Don’t Miss an Episode Subscribe Now

Refine
Done
0 Plays
Posted 06/10/2021
On this week’s episode of the B&H Photography Podcast, we take a deep dive into the technical, legal, and even theoretical topics surrounding Non-Fungible Tokens (NFTs) and their growing place in the art and photography worlds. To take on this subject, we welcome cryptocurrency expert and past guest of the show, Drew Hinkes. Hinkes is an attorney and professor and, in 2017, was nominated as one of Coindesk’s Most Influential People in Blockchain. He is also co-founder and General Counsel of Athena Blockchain, a firm focused on tokenized investment products. We also welcome Derek Paul Jack Boyle and Mitra Saboury, who together make up the art collaborative Meatwreck. Meatwreck has recently minted and sold NFTs associated with its art and we ask Boyle and Saboury how the process worked and their general thoughts on NFTs in relation to community and their art work. In addition to clearing some of the murky waters surrounding NFTs, cryptocurrency, and smart contracts, this episode discusses the future of intellectual property and how the blockchain is changing the way we value, store, resell, and protect our copyrighted images. Join us for this in-depth and informative conversation. Guests: Drew Hinkes, Derek Paul Jack Boyle, Mitra Saboury Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
0 Plays
Posted 09/16/2020
As museums in New York and around the world begin to reopen in the wake of the COVID-19 pandemic, a brand-new museum is facing the challenge of its grand reopening in the competitive New York City art and culture world. We welcome the inaugural Director of Exhibitions of Fotografiska, Amanda Hajjar, to the B&H Photography Podcast to discuss the unique model of this for-profit arts center and its plans to make a mark on the photography scene in New York. After opening, in December 2019, Fotografiska New York was forced to close after just ninety days and, of course, we will also ask Hajjar how they handled the quarantine disruption and are adjusting to the new protocols placed on museums. Fotografiska New York is the third of three like-named museums, with more scheduled to open around the world. The original began in Stockholm, Sweden, in 2010, and adopted a different paradigm than the traditional museum—it displays a wide range of photography styles, it has no permanent collection, and it works with the artists themselves to design the exhibitions. It also relies on admission sales, as well as café, restaurant, and special event business to generate income. It created much buzz in the months before opening in New York, and its initial reviews were positive, for its events and photo exhibition programming. We speak with Hajjar about the museum’s exhibition philosophy and how its model facilitates an institution able to react to and comment on current social issues, as well as examine relevant images from the past. We discuss its attempt to create a hybrid between gallery and museum and shine a light on its current exhibitions, including works by Cooper & Gorfer and by Martin Schoeller. Finally, we get to the bottom of what the word Fotografiska really means. Join us for this enjoyable conversation. Guest: Amanda Hajjar Photograph courtesy Fotografiska Israa With Yellow Boxes, 2020 © Cooper & Gorfer Yellow Roseline, 2020 © Cooper & Gorfer Gary Drinkhard, 2019, video and sound installation © Martin Schoeller Kwame Ajamu, 2019, video and sound installation. © Martin Schoeller Ezra, 2019 © Julie Blackmon. Courtesy the artist and Robert Mann Gallery The Shan Hai Jing Hotel Room 002, 2019 © Zhongjia Sun Untitled, 2019 © Cristina Bartley Dominguez The Church Mission Building, 2019. Courtesy Fotografiska Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 02/19/2020
This week’s episode of the B&H Photography Podcast is a healthy set of conversations with gear representatives and camera experts from several of the major camera and lighting companies that we recorded at the 2020 Depth of Field Conference. First we speak with Steve Heiner, of Nikon, discussing that company’s new DSLRs, including the flagship D6 and the D780. We also ask about the mirrorless Z system cameras and new lenses for that system. Next up is Joe Edelman, of Olympus, to discuss his company’s new flagship, the OM-D E-M1 Mark III, and its incredible image stabilization system. Our next guest is Shar Taylor, from Profoto, and with her we discuss the A1 AirTTL Studio Light, the Air Remote TTL, as well as the popular Profoto B10 OCF Flash Head. After a short break, we welcome Casey Krugman, product develop from Luxli, to discuss the incredible LED light panels, including the new Taiko 2x1 RGBAW LED light. Our next guest is food photographer Chelsea Kyle, who joins us on behalf of Canon to discuss the gear she works with, including the Canon EOS 5DS DSLR. Canon has also just announced the new EOS R5 full-frame mirrorless camera and other lenses in development. It has also released the RF 24-105mm f/4-7.1 IS STM lens for its full-frame mirrorless system. Following our visit with Chelsea Kyle, we welcome Marc Farb, from Sigma, to update us on the latest news from the L-mount alliance and the Sigma fp Mirrorless Digital Camera. He also discusses new lenses, including the highly anticipated Sigma 24-70mm f/2.8 DG DN Art lens for Sony E-mount cameras and the 14mm f/1.8 DG HSM Art lens from Leica L mount cameras. Our final guest is Jason Mantell, of Sony, who updates us on the latest from the Alpha mirrorless systems, including the Alpha a7R IV Mirrorless Digital Camera and the Alpha a9 II Mirrorless Digital Camera. Join us for this informative conversation. Guests: Steve Heiner, Joe Edelman, Shar Taylor, Casey Krugman, Chelsea Kyle, Marc Farb, and Jason Mantell Canon RF 24-105mm f/4-7.1 IS STM Lens Canon EOS Rebel T8i DSLR Camera Luxli Taiko 2x1 RGBAW LED Light Nikon D6 DSLR Camera Nikon D780 DSLR Camera Olympus OM-D E-M1 Mark III Mirrorless Digital Camera Profoto A1X AirTTL-C Studio Light Profoto Air Remote TTL-N Sigma 24-70mm f/2.8 DG DN Art Lens for Sony E Sigma fp Mirrorless Digital Camera Sony Alpha a7R IV Mirrorless Digital Camera Sony Alpha a9 II Mirrorless Digital Camera Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 01/30/2019
In terms of its sheer reach and influence on photographers, there is no magazine that compares to LIFE. From the 1930s into the 1970s, it was the weekly go-to for news, lifestyle, entertainment and, of course, world-class photography. With the likes of Margaret Bourke-White, W. Eugene Smith, Robert Capa, Gordon Parks, Dorothea Lange, and Alfred Eisenstadt under contract, and a commitment to the photo essay, LIFE was a groundbreaking publication that has yet to be equaled. At its most popular, it sold 13.5 million copies per week. With America’s attention switching to television by the early 1960s and, eventually, away from print media in general, LIFE slowly became a remnant of another era, but its influence on photography is still immense. On today’s episode of the B&H Photography Podcast, we discuss the magazine, and particularly its print and online reincarnations in the 2000s. Joining us for this conversation is the former editor-in-chief of LIFE, Bill Shapiro. Shapiro, a long-time editor at Time Inc., brought LIFE out of mothballs, in 2004, and launched LIFE.com in 2009. We examine these two iterations of the famed journal. Underscoring this conversation is the larger issue of the consumer switch from print journalism to digital journalism as the primary source of news and photography. Shapiro walks us through the decisions that were made to keep LIFE viable as the eventual changes in the industry took hold, and how he infused creativity into the print magazine and the website, while maintaining its long tradition of great photography. We also talk with Shapiro about his work as an author and, particularly, the book he co-authored, What We Keep, and how that book was influenced by the work he did at LIFE magazine. Join us for this look back at the final years of one the most important publications in American photography history. Guest: Bill Shapiro Bernie Mac, 2005 Bill Murray, 2004 Tina Fey and John McCain, 2004 Sarah Jessica Parker, 2004 Steve Carell, 2005 Jennifer Hudson, 2007 Special Issue, WWII Photography, 2010 Bill Shapiro Bill Shapiro with "What We Keep" book Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 01/09/2019
On this week's episode of the B&H Photography Podcast, we welcome two artists whose work blurs the line between street photography, documentary, installation and digital art, while cultivating a contemporary interpretation of the art and craft of collage. Both artists utilize photography-based processes and take urban architecture and street scenes as their subject, but from there, the work goes in very different directions. Jennifer Williams creates large, often site-specific collages that inspect but distort the architectural scenes she documents. As she has stated, “The rectilinear shape that is the traditional photograph never fulfilled my desire to show everything in space," and that will be immediately clear upon seeing her work. Layering images of buildings upon one another, she creates angular and abstract collages while still providing a path for the viewer to connect the image she creates with the neighborhood or street that she photographed. Williams speaks about her process, including the original imaging, her manipulation in post-process, and her large-scale installations, often made on Photo Tex media. Tommy Mintz wrote a software program that creates "automated digital collages" and he has experimented over the years how he (and the program) composes the street scenes he photographs. The tools he uses for image capture and computation have evolved and become more powerful, but unlike the painstaking control Williams exercises over her collages, the key element in Mintz's process is the random arrangement and layering of images that the software creates. This is not to say that his images are out of control—after all, he wrote the program. He selects scenes to photograph and he does adjust the final product in Photoshop, but the software-generated placement of images creates layers, unexpected shadows, multiple exposures and even seeming glitches that add up to an intriguing and whimsical take on street photography. Join us as we learn about the conceptualizations and processes of these two visual artists and hear how they integrate Nodal Ninja, Epson 24" printers, and the Sigma dp2 Quattro Digital Camera into their workflow. Guests: Jennifer Williams and Tommy Mintz City of Tommorow- Manhatten: Billionaire's Row (57th Street) © Jennifer Williams Blacksburg Unfurled (Virginia Tech, Blacksburg, Virginia) © Jennifer Williams Surveying Liberty (Newbugrh, NY) © Jennifer Williams The High Line Effect: Approaching Hudson Yards © Jennifer Williams Ladders (Installed at Robert Mann Gallery) © Jennifer Williams © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz Jennifer Williams, Tommy Mintz, and Allan Weitz © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 05/18/2018
The two-day Depth of Field Conference, hosted by B&H, was an impressive gathering of wedding and portrait photographers, each sharing their unique talents, styles, and techniques with a receptive crowd. We had our microphones ready to speak with some of the photographers before and after their presentations, and offer here our conversations with four exceptional photographers. We chose these four not only because their work is impeccable, but because they possess distinct views on the aesthetics and business of wedding photography. We start with Andy Marcus, of Fred Marcus Studios, one of the preëminent wedding-photography studios in New York, whose clientele includes celebrities, CEOs—and even Presidents and their daughters. With Marcus, we discuss keeping a family business running across three generations, how to work huge weddings, keeping A-list clients satisfied, and the importance of consistency. Next, we are joined by Sara France, of France Photographers, who has taken her business from a “girl with a camera” to a full-service studio with branches in California, Texas, and Hawaii. We speak about how to expand your business across states, the advantages of a woman-run enterprise, and how to best utilize the “blue hour.” France is Sony’s most recent “Artisan of Imagery,” so we also speak about her use of the Sony Alpha series cameras and continuous lighting. After a break, we are joined by Laurent Martin of Helena & Laurent Photography, a Bay Area-based husband-and-wife team who create straight-up gorgeous wedding photos. With Laurent, we discuss presets, using natural light, the joys of the wedding day, and how to embrace the chaos that comes with those joys. The success of this duo is seen in their ability to work together seamlessly, find the magical in small moments, and the lushness of their final product. Finally, we speak with Sal Cincotta, a St. Louis-based photographer running a studio whose team travels extensively. The list of Cincotta’s accomplishments as a wedding photographer would take a second page to list, and he is also an in-demand author and educator and expert on all forms of lighting. He speaks with us about the importance of constantly improving your craft and finding the time to do so. Despite the varied approaches to wedding photography offered by each of our guests, one theme reoccurred in each of the conversations: the need to use your photography to tell the story of a wedding. Guests: Andy Marcus, Sara France, Laurent Martin, Sal Cincotta © Fred Marcus Studio © Fred Marcus Studio © Fred Marcus Studio © Fred Marcus Studio © Fred Marcus Studio © Helena & Laurent Photography © Helena & Laurent Photography © Helena & Laurent Photography © Helena & Laurent Photography © Helena & Laurent Photography Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
0 Plays
Posted 03/31/2017
This is one of our most informative and, dare I say, best episodes yet. We talk about emulsion-based and inkjet photographic paper, with an emphasis on inkjet papers. We are fortunate to be joined by two talented and articulate guests, photographer Robert Rodriguez Jr. and August Pross, Print Manager and co-owner of LTI-Lightside photographic lab, in New York City. In addition to his outstanding landscape photography, Rodriguez is an author with three books on photography to his credit. He leads a very popular workshop series and is an ambassador for Canson-Infinity paper products. LTI-Lightside is well-known for its professional photo services and as the custom printer for many acclaimed fine-art photographers. In this episode, we talk about the various types of paper available for printing at home and at a lab, and discuss the differences between paper from Fujifilm, Epson, Kodak, Hahnemuhle, Ilford, and others. Topics we touch upon are optical brighteners, outgassing, printing profiles, and Wilhelm Imaging Research, but the focus of our conversation often returns to the tactile nature of the print and the need to understand a photographic print as an entirely different concept than an image on a screen. In addition to the wonderful dialogue, stay tuned throughout the episode for a B&H Photography Podcast exclusive promo code for a discount on all Canson paper products. Also, be sure to visit our podcast homepage for all of our episodes and, while you are there, leave us a voice message on the SpeakPipe widget. Click on this link to subscribe to our show on iTunes. Guests: Robert Rodriguez Jr. and August Pross Robert Rodriguez, Allan Weitz, August Pross Previous Pause Next Robert Rodriguez Jr DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 02/03/2017
As we asked in an earlier episode, “When was the last time you touched a photograph?” It’s an interesting question and some of us are still enjoying the tactile nature of a print, or our time in the darkroom, but most photographers now only experience their photos through a monitor. On today’s episode, we try to change all that with a visit from printer and printing experts Jay Tanen and Sam Celebi. We offer an overview of the options available when it comes to printing your photographs digitally. Yes, you can still go to some drugstores and get a set of images in a nice envelope, but even that is less common now, and the quality has always been questionable. Basically, if you want to make common digital prints, your choices are to go (or send your files) to a “lab” and get digital C-prints, inkjet prints, or perhaps “dye-sub” prints, and we’ll compare these types. However, the options for quality printing at home have expanded dramatically as the price of printers has dropped. We talk about the options available up and down the price range for home printing, as well as sort out some of the specifics that differentiate one printer from the next. We take a look at prices for residual items and maintenance and suss what’s best for various photographic needs, from family pics on the mantle to an exhibit of your finest photographs. Join us for this informative episode and keep an eye out for our upcoming show about photographic paper. Guests: Jay Tanen and Sam Celebi Jay Tanen, Allan Weitz, Sam Celebi DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
1 — 9 of 9 items

Close

Close

Close