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Posted 09/02/2016
In the first of our two-part series on astrophotography, we are fortunate to be joined by two scientists responsible for some of the most awe-inspiring images ever created. Astrophysicist Dr. Jeff Hester was a member of the team that built the camera on the Hubble Space Telescope and is credited with taking the “Pillars of Creation,” an extraordinary image of the Eagle Nebula that has been selected by Time magazine as one of the 100 most influential photographs in history. Dr. Hester tells us about his time working on the Hubble and how this image was created, as well as offering his insight on the nature of beauty and the relationship between science and art (Hint: They’re not as different as you might think.) Also participating in our conversation is Zoltan Levay, the Imaging Team Leader at the Space Telescope Science Institute, whose principal responsibility is to produce and publicize pictures from the Hubble. Mr. Levay discusses the relative nature of color, his techniques for coloring and composing photographs, and the differences between the images that come to him as “data” from the telescope and the published images with which we are more familiar. Again, science and art blend as we ask why certain colors are chosen to represent various celestial bodies, and come to realize that the decisions made and processes used in the top tiers of astrophotography are not that different from those we ourselves make in our own post-processing. Guests: Zoltan Levay and Dr. Jeff Hester Next week’s episode, Shooting Stars, Part II- Deep Sky DIY The views and opinions expressed in this podcast are those of the individual guests and do not necessarily represent the views of B&H Photo. Bubble Nebula NASA, ESA, and the Hubble Heritage Team (STScI/AURA) The “Pillars of Creation” from the Eagle Nebula NASA, ESA, STScI, J. Hester and P. Scowen (Arizona State University) Carina Nebula Mosaic NASA, ESA, N. Smith (University of California, Berkeley), and The Hubble Heritage Team (STScI/AURA) Galaxy Cluster Abell 2744 NASA, ESA, and J. Lotz (STScI) Barred Spiral Galaxy NGC 1300 NASA, ESA, and The Hubble Heritage Team (STScI/AURA) Image Processing Workflow Image Courtesy of Zoltan Levay and STScI Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2016
In Part II of our series on astrophotography, we talk with Ian Norman, founder of Lonely Speck, a site dedicated to making astrophotography easy and accessible to all photographers. The website is loaded with great advice, gear reviews, and simple tutorials on how to photograph the night sky and specifically, the Milky Way. Our conversation with Ian centers on his development as a photographer and provides many tips on how, with very affordable equipment and apps and basic processing, you can create stunning dark sky images. As you will hear, Norman, like his website, is all about sharing experiences and advice on how to simplify and improve your photography. As he says, “there are few photographs that have as much existential impact as a nighttime landscape against the Milky Way.” Join us for this educational and inspirational episode. Guests: Ian Norman Photo: Ian Norman, LonelySpeck.com Last week's episode, Shooting Stars, Part I – Imaging from the Hubble Telescope Trona Pinnacles looking south with Milky Way Lone Pinnacle, Pinnacles National Park and Milky Way Eastern Sierras by moonlight and the Milky Way Milky Way and Alabama Hills Diana Southern and the Heavens Above Her Diana Southern, Allan Weitz, and Ian Norman Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/23/2017
On August 21, 2017 there will be a total solar eclipse passing across the United States from the northwest to the southeast. While the path of totality will be in the center of the country, at least 60% obscuration will be seen throughout the U.S. and into Canada and Mexico. This is a historic event and millions of people will be viewing and photographing it. On today’s episode, we will discuss the what, when, and where of the eclipse and concentrate on the best and safest ways to view and photograph it. Joining us for this discussion are Senior Staff Writer Christopher Witt, our in-house telescope and optics expert, and B&H Photography Podcast veteran Todd Vorenkamp, who will explore the best ways for novices as well as experts to view and photograph the eclipse. After a break, we welcome noted astronomer and photographer Dr. Tyler Nordgren who will offer his thoughts on the eclipse and explain why it might be best to not photograph this eclipse. Finally, we will be joined by Dr. Laura Peticolas from the Space Sciences Laboratory at the University of California, Berkeley. Laura will discuss her plans for the eclipse, specifically discussing the Eclipse Megamovie project, a crowd-sourcing effort to collect and share images across the path of totality. Join us for a multi-faceted conversation about this once-in-a-lifetime event. Guests: Dr. Tyler Nordgren, Dr. Laura Peticolas, Christopher Witt, Todd Vorenkamp Route of 2017 solar eclipse across United States Global map of 2017 solar eclipse The 2013 eclipse as seen from the deck of a four-masted sailing ship racing across the Atlantic Ocean, totality was 42 seconds long. Photograph by Tyler Nordgren My first eclipse photo that I took in 1999 superimposed on the Hungarian stamp I bought there commemorating the eclipse by showing its path across the country. Photograph by Tyler Nordgren A petroglyph in Chaco Canyon, New Mexico showing what could be a 1000 year old solar eclipse. Photograph by Tyler Nordgren A partial phase of an eclipse just a minute or two before totality in the Faroe Islands. Those clouds totally socked us all in 30 seconds before totality so we saw nothing. Photograph by Tyler Nordgren The 2012 partial solar eclipse in San Diego, California with approximately 76% obscuration. Photograph by Todd Vorenkamp The sun photographed with a 50mm lens on a full frame camera with Mylar white light solar filter. Photograph by Todd Vorenkamp The sun photographed with a 300mm lens on an APS-C sensor camera with Mylar white light solar filter. Photograph by Todd Vorenkamp The sun photographed with a 300mm lens on APS-C sensor camera using a DayStar Camera Quark Hydrogen-alpha filter. Photograph by Todd Vorenkamp Photographing the sun with a 300mm lens on APS-C sensor camera using a DayStar Camera Quark Hydrogen-alpha filter and iOptron Sky Guider Pro Tracking Mount Mylar white light filter. Photograph by Todd Vorenkamp Digiscoping with iPhone and Skywatcher Virtuoso Telescope with Motorized Mount and Carson HookUpz 2.0. Photograph by Christopher Witt Prime-focus solar photography through a Sky Watcher Maksutov-Cassegrain telescope with Canon DSLR, on Sky Watcher Virtuoso motorized mount. Photograph by Christopher Witt Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/12/2018
On this week’s episode of the B&H Photography Podcast, we get the old band back together for one more gig. Joining us are Explora writers and podcast veterans Todd Vorenkamp and Shawn Steiner. They are not on the show just because we like them so much, but also because they are experts on camera gear and have written up most of the camera news from photokina 2018. In addition, we welcome Dana Glidden, the B&H social media manager, to join us. Glidden attended this year’s camera trade fair, which was held from September 26-29, 2018, in Cologne, Germany. We start the episode with Glidden, who provides an overview of the biggest, and perhaps most important camera expo on the planet, and then we go to Steiner and Vorenkamp to fill us in on the most impressive of the cameras, lenses, and other gear announced at this year’s show. Although announced before photokina, the Canon EOS R and the Nikon Z6 and Z7 mirrorless full-frame cameras were still the biggest draw at the convention. The Zeiss ZX1 Digital Camera, the Fujifilm X-T3 and the Panasonic Lumix S1 and S1R also received their share of attention, as did the new medium format Fujifilm GFX 50R Mirrorless Camera. If it weren’t already clear that high-end mirrorless cameras were in full display this year, a new silver Leica CL Mirrorless Digital Camera was also announced. Many lenses were also unveiled at photokina 2018, including the Zeiss Batis 40mm f/2 lens, the Sigma 40mm f/1.4 DG HSM Art lens, the Voigtländer NOKTON 50mm f/1.2, as well as several lenses for the new Nikon and Canon full-frame mirrorless systems. Other products discussed on the show are the DJI Mavic 2 Pro, the GoPro Hero 7, the Profoto B10 Off-Camera Flash and the Gitzo Mini Traveler tripod. Join us for this comprehensive overview of the latest cameras and photography gear from this year’s photokina trade fair. Guests: Dana Glidden, Shawn Steiner, Todd Vorenkamp Todd Vorenkamp Dana Glidden Shawn Steiner Allan Weitz, Dana Glidden, Todd Vorenkamp, Shawn Steiner Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/20/2019
We’re not even two months into 2019 and there have already been several announcements for new cameras, lenses, and even a new format for a major camera manufacturer. On this week’s episode of the B&H Photography Podcast, we list the many new announcements and, along with our guests, Shawn Steiner and Andrea Ortado, offer any insights we have in terms of specs, hands-on comparisons, and general opinions. We begin with the new Canon EOS RP Mirrorless Digital Camera and mention a few of the many lenses on the road map for this new full-frame mirrorless series. We also discuss the new Nikon lenses for its full-frame mirrorless Z-mount camera, including the NIKKOR Z 14-30mm f/4 S lens and the NIKKOR Z 24-70mm f/2.8 S lens. From Canon and Nikon, we move on to Panasonic, and the huge announcement of its full-frame mirrorless cameras, the Lumix DC-S1 Mirrorless Digital Camera and the Lumix DC-S1R Mirrorless Digital Camera, as well as the company's L-Mount Alliance with Sigma and Leica, and new lenses such as the Lumix S 24-105mm f/4 Macro O.I.S. lens, the Lumix S PRO 70-200mm f/4 O.I.S. lens, and the Lumix S PRO 50mm f/1.4 lens. We also highlight the impressive new Olympus flagship camera, the OM-D E-M1X Mirrorless Digital Camera. After a break, we discuss the new Sony Alpha a6400 Mirrorless Digital Camera and the reasons it will appeal to vloggers, and the new FUJIFILM X-T30 Mirrorless Digital Camera. FUJIFILM also announced a new XF 16mm f/2.8 R WR lens and the FUJIFILM GF 100-200mm f/5.6 R LM OIS WR lens for its medium format GFX cameras. We continue with a brief chat on new point-and-shoot cameras, including the Ricoh GR III Digital Camera, the Panasonic Lumix DC-FZ1000 II Digital Camera, and the FUJIFILM FinePix XP140 Digital Camera. Finally, we close with a brief comment on firmware, accessories such as the Wacom Cintiq 16HD Creative Pen Display, and thoughts on the new full-frame mirrorless cameras. Join us for this very informative episode. Guests: Andrea Ortado and Shawn Steiner Allan Weitz, Shawn Steiner, and Andrea Ortado John Harris   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/07/2019
On this week’s episode of the B&H Photography Podcast, we welcome a true photography legend—curator, critic, and author, Vince Aletti. Anyone who lived in New York in the 1980s and ’90s, and is interested in photography, will know of Aletti as the photography critic at the Village Voice. He went on to review photo exhibitions at The New Yorker until 2016. He has also curated exhibitions at the International Center of Photography and White Columns gallery, and has authored many books, including his latest, Issues: A History of Photography in Fashion Magazines, which he joins us to discuss. In addition to his writing and curating, Aletti is a collector, and has created a collection of the most important issues of fashion magazines from the past 100 years. The book, Issues, employs that collection to offer a history of fashion photography as it was meant to be viewed—in magazines, and our conversation focuses on the context of the magazine as “the ideal delivery system” for the best photography of several generations. We discuss the beginning of fashion magazines and introduction of photography to that format and we spend time discussing the work of Richard Avedon, Irving Penn, and Steven Meisel by looking at issues of magazines for which they were the primary, if not sole, photographer. The production of these magazines— Harper’s Bazaar, Vogue Italia, The Face, for example—are mentioned, as are the creative directors, editors, and stylists, but the point of this enlightening conversation (and Aletti’s book) is how great photographers have used the specific format of the fashion magazine for their ground-breaking and ever-evolving images. Today also marks the beginning of the B&H Photography Podcast Panasonic LUMIX S1 Sweepstakes. Follow the above link for the rules and entry guidelines and you’ll have two chances to win a new Panasonic LUMIX DC-S1 Full-Frame Mirrorless digital camera with 24-105mm lens or a Panasonic LUMIX DC-G95 Mirrorless digital camera with 12-60mm lens. Also, look for the upcoming special episode of our podcast with Panasonic LUMIX Global Ambassador Shiv Verma. Guest: Vince Aletti Above photograph courtesy Vince Aletti and Phaidon Press “Harper’s Bazaar,” October 1934, Harry Meerson. Collection Vince Aletti. Courtesy Phaidon “Vogue,” June 1, 1940, Toni Frissell. Collection Vince Aletti, Courtesy Phaidon “French Vogue,” May 1939, Erwin Blumenfeld; from “Issues: A History of Photography in Fashion Magazines,” Vince Aletti, Courtesy Phaidon “British Vogue,” June 1947, cover: Irving Penn; spreads: Clifford Coffin; from “Issues: A History of Photography in Fashion Magazines,” Vince Aletti, Courtesy Phaidon “Fashion & Travel,” 1954, No. 1, 1955, No. 2, Bert Stern; from “Issues: A History of Photography in Fashion Magazines,” Vince Aletti, Courtesy Phaidon “The Face,” July 1980, Corinne Day; from “Issues: A History of Photography in Fashion Magazines,” Vince Aletti, Courtesy Phaidon “Issues: A History of Photography in Fashion Magazines,” by Vince Aletti, Publisher: Phaidon Vince Aletti on the B&H Photography Podcast © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/15/2019
We are in the midst of our B&H Photography Podcast Panasonic LUMIX S1 Sweepstakes and encourage you to check the link to enter to win a Panasonic LUMIX DC-S1 Mirrorless Digital Camera with 24-105mm Lens or a Panasonic LUMIX DC-G95 Mirrorless Digital Camera with 12-60mm Lens. For today’s episode, we present encore conversations with photographers Sisse Brimberg and Xyza Cruz Bacani. Sisse Brimberg is a veteran adventure and travel photographer who has more than thirty stories for National Geographic to her credit. Much of her work is devoted to historical and cultural stories, but our chat focuses on the informal portraiture she does in the streets, marketplaces, and country roads around the world. Brimberg relates how she is always “seeing” photographs, how she interacts with her subjects, and how to know when a photograph is worth taking. We also discuss her late husband and shooting partner, NatGeo photographer Cotton Coulson, and how her approach to work has changed since his death. Xyza Cruz Bacani, a Magnum Foundation fellow currently covering the civil unrest in Hong Kong, started taking photography seriously while employed as a domestic worker there. Her street photography blossomed into a career as a documentary photographer and photojournalist covering immigration, social justice, and human rights issues, but she still devotes time to “street.” We discuss the differences between the two disciplines, as well as her techniques and cameras and lens choices. Bacani has recently published the incredible book, We Are Like Air, about her mother and other migrant workers in Hong Kong. Join us for this insightful episode and don’t forget to enter our sweepstakes and subscribe to the B&H Photography Podcast. Guests: Sisse Brimberg and Xyza Cruz Bacani © Sisse Brimberg © Xyza Cruz Bacani “We Are Like Air” by Xyza Cruz Bacani Panasonic LUMIX S1 Mirrorless Digital Camera Panasonic LUMIX G95 Mirrorless Digital Camera Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/25/2019
When one of the world’s most “followed” photographers is available for a conversation, you make the time to talk with him, and when that photographer is acclaimed adventure, landscape, travel, and surf photographer Chris Burkard, expect that conversation to include some serious insights into the passion and ambition it takes to create the beautiful images he makes. On this week’s episode of the B&H Photography Podcast, we speak with Burkard about a range of subjects—and this conversation does not disappoint. We get right into it by asking about his penchant for shooting in frigid locations, and how stubbornness and even persistence can be the enemy of good photography in sub-zero temperatures. We discuss the composition of his photographs and how that is indicative of his views on nature, and we dig into his “origin story” and why clients began to come to him for the kind of photography he creates. In general, however, we stick to the nuts and bolts of his photography. We learn why he prefers mirrorless cameras, specifically the Sony Alpha a7R IV, how he organizes his commercial workflow to make time for the adventures he craves, and how he sets time aside to be with his young family. After a break, we ask Burkard to walk us through the creation of a few of his best-known images. Not only does he offer insight into the photographic aspects, but he elaborates to give us a better understanding of the remote locations he finds and the teamwork needed. To quote Burkard, “to better understand how the Earth was made, we must look at it from new perspectives.” Join us for this eye-opening conversation. Guest: Chris Burkard Aleutian Islands, 2013 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Highlining in Joshua Tree with Garrison Rowland on Hall of Horrors formation during the Supermoon, 2016 © Chris Burkard Skógar, Iceland, 2014 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/08/2020
During a little holiday trip, producer John Harris made a visit to the gallery and studio of photographer Clyde Butcher. For anyone who grew up in Florida, Butcher’s work should be very familiar; his photography is often found on the walls of local libraries, municipal buildings, and, as Miami native Jason Tables points out, “every doctor’s office I’ve ever been in.” Butcher’s images of the Florida landscapes, particularly of the Everglades, are legendary, and although he has a brisk print-sales business, many of the photos in libraries have the attached placard, “Donated by Clyde Butcher.” Although he is known primarily for his large format black-and-white photography of “the swamp,” Butcher’s photographic career extends back many decades and includes architectural photography, mountain and western landscapes, filmed documentaries, and decorative color photography. Interestingly, Butcher began his career selling prints at small art fairs and, in the 1970s, he had a thriving business selling thousands of prints through department stores such as Sears and Montgomery Ward. This episode of the B&H Photography Podcast is a casual conversation that glides through several topics, including Butcher’s work with large format cameras, his recent foray into Sony digital cameras paired with Canon tilt-shift lenses, the incredible set of vintage enlargers in his giant darkroom space, the business models he and his family employ to market his images, water conservation, and, of course, his relationship to the Florida landscape for which he will be forever linked. Join us for this conversation with a true master. Guest: Clyde Butcher Above photograph © Clyde Butcher Tamiani Trail © Clyde Butcher Cigar Orchid Pond © Clyde Butcher Ochopee © Clyde Butcher Big Cypress © Clyde Butcher Moonrise © Clyde Butcher Plaja-S’Arenella-with-Boat, from Salvador Dali series © Clyde Butcher Cadaques, from Salvador Dali series © Clyde Butcher Cap-de-Creus, from Salvador Dali series © Clyde Butcher Clocks by Clyde Butcher circa, 1970s © Clyde Butcher Clyde Butcher and John Harris © Niki Butcher Niki and Clyde Butcher © John Harris Clyde Butcher in his Venice, Florida office © John Harris Butcher workshop and darkroom, 2019 © John Harris Niki Butcher with enlarger, 2019 © John Harris Clyde Butcher in Movie Dome with 11 x 14" view camera © Clyde Butcher Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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