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Posted 05/13/2021
This week’s episode of the B&H Photography Podcast is an old-fashioned hands-on review, but in this case, made with six hands. Allan, Jason, and I were pleased to be loaned the Leica Q2 Digital Camera and the Leica Q2 Monochrom Digital Camera, and we use our consideration of these 47MP cameras as a springboard to talk about camera grips, and point-and-shoot cameras, and value. We also talk about macro photography and cropping and about how to create black-and-white images from color files. We begin the conversation mentioning the specs and features of these two incredible cameras and each of us offers our pros and cons regarding the features we liked best and those we felt lacking. Autofocus, body design, focal length, and responsiveness are mentioned. Other Leica cameras, such as the Leica M10-P, get discussed, too, as do the practical differences between rangefinders with removable lenses and point-and-shoots. Join us for this casual chat about photography and about how each of us, with our different workflows, aesthetics, and goals, found these cameras to be versatile, yet also challenged us to create better images. Guests: Allan Weitz, Jason Tables, John Harris Photograph © John Harris © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris © John Harris Leica Q2 Monochrom Digital Camera © John Harris © Allan Weitz © Allan Weitz © Allan Weitz Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 04/01/2021
This episode was first published in January 2018. The Canon sweepstakes mentioned in the episode has long since ended and is no longer valid. For some photographers, the phrase “run and gun” has a negative connotation, but when you’re Norman Reedus, that description takes on a much cooler meaning, one that is accurate to his style and a compliment to his ability to “sense a moment.” Reedus, most recognized for his acting work on the television series, “The Walking Dead” and “Ride with Norman Reedus,” is first and always an artist: a sculptor, a director, and author of the photography books, “The Sun’s Coming Up… Like a Big Bald Head” and his latest, “Portraits from the Woods,” which is a behind-the-scenes glimpse at the making of “The Walking Dead.” Both books are available at Big Bald Gallery. With the travel demands of working on films and television, Reedus’s photography becomes a way to engage with his locations and document his adventures but, through the eyes of an artist, his work is more than just famous locales and behind-the-scenes fun. He brings a personal vision, humorous and dark, to images he captures and does so with an experimenter’s touch, using a variety of cameras and styles. We talk with Reedus about his start in photography, his stylistic approaches, gear choices, and what he has learned from his time in front of a camera that helps with his work behind one. However, with a guest like Reedus—generous with his time and tales—you let the conversation flow, and we also discuss his series “Ride,” the influence of Laurie Anderson, fan selfies, his love of horror films, and a range of other topics. While recording this episode, the Tom Waits line, “I like beautiful melodies telling me terrible things,” kept popping into my head. I’m not sure this line best reflects Reedus’s work, but I am sure there is a Tom Waits line that does. This episode was a real treat for us at the B&H Photography Podcast, and we hope you feel the same in the listening. Allan Weitz and Norman Reedus, 2017 © John Harris Guest: Norman Reedus Photograph © Norman Reedus Cooks in the Kitchen with Kitten, Max Security Prison, Moscow © Norman Reedus Exercise, Max Security Prison, Moscow © Norman Reedus Tulum 2 © Norman Reedus Undecided Soldier © Norman Reedus San Diego © Norman Reedus Cover from “Portraits from the Woods,” 2020 © Norman Reedus Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 03/04/2021
On today’s episode of the B&H Photography Podcast, we welcome wedding and portrait photographer Kesha Lambert. We are excited to speak with Lambert about her approach to wedding photography on today’s show, but she is also speaking at the upcoming 4th annual Depth of Field Portrait, Wedding, and Event Photography Conference, which is a free virtual event to be held on March 7 – 8, 2021. The conference is hosted by B&H Photo and sponsored by Sony, Nikon, Canon, Godox, HP/NVIDIA, and others. The work of Kesha Lambert stands out for its ability to be both joyous and intimate. She deftly uses color and composition, as well as experience and intuition to tell unique and universal wedding day stories. Did I mention that Lambert is also a lawyer, mom to three boys, a member of the Wedding Photojournalist Association, and a Sony Artisan of Imagery? In our conversation, we discuss her business, intrapersonal, and photography skills to get a sense of how she runs her successful studio. Her website is a lesson in design and good business practices, and we discuss cameras and lenses, getting ahead of client expectations, contracts, and subjects as diverse as lighting kits and keeping large wedding parties focused and in frame. Join us for this insightful and enjoyable chat and register for Depth of Field 2021. Guest: Kesha Lambert Photograph © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 02/18/2021
Has the Canon EOS R5 changed the conversation about using mirrorless cameras for bird and wildlife photography? This is the position of our guest, David Speiser, who, this summer, traded his Canon 1D X Mark III for the R system camera and lenses. But his colleague, fellow bird photographer and—for now—DSLR stalwart Grace Scalzo, is not quite ready to make that switch. Today’s episode of the B&H Photography Podcast focuses on the features of the Canon R5 and RF lenses that specifically benefit bird photographers. Speiser relates his decision to sell a treasure trove's worth of gear and reinvest in Canon’s mirrorless system. He notes the advanced eye focus, the customization features, in-body image stabilization, and new, sharp lenses as factors in his decision. Scalzo, however, is not ready to give up her rugged, fast, and ergonomically balanced DSLR with its broad selection of quality glass and an optical viewfinder. This is a fun-spirited and well-articulated debate between two shooters who really know their gear and their craft. In addition to the DSLR vs. mirrorless smackdown, we discuss 600mm lenses, adapters, gimbal heads, tripods, sharpening software, and even some land management and wildlife ethics issues. Join us for this vastly informative conversation, ideal for Canon photographers and wildlife shooters considering their next purchase. Also, please check out the Musea Gathering virtual photo conference, a wonderful two-day event on wedding and family photography. Guests: Grace Scalzo and David Speiser Photograph © David Speiser Black-chinned Hummingbird. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/3200 second at ISO 1600 © Grace Scalzo Great Horned Owl. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/125 second at ISO 1600 © Grace Scalzo Summer Tanager with Bug. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 1600 © Grace Scalzo Gray Fox. Canon 1D X Mark II with 600mm f/4L IS III USM Lens. 1/500 second at ISO 3200 © Grace Scalzo Painted Lady on Thistle. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 400 © Grace Scalzo Common Cuckoo, 2020. Canon R5 with adapter and 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/4000 second at ISO 1600 © David Speiser Barred Owl, NYC, 2020. Canon R5 with RF 100-500mm f/4.5 Lens. 300mm at 1/40 second, ISO 3200 © David Speiser Western Tanager, NYC, 2020. Canon R5 with RF 100-500mm f/4.5-7.1L IS USM Lens. 500mm at 1/320 second, ISO 2000 © David Speiser Atlantic Puffin, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Black Guillemot, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Ruby-throated Hummingbird, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/800 second at ISO 3200 © David Speiser Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/10/2019
It’s that time of year again at the B&H Photography Podcast. Now firmly established as a tradition, with the end of the year in sight and gifting season in full swing, we take an episode to talk about the most interesting—dare I say, best—cameras of the year. Our guests include podcast regular Levi Tenenbaum and B&H SuperStore camera expert Georgina Diaz. This year, we start with an overview of mirrorless cameras announced in 2019, including the new full-frames from Panasonic, Sony, Leica and Sigma. We also mention the new APS-C and Micro Four Thirds format cameras such as the FUJIFILM X-Pro 3, the Sony Alpha a6600, the Nikon Z50, and the Olympus OM-D E-M1X Mirrorless Digital Camera. Perhaps most interesting are the mirrorless medium format high-resolution cameras that were introduced, including the FUJIFILM GFX 100 and Hasselblad X1D II 50C. Jumping ahead to DSLR cameras, we see that Nikon and Canon updated their flagship models, Canon offering the EOS-1D X Mark II DSLR and Nikon, the D6 DSLR Camera. Canon also announced its compact mirrorless full frame, the Canon EOS RP. High-end point-and-shoots from Sony and Canon were released, as were three new waterproof tough cameras from Ricoh, FUJIFILM, and Olympus. After a break, we take on the subject of lenses and accessories and highlight a few lenses that caught our attention, such as the FUJIFILM XF 16-80mm f/4 R OIS WR, the Sony FE 200-600mm f/5.6-6.3 G OSS, the Nikon NIKKOR Z 58mm f/0.95 S Noct lens, and several others. We wrap up the episode with a discussion of lights, tripods, drones, and other accessories. Our guests bring their expertise to this conversation as we compare new cameras to their predecessors, discuss specs, and get insight from the SuperStore floor regarding what have been the hot items from 2019. Join us for this timely and educational episode. Guests:  Georgina Diaz and Levi Tenenbaum   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/09/2019
On this week's episode of the B&H Photography Podcast, we welcome two artists whose work blurs the line between street photography, documentary, installation and digital art, while cultivating a contemporary interpretation of the art and craft of collage. Both artists utilize photography-based processes and take urban architecture and street scenes as their subject, but from there, the work goes in very different directions. Jennifer Williams creates large, often site-specific collages that inspect but distort the architectural scenes she documents. As she has stated, “The rectilinear shape that is the traditional photograph never fulfilled my desire to show everything in space," and that will be immediately clear upon seeing her work. Layering images of buildings upon one another, she creates angular and abstract collages while still providing a path for the viewer to connect the image she creates with the neighborhood or street that she photographed. Williams speaks about her process, including the original imaging, her manipulation in post-process, and her large-scale installations, often made on Photo Tex media. Tommy Mintz wrote a software program that creates "automated digital collages" and he has experimented over the years how he (and the program) composes the street scenes he photographs. The tools he uses for image capture and computation have evolved and become more powerful, but unlike the painstaking control Williams exercises over her collages, the key element in Mintz's process is the random arrangement and layering of images that the software creates. This is not to say that his images are out of control—after all, he wrote the program. He selects scenes to photograph and he does adjust the final product in Photoshop, but the software-generated placement of images creates layers, unexpected shadows, multiple exposures and even seeming glitches that add up to an intriguing and whimsical take on street photography. Join us as we learn about the conceptualizations and processes of these two visual artists and hear how they integrate Nodal Ninja, Epson 24" printers, and the Sigma dp2 Quattro Digital Camera into their workflow. Guests: Jennifer Williams and Tommy Mintz City of Tommorow- Manhatten: Billionaire's Row (57th Street) © Jennifer Williams Blacksburg Unfurled (Virginia Tech, Blacksburg, Virginia) © Jennifer Williams Surveying Liberty (Newbugrh, NY) © Jennifer Williams The High Line Effect: Approaching Hudson Yards © Jennifer Williams Ladders (Installed at Robert Mann Gallery) © Jennifer Williams © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz Jennifer Williams, Tommy Mintz, and Allan Weitz © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/12/2018
It is that time of year, when we chat about the cameras that have been announced in 2018 and toss in some commentary by our in-house experts. We also make time for our favorite new lenses and a few accessories and miscellaneous pieces of gear. At the end of the show, we’ll go around the room and offer our thoughts on each of our favorite cameras from this year. While we already touched upon the new Canon and Nikon mirrorless full-frame cameras in a previous episode, we would be remiss if we didn’t acknowledge these big announcements at the top of the show. Other than these long-awaited announcements, 2018 was a comparatively quiet year for other manufacturers. Sony announced the Alpha a7 III Mirrorless full-frame camera at the beginning of the year, and both the RX100 VA and the RX100 VI; Zeiss has everyone curious about its full-frame ZX1 Digital Camera. Leica put out the Leica Q-P Digital Camera along with M10-D. Fujifilm bookended its year with two big announcements, the Fujifilm X-H1 in February, and the X-T3 later in the year—and added a few smaller X-series cameras, point-and-shoots, and the Instax SQ6 Taylor Swift Edition along the way. Panasonic announced the Lumix DC-GH5S as the update to the G5, and Olympus released the PEN E-PL9. Several lenses were highlighted during the roundup episode, including the Tamron 28-75mm f/2.8 Di RXD Lens for Sony E and the Sigma 56mm f/1.4 DC CN lens. The Zeiss Batis 40mm f/2 CF lens for Sony E also found favor, as did the Sony FE 24mm f/1.4 GM lens and the Rokinon 24mm f/2.8 AF lens. In addition to cameras and lenses, we spoke about new bags from Lowepro and Peak Design; lights from Luxli and Profoto; tripods by Robus; and the DJI Mavic 2 Pro and the GoPro Hero 7. This really was an episode full of insightful gear talk, and we discussed a wide range of products; we hope you enjoy and that it will help with any gift-buying decisions you may be making. Guests: Chelsea Jensen and Shawn Steiner Chelsea Jensen, Allan Weitz, and Shawn Steiner   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/10/2018
There is no doubt that a film photography renaissance is in full swing… just ask anyone under the age of 25. And to be fair, there are many wonderful artists—of all ages—who have never stopped using film as their primary photographic format. To anyone who grew up shooting film and then made the transition to digital, it’s a bit curious to see such a resurgence in a medium that has long been listed as “critical,” if not simply dead. At the B&H Photography Podcast, we still shoot with film cameras and enjoy the processes involved, but the guests on today’s episode are putting money (and time and energy) where their mouths are and have opened up a physical store (in addition to their online business) selling film and film cameras. Brooklyn Film Camera, located in Bushwick, Brooklyn, sells film and film cameras—from 35mm to medium format, disposables to underwater, pinholes to Polaroid. They are one of a few shops in the world to offer expert restoration services for Polaroid SX-70 and SLR 680 camera systems. They have a brisk online business but are also a local hub, offering repairs, photo tours, and a home base for a burgeoning community of film shooters. We speak with Kyle Depew and Julien Piscioneri about their company’s origin as an outgrowth of the Impossible Project, and about the services they provide, but we also discuss the who, why, and where of the analog renaissance and whether this is a trend, or if film and digital will co-exist peacefully. We are also joined by Michael Armato, of the B&H Used Department, and former proprietor of Armato Cameras, in Queens, NY. Armato brings his insight from running a camera store for more than forty years and sheds light on which film cameras and formats are most in demand at the used counter. Join us for this enjoyable chat. Guests: Kyle Depew, Julien Piscioneri, and Michael Armato Courtesy of Brooklyn Film Camera Courtesy of Brooklyn Film Camera Courtesy of Brooklyn Film Camera B&H Photography Podcast © John Harris Michael Armato keeps 'em laughing © John Harris Julien Piscioneri ©John Harris Kyle DePew © John Harris Michael Armato © John Harris Julien Piscioneri, Michael Armato, Kyle DePew, and Allan Weitz © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
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Posted 12/08/2017
With the proliferation and improvement of cellphone cameras, even the idea of a stand-alone point-and-shoot camera is becoming obsolete. Or is it? Despite the inarguable decline in sales of the traditional point-and-shoot digital camera and its decreasing number on store shelves and in jacket pockets, there are still cameras defined as “point-and-shoot” that are solid sellers, and those that offer high-end features. As Allan Weitz points out on this episode, almost all cameras can be set to a “point-and-shoot” mode, but the compact digital cameras that made up the bulk of camera sales five years ago are now struggling to find a place in the market and the trend seems to be that they are diversifying their feature sets and finding niches in which to remain viable. For example, “tough” waterproof cameras and long zoom “bridge” cameras are selling well, and large sensor point-and-shoots like the Fujifilm X100F and the Sony RX100 series, are very popular. On today’s podcast, we welcome B&H expert and host of Lens Therapy Live on Instagram, Chris Williams, to the studio to talk about point-and-shoot cameras. We discuss which models are still selling and why, which features are appearing and which disappearing and the photographers to whom these features appeal. In the second half of the show, we go over exemplary cameras from each of the point-and-shoot categories and speculate on the future of this beloved camera type. Guest: Chris Williams Allan Weitz and Christopher Williams Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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