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Posted 07/07/2016
As summer rolls around, it’s a good time to assess the best of the new products that have been announced thus far in 2016. With two of our most respected product specialists (and straight-up gear heads) we will discuss the most interesting cameras, lenses, and accessories to be introduced in 2016—some aren’t even on the shelves yet. Cameras from Sigma, Pentax, Sony, Canon, Nikon, and Olympus are considered, and we also touch on new cameras from Leica, Impossible, and Hasselblad. Lenses from these manufacturers, as well as Voigtlander, Tamron, and Lensbaby are highlighted, as is gear from Broncolor, Nissin, and Tether Tools. Enjoy this very informative episode with insight from our in-house experts. Guests: Zev Slotkin and Levi Tenenbaum   Don't miss an episode!     Subscribe on iTunes;   Stitcher   Levi Tenenbaum, Allan Weitz, and Zev Slotkin (left to right) b Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/24/2017
What are the latest camera and lens offerings announced at recent trade shows? We’ll let you know, and throw in our two cents regarding their purpose and performance while we’re at it. In February, the WPPI and CP+ shows were held, the former being the major wedding and portrait photography conference, in Las Vegas. It is attended by hundreds of photographers, and features seminars, networking events, and product exhibitions. CP+ is the annual “camera and photo imaging show,” held in Yokohama, Japan, and is a major platform for the announcement of new gear from the Japanese-based manufacturers. Along with our resident product expert Levi Tenenbaum, we’ll discuss the gear that was announced and offer our opinions—in some cases we even got our hands on the goods and can provide an insight beyond just the specs. We also incorporate a little promotional moment into this week’s episode and, never wanting to be predictable, we do so in Spanish. In truth, the B&H Event Space is offering a two-day workshop with noted Spanish photographer Pepe Castro and, because this event is a Spanish-language presentation, we follow suit and speak to Castro in Spanish, with help from event organizer Carmen Rojas. Don’t worry if your español is rusty—we’ll give you the gist afterwards. Pepe Castro is in the B&H Event Space on March 27 and 28. Check out our new landing page, listing all our episodes, and take a minute to leave us a voice message while you are there. It’s a one-click process and we really want to hear your opinion of the show—on a mobile device, scroll down to the bottom of the page for the SpeakPipe feature. Guests: Levi Tenenbaum, Carmen Rojas, and Pepe Castro Andrés Aberasturi by Pepe Castro Canon EOS 77D DSLR Camera Canon EOS Rebel T7i DSLR Camera Pentax KP DSLR Camera Tamron SP 70-200mm f/2.8 Di VC USD G2 Lens Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Lens Sony FE 85mm f/1.8 Lens Sony 128GB SF-G Series UHS-II SDXC Memory Card Sony HVL-F45RM Wireless Radio Flash Light & Motion Stella Pro 5000 LED Light Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/16/2017
At this year’s OPTIC Photography Conference, we sat down with representatives from camera and gear manufacturers to talk about their latest products, and question them on their company philosophies and the general state of the camera industry. We present here a compilation of conversations with four of our guests: Rudy Winston from Canon, Marc Farb from Sigma, Thomas Curley from Panasonic and Rod Clark, founder and CEO of Wine Country Camera. Within this informative episode, we speak about Canon’s response to the rise of the smartphone, the success of entry-level DSLRs, possible mirrorless offerings and this year’s new releases, at 02:05. With Sigma, we discuss the latest Art series lenses and just who is buying the Foveon-sensor cameras, at 34:40 and, with Panasonic, there is much talk about the GH5, but also about new lenses and the company’s Lumix point-and-shoots, at 47:15. Finally, we chat with Wine Country, which is producing beautiful filter systems for high-end users, and how this small company is making a go of it in the tricky business of camera and lens accessories, at 58:30. Guests: Rudy Winston, Marc Farb, Thomas Curley, Rod Clark DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/21/2017
When you get a chance to speak with an expert, you take advantage. At this year’s OPTIC 2017 Conference, when Lance Keimig and Chris Nicholson passed by our mobile studio, we did just that. Keimig is an author, instructor, and above all, a photographer who specializes in night photography. Well before digital technology made photographing the Milky Way an easy endeavor, Keimig was experimenting with film stock and developing processes to create long-exposure images. He is currently an instructor at National Parks at Night and along with Nicholson, offers workshops in night photography at many US National Parks. On today’s episode, we speak with Keimig and Nicholson about the differences between creating night photography with film and with digital cameras. There are obviously many modes and functions on a digital camera that make night photography simpler, but at the heart of the enterprise, is the process the same? We ask this question and discuss techniques used with film and the advantages that accompany digital cameras. We also ask, “What is night photography?” and “What are the charms that keep these two photographers interested in this specific discipline?” Listen as Keimig provides insight into the history of night photography and Nicholson discusses his shooting methods and ideas on composition that he applies while working in national parks. Guests: Lance Keimig and Chris Nicholson Click here if you missed our episode,  Night Photography—Exploring the Creative Possibilities. Click here for Jill Waterman’s article on Lance Keimig’s switch from Canon to Nikon equipment. Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Digital photograph, Lance Keimig Digital photograph, Lance Keimig Blue Ridge Parkway, Chris Nicholson Cape Cod National Seashore, Chris Nicholson Death Valley National Park, Chris Nicholson Joshua Tree National Park, Chris Nicholson Mount Rainier National Park, Chris Nicholson Olympic National Park, Chris Nicholson Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/06/2018
The spot where still photography, video, animation, and drawing on your shoes meet is where you can find Sam Cannon and Matthias Brown. They may not always be together at that spot, but they’re sure to be within shouting distance. On today’s episode of the B&H Photography Podcast, we discuss the role that still photography plays in their work and how they see the distinctions between still and moving images, as well as between old and new technologies. Matthias Brown is also TraceLoops, an “animation experiment centered around hand-drawn, physical animations that experiments with the creation and perception of movement.” He specializes in hand-drawn, stop-motion, black-and-white animation and his work has been commissioned by Converse, MTV, Purina, Warby Parker, and others, and his fine art work has been displayed at the Tate Modern. Sam Cannon is an artist and director who works between still photography and video and focuses on the “manipulation of time, space, and the female form.” Whichever format the final image takes—still, video, GIF—her works asks us to explore the “never-ending” moment. She has produced commercial assignments for Nike, Samsung, and H&M, editorial and fashion pieces, and her fine art work has been exhibited extensively, including at MANA Contemporary, in Jersey City. True multi-disciplinarians, Cannon and Brown are comfortable with a variety of techniques and art forms; we discuss rotoscopes and oscilloscopes, After Effects and Dragonframe, projection pieces and soap sculptures. We also talk briefly on camera gear, self-portraiture, William Kentridge and, once and for all, we resolve the pronunciation of GIF. Join us for this enjoyable conversation. Guests: Sam Cannon and Matthias Brown Animation © Sam Cannon Animation © Sam Cannon Animation © Sam Cannon Animation © Sam Cannon Photo © Sam Cannon Photo © Sam Cannon Animation © Matthias Brown Animation © Matthias Brown Animation © Matthias Brown Animation © Matthias Brown Photo © Matthias Brown Photo © Matthias Brown Previous Pause Next NOTE: Please click to view animated images. Sam Cannon & Matthias Brown provided four animated images, and two still photos. DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/01/2018
When you think of an image from your favorite movie, what comes to mind? Is it a well-edited sequence, a dramatic crescendo, or perhaps simply a static photo, maybe even the poster art itself? If it is a static image, chances are it’s a photo taken by an on-set “still” photographer. On today’s episode of the B&H Photography Podcast, we discuss this craft with two photographers who make their living  as still photographers, working on location and in-studio on television and film productions alongside the camera assistants, boom operators, grips, DPs and myriad crew members, who make the movie magic. Joining us are  JoJo Whilden, a fine art and still photographer who has worked on numerous films, including Silver Linings Playbook and The Fighter and television series such as Orange Is the New Black, and Homeland. Her clients include HBO, Netflix, CBS, Sony, and Killer Films. She is the 2018 recipient of The Society of Camera Operators Lifetime Achievement Award in Still Photography. Also joining us in the studio is David Giesbrecht, an editorial and still photographer with credits on The House of Cards, The Blacklist, Mr. Robot, Jessica Jones, and many other programs and films. We speak with Giesbrecht and Whilden about the specific photography skills required on-set, the working relationship within a film crew, their gear setup, and the changes that the profession has seen with the onset of digital streaming, cell phones, mirrorless cameras, social media, and the growth of the episodic television series. This is a very informative episode about a craft that is often overlooked and misunderstood. Guests: JoJo Whilden and David Giesbrecht  From “Orange is the New Black”, Photograph Courtesy JoJo Whilden From “Boardwalk Empire”, Photograph Courtesy JoJo Whilden From “Olive Kitteridge”, Photograph Courtesy JoJo Whilden From “A Late Quartet”, Photograph Courtesy JoJo Whilden From “The Fighter”, Photograph Courtesy JoJo Whilden John Turturro directing “Fading Gigolo”, Photograph Courtesy JoJo Whilden From “Jessica Jones”, Photograph Courtesy David Giesbrecht From “Jessica Jones”, Photograph Courtesy David Giesbrecht From “Luke Cage”, Photograph Courtesy David Giesbrecht From “House of Cards”, Photograph Courtesy David Giesbrecht Box art from “The Tick”, Photograph Courtesy David Giesbrecht JoJo Whilden and David Giesbrecht hamming it up in the podcast studio Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/03/2019
As a companion to last week’s end-of-year review episode, and as a way of kicking off the new year, we will discuss our own photographic new year’s resolutions and gear wish lists on today’s episode of the B&H Photography Podcast. As our most ardent listeners know, Allan, Jason, and I have wildly different photographic styles and our gear bags reflect those styles. We will start by talking about the photo-related goals that we each have for the coming year. Perhaps inspired by some of the guests we have had on the show this year, or our “What is Photography?” project, I have a couple of long-delayed projects to which I'd like to return, Jason is looking to continue his long-exposure work with urban cityscapes, and Allan is going to dig back into his film archive to digitize long-hidden gems. We will talk a bit about our current work and the techniques we want to improve this year and, after a short break, we will talk a bit about gear. Going around the table, we will discuss what we are currently shooting with and what new (or used) gear we may purchase to help us achieve our new year’s goals. Allan will start by describing the “Franken-slide copier” that he built with a Micro-NIKKOR 55mm lens, a Bolt Macro Light, and his trusty Sony a7R II. Jason is looking to experiment with long telephoto lenses, such as the Sony FE 100-400mm f/4.5-5.6 GM OSS lens and a new 3 Legged Thing tripod, and I want to get back to my street photography roots with a fixed-lens camera such as the Fujifilm X100F or one of the Ricoh GR series cameras. While we do talk gear, this episode is mostly about our shared passions for photography and keeping creativity an important part of our 2019. What photography goals do you have for the coming year? Allan Weitz's "Franken-slide Copier" Beal's Island, Maine- 35mm slide image digitized by the "Franken-slide Copier" © Allan Weitz Beal's Island, Maine- 35mm slide image digitized by the "Franken-slide Copier" © Allan Weitz Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/20/2019
We’re not even two months into 2019 and there have already been several announcements for new cameras, lenses, and even a new format for a major camera manufacturer. On this week’s episode of the B&H Photography Podcast, we list the many new announcements and, along with our guests, Shawn Steiner and Andrea Ortado, offer any insights we have in terms of specs, hands-on comparisons, and general opinions. We begin with the new Canon EOS RP Mirrorless Digital Camera and mention a few of the many lenses on the road map for this new full-frame mirrorless series. We also discuss the new Nikon lenses for its full-frame mirrorless Z-mount camera, including the NIKKOR Z 14-30mm f/4 S lens and the NIKKOR Z 24-70mm f/2.8 S lens. From Canon and Nikon, we move on to Panasonic, and the huge announcement of its full-frame mirrorless cameras, the Lumix DC-S1 Mirrorless Digital Camera and the Lumix DC-S1R Mirrorless Digital Camera, as well as the company's L-Mount Alliance with Sigma and Leica, and new lenses such as the Lumix S 24-105mm f/4 Macro O.I.S. lens, the Lumix S PRO 70-200mm f/4 O.I.S. lens, and the Lumix S PRO 50mm f/1.4 lens. We also highlight the impressive new Olympus flagship camera, the OM-D E-M1X Mirrorless Digital Camera. After a break, we discuss the new Sony Alpha a6400 Mirrorless Digital Camera and the reasons it will appeal to vloggers, and the new FUJIFILM X-T30 Mirrorless Digital Camera. FUJIFILM also announced a new XF 16mm f/2.8 R WR lens and the FUJIFILM GF 100-200mm f/5.6 R LM OIS WR lens for its medium format GFX cameras. We continue with a brief chat on new point-and-shoot cameras, including the Ricoh GR III Digital Camera, the Panasonic Lumix DC-FZ1000 II Digital Camera, and the FUJIFILM FinePix XP140 Digital Camera. Finally, we close with a brief comment on firmware, accessories such as the Wacom Cintiq 16HD Creative Pen Display, and thoughts on the new full-frame mirrorless cameras. Join us for this very informative episode. Guests: Andrea Ortado and Shawn Steiner Allan Weitz, Shawn Steiner, and Andrea Ortado John Harris   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/29/2019
On this week’s episode of the B&H Photography Podcast, we welcome four “makers” who have designed and built impressive imaging tools with their own vision and hands. Their locations, the formats, the materials, and the final products all differ wildly, but the D.I.Y. spirit of the engineer, the tinkerer, the photographer, and the entrepreneur are shared by our four guests. We get a sense of how each came to their product, developed it, and are trying to market it. First, we speak with Sam Cornwell, inventor of The Solarcan, a unique camera designed to produce “extreme time exposures” that capture the sun’s path across the sky; and yes, it is a can. Cornwell offers his love of photography, astronomy, and repurposing household objects as the seeds for this pinhole camera, which comes with its own piece of Ilford 5 x 7" photo paper already inside. After a successful Kickstarter campaign and a lot of work, his fully packaged invention is available for purchase from B&H. Next, we are joined by Steve Lloyd of Chroma Cameras, who liked large format field cameras so much he went and designed one of his own. His are the first field cameras made of laser-cut acrylic. Appropriately available in a choice of unconventional colors, Chroma cameras feature interchangeable film backs that attach to the camera using magnets, which make it possible to switch quickly between 4 x 5" film to roll-film backs. After a short break, Filippo Nishino, of the Swiss company I’m Back, discusses the invention created by his partner, Samuel Mello Medieros, which can capture digital images with a 35mm film camera body. Available in a universal model or numerous customized covers, the back attaches physically to your film camera, enabling high-res digital image capture. Many years in development, the I’m Back is available to the public and on sale at B&H. Our final guest is Ethan Moses, of Cameradactyl, which is his company and his passion. Cameradactyl, along with its “subsidiary,” Butter Grip, makes 3D printed cameras, parts, and accessories, including his incredible CAMERADACTYL 4 x 5 Field Camera and X-Pin 35mm Pinhole Camera Kit. He also sells a wide range of practical and colorful grips and camera accessories, and might make something for your needs, if you ask nicely enough. Guests: Sam Cornwell, Steve Lloyd, Filippo Nishino, and Ethan Moses Solarcan with Red Packaging Solarcan mounted for extended exposure Solarcan sample image Chroma Camera Folded Chroma Camera Large 4 x 5 Field Chroma Camera I’m Back universal digital back I’m Back cover for Canon AE-1/A-1 cameras I’m Back cover for Leica M1 – M4 cameras Cameradactyl Blue Field Camera Cameradactyl ButterMeter Cameradactyl Butter Grip – Red Cameradactyl 4 x 5 Hand Camera Family Portrait Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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