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Posted 12/02/2015
On the historic occasion of more than 150 heads of state gathering in one place on one day (Monday, in Paris, for COP2015) it’s fortuitous for us to be able to present an episode that recognizes photography's ongoing role in addressing our most serious concerns. We are pleased to have three photographers on the podcast, all with a wide body of work—in photojournalism, documentary, and fine art—discussing the photography they do in regard to climate change. From collaborative efforts to going it alone, international adventure to gaining the trust of small communities, aerial photography to dusty river beds, Ed Kashi, Greg Kahn, and Carolyn Monastra bring their distinctive approaches to the subject and agree that photography can play an important role in advocating for progress and that innovation will spring from addressing this issue facing us.  Guests: Greg Kahn, Ed Kashi, Carolyn Monastra To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. The views and opinions expressed in this podcast are those of the individual guests and do not necessarily represent the views of B&H Photo. Photos by Greg Kahn from the 3 Millimeters project   Photos by Carolyn Monastra from The Witness Tree project   A family of workers digs and sifts earth at a small gold- mining camp, near Takorasi, Ghana. A gold trader in his office, in Takorasi, Ghana Washing ethanol storage tanks at an organic sugar and ethanol plant, Ribeirão Preto, Brazil. Photos by Ed Kashi   b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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Posted 07/14/2016
Are dance and photography natural enemies? Well, of course not, but one art form is about the still, captured moment, and the other about choreographed movement and fluidity. However, anyone who truly understands photography knows the importance of timing, grace, and harmony, and a dancer must also recognize the relevance of rest and static. Sculpture, or gesture perhaps, is their common bond and our two guests know well the significance of gesture and the conflicting and compatible characteristics of dance and photography. They join us to talk about their distinct work and shooting styles. Lois Greenfield is one of the recognized masters of the craft, having developed a singular style sought by the world’s most renowned dance companies, and Omar Z Robles, an official Fujifilm X-Photographer, brings a fresh take, blending aspects of documentary and street photography. Enjoy this episode as we discuss improvisation, inspiration, dodging taxis and, of course, lighting systems and camera and lens choices. Guests: Lois Greenfield and Omar Z. Robles   Photographs by ©  Lois Greenfield Photographs by ©  Omar Z. Robles   Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play           Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/21/2016
What will our future selfies be like? Our guest, Stephen Mayes, suggests that they may be images of what we think rather than what we see. For those of you exasperated by the deluge of duck faces in your social media feed, this may be a terrifying idea, but is the selfie really that bad, and if so, how and why is it different than an artist’s self-portrait? These are the questions we address in this week’s episode and, to do so, we have invited the inimitable Mr. Mayes and photographer Nicky Wanzi, whose recent series of self-portraits, in which she depicts not only herself but also two of her best friends, was included in PDN’s 2016 Photo Annual. Join us for this enjoyable conversation as we expose the selfie.   Guests: Nicky Wanzi and Stephen Mayes                   Photos by Nicky Wanzi Nicky Wanzi, Allan Weitz, and Stephen Mayes Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play       b Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/15/2016
The iPhone 7 and iPhone 7 Plus will be available on September 15, 2016, and we’ve organized an episode to celebrate iPhone photography, including a hands-on review of the new iPhone 7 Plus. Joining us are three photographers who bring unique perspectives to the imaging capabilities of the iPhone. First, we speak with Robin Robertis, a 2016 winner of the iPhone Photography Award and an artist for whom the iPhone provided a new creative tool for her ethereal and vibrant work. Next, we speak with Ed Kashi, a multi-faceted, veteran photojournalist and filmmaker who was one of five photographers assigned by Time magazine to document Hurricane Sandy with just an iPhone. Kashi also teaches workshops in iPhone photography for National Geographic, and will discuss how he incorporates mobile photography into his journalistic work. After a break, we speak with Brendan Ò Sè, a photographer from Cork, Ireland, whose playful image of the curved lines in Copenhagen’s Superkilen Park was chosen for the “Shot on iPhone 6” ad campaign. He'll talk with us about that experience and how the iPhone revived his love for photography. Finally, to put a bow on this episode, we sit with Olivier Laurent, editor of LightBox, at Time.com, to chat about his first impressions of the iPhone 7 Plus. Mr. Laurent was given the latest iPhone 7 before its official announcement to test and review its camera, and he shares his thoughts with us on the new features and specs. Guests: Robin Robertis- 02:00 Ed Kashi- 16:37 Brendan Ò Sè- 37:36 Olivier Laurent- 57:25 (iPhone 7 Review) Photographs above ©  Robin Robertis Photographs above ©  Ed Kashi Photographs above ©  Brendan Ò Sè Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/26/2017
Today we welcome two photographers from two distant parts of the globe, but both share a sense of a serene underwater world that they envision mostly in black-and-white. Perhaps, surprisingly, Hengki Koentjoro and Christian Vizl claim Ansel Adams as a prime influence on their work, and we talk with them about not only about their artistic influences but about their choice of gear, shooting styles, post-process techniques and safety concerns. We start our episode with Hengki Koentjoro, who is based in Indonesia, and whose work on land and sea is simply stunning. His black-and-white compositions of sea creatures and the interplay between sun and water are more still life than wildlife, as they explore the textures, lines, and shapes found in the waters of his native archipelago. Koentjoro speaks with us about the simple set of tools with which he captures his images and his uncomplicated approach to exploring the waters he knows so well. Hengki Koentjoro Christian Vizl brings a similar perspective to his relationship with the sea, although the creatures he normally photographs tend to be much bigger and faster-moving, and the waters he explores extend across the planet. A life-long diver, Vizl has recently received well-deserved attention for his black-and-white images of rays, sharks, and whales, including a 2017 Sony World Photography Award. His approach places experience before image and his respect for the sea and its animals is evident in all he does and says. Christian Vizl Stay tuned to the end of this show, when we announce a promo code for a 10% discount on all Ikelite camera housings, and, specifically for this episode, we encourage you to visit our podcast landing page to see examples of the images created by these two supremely talented photographers. Guests: Hengki Koentjoro and Christian Vizl Photograph by Hengki Koentjoro Photograph by Hengki Koentjoro Photograph by Christian Vizl Photograph by Christian Vizl Photograph by Christian Vizl DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/30/2017
Many photographers begin their careers wanting to “make a difference” with their photography, to bring some good to the world, or at least to the people they photograph. It’s one of the greatest aspects of the craft and its adherents, but can a photo really bring about long-term change? This is an increasingly relevant question, and one that dogs even the most experienced and socially conscious photographers. Despite this dilemma, many photographers forge ahead, shining a light on horrors and glories with the hope that their images have a positive influence and perhaps, because of this dilemma, some photographers have found ways to use their art, labor, contacts, experiences, and insight to raise money specifically for organizations that are “making a difference.” Salem Krieger is an experienced editorial and portrait photographer who had a seemingly simple realization in 2015: he could sell prints of his work and give a portion of the revenue to a non-profit organization of his choice. From this grew Art is Helping, his system for putting artists and art buyers together and letting the buyers determine how much they spend and which organization they support. In a short time, the roster of artists has grown, as has the varied list of non-profits that benefit from the transactions. Alison Wright is an accomplished documentary photographer and author whose work has taken her to every corner of the world. Her latest book,  Human Tribe,  is available through Amazon and Barnes & Noble. In 2000, a tragic, near-death accident on a jungle road in Laos and a remarkable story of heroism and recovery brought a heightened perspective to the strength and spirit that pushes people to help one another—even to risk their lives to help complete strangers. With the resolve and empathy born from suffering, Wright rebuilt her life and career and founded Faces of Hope, a fund that provides medical care and education, especially to women and children in crisis around the world. The first act of Faces of Hope was to return to the village in Laos—and the people who saved her life—with five doctors and $10,000 worth of medical supplies. We speak with these two photographers about their work and about the mechanisms they have created to bring assistance to those who need it, while continuing to do the photography they love. Guests: Alison Wright and Salem Krieger “Tibet Girl” 2005. Photograph by Alison Wright Malagan Ceremonial Mask, Papua New Guinea, 2010. Photograph by Alison Wright Cover of Alison Wright’s latest book, “Human Tribe” “NYC News Stand” by Salem Krieger, from Art is Helping “42nd St. Alien” by Antonio Mari, from Art is Helping “Shadows” by Cynthia Karalla, from Art is Helping “VSH #4” by Julie Gross, from Art is Helping “Beetle” by Jose Maximiliano Sinani Paredes Shezchez, from Art is Helping “Auto America: New Mexico” by Salem Krieger, from Art is Helping Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/11/2017
Structure and limitation is the key to the artistic process. This is the idea that opens our conversation with photographer and publisher Brooks Jensen. In addition to his work as a fine-art photographer, Jensen is well recognized as the publisher of LensWork, the beautiful print magazine (and website) about photographs (not cameras!). We speak with him about LensWork’s “Seeing in Sixes” competition, in which photographers submit a series of just six images with the idea that this limited number forces efficiency and creativity. Our discussion glides to other topics, such as the purpose of art, digital versus analog preservation, and the simple joy of creating and sharing your work. On the second half of our show we return for Episode Four of “Dispatch,” with Adriane Ohanesian. In this segment, Ohanesian talks about the cameras, lenses, and gear she uses in covering breaking and long-form news in Africa. She compares her newer Sony mirrorless to her Canon “tanks,” and offers insight on working in some of the toughest conditions imaginable. Ohanesian also continues to detail her assignment work and, on this occasion, she is in the Democratic Republic of the Congo with rangers combating illegal poaching and mining in the Okapi Wildlife Reserve. She tells of the region and its struggle for resources, and of the dangers, both natural and human, which confront locals and visitors. Chronicling her time with the rangers and her miles-long hikes through thick jungle, she shares thoughts on developing the photo narrative she hopes to relate with understated humor, and prepares us for the next chapter to this story, which ultimately turns quite tragic. Guests: Brooks Jensen and Adriane Ohanesian Previous Pause Next "Shoji – In Praise of Shadows," from Seeing in Sixes Brooks Jensen DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/05/2018
What a start to the New Year for the B&H Photography Podcast. We are incredibly fortunate to kick off our year with photographer Cig Harvey and gallerist Caroline Wall, director of the Robert Mann Gallery. In conjunction with her new book, You an Orchestra, You a Bomb, Harvey is currently exhibiting at the Robert Mann Gallery, and we were able to speak with artist and gallerist to discuss the making of her latest portfolio and the collaborative process of exhibition. This is Cig Harvey’s third monograph and, in addition to her photographic creativity, she is also very articulate when describing her artistic process and techniques. This is a true benefit to us at the podcast. Her description of the “gasp” moments that she seeks when working, whether they be gasps of fear or in the presence of beauty, was a wonderful moment in our interview. The titular mantra that describes part of her process is something that we will keep with us as we advance in our own photographic journey. Join us as we talk with Harvey and Wall about how an idea becomes a series, how editing can be a physical act, and the two distinct ways she approached imaging for this most recent series. We also discuss the role that a gallery—in this case through the eyes of a trusted collaborator—plays in the editing of a body of work and, ultimately, its exhibition and sale. The exhibit, Cig Harvey—You an Orchestra, You a Bomb, is on display at the Robert Mann Gallery through January 27, 2018 and, on that date, Ms. Harvey will be present for an artist’s talk. Her book of the same name is available wherever you find fine books and, specifically, here. Guests: Cig Harvey and Caroline Wall Birds of New England, Rockport, Maine, 2016 © Cig Harvey, Courtesy Robert Mann Gallery Wild Orchid, Lincolnville, Maine, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Magnolia Tree, Rockport, Maine, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Sky Lantern, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Sparks, Lake Meguntacook, Maine, 2016 © Cig Harvey, Courtesy Robert Mann Gallery Blizzard on Main Street, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Prism, Rockport, Maine, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Lips, Faith, Rockport, Maine, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Scout in the Blizzard, Rockport, Maine, 2017 © Cig Harvey, Courtesy Robert Mann Gallery Scout with Reflections, Rockport, Maine, 2016 © Cig Harvey, Courtesy Robert Mann Gallery Caroline Wall and Allan Weitz Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/02/2018
This week’s episode of the B&H Photography Podcast posits the notion that we are in a new “Golden Age” of landscape photography, and a fundamental attribute of this landscape photography is its embracing of digital and mobile technologies. From soaring ISO capabilities and improved dynamic range to stacking and correction software to weather, mapping, and pre-production apps, the willing photographer can plan and execute landscape images that would have been impossible to create only a few short years ago. We also suggest that the Pacific Northwest, with its proximity to the cradle of the tech industry and a spectrum of natural wonders, is the hub of this progressive landscape photography movement. Veteran photographers have adopted new technologies and created a movement, and a younger generation is following suit, certain to take landscape photography into a future that includes drones, VR, and imaging technologies yet to be imagined. We also discuss the influence of photo-sharing platforms and new career models that enable photographers to distribute their work and travel to destinations that editorial assignments would never cover. We welcome to our conversation two preëminent landscape photographers, Erin Babnik and Sean Bagshaw, who discuss their work and the use of the high-tech gear and applications in the creation of their photography. In addition to the obligatory Q and A about camera and lens choices, we discuss location and weather apps, post-process plug-ins, and even the latest foul-weather gear, all of which enable them to create the stunning work for which they are known. Both photographers are members of Photo Cascadia, and have a wide following of supporters and students. Their workshops sell out months in advance. After hearing their insights and seeing their imagery, there will be no doubt as to why. Also, at the end of today’s episode, we announce the winners of our Canon 5D Mark IV sweepstakes. Guests: Erin Babnik and Sean Bagshaw The Lost Ark © Erin Babnik Enigma © Erin Babnik Kairos © Erin Babnik Rhapsody in Blue © Erin Babnik Requiem © Erin Babnik Catching Air © Erin Babnik Wood and Stone © Sean Bagshaw The Gift Tree © Sean Bagshaw Summer Seclusion © Sean Bagshaw Mostnica Autumn © Sean Bagshaw Okshornan Peaks © Sean Bagshaw Bohinj Woods © Sean Bagshaw Lineage © Sean Bagshaw Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/09/2018
Murray Fredericks considers his landscape photography series, "Vanity," as just one aspect of a larger body of work, a project for which he has spent fifteen years shooting in southern Australia's remote Kati Thanda–Lake Eyre. However, this part of the larger series has one aspect that the others do not—a large mirror placed in the lake bed, reflecting other angles of the land and sky. This seemingly simple idea transforms not only the vista but our visual understanding of this singular place, and I think it's fair to say that there is nothing comparable to these large color photographs that attempt to represent the "overwhelming emptiness and powerful emotional resonance of remote land and sky." For this episode of the B&H Photography Podcast, we took our mics to the Robert Mann Gallery, in New York, to speak with Murray Fredericks and gallery owner Robert Mann on the opening day of Fredericks’s first solo exhibit in the United States. We walked through the gallery, soaking up the sublimity of these images and discussing the challenges of the project, the gear, the prints, and all aspects of the collaboration between artist and gallery. Join us for this extraordinary conversation. Stay tuned toward the end of the show, when we chat with the two winners of our Canon 5D Mark IV Sweepstakes and hear their reactions to winning and how they will be using their new cameras. Guests: Murray Fredericks and Robert Mann; Canon Sweepstakes winners Hillary Dunning and Tim Couch Mirror 8, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 12, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 7, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 14, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 16, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 18, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 19, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 21, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Installation view of “Vanity”, courtesy Robert Mann Gallery Murray Fredericks and the B&H Podcast team © Todd Vorenkamp Robert Mann, Allan Weitz, Murray Fredericks © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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