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Posted 06/10/2021
On this week’s episode of the B&H Photography Podcast, we take a deep dive into the technical, legal, and even theoretical topics surrounding Non-Fungible Tokens (NFTs) and their growing place in the art and photography worlds. To take on this subject, we welcome cryptocurrency expert and past guest of the show, Drew Hinkes. Hinkes is an attorney and professor and, in 2017, was nominated as one of Coindesk’s Most Influential People in Blockchain. He is also co-founder and General Counsel of Athena Blockchain, a firm focused on tokenized investment products. We also welcome Derek Paul Jack Boyle and Mitra Saboury, who together make up the art collaborative Meatwreck. Meatwreck has recently minted and sold NFTs associated with its art and we ask Boyle and Saboury how the process worked and their general thoughts on NFTs in relation to community and their art work. In addition to clearing some of the murky waters surrounding NFTs, cryptocurrency, and smart contracts, this episode discusses the future of intellectual property and how the blockchain is changing the way we value, store, resell, and protect our copyrighted images. Join us for this in-depth and informative conversation. Guests: Drew Hinkes, Derek Paul Jack Boyle, Mitra Saboury Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 03/04/2021
On today’s episode of the B&H Photography Podcast, we welcome wedding and portrait photographer Kesha Lambert. We are excited to speak with Lambert about her approach to wedding photography on today’s show, but she is also speaking at the upcoming 4th annual Depth of Field Portrait, Wedding, and Event Photography Conference, which is a free virtual event to be held on March 7 – 8, 2021. The conference is hosted by B&H Photo and sponsored by Sony, Nikon, Canon, Godox, HP/NVIDIA, and others. The work of Kesha Lambert stands out for its ability to be both joyous and intimate. She deftly uses color and composition, as well as experience and intuition to tell unique and universal wedding day stories. Did I mention that Lambert is also a lawyer, mom to three boys, a member of the Wedding Photojournalist Association, and a Sony Artisan of Imagery? In our conversation, we discuss her business, intrapersonal, and photography skills to get a sense of how she runs her successful studio. Her website is a lesson in design and good business practices, and we discuss cameras and lenses, getting ahead of client expectations, contracts, and subjects as diverse as lighting kits and keeping large wedding parties focused and in frame. Join us for this insightful and enjoyable chat and register for Depth of Field 2021. Guest: Kesha Lambert Photograph © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 02/18/2021
Has the Canon EOS R5 changed the conversation about using mirrorless cameras for bird and wildlife photography? This is the position of our guest, David Speiser, who, this summer, traded his Canon 1D X Mark III for the R system camera and lenses. But his colleague, fellow bird photographer and—for now—DSLR stalwart Grace Scalzo, is not quite ready to make that switch. Today’s episode of the B&H Photography Podcast focuses on the features of the Canon R5 and RF lenses that specifically benefit bird photographers. Speiser relates his decision to sell a treasure trove's worth of gear and reinvest in Canon’s mirrorless system. He notes the advanced eye focus, the customization features, in-body image stabilization, and new, sharp lenses as factors in his decision. Scalzo, however, is not ready to give up her rugged, fast, and ergonomically balanced DSLR with its broad selection of quality glass and an optical viewfinder. This is a fun-spirited and well-articulated debate between two shooters who really know their gear and their craft. In addition to the DSLR vs. mirrorless smackdown, we discuss 600mm lenses, adapters, gimbal heads, tripods, sharpening software, and even some land management and wildlife ethics issues. Join us for this vastly informative conversation, ideal for Canon photographers and wildlife shooters considering their next purchase. Also, please check out the Musea Gathering virtual photo conference, a wonderful two-day event on wedding and family photography. Guests: Grace Scalzo and David Speiser Photograph © David Speiser Black-chinned Hummingbird. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/3200 second at ISO 1600 © Grace Scalzo Great Horned Owl. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/125 second at ISO 1600 © Grace Scalzo Summer Tanager with Bug. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 1600 © Grace Scalzo Gray Fox. Canon 1D X Mark II with 600mm f/4L IS III USM Lens. 1/500 second at ISO 3200 © Grace Scalzo Painted Lady on Thistle. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 400 © Grace Scalzo Common Cuckoo, 2020. Canon R5 with adapter and 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/4000 second at ISO 1600 © David Speiser Barred Owl, NYC, 2020. Canon R5 with RF 100-500mm f/4.5 Lens. 300mm at 1/40 second, ISO 3200 © David Speiser Western Tanager, NYC, 2020. Canon R5 with RF 100-500mm f/4.5-7.1L IS USM Lens. 500mm at 1/320 second, ISO 2000 © David Speiser Atlantic Puffin, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Black Guillemot, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Ruby-throated Hummingbird, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/800 second at ISO 3200 © David Speiser Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/31/2020
For our final episode of 2020, we look back at the year that was—and what a year it was. We learned new remote recording skills and virtual conversation styles, but the B&H Photography Podcast never missed a beat; we recorded an episode the very first week of quarantine and have continued recording throughout this unprecedented time. Many aspects of this production were made significantly more difficult by being “all remote,” but it did allow us to speak with photographers around the world and those who could never have made it into our humble but homey studio. On this week’s episode, we run down the list of episodes we recorded this year, which included conversations with legends of sports photography, of fine art photography, of photo education, and even with a supermodel and with a television celebrity. Of course, we also talked about the latest camera releases and the “best” cameras of 2020. Allan, Jason, and I each relate our favorite episodes from the year and mention some of the episodes that were best received by our listeners. And because this year we had many conversations about photography books, we also mention a few of our favorite books from 2020. Join us for this casual recounting of podcasts from a year no one will soon forget. Photograph © Karles Vives, winner of the 2020 B&H Photography Podcast Leica Challenge Allan Weitz, Adriane Ohanesian, and Nancy Borowick, 2020 © John Harris Allan Weitz and Sebastian Meyer, 2020 © John Harris Allan Weitz, Joseph Holmes, and Sara Bennett, 2020 © John Harris Allan Weitz and Shari Belafonte, 2020 © John Harris Clyde Butcher and John Harris, 2020 © Niki Butcher Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/16/2020
As museums in New York and around the world begin to reopen in the wake of the COVID-19 pandemic, a brand-new museum is facing the challenge of its grand reopening in the competitive New York City art and culture world. We welcome the inaugural Director of Exhibitions of Fotografiska, Amanda Hajjar, to the B&H Photography Podcast to discuss the unique model of this for-profit arts center and its plans to make a mark on the photography scene in New York. After opening, in December 2019, Fotografiska New York was forced to close after just ninety days and, of course, we will also ask Hajjar how they handled the quarantine disruption and are adjusting to the new protocols placed on museums. Fotografiska New York is the third of three like-named museums, with more scheduled to open around the world. The original began in Stockholm, Sweden, in 2010, and adopted a different paradigm than the traditional museum—it displays a wide range of photography styles, it has no permanent collection, and it works with the artists themselves to design the exhibitions. It also relies on admission sales, as well as café, restaurant, and special event business to generate income. It created much buzz in the months before opening in New York, and its initial reviews were positive, for its events and photo exhibition programming. We speak with Hajjar about the museum’s exhibition philosophy and how its model facilitates an institution able to react to and comment on current social issues, as well as examine relevant images from the past. We discuss its attempt to create a hybrid between gallery and museum and shine a light on its current exhibitions, including works by Cooper & Gorfer and by Martin Schoeller. Finally, we get to the bottom of what the word Fotografiska really means. Join us for this enjoyable conversation. Guest: Amanda Hajjar Photograph courtesy Fotografiska Israa With Yellow Boxes, 2020 © Cooper & Gorfer Yellow Roseline, 2020 © Cooper & Gorfer Gary Drinkhard, 2019, video and sound installation © Martin Schoeller Kwame Ajamu, 2019, video and sound installation. © Martin Schoeller Ezra, 2019 © Julie Blackmon. Courtesy the artist and Robert Mann Gallery The Shan Hai Jing Hotel Room 002, 2019 © Zhongjia Sun Untitled, 2019 © Cristina Bartley Dominguez The Church Mission Building, 2019. Courtesy Fotografiska Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/27/2020
One of the remarks that stuck with me from this week’s episode of the B&H Photography Podcast was Alison Rossiter’s casual mention, “I know how to rock a tray.” Rossiter is noted for her cameraless fine art photo prints, often made on expired photographic paper, some sheets dating back one hundred years or more. Her comment was a simple reference to how she guides developing solution over paper in the darkroom, but understanding the time and dedication she has put into her darkroom techniques, it seemed the ideal understatement for her refined yet simple processes, which include traditional photo printing, photograms, light drawings, and her current exploration, which enables vintage photo paper to speak for itself, processed and fixed, but free from the bullying dominance of projected light. With her ongoing exhibit, Substance of Density 1918-1948, at the Yossi Milo gallery, through September 26, 2020, Rossiter presents a “chronology of assemblages” made of expired photographic papers from her personal collection. Papers chosen from specific years create a minimalist narrative through three specific decades of the 20th Century, suggesting a relationship between these photographic “leftovers” and historical events of those years. The exposed photo papers are grouped and presented in such a way as to form dynamic abstract compositions, made more contemplative by the papers' own histories. The work is a creative comment on a range of themes fundamental to 20th-century film photography: archival preservation, industrial production, physical and chemical degradation, social justice, and even the medium’s creative response to painting and sculpture. With Rossiter, we speak about her darkroom techniques and supplies, about her evolution to cameraless photography, about sourcing expired paper, and the incredible gifts she has received in that regard. We also discuss the thrill of developing paper to find the clues of previous owners and the “fails” of the aged emulsion. Primarily, we revel in imagination and the stories that can be told when the past speaks to us through the still-verdant magic of the darkroom. Join us for this unique episode. Guest: Alison Rossiter Photograph © Alison Rossiter Eastman Kodak Azo, expired March 1918, processed 2010 © Alison Rossiter, Courtesy Yossi Milo Gallery, New York Density 1919, processed 2010 © Alison Rossiter, Courtesy Yossi Milo Gallery, New York Density 1936, processed 2020 © Alison Rossiter, Courtesy Yossi Milo Gallery, New York Density 1921, 1922, 1923, processed 2019 © Alison Rossiter, Courtesy Yossi Milo Gallery, New York Density 1938-1945, processed 2020 © Alison Rossiter, Courtesy Yossi Milo Gallery, New York Density 1932-1938, processed 2020 © Alison Rossiter, Courtesy Yossi Milo Gallery, New York Density 1941, 1945, processed 2020 © Alison Rossiter, Courtesy Yossi Milo Gallery, New York Gevaert Gevaluxe Velours, exact expiration date unknown, ca. 1930s, processed 2020 © Alison Rossiter, Courtesy Yossi Milo Gallery, New York Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/10/2020
On today's episode of the  B&H Photography Podcast, we are joined by Craig Semetko, a documentary and street photographer who is much more than those two descriptors. He came to photography from a career in performance and comedy and that makes a lot of sense, noting the observational skill and humor found in his compositions. His first book, UNPOSED, published in 2010, with a forward by Elliott Erwitt, was followed by India Unposed, in 2014. Sly, ironic, absurd, all come to mind when you see the moments he captures and we talk about how it’s hard to photograph “funny,” about attitudes and techniques, and the difference between laughing with someone and at them. We also ask about the work he has done during the pandemic shutdown. After a break, we welcome photographer Ashly Stohl. A Leica Ambassador, Stohl’s best known work concentrates on her family, particularly her three children. She is also the publisher and co-founder of Peanut Press, begun in 2015 with her first book, Charth Vader, which takes a look at her youngest son, clearly a big fan of Star Wars. Her second book, Days and Years, follows up with an intimate portrait of her three children. A quote from Stohl sums it up: “There is a saying that all portraits are really self-portraits. So, what are portraits of your kids? They are portraits of a parent. I take pictures of my kids, and if you’ll look closely you’ll also see me in there—my worries and fears, my attempts to correct the problems of my own childhood, my heart and my struggles.” Join us for this inspiring and enjoyable episode with two wonderful guests. Guests: Ashly Stohl and Craig Semetko Photograph © Craig Semetko From “Charth Vader” © Ashly Stohl From “Charth Vader” © Ashly Stohl From “Charth Vader” © Ashly Stohl From “Days and Years” © Ashly Stohl From “Days and Years” © Ashly Stohl From “Days and Years” © Ashly Stohl Life During Lockdown I © Craig Semetko Life During Lockdown I © Craig Semetko Life During Lockdown I © Craig Semetko From “UNPOSED” © Craig Semetko From “India Unposed” © Craig Semetko From “India Unposed” © Craig Semetko Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/02/2020
We encourage all of our listeners to register for the free digital online edition of the Outdoor Photo/Video Travel Imaging Conference (OPTIC) 2020, hosted by B&H and sponsored by Panasonic, Sony, Nikon, Canon, FUJIFILM, Godox, and many others. As most of you know, the B&H Photography Podcast has regularly attended this annual conference, in New York, and recorded wonderful interviews with the likes of Michael Kenna, Joyce Tenneson, and Ron Magill. This year, the conference will be held online, but still with an incredible lineup of photographers and speakers, including keynote speakers Ami Vitale and Clyde Butcher. On today’s episode of the podcast, we offer a taste of the photographic insight found at OPTIC. First, we welcome wildlife and bird photographer Lisa Langell, who is also at Tamron and FotoPro Ambassador. With her photo gracing the cover of the current issue of Outdoor Photographer magazine, Langell discusses creating wildlife photography for the home and hotel décor market, about her favorite places in Alaska to photograph bear, and about the personal and interactive way she hosts seminars and webinars. She provides food for thought to those looking for new ways to photograph wildlife. After a break, we welcome National Geographic photographer and Sony Artisan of Light Pete McBride. McBride speaks of his amazing 750-mile walk across the Grand Canyon, which became a NatGeo story, and also a book and a feature-length documentary. At OPTIC you will get the full story—from “River to Rim”—along with images, but we also spoke with McBride about his long-term work shooting the world’s river systems; we gained some insight into aerial photography; and learned how his Sony a7RII weathered a year in the Grand Canyon—and with which he created not only a magazine story, but a book and a movie with that one camera. Guests: Lisa Langell and Pete McBride Photograph © Lisa Langell Aerial of the last time the Colorado River kissed the sea—during a pulse flow for restoration work. The connection lasted two days in 2014. The delta has been dry since. © Pete McBride Iceland River Delta © Pete McBride Black obsidian sand, silvery glacial rivers, and moss green volcanoes make up this vast Icelandic landscape. © Pete McBride Devprayag, India. Confluence of the Bagirathi and Alakanda rivers—the physical start of the Gagnes River © Pete McBride “Grand Canyon: From River to Rim” by Pete McBride Aerial view of the Colorado River winding through the Grand Canyon, Arizona © Pete McBride A day of traffic, 362 individual helicopter flights, merged into one frame to show what the collective soundscape and average traffic looks like along the western Grand Canyon border © Pete McBride © Lisa Langell © Lisa Langell © Lisa Langell © Lisa Langell © Lisa Langell © Lisa Langell Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/26/2020
Today we welcome a special guest to the B&H Photography Podcast: actor and comedian Jeff Garlin. Jeff Garlin is well known as a stand-up comedian and, of course, as a star of the hit television shows, The Goldbergs and Curb Your Enthusiam. About fifteen years ago, he turned a love for photography, for the work of the masters—Alfred Eisenstadt, Jim Marshall, Mary Ellen Mark, to name a few—into his own photographic practice, and we are all the beneficiaries of his engaged eye. In March, Garlin debuted his series, “A Big Bowl of Wonderful,” at the Leica Gallery Los Angeles, and we talk to him about how this series of portraits of his co-stars and friends in the television community—many taken on set or backstage—developed over a long curve, one founded in respect for the medium and applied with a simple stratagem: see something interesting and frame it in the most creative way possible. With that in mind, we talk about trusting your gut, not overthinking a shot, being comfortable with your subjects, but also about gaining the confidence to take photos, especially of those you know and respect. Garlin also talks about his affinity for Leica, especially the M system, about the difference between actors and comedians, and talking photography with Jeff Bridges. We also ask him about his role as executive producer on the film, Finding Vivian Maier. This really is a photography lover’s conversation, summed up best by one of Garlin’s comments: “I’m taking a picture because it brings me joy.” Guest: Jeff Garlin Photograph © Jeff Garlin John Mulaney © Jeff Garlin John Waters © Jeff Garlin Larry David © Jeff Garlin Sarah Silverman © Jeff Garlin Richard Lewis © Jeff Garlin JB Smoove © Jeff Garlin Richard Kind © Jeff Garlin Brian Cranston and Jonathan Banks © Jeff Garlin Trevor Noah © Jeff Garlin Wendy McClendon-Covey © Jeff Garlin "Jesus at the Comedy Store" © Jeff Garlin Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/06/2020
Ray Collins’s portraits of waves are hard to describe because you don’t want to describe them. Like the wave itself, the photographic abstraction refuses words; indescribable and amorphous become unique and powerful in his hands. One look at his work and it’s clear that he is in his element in the surf, transforming what he knows so well into a profound and universal statement. We have been looking forward to speaking with Collins for a while, and are very pleased to present our conversation with him on this week’s episode of the B&H Photography Podcast. We start our chat asking how he went from being a coal miner in New South Wales, Australia, to a photographer, and then melding that new love with his first love, surfing and the ocean. It’s a good story and it gets better as we learn how he transitioned from surf photography to fine-art photography and book publishing. We ask about working in the ocean, the dangers, “knowing” certain waves, and the ability to maneuver his gear and body to anticipate the photos he wants to capture. We also discuss the gear he uses, from his Nikon D850 to Aquatech housing, to the surprising range of lenses he uses in the water. We also discuss the non-photo equipment he needs to stay afloat and navigate. After a short break, we discuss his post-process decisions and how he looks for texture as much as color when deciding upon which images he prefers. Interestingly, for a photographer whose color work is so gorgeous, Collins is color blind and he talks about how he has turned that into an advantage for him. We also chat about printmaking and book publishing with this incredibly talented and friendly photographer. Join us for an inspiring conversation and check out the work of Ray Collins. Guest: Ray Collins Photograph © Ray Collins Blue Curve © Ray Collins Crystal © Ray Collins Eagle © Ray Collins Holocene © Ray Collins Light Shower © Ray Collins Oil © Ray Collins The Wall © Ray Collins I © Ray Collins II © Ray Collins VII © Ray Collins Courtesy Ray Collins Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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