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Posted 05/13/2021
This week’s episode of the B&H Photography Podcast is an old-fashioned hands-on review, but in this case, made with six hands. Allan, Jason, and I were pleased to be loaned the Leica Q2 Digital Camera and the Leica Q2 Monochrom Digital Camera, and we use our consideration of these 47MP cameras as a springboard to talk about camera grips, and point-and-shoot cameras, and value. We also talk about macro photography and cropping and about how to create black-and-white images from color files. We begin the conversation mentioning the specs and features of these two incredible cameras and each of us offers our pros and cons regarding the features we liked best and those we felt lacking. Autofocus, body design, focal length, and responsiveness are mentioned. Other Leica cameras, such as the Leica M10-P, get discussed, too, as do the practical differences between rangefinders with removable lenses and point-and-shoots. Join us for this casual chat about photography and about how each of us, with our different workflows, aesthetics, and goals, found these cameras to be versatile, yet also challenged us to create better images. Guests: Allan Weitz, Jason Tables, John Harris Photograph © John Harris © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris © John Harris Leica Q2 Monochrom Digital Camera © John Harris © Allan Weitz © Allan Weitz © Allan Weitz Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 01/08/2020
During a little holiday trip, producer John Harris made a visit to the gallery and studio of photographer Clyde Butcher. For anyone who grew up in Florida, Butcher’s work should be very familiar; his photography is often found on the walls of local libraries, municipal buildings, and, as Miami native Jason Tables points out, “every doctor’s office I’ve ever been in.” Butcher’s images of the Florida landscapes, particularly of the Everglades, are legendary, and although he has a brisk print-sales business, many of the photos in libraries have the attached placard, “Donated by Clyde Butcher.” Although he is known primarily for his large format black-and-white photography of “the swamp,” Butcher’s photographic career extends back many decades and includes architectural photography, mountain and western landscapes, filmed documentaries, and decorative color photography. Interestingly, Butcher began his career selling prints at small art fairs and, in the 1970s, he had a thriving business selling thousands of prints through department stores such as Sears and Montgomery Ward. This episode of the B&H Photography Podcast is a casual conversation that glides through several topics, including Butcher’s work with large format cameras, his recent foray into Sony digital cameras paired with Canon tilt-shift lenses, the incredible set of vintage enlargers in his giant darkroom space, the business models he and his family employ to market his images, water conservation, and, of course, his relationship to the Florida landscape for which he will be forever linked. Join us for this conversation with a true master. Guest: Clyde Butcher Above photograph © Clyde Butcher Tamiani Trail © Clyde Butcher Cigar Orchid Pond © Clyde Butcher Ochopee © Clyde Butcher Big Cypress © Clyde Butcher Moonrise © Clyde Butcher Plaja-S’Arenella-with-Boat, from Salvador Dali series © Clyde Butcher Cadaques, from Salvador Dali series © Clyde Butcher Cap-de-Creus, from Salvador Dali series © Clyde Butcher Clocks by Clyde Butcher circa, 1970s © Clyde Butcher Clyde Butcher and John Harris © Niki Butcher Niki and Clyde Butcher © John Harris Clyde Butcher in his Venice, Florida office © John Harris Butcher workshop and darkroom, 2019 © John Harris Niki Butcher with enlarger, 2019 © John Harris Clyde Butcher in Movie Dome with 11 x 14" view camera © Clyde Butcher Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/25/2019
When one of the world’s most “followed” photographers is available for a conversation, you make the time to talk with him, and when that photographer is acclaimed adventure, landscape, travel, and surf photographer Chris Burkard, expect that conversation to include some serious insights into the passion and ambition it takes to create the beautiful images he makes. On this week’s episode of the B&H Photography Podcast, we speak with Burkard about a range of subjects—and this conversation does not disappoint. We get right into it by asking about his penchant for shooting in frigid locations, and how stubbornness and even persistence can be the enemy of good photography in sub-zero temperatures. We discuss the composition of his photographs and how that is indicative of his views on nature, and we dig into his “origin story” and why clients began to come to him for the kind of photography he creates. In general, however, we stick to the nuts and bolts of his photography. We learn why he prefers mirrorless cameras, specifically the Sony Alpha a7R IV, how he organizes his commercial workflow to make time for the adventures he craves, and how he sets time aside to be with his young family. After a break, we ask Burkard to walk us through the creation of a few of his best-known images. Not only does he offer insight into the photographic aspects, but he elaborates to give us a better understanding of the remote locations he finds and the teamwork needed. To quote Burkard, “to better understand how the Earth was made, we must look at it from new perspectives.” Join us for this eye-opening conversation. Guest: Chris Burkard Aleutian Islands, 2013 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Highlining in Joshua Tree with Garrison Rowland on Hall of Horrors formation during the Supermoon, 2016 © Chris Burkard Skógar, Iceland, 2014 © Chris Burkard Westfjord, Iceland, 2016 © Chris Burkard Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/04/2019
We have been hosting the B&H Photography Podcast Panasonic LUMIX S1 Sweepstakes for the past several weeks and, today, we are excited to announce the winners of the LUMIX DC-S1 Mirrorless Digital Camera with 24-105mm lens and the LUMIX DC-G95 Mirrorless Camera with a 12-60mm lens. With that in mind, we’d like to thank all of our listeners who left ratings and reviews on Apple Podcasts, and particularly those who subscribed to the podcast and mentioned a favorite episode. This kind of feedback is well appreciated and helps us to develop the kind of episodes we hope you enjoy. Before we make that announcement, however, Allan, Jason, and I reflect on our “ photography New Year’s resolutions ” and discuss our personal photography projects from 2019 and the gear we have been using to make them happen. We start with Allan, who discusses his year-long process of culling his archive of images going back to 1969, including finding what he refers to as the very first “Allan Weitz photo.” He also explains how he uses his Sony Alpha a7R II Mirrorless Digital Camera as his “Franken-slide copier” and some of the gear that has impressed him this year, including the 7artisans Photoelectric 50mm f/1.1 lens and the Zeiss Batis 40mm f/2 CF lens, and his thoughts on the just-announced Leica M-E (Typ 240) Digital Rangefinder. John continues with a brief explanation of the resolutions on which he is procrastinating, and on his return to street photography and attempts to work with the FUJIFILM X100F Digital Camera, the Ricoh GR III, and the Leica M Monochrom (Typ 246) Digital Rangefinder. Finally, Jason updates us on his telephoto cityscapes, his abstract portraiture, the Sony Clear Image Zoom function and whether or not he purchased the Sony FE 100-400mm f/4.5-56 GM OSS lens. Join us for this enjoyable chat and check out some of the previous episodes of the podcast which we mention during this conversation, including our talks with Jay Maisel and Stephen Wilkes, our discussion about hard drives, and our talk with landscape photographer Erin Babnik. © Allan Weitz © Allan Weitz © Allan Weitz © Allan Weitz © Jason Tables © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
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Posted 09/15/2017
Canon has recently announced the addition of three new tilt-shift lenses to its lineup, a relatively big deal for a type of lens often considered merely a tool for architecture photography. The truth is that tilt-shift lenses are used in many photographic applications, from landscape to portraiture, and their creative possibilities are limitless. Also, with this release, Canon has expanded the format to include a TS-E 135mm lens, pushing the boundaries of what can be achieved with perspective-control optics. Using this news as the keystone, we have built an episode of the B&H Photography Podcast around tilt-shift and perspective-control lenses. We discuss the history and general principles of these types of lenses, as well as their common (and not so common) applications. We explain the difference between tilt and shift and address the fact that perspective corrections can now be made in post-production and, despite that, the value that in-camera control offers. We wrap up with an inventory of the many tilt-shift lenses available from B&H, including those from Nikon, Canon, Schneider and Rokinon, as well as those available in the used market and those for medium format cameras. Join us for this informative discussion and let us know about your most valued tilt-shift lens and what you photograph with it, in the Comments section, below. Guest: Todd Vorenkamp DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/01/2017
On today’s episode of the B&H Photography Podcast, we continue our exploration of photographic collaboration with photojournalists Ben Lowy and Marvi Lacar. In addition to sharing a vocation, they also share two children and a life together. Photojournalism is a decidedly independent, at times dangerous, career, certainly not one known for a routine home life, but when domestic responsibilities and children enter the picture, how does a couple balance craft and career with the need to earn a living and the time needed to nurture relationships? More so, when both people are working in the same field, how does bolstering one career cross the line into debilitating the other and how do the individuals comprising a creative couple find ways to support each other’s efforts? Lowy and Lacar bring an animated humor and a willingness to talk about the difficult moments from their lives and careers, and explain how they have come to recognize their best personal and professional attributes, bringing those strengths into a working relationship that continues to evolve. Guests: Marvi Lacar and Ben Lowy From the series "Melting Pot," Marvi Lacar From the series "Melting Pot," Marvi Lacar From the series "U.S. Bases," Marvi Lacar From the series "U.S. Bases," Marvi Lacar From “This Is a Love Story,” Marvi Lacar From “This Is a Love Story,” Marvi Lacar 2004 Democratic National Convention, Ben Lowy Protest at 2004 Republican National Convention, Ben Lowy Iraq Perspectives #1, Ben Lowy Iraq perspectives, #2, Ben Lowy Wounded soldier, Iraq, Ben Lowy Ski Jumper, Sochi, 2014, Ben Lowy Speed Skater, Sochi, 2014, Ben Lowy Great White Shark, 2016, Ben Lowy Seal, 2016, Ben Lowy Ben Lowy and Marvi Lacar at B&H Photography Podcast, John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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