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Posted 07/21/2016
What will our future selfies be like? Our guest, Stephen Mayes, suggests that they may be images of what we think rather than what we see. For those of you exasperated by the deluge of duck faces in your social media feed, this may be a terrifying idea, but is the selfie really that bad, and if so, how and why is it different than an artist’s self-portrait? These are the questions we address in this week’s episode and, to do so, we have invited the inimitable Mr. Mayes and photographer Nicky Wanzi, whose recent series of self-portraits, in which she depicts not only herself but also two of her best friends, was included in PDN’s 2016 Photo Annual. Join us for this enjoyable conversation as we expose the selfie.   Guests: Nicky Wanzi and Stephen Mayes                   Photos by Nicky Wanzi Nicky Wanzi, Allan Weitz, and Stephen Mayes Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play       b Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/15/2016
The iPhone 7 and iPhone 7 Plus will be available on September 15, 2016, and we’ve organized an episode to celebrate iPhone photography, including a hands-on review of the new iPhone 7 Plus. Joining us are three photographers who bring unique perspectives to the imaging capabilities of the iPhone. First, we speak with Robin Robertis, a 2016 winner of the iPhone Photography Award and an artist for whom the iPhone provided a new creative tool for her ethereal and vibrant work. Next, we speak with Ed Kashi, a multi-faceted, veteran photojournalist and filmmaker who was one of five photographers assigned by Time magazine to document Hurricane Sandy with just an iPhone. Kashi also teaches workshops in iPhone photography for National Geographic, and will discuss how he incorporates mobile photography into his journalistic work. After a break, we speak with Brendan Ò Sè, a photographer from Cork, Ireland, whose playful image of the curved lines in Copenhagen’s Superkilen Park was chosen for the “Shot on iPhone 6” ad campaign. He'll talk with us about that experience and how the iPhone revived his love for photography. Finally, to put a bow on this episode, we sit with Olivier Laurent, editor of LightBox, at Time.com, to chat about his first impressions of the iPhone 7 Plus. Mr. Laurent was given the latest iPhone 7 before its official announcement to test and review its camera, and he shares his thoughts with us on the new features and specs. Guests: Robin Robertis- 02:00 Ed Kashi- 16:37 Brendan Ò Sè- 37:36 Olivier Laurent- 57:25 (iPhone 7 Review) Photographs above ©  Robin Robertis Photographs above ©  Ed Kashi Photographs above ©  Brendan Ò Sè Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/12/2017
A simple twist of fate (OK, I clicked a link) introduced me to the wedding photography of Jide Alakija and I immediately knew he should be a guest on the podcast. His work falls into the category of documentary wedding photography, but the intimate connection he seems to make with his subjects, as well as his compositional skills, place his work above the popular trend of fly-on-the-wall work. He captures moments of humor, tenderness, and joy that many photographers would miss, but still fills a frame the way Grandma wants the photos on her mantel to look. We talk about his composition decisions and shooting techniques, but we also wanted him on the show because his work brings him to many different countries and cultures. With this in mind, we take on numerous aspects of traveling to shoot a wedding, whether that is a "destination" wedding or simply being invited to shoot a wedding far from home. Our conversation includes the practical side of travel—what gear to bring, who to hire as an assistant, how to budget—but we also discuss the intricacies of working in a locale where you are not familiar with the cultural traditions and may not even speak the language. Join us for a lively chat with our new friend, Jide Alakija. Guest: Jide Alakija Jide Alakija and Allan Weitz Previous Pause Next All Photographs by Jide Alakija DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/07/2017
We return to OPTIC 2017 this week for two wonderful conversations with photographers who ply their trade on the road. First, we speak with Jonathan Irish, who, along with his partner, Stefanie Payne, spent 2016 crisscrossing the country in an Airstream trailer on an epic quest to photograph all 59 U.S. National Parks. They succeeded, and have branded their adventure The Greatest American Roadtrip. Irish discusses the planning it took to reach all of the parks, dividing the workload, the sponsorship they received, and the photographic aspect of the journey, trying to capture the legendary landmarks, as well as the off-the-beaten-path locales of each park. Jillian Mann and Kyla Trethewey are Our Wild Abandon and they, too, cruise the country in a trailer, but their journey started four years ago and has no end point—yet. Like most great road trips, theirs started with a need to just get away (from their native Vancouver) and, as often goes, they suffered early setbacks, including a roll-over accident and visa complications. They persisted and not only have documented their experiences, but have developed successful photo careers along the way. Their journey was not initially a photographic exercise, but we speak with them about how their Instagram feed grew and became a method to raise funds, eventually including branded content, and how they made the transition to commissioned assignments and agency representation, while still living on the road. After a break, we continue with our serial, “Dispatch,” with Adriane Ohanesian. Ohanesian discusses her attempt to return to South Sudan, new approaches to fund long-terms stories that surpass “most horrific image competitions,” assignments in Nairobi and Congo, and an update on the plight of four-year-old Mohamed, who is stuck in Kenya, trying to reunite with his mother in the United States. Guests: Jonathan Irish, Jillian Mann, Kyla Trethewey and Adriane Ohanesian Click here if you missed Episode 2 of “Dispatch.” Badlands National Park, Photograph by Jonathan Irish Death Valley National Park, Photograph by Stefanie Payne Saguaro National Park, Photograph by Jonathan Irish Grand Canyon National Park, Photograph by Jonathan Irish Grand Canyon National Park, Photograph by Jonathan Irish Redwoods National Park, Photograph by Jonathan Irish Glacier Bay National Park, Photograph by Jonathan Irish Joshua Tree National Park, Photograph by Jonathan Irish Photograph by Our Wild Abandon Photograph by Our Wild Abandon Photograph by Our Wild Abandon Photograph by Our Wild Abandon Photograph by Our Wild Abandon Photograph by Our Wild Abandon Photograph by Our Wild Abandon Photograph by Our Wild Abandon Photograph by Our Wild Abandon Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/28/2017
If inspiration is what you are looking for, the story of how Eric Kruszewski became a photographer should supply you with plenty of it. Of course, it all starts with a personal desire but, planning, networking, hard work, and even a simple Google search like the eponymic one above, all go into the recipe for success. Photographs © Eric Kruszewski Taking up photography as a hobby in your thirties seems a commonplace occurrence, but deciding to change careers and become a working photographer is another story altogether. Join us as we speak with travel, editorial, and documentary photographer Eric Kruszewski about his journey from newbie to National Geographic. We talk about the value of workshops, mentors, cold calls, and persistence, and trace Eric’s career from its inauspicious beginnings through long-term personal projects, one-off jobs, artistic setbacks, learning new skills and, ultimately, a satisfying career—paying the bills by doing what he loves. Guest: Eric Kruszewski At India’s Jaisalmer Fort, a street performer walks a tightrope in a unique way—on her knees (with a metal plate) while pushing herself along only with her toes and balancing a vase of water on her head. Cowboys from across America gather at the Pendleton Roundup to prepare for its annual rodeo. From the series, “American Rodeo.” It is quite common that families travel together with the Davis Carnival. In camp, one woman observes her neighbors—a mother and daughter—through the window. From the series, “Behind the Ferris Wheel.” Richmond Shepard, a mime based in New York City, poses for a portrait in his studio. During the annual Military Tattoo in Edinburgh, Scotland, a motorcycle stunt driver takes off amongst fireworks. The performance is held for about three weeks, with the Edinburgh Castle as a backdrop. A woman walks through a mirror maze, part of the Camera Obscura and World of Illusions exhibits in Edinburgh's Old Town. Chris Turner poses for a portrait in his childhood neighborhood of Northeast Washington, D.C. Chris was one of several people accused of the murder of Catherine Fuller in 1984. He served 26 years in prison and maintains his innocence. At the Elephant Conservation Center in Laos, a mahout (elephant trainer) jumps between two elephants. He stuck the landing. Andreas Georgiou, a Greek economist, poses for a portrait in his United States home A young girl dons a costume inside the Angkor Wat Temple in Cambodia. She dresses in costume to pose for photos with visitors. Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/04/2017
Steve Simon is The Passionate Photographer, and in the short conversation we had with him at the 2017 OPTIC Conference, it became clear why. Not only does he exude a passion for photography (and for cameras) but his photographs are imbued with humanity, humor, a wonderful sense of composition, and his talent for capturing the decisive moment. Whether it is street photography, long-form documentary or his wonderful news coverage of presidential campaigns and conventions, his passion is on display. We talk with Simon about a range of subjects, including his first cameras, his popular workshops, and what motivates him to keep shooting. After a break, we return with the fifth installment of our series “Dispatch with Adriane Ohanesian.” In this segment, she recounts her harrowing story of coming under attack while photographing a story on illegal gold mining in the Democratic Republic of Congo. Ohanesian is an award-winning photojournalist, based in Kenya, who covers humanitarian crisis and conflict in South Sudan and Somalia. On this assignment, she had hiked deep into the Okapi Wildlife Reserve with rangers returning to a gold mine that had been cleared of illegal mining, only to be attacked by militia members looking to reclaim their site. Her incredible story involves hiding overnight in a mine pit within earshot of her attackers, fleeing barefoot through the jungle, only to get lost and returned to the mine she had hoped to escape. Join us for this bracing episode, which demonstrates what passionate photographers will do to tell a story worth telling.  Click here  if you missed Episode 4 of “Dispatch.” Guests: Steve Simon and Adriane Ohanesian Photojournalist Adriane Ohanesian at work in the Okapi Wildlife Reserve Photograph © Steve Simon Photograph © Steve Simon Photograph © Steve Simon Photograph © Steve Simon Photograph © Steve Simon Photograph © Steve Simon Photograph © Steve Simon Photograph © Steve Simon Photograph © Steve Simon Photograph © Steve Simon Photograph © Steve Simon Photograph © Steve Simon Photograph © Steve Simon Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/02/2018
This week’s episode of the B&H Photography Podcast posits the notion that we are in a new “Golden Age” of landscape photography, and a fundamental attribute of this landscape photography is its embracing of digital and mobile technologies. From soaring ISO capabilities and improved dynamic range to stacking and correction software to weather, mapping, and pre-production apps, the willing photographer can plan and execute landscape images that would have been impossible to create only a few short years ago. We also suggest that the Pacific Northwest, with its proximity to the cradle of the tech industry and a spectrum of natural wonders, is the hub of this progressive landscape photography movement. Veteran photographers have adopted new technologies and created a movement, and a younger generation is following suit, certain to take landscape photography into a future that includes drones, VR, and imaging technologies yet to be imagined. We also discuss the influence of photo-sharing platforms and new career models that enable photographers to distribute their work and travel to destinations that editorial assignments would never cover. We welcome to our conversation two preëminent landscape photographers, Erin Babnik and Sean Bagshaw, who discuss their work and the use of the high-tech gear and applications in the creation of their photography. In addition to the obligatory Q and A about camera and lens choices, we discuss location and weather apps, post-process plug-ins, and even the latest foul-weather gear, all of which enable them to create the stunning work for which they are known. Both photographers are members of Photo Cascadia, and have a wide following of supporters and students. Their workshops sell out months in advance. After hearing their insights and seeing their imagery, there will be no doubt as to why. Also, at the end of today’s episode, we announce the winners of our Canon 5D Mark IV sweepstakes. Guests: Erin Babnik and Sean Bagshaw The Lost Ark © Erin Babnik Enigma © Erin Babnik Kairos © Erin Babnik Rhapsody in Blue © Erin Babnik Requiem © Erin Babnik Catching Air © Erin Babnik Wood and Stone © Sean Bagshaw The Gift Tree © Sean Bagshaw Summer Seclusion © Sean Bagshaw Mostnica Autumn © Sean Bagshaw Okshornan Peaks © Sean Bagshaw Bohinj Woods © Sean Bagshaw Lineage © Sean Bagshaw Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
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Posted 05/25/2018
What makes a photographer follow their moral compass and photograph the stories they feel need to be told, no matter what the personal costs? Furthermore, how do they do so without the support of a news outlet or even an agency to distribute that work? And then, what if they decide to shoot primarily with black-and-white film?! On today’s episode of the B&H Photography Podcast, we speak with Greg Constantine, who made and continues to make these decisions. In this affable conversation, we find out what prompted Constantine to pick up a camera and how he made the subject of “statelessness” a recurring theme in his work. We also learn why he continued to shoot film, even after digital became the more affordable and accepted format, and why the more established route of assignments for news outlets was not the best path for his storytelling. We also discuss the financing of his work through a combination of grants, commissions, and out-of-pocket spending, the obstacles to exhibiting documentary photography and, ultimately, the satisfaction of seeing the positive impact his work has had. As mentioned, much of Constantine’s work documents oppressed communities, and he has lived and traveled extensively in Asia and, more recently in Europe, to follow stories of migration and persecution. Specifically, he has worked in Burma with the Rohingya people, with the Nubians in Kenya, and with communities around the world that live without the basic right of citizenship. His current project, Seven Doors, has brought him back to his home country to document stories on immigration detention. Constantine’s work ultimately did make it into well-recognized newspapers. He has published books and won awards, and his work has been exhibited in the halls of the U.S. Capitol Building, but he continues to press forward—guided not by credit lines, but by the desire to grow as a photographer, to be inspired by the people he photographs, and to tell the stories that demand to be told. Join us for this inspiring conversation. Guest: Greg Constantine Kenya, 2008, from “Nowhere People” © Greg Constantine Kuwait, 2011, from “Nowhere People” © Greg Constantine Italy, 2014, from “Nowhere People” © Greg Constantine Iraq, 2014, from “Nowhere People” © Greg Constantine Bangladesh, 2017, from “Exiled to Nowhere: Burma’s Rohingya” © Greg Constantine Bangladesh, 2017, from “Exiled to Nowhere: Burma’s Rohingya” © Greg Constantine Bangladesh, 2017, from “Exiled to Nowhere: Burma’s Rohingya” © Greg Constantine Bangladesh, 2017, from “Exiled to Nowhere: Burma’s Rohingya” © Greg Constantine United States, 2018, from “Seven Doors” © Greg Constantine United States, 2018, from “Seven Doors” © Greg Constantine United States, 2018, from “Seven Doors” © Greg Constantine Malaysia, 2017, from “Seven Doors” © Greg Constantine Greg Constantine on the B&H Photography Podcast © John Harris Allan Weitz and Greg Constantine © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/15/2018
For this week’s episode of the B&H Photography Podcast, we return to our conversations from the 2018 OPTIC Conference, hosted by B&H Photo. We spoke with so many wonderful photographers and will present these talks over the coming weeks but, today, we focus on the street photography of two very distinctive photographers. Our first guest is Sisse Brimberg, a veteran adventure and travel photographer who has more than thirty stories for National Geographic to her credit. Much of her work is devoted to historical and cultural stories, but our chat focuses on the informal portraiture she does in the streets, marketplaces, and country roads around the world. Brimberg relates how she is always “seeing” photographs, how she interacts with her subjects, and how to know when a photograph is worth taking. We also discuss her late husband and shooting partner, NatGeo photographer Cotton Coulson, and how her approach to work has changed since his death. After a short break, we speak with Xyza Cruz Bacani, a Magnum Foundation fellow and Fujifilm Ambassador. Born and raised in the Philippines, Bacani is based in Hong Kong, and started her street photography while employed as a domestic worker there. Her street photography blossomed into a career as a documentary photographer covering immigration, social justice, and human rights issues, but she still devotes time to “street.” We discuss the differences between the two disciplines, as well as her street photography techniques and cameras and lens choices. For street, travel, and documentary photographers, this is an episode not to be missed, and subscribe to our podcast for future conversations from OPTIC 2018, including those we had with photographers Keith Carter, Joyce Tenneson, and Seth Resnick. Guests: Sisse Brimberg and Xyza Cruz Bacani © Sisse Brimberg © Sisse Brimberg © Sisse Brimberg © Sisse Brimberg © Sisse Brimberg © Xyza Cruz Bacani © Xyza Cruz Bacani © Xyza Cruz Bacani © Xyza Cruz Bacani © Xyza Cruz Bacani Sisse Brimbeg at OPTIC 2018 © John Harris Xyza Cruz Bacani at OPTIC 2018 © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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