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Posted 06/10/2021
On this week’s episode of the B&H Photography Podcast, we take a deep dive into the technical, legal, and even theoretical topics surrounding Non-Fungible Tokens (NFTs) and their growing place in the art and photography worlds. To take on this subject, we welcome cryptocurrency expert and past guest of the show, Drew Hinkes. Hinkes is an attorney and professor and, in 2017, was nominated as one of Coindesk’s Most Influential People in Blockchain. He is also co-founder and General Counsel of Athena Blockchain, a firm focused on tokenized investment products. We also welcome Derek Paul Jack Boyle and Mitra Saboury, who together make up the art collaborative Meatwreck. Meatwreck has recently minted and sold NFTs associated with its art and we ask Boyle and Saboury how the process worked and their general thoughts on NFTs in relation to community and their art work. In addition to clearing some of the murky waters surrounding NFTs, cryptocurrency, and smart contracts, this episode discusses the future of intellectual property and how the blockchain is changing the way we value, store, resell, and protect our copyrighted images. Join us for this in-depth and informative conversation. Guests: Drew Hinkes, Derek Paul Jack Boyle, Mitra Saboury Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 03/04/2021
On today’s episode of the B&H Photography Podcast, we welcome wedding and portrait photographer Kesha Lambert. We are excited to speak with Lambert about her approach to wedding photography on today’s show, but she is also speaking at the upcoming 4th annual Depth of Field Portrait, Wedding, and Event Photography Conference, which is a free virtual event to be held on March 7 – 8, 2021. The conference is hosted by B&H Photo and sponsored by Sony, Nikon, Canon, Godox, HP/NVIDIA, and others. The work of Kesha Lambert stands out for its ability to be both joyous and intimate. She deftly uses color and composition, as well as experience and intuition to tell unique and universal wedding day stories. Did I mention that Lambert is also a lawyer, mom to three boys, a member of the Wedding Photojournalist Association, and a Sony Artisan of Imagery? In our conversation, we discuss her business, intrapersonal, and photography skills to get a sense of how she runs her successful studio. Her website is a lesson in design and good business practices, and we discuss cameras and lenses, getting ahead of client expectations, contracts, and subjects as diverse as lighting kits and keeping large wedding parties focused and in frame. Join us for this insightful and enjoyable chat and register for Depth of Field 2021. Guest: Kesha Lambert Photograph © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 02/18/2021
Has the Canon EOS R5 changed the conversation about using mirrorless cameras for bird and wildlife photography? This is the position of our guest, David Speiser, who, this summer, traded his Canon 1D X Mark III for the R system camera and lenses. But his colleague, fellow bird photographer and—for now—DSLR stalwart Grace Scalzo, is not quite ready to make that switch. Today’s episode of the B&H Photography Podcast focuses on the features of the Canon R5 and RF lenses that specifically benefit bird photographers. Speiser relates his decision to sell a treasure trove's worth of gear and reinvest in Canon’s mirrorless system. He notes the advanced eye focus, the customization features, in-body image stabilization, and new, sharp lenses as factors in his decision. Scalzo, however, is not ready to give up her rugged, fast, and ergonomically balanced DSLR with its broad selection of quality glass and an optical viewfinder. This is a fun-spirited and well-articulated debate between two shooters who really know their gear and their craft. In addition to the DSLR vs. mirrorless smackdown, we discuss 600mm lenses, adapters, gimbal heads, tripods, sharpening software, and even some land management and wildlife ethics issues. Join us for this vastly informative conversation, ideal for Canon photographers and wildlife shooters considering their next purchase. Also, please check out the Musea Gathering virtual photo conference, a wonderful two-day event on wedding and family photography. Guests: Grace Scalzo and David Speiser Photograph © David Speiser Black-chinned Hummingbird. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/3200 second at ISO 1600 © Grace Scalzo Great Horned Owl. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/125 second at ISO 1600 © Grace Scalzo Summer Tanager with Bug. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 1600 © Grace Scalzo Gray Fox. Canon 1D X Mark II with 600mm f/4L IS III USM Lens. 1/500 second at ISO 3200 © Grace Scalzo Painted Lady on Thistle. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 400 © Grace Scalzo Common Cuckoo, 2020. Canon R5 with adapter and 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/4000 second at ISO 1600 © David Speiser Barred Owl, NYC, 2020. Canon R5 with RF 100-500mm f/4.5 Lens. 300mm at 1/40 second, ISO 3200 © David Speiser Western Tanager, NYC, 2020. Canon R5 with RF 100-500mm f/4.5-7.1L IS USM Lens. 500mm at 1/320 second, ISO 2000 © David Speiser Atlantic Puffin, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Black Guillemot, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Ruby-throated Hummingbird, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/800 second at ISO 3200 © David Speiser Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/30/2020
It is important to be reminded of the power of photography to educate and explore, and to be a vehicle of self-expression, even self-realization. Equally crucial—through process and through memory—photography’s ability to bring people together, to share and to collaborate, is vital. On this week’s episode of the B&H Photography Podcast, we welcome a photographer who has built her life’s work around this idea of education through creative collaboration. For more than forty years, Wendy Ewald has led documentary “investigations” and collaborative projects that encourage the participants to use cameras to examine their own lives, families, and communities, and to make images of their fantasies and dreams. During these projects, she also photographs—normally with a 4 x 5 camera—and then asks her students and subjects to manipulate her images and negatives, further engaging with the process and adding to the authorship of the final work. With support of the most prestigious fellowships, from universities, NGOs, even from camera and film manufacturers, Ewald has directed photography programs in South America, India, Africa, Canada and, most notably, in Appalachia. In the 1970s, Ewald worked with schools and the Appalshop media center to teach photography to children living in rural Kentucky and, in 1985, published the groundbreaking book Portraits and Dreams: Photographs and Stories by Children of the Appalachians. This book has been an inspiration to countless educators and community photographers and, this year, Mack Books has published an expanded edition, which includes updates on the lives of several of the original students. Ewald also has co-directed a documentary film on the project and the reunion with her former students, which recently aired on the PBS program POV. Join us as we speak with Ewald about teaching in Kentucky and elsewhere, about the power of collaboration and creative expression, and about reuniting with her former students and the making of her powerful documentary. Guest: Wendy Ewald Photograph © Wendy Ewald Russel Akemon: “I am lying on the back on my old horse,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK Greg Cornett: Gary Crase and his mom and dad in front of their house on Campbells Branch,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK Denise Dixon: “Self-portrait reaching for the Red Star sky,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK Freddy Childers: “Self-portrait with the picture of my biggest brother, Everett, who killed himself when he came back from Vietnam,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK Mary Jo Cornett: “Mamaw and my sister with the picture of my cousin that died,” from “Portraits and Dreams” by Wendy Ewald. Courtesy the artist and MACK. Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/16/2020
As museums in New York and around the world begin to reopen in the wake of the COVID-19 pandemic, a brand-new museum is facing the challenge of its grand reopening in the competitive New York City art and culture world. We welcome the inaugural Director of Exhibitions of Fotografiska, Amanda Hajjar, to the B&H Photography Podcast to discuss the unique model of this for-profit arts center and its plans to make a mark on the photography scene in New York. After opening, in December 2019, Fotografiska New York was forced to close after just ninety days and, of course, we will also ask Hajjar how they handled the quarantine disruption and are adjusting to the new protocols placed on museums. Fotografiska New York is the third of three like-named museums, with more scheduled to open around the world. The original began in Stockholm, Sweden, in 2010, and adopted a different paradigm than the traditional museum—it displays a wide range of photography styles, it has no permanent collection, and it works with the artists themselves to design the exhibitions. It also relies on admission sales, as well as café, restaurant, and special event business to generate income. It created much buzz in the months before opening in New York, and its initial reviews were positive, for its events and photo exhibition programming. We speak with Hajjar about the museum’s exhibition philosophy and how its model facilitates an institution able to react to and comment on current social issues, as well as examine relevant images from the past. We discuss its attempt to create a hybrid between gallery and museum and shine a light on its current exhibitions, including works by Cooper & Gorfer and by Martin Schoeller. Finally, we get to the bottom of what the word Fotografiska really means. Join us for this enjoyable conversation. Guest: Amanda Hajjar Photograph courtesy Fotografiska Israa With Yellow Boxes, 2020 © Cooper & Gorfer Yellow Roseline, 2020 © Cooper & Gorfer Gary Drinkhard, 2019, video and sound installation © Martin Schoeller Kwame Ajamu, 2019, video and sound installation. © Martin Schoeller Ezra, 2019 © Julie Blackmon. Courtesy the artist and Robert Mann Gallery The Shan Hai Jing Hotel Room 002, 2019 © Zhongjia Sun Untitled, 2019 © Cristina Bartley Dominguez The Church Mission Building, 2019. Courtesy Fotografiska Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/17/2019
The first amateur photographic entity in the United States was the Amateur Photographic Exchange Club, New York City, which existed from 1861–1863. The oldest continuously extant camera club in the United States founded, at least in part, by amateurs is the Photographic Society of Philadelphia, founded in 1862. On today’s episode of the B&H Photography Podcast we talk about camera clubs and, specifically, the Coney Island School of Photography and Art, which, despite its pedagogic nomenclature, is an amateur camera club that takes the famed oceanfront community and amusement park in Brooklyn, New York, as its subject. For anyone who is familiar with Coney Island, it should be clear that photographing at this beach is less about sunsets and flamingoes and more about “polar bears,” freak shows, and street photography along the beach. We welcome three members of this camera club, Orlando Mendez, A.J. Bernstein, and Norman Blake, to discuss their personal photographic journeys, the benefits of having cohorts with whom to work and compare notes and, of course, the changing face of Coney Island itself. We also take time to talk about gear, technique, the different ways in which photographers will see the same subject, and the simple joy that photography can bring to our lives. Join us for this entertaining episode. Guests: A.J. Bernstein, Norman Blake, and Orlando Mendez © A.J. Bernstein © A.J. Bernstein © A.J. Bernstein © A.J. Bernstein © A.J. Bernstein © Orlando Mendez © Orlando Mendez © Orlando Mendez © Orlando Mendez © Orlando Mendez © Norman Blake © Norman Blake © Norman Blake © Norman Blake © Norman Blake © Norman Blake Filming of the 1979 movie, “The Warriors” © Norman Blake A.J. Bernstein, Allan Weitz, Orlando Mendez, and Norman Blake © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/13/2019
The wedding-photography business is very competitive, so to have a distinct client base and a way to stand out from the crowd is crucial—almost necessary. On this week’s episode of the B&H Photography Podcast, we discuss niche wedding photography with three photographers who have forged a career path by photographing the weddings of a specific niche demographic. To be clear, each of these photographers shoot weddings for all ilks, but they have been able to distinguish themselves by embracing a specific market. We discuss how each of them discovered their photographic specialty, the importance of understanding traditions while balancing demands of new generations, specific tips for photographing within their areas of expertise, and how incorporating and embracing their own life stories helped find their career path. In the first half of the show, we are joined by Charmi Peña and Petronella Lugemwa, with whom we spoke at the 2019 Depth of Field Wedding and Portrait Conference. Peña is a Nikon Ambassador and a wedding and portrait photographer who specializes in photographing Indian weddings. Lugemwa runs a New York-based, international wedding photography studio whose embrace of “multi-cultural weddings” echoes her personal celebration of her cultural identity. After a break, we speak with portrait and wedding photographer Steven Rosen, who is featured in our “What is Photography?” series. His impeccable portraiture informs his wedding work, and our conversation concentrates on Rosen’s work photographing same-sex weddings. Join us for this compelling episode, which blends personal motivations with practical tips. Guests: Charmi Peña, Petronella Lugemwa, Steven Rosen © Charmi Peña © Charmi Peña © Charmi Peña © Charmi Peña © Charmi Peña © Petronella Photography © Petronella Photography © Petronella Photography © Petronella Photography © Petronella Photography © Steven Rosen © Steven Rosen © Steven Rosen © Steven Rosen © Steven Rosen Charmi Peña © John Harris Petronella Lugemwa and Allan Weitz © John Harris Steven Rosen, outtake from “What is Photography?” © Cory Rice Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/30/2019
In terms of its sheer reach and influence on photographers, there is no magazine that compares to LIFE. From the 1930s into the 1970s, it was the weekly go-to for news, lifestyle, entertainment and, of course, world-class photography. With the likes of Margaret Bourke-White, W. Eugene Smith, Robert Capa, Gordon Parks, Dorothea Lange, and Alfred Eisenstadt under contract, and a commitment to the photo essay, LIFE was a groundbreaking publication that has yet to be equaled. At its most popular, it sold 13.5 million copies per week. With America’s attention switching to television by the early 1960s and, eventually, away from print media in general, LIFE slowly became a remnant of another era, but its influence on photography is still immense. On today’s episode of the B&H Photography Podcast, we discuss the magazine, and particularly its print and online reincarnations in the 2000s. Joining us for this conversation is the former editor-in-chief of LIFE, Bill Shapiro. Shapiro, a long-time editor at Time Inc., brought LIFE out of mothballs, in 2004, and launched LIFE.com in 2009. We examine these two iterations of the famed journal. Underscoring this conversation is the larger issue of the consumer switch from print journalism to digital journalism as the primary source of news and photography. Shapiro walks us through the decisions that were made to keep LIFE viable as the eventual changes in the industry took hold, and how he infused creativity into the print magazine and the website, while maintaining its long tradition of great photography. We also talk with Shapiro about his work as an author and, particularly, the book he co-authored, What We Keep, and how that book was influenced by the work he did at LIFE magazine. Join us for this look back at the final years of one the most important publications in American photography history. Guest: Bill Shapiro Bernie Mac, 2005 Bill Murray, 2004 Tina Fey and John McCain, 2004 Sarah Jessica Parker, 2004 Steve Carell, 2005 Jennifer Hudson, 2007 Special Issue, WWII Photography, 2010 Bill Shapiro Bill Shapiro with "What We Keep" book Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/24/2018
Edvard Munch noted that “colors live a remarkable life of their own after they have been applied to the canvas” and, on today’s episode of the B&H Photography Podcast, we dip our brushes into the palette of art and color theory and, then, we explore practical (and beautiful) applications of color through the eyes of a documentarian and a fashion photographer. We start our conversation with photographer/artist/explorer Adam Marelli, who muses on color theory from a painter’s and a photographer’s point of view and endures our novice questions on the subject. We discuss a few basic terms, learn about Michel Chevreul, and then get into questions about his use of color, about film color compared to digital, printing, and Marelli’s understanding that colors are never static, and should not be considered such when creating images—look for the color between colors, he suggests. In the second half of the show, we welcome Natasha Wilson, a Los Angeles-based fashion and lifestyle photographer who imbues her work with the colors that dreams are made of. Whether bold and bright or with a muted palette, when you see her work, there will be no doubt why we thought of Wilson for this conversation. We ask her about her process, both behind a lens and in front of a monitor, and we discuss how she finds locations, picks her teams, and finds the balance between foreground and background colors—and between her artistic imagination and the client’s needs. Her laid-back approach belies the intensity of her vision. Guests: Adam Marelli and Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Natasha Wilson © Adam Marelli © Adam Marelli © Adam Marelli © Adam Marelli © Adam Marelli © Adam Marelli Adam Marelli © John Harris Adam Marelli and Allan Weitz © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
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