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Posted 07/29/2021
Photographer Sally Davies embodies a beautiful creative spirit, and I think that spirit also resides in the homes of the 72 New Yorkers she photographed, who are included in her wonderful portrait book, appropriately titled, New Yorkers. If this spirit does not exist and Davies is not in tune with it, how could she have captured such wonderful stories of people and their places and done it so efficiently, in some cases in just minutes? We answer that question and many others as we welcome Davies to the B&H Photography Podcast to discuss the making of her new book. We are also joined by writer and photographer Jill Waterman, who recently produced an insightful interview with Davies. Our conversation gets to the heart of Davies’ loving project, and touches upon its themes of inclusiveness and of gentrification, but also digs into the process of making portraits in cramped quarters with little time, and of the surprisingly difficult task of getting people not to smile for a photo. We talk about Davies’ decision to eschew light stands for on-camera flash and to go with a Sony mirrorless camera and Zeiss 18mm lens. We also talk about the importance of creative freedom and rejecting preconceived expectations as you make portraits. Davies photographed a wide range of New Yorkers for this series and did not refuse one person who was suggested to her, but when it came to organizing a book, edits needed to be made, and we discuss this process, as well. Davies is well-known for her street photography and we mention her projects on neighborhood storefronts and vintage cars, but this series of interior portraits is as “New York” as it comes. Join us for this pleasant conversation and check out Jill Waterman’s interview with Davies. Guests: Sally Davies and Jill Waterman Photograph © Sally Davies Cover of “New Yorkers” by Sally Davies Marina Press, from “New Yorkers” Photograph © Sally Davies Laurie Anderson, from “New Yorkers” Photograph © Sally Davies Rachid Alsataf, from “New Yorkers” Photograph © Sally Davies Vicky Roman, from “New Yorkers” Photograph © Sally Davies Danny Fields, from “New Yorkers” Photograph © Sally Davies Frances Pilot, from “New Yorkers” Photograph © Sally Davies Margo and Lois, from “New Yorkers” Photograph © Sally Davies Liz Adams, from “New Yorkers” Photograph © Sally Davies Flloyd NYC, from “New Yorkers” Photograph © Sally Davies Sally Davies, from “New Yorkers” Photograph © Sally Davies Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 03/04/2021
On today’s episode of the B&H Photography Podcast, we welcome wedding and portrait photographer Kesha Lambert. We are excited to speak with Lambert about her approach to wedding photography on today’s show, but she is also speaking at the upcoming 4th annual Depth of Field Portrait, Wedding, and Event Photography Conference, which is a free virtual event to be held on March 7 – 8, 2021. The conference is hosted by B&H Photo and sponsored by Sony, Nikon, Canon, Godox, HP/NVIDIA, and others. The work of Kesha Lambert stands out for its ability to be both joyous and intimate. She deftly uses color and composition, as well as experience and intuition to tell unique and universal wedding day stories. Did I mention that Lambert is also a lawyer, mom to three boys, a member of the Wedding Photojournalist Association, and a Sony Artisan of Imagery? In our conversation, we discuss her business, intrapersonal, and photography skills to get a sense of how she runs her successful studio. Her website is a lesson in design and good business practices, and we discuss cameras and lenses, getting ahead of client expectations, contracts, and subjects as diverse as lighting kits and keeping large wedding parties focused and in frame. Join us for this insightful and enjoyable chat and register for Depth of Field 2021. Guest: Kesha Lambert Photograph © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 01/14/2021
On this week’s episode of the B&H Photography Podcast, photographer Matt Price describes skate photography as the “perfect blend between studio and sports photography” and, from our engaging conversation, this idea will be made clear. Price knows of what he speaks—in addition to an acclaimed freelance career, he has been a staff photographer and editor for The Skateboard Mag and is currently Brand Director at CCS Skateshop and creates the magazine, Golden Hours Skateboarding. Price has lost more than one lens to the rigors of his craft, and we talk with him about getting close to skateboarders with a fish-eye lens, as well as other shooting and lighting techniques. We also discuss how he fell in love with skating and, at a very young age, began to submit his work to forums and, ultimately, to editors. He admits to taking his lumps from online critics for his early work, but his passion for skating and desire to improve his photo craft provided the courage and commitment to keep going and, eventually, his “energy-based” photo style caught the eye of editors and brands who sent him around the world to cover the skate scene. We discuss many topics in this easygoing conversation, from skating techniques to the business of skateboard photography to the differences between the various skate publications. We also get into the relationship between skater and photographer and how such a niche photo style has grown to influence a range of disciplines. Finally, we talk about gear choices and what has worked for Price. Starting with a Canon Rebel that he purchased with money his grandmother helped him secure, Price has worked with Hasselblad and Sony systems, but is currently back where he started, shooting with a Canon EOS 5D Mark IV and the Canon EF 8-15mm f/4L lens. Guest: Matt Price Photographs © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
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Posted 08/11/2017
Structure and limitation is the key to the artistic process. This is the idea that opens our conversation with photographer and publisher Brooks Jensen. In addition to his work as a fine-art photographer, Jensen is well recognized as the publisher of LensWork, the beautiful print magazine (and website) about photographs (not cameras!). We speak with him about LensWork’s “Seeing in Sixes” competition, in which photographers submit a series of just six images with the idea that this limited number forces efficiency and creativity. Our discussion glides to other topics, such as the purpose of art, digital versus analog preservation, and the simple joy of creating and sharing your work. On the second half of our show we return for Episode Four of “Dispatch,” with Adriane Ohanesian. In this segment, Ohanesian talks about the cameras, lenses, and gear she uses in covering breaking and long-form news in Africa. She compares her newer Sony mirrorless to her Canon “tanks,” and offers insight on working in some of the toughest conditions imaginable. Ohanesian also continues to detail her assignment work and, on this occasion, she is in the Democratic Republic of the Congo with rangers combating illegal poaching and mining in the Okapi Wildlife Reserve. She tells of the region and its struggle for resources, and of the dangers, both natural and human, which confront locals and visitors. Chronicling her time with the rangers and her miles-long hikes through thick jungle, she shares thoughts on developing the photo narrative she hopes to relate with understated humor, and prepares us for the next chapter to this story, which ultimately turns quite tragic. Guests: Brooks Jensen and Adriane Ohanesian Previous Pause Next "Shoji – In Praise of Shadows," from Seeing in Sixes Brooks Jensen DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/28/2017
On this month’s Gear Podcast, we take a look at wide-aperture, wide-angle lenses. With our guest, Neil Gershman, a lens expert from the B&H SuperStore, we touch upon the history of wide-angle lenses, their design and general applications, and then we discuss some pros and cons of wide-angle lenses with maximum apertures wider than f/2. Given the market demand and the technical capability, lens manufacturers have been introducing wide-angle prime and even zoom lenses with maximum apertures designed for better performance in low light and greater control of depth of field. We will discuss many of these newest lenses from Sigma, Nikon, and Canon and provide a run-down of all the fast aperture wide-angle lenses available from B&H. Join us for this educational episode. Guest: Neil Gershman Allan Weitz and Neil Gershman Click here if you missed our episode “Photographing the 2017 Solar Eclipse” DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/09/2017
Underwater photography does not have to include sharks, whales, or seals and, for that matter, does not even have to utilize scuba equipment or be near the ocean. Our second episode on underwater photography profiles two photographers who have found their niche shooting wedding, portrait, fashion, and dance themes beneath the surface. Jenna Martin walked away from a career in psychiatry, built her own underwater housing and began using friends and models local to her home in Billings, Montana, to shoot portrait and fine art images. Surprisingly, Martin doesn’t use scuba gear or a wetsuit when shooting in pools, lakes, and oceans—she often utilizes props and, most notably, the texture and flow of fabric to create her sensuous and imaginative photos. Jenna Martin Adolfo Maciocco started as a dive instructor and eventually turned to underwater photography while working in the Red Sea and Thailand. Upon his return to his native Sardinia, Italy, he began to combine his day job as a wedding photographer with his passion for the water, and specializes in underwater wedding photography. He has also collaborated with ballet dancers and free divers in a series of images shot undersea, then flipped upside down to create a wonderful, disorienting effect. from the series, Liquid Dreams Adolfo Maciocco We speak with these two photographers about their technique and gear, and focus on their DIY approach, as well as on issues regarding safety, working with non-professional divers, and the differences between shooting in a pool and in open water. Be sure to chcek out our previous podcast on underwater photography, Black and White and Blue—Fine Art Underwater Photography. Guests: Jenna Martin and Adolfo Maciocco Jenna Martin Adolfo Maciocco DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/26/2017
Today we welcome two photographers from two distant parts of the globe, but both share a sense of a serene underwater world that they envision mostly in black-and-white. Perhaps, surprisingly, Hengki Koentjoro and Christian Vizl claim Ansel Adams as a prime influence on their work, and we talk with them about not only about their artistic influences but about their choice of gear, shooting styles, post-process techniques and safety concerns. We start our episode with Hengki Koentjoro, who is based in Indonesia, and whose work on land and sea is simply stunning. His black-and-white compositions of sea creatures and the interplay between sun and water are more still life than wildlife, as they explore the textures, lines, and shapes found in the waters of his native archipelago. Koentjoro speaks with us about the simple set of tools with which he captures his images and his uncomplicated approach to exploring the waters he knows so well. Hengki Koentjoro Christian Vizl brings a similar perspective to his relationship with the sea, although the creatures he normally photographs tend to be much bigger and faster-moving, and the waters he explores extend across the planet. A life-long diver, Vizl has recently received well-deserved attention for his black-and-white images of rays, sharks, and whales, including a 2017 Sony World Photography Award. His approach places experience before image and his respect for the sea and its animals is evident in all he does and says. Christian Vizl Stay tuned to the end of this show, when we announce a promo code for a 10% discount on all Ikelite camera housings, and, specifically for this episode, we encourage you to visit our podcast landing page to see examples of the images created by these two supremely talented photographers. Guests: Hengki Koentjoro and Christian Vizl Photograph by Hengki Koentjoro Photograph by Hengki Koentjoro Photograph by Christian Vizl Photograph by Christian Vizl Photograph by Christian Vizl DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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