stay tuned toward the end of the show, when we chat with the two winners of our Canon 5D Mark IV Sweepstakes and hear their reactions to winning and how they will be using their new cameras. Guests: Murray Fredericks and Robert Mann; Canon Sweepstakes winners Hillary Dunning and Tim Couch Mirror 8, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 12, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 7, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 14, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 16, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 18, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 19, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 21, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Installation view of “Vanity”, courtesy Robert Mann Gallery Murray Fredericks and the B&H Podcast team © Todd Vorenkamp Robert Mann, Allan Weitz, Murray Fredericks © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/28/2018
As part of this week’s podcast, we spoke with our B&H correspondents attending the WPPI conference, in Las Vegas. Minutes after the camera was announced, we heard from Shawn Steiner about the new Sony Alpha A7 III Mirrorless Digital Camera. An avid Sony Alpha shooter, Steiner was able to provide us with details regarding the latest addition to the Sony full frame mirrorless lineup. For more of our recap from WPPI and on the latest gear announced at CES 2018, subscribe to the B&H Photography Podcast on iTunes or find this and all our episodes right here, on the B&H Explora blog. DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/22/2018
On this week’s B&H Photography Podcast, we welcome three members of the Kamoinge photography workshop and, through their collective eyes, we discuss African-American photography of the past sixty years and the role that Kamoinge has played in nurturing and presenting that photography. We also discuss the making of their current exhibition and the artists involved, called, “The Black Woman: Power and Grace,” which is at the National Arts Club through June 30, 2018. To speak on Kamoinge and the exhibit, we have with us photographers Russell Frederick, Delphine Diallo and Jules Allen. Mr. Frederick is the current vice-president of the collective and provides some historical context and a sense of the mission of the group, which was formed in 1963. Mr. Allen discusses a few of the important figures in the group’s history, including Beuford Smith, Roy DeCarava, and Ming Smith; and Ms. Diallo reflects upon the appeal the workshop held for her when she arrived in Brooklyn, as well as thoughts on the obstacles women photographers still face in our industry. Each brings to the table a personal insight on the range of topics that come up during this humorous, provocative, and historically informative conversation. Kamoinge has deep and significant roots, but it is ever-evolving, and the diverse work of Mr. Frederick, Ms. Diallo, and Mr. Allen is testimony to the wide range of photography that finds a home at Kamoinge. Join us for this lively episode and check out the “Power and Grace” exhibit, at the National Arts Club. Guests: Delphine Diallo, Jules Allen, and Russell Frederick From “womensofnewyork” © Delphine Diallo, included in “The Black Woman: Power and Grace” From “Highness” © Delphine Diallo From “Highness” © Delphine Diallo From “Afropunk” © Delphine Diallo "I got your back." Two best friends declare their friendship and loyalty to each other for life. Bedford Stuyvesant, Brooklyn, 2007. © Russell Frederick "We celebrate you. Rest in power." A local marching band honors fallen hometown councilman James Davis. Bedford Stuyvesant, Brooklyn. © Russell Frederick Mrs. Edwards stops for a portrait on Easter Sunday right before she heads to the bus. Bedford Stuyvesant, Brooklyn, 2009. © Russell Frederick Havana, Cuba. © Jules Allen, included in “The Black Woman: Power and Grace” Betty Shabazz at the funeral for her husband, Malcom X. Harlem, N.Y., 1965. ©Adger Cowans, included in “The Black Woman: Power and Grace” Dionne Warwick, Maxine Waters, Johnette Besch-Cole, Maya Angelou, Cicely Tyson, and another distinguished woman, 1993 © Eli Reed, included in “The Black Woman: Power and Grace” “Contrast in Black and White.” New York, 1970. © Frank Stewart, included in “The Black Woman: Power and Grace” Graduates of Spelman College © John Pinderhughes, included in “The Black Woman: Power and Grace” Church ladies. New York, 2005 © Jamel Shabazz, included in “The Black Woman: Power and Grace” Dr. Deb Willis. © Terrence Jennings, included in “The Black Woman: Power and Grace” Untitled © Salimah Ali, included in “The Black Woman: Power and Grace” Delphine Diallo looks at Roy DeCarava photographs. © John Harris Jules Allen © John Harris Russell Frederick, Delphine Diallo, Allen Weitz, Jules Allen © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/05/2018
Under starry skies, we took our recorders and headphones to a collection of shipping containers in Brooklyn, known as Photoville 2018, and Photoville did not disappoint—what a wonderful collection of photo exhibits. The exhibits span the breadth of photography, but with an overarching theme rooted firmly in documentary and social justice photography. Many shows were sponsored—by the U.S. Marines, by magazines, universities, or collectives; others were curated by New York public-school children, and another by the New York Municipal Archives. As in years past, it was a wonderful, perspective-expanding experience, run by people who love photography. We chatted with organizers and photographers from a handful of the exhibitions. First on today’s episode of the B&H Photography Podcast, we speak with Michael Lorenzini, from the Municipal Archives of the NYC Department of Records. Lorenzini, along with co-curator Matthew Minor, organized the exhibit “NYC Work and Working,” a beautiful selection of images from the collection of the WPA Federal Writer's Project. In addition to discussing the current exhibition, Lorenzini offers details on the Municipal Archive itself, its mission, and the multitude of historical collections it houses. Staying in the New York groove, we met with the instructors and students from the High School of Art and Design and the High School of Fashion Industries. These photography programs, taught by Brenna McLaughlin and Ben Russell, respectively, have been a part of these high schools for decades and embrace traditional darkroom and digital techniques, offering work experience in photography, as well. The students were kind enough to wait for us to arrive after a long day of discussing their work with fellow students during New York Public School Day at Photoville. Next, we speak with Pablo Farias, Isaac Guzman, and Vanessa Crowley of the exhibit, "conSEQUENCIAS/conSEQUENCES" presented by Bats'i LAB. This exhibit and its organizers are invested in creating a photographic community, in Chiapas, Mexico, that can document their struggles and social movements. After a short break, we continue with photojournalist Ron Haviv and Dr. Lauren Walsh, of The VII Foundation exhibit. The focus of our chat is their upcoming film Biography of a Photo,  which traces the impact of two photographs Haviv took earlier in his career, which have left indelible marks on the countries in which they were taken. Both photographs capture isolated acts of cruelty within societies in conflict, and do so with such resonance that they have become iconic images within those societies. Our next stop is the container curated by the Authority Collective and their exhibit “The Lit List: 30 Under-the-Radar Photographers," a show presenting thirty interesting photographers whose work deserves attention. We speak with one of the photographers, Arlene Mejorada, and organizers of the Authority Collective, which is described as a group of gender non-conforming people of color reclaiming their authority in photography. Yes! Finally, we speak with Crista Dix of wall space creative, and artist Deborah Bay, about their exhibit, “Internal Ballistics.” The work here is more accurately categorized as “art” photography, but its beautiful cross-section depictions of bullets and the abstract damage they create fosters an interesting debate about gun violence. Join us for this interesting set of conversations. Guests: Ben Russell, Brenna McLaughlin, Erika Perez, Yaqueline Garcia-Hernandez, Sumona Islam, Tais Rivera, Michael Lorenzini, Pablo Farias, Isaac Guzman, Vanessa Crowley, Ron Haviv, Dr. Lauren Walsh, Arlene Mejorada, Mary Kang, Elaine Cromie, Deborah Bay, Crista Dix From “conSECUENCIAS/conSEQUENCES” © José Angel Rodríguez From “conSECUENCIAS/conSEQUENCES” © Maruch Santiz From “conSECUENCIAS/conSEQUENCES” © Tragameluz Collective “Biography of a Photo” © Ron Haviv, The VII Foundation From “NYC Work and Working” Courtesy of the New York City Municipal Archives From “NYC Work and Working” Courtesy of the New York City Municipal Archives From “The Lit List” © Arlene Mejorado “Internal Ballistics” exhibit Dr. Lauren Walsh and Ron Haviv “Telling a Story and Selling an Idea” exhibit Pablo Farias and Isaac Guzman at the “conSECUENCIAS/conSEQUENCES” exhibit Arlene Mejorado at “The Lit List” exhibit Crista Dix and Deborah Bay Photoville, 2018 Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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