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Posted 05/13/2021
This week’s episode of the B&H Photography Podcast is an old-fashioned hands-on review, but in this case, made with six hands. Allan, Jason, and I were pleased to be loaned the Leica Q2 Digital Camera and the Leica Q2 Monochrom Digital Camera, and we use our consideration of these 47MP cameras as a springboard to talk about camera grips, and point-and-shoot cameras, and value. We also talk about macro photography and cropping and about how to create black-and-white images from color files. We begin the conversation mentioning the specs and features of these two incredible cameras and each of us offers our pros and cons regarding the features we liked best and those we felt lacking. Autofocus, body design, focal length, and responsiveness are mentioned. Other Leica cameras, such as the Leica M10-P, get discussed, too, as do the practical differences between rangefinders with removable lenses and point-and-shoots. Join us for this casual chat about photography and about how each of us, with our different workflows, aesthetics, and goals, found these cameras to be versatile, yet also challenged us to create better images. Guests: Allan Weitz, Jason Tables, John Harris Photograph © John Harris © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris © John Harris Leica Q2 Monochrom Digital Camera © John Harris © Allan Weitz © Allan Weitz © Allan Weitz Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 12/17/2020
On this week’s episode of the B&H Photography Podcast, we welcome photographer Matthew Franklin Carter to the program. Like many photographers, Matt Carter wears a lot of hats. In his case, literally and figuratively, but his photography work blends documentary, editorial, and portrait work and reflects the place he calls home—Greenville, South Carolina. He shoots for regional and specialty magazines and does corporate work and portraits for local artists and businesses. He also assists other photographers and, of course, he has his personal projects. Family, food, fishing, hunting, drag racing, and dirt cars are depicted with humility and grace and a touch of humor. With Carter we discuss a range of topics, but keep our conversation focused on how to work comfortably in varied settings and with different communities of folk. Carter may be at home on the rivers shooting fly fishing, but he also has produced wonderful series at local car-racing tracks, a world with which he is much less familiar. We talk about these two racing projects—“Dirt” and “Glory”—and how he mingles with the drivers and crowd, as well as the gear he uses, from FUJIFILM to Mamiya, to create portraits and documentary-style images. We also discuss photographing hunting and fishing and the portrait work he does, in studio and on location, and the lighting he uses for each situation. We close on the topic of “finding your voice,” and for Carter how his latest project on local food production unites his many passions. Join us for this easygoing and informative conversation. Guest: Matthew Franklin Carter Above photograph © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Glory” © Matthew Franklin Carter From the series “Dirt” © Matthew Franklin Carter From the series “Dirt” © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter © Matthew Franklin Carter Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/04/2019
We have been hosting the B&H Photography Podcast Panasonic LUMIX S1 Sweepstakes for the past several weeks and, today, we are excited to announce the winners of the LUMIX DC-S1 Mirrorless Digital Camera with 24-105mm lens and the LUMIX DC-G95 Mirrorless Camera with a 12-60mm lens. With that in mind, we’d like to thank all of our listeners who left ratings and reviews on Apple Podcasts, and particularly those who subscribed to the podcast and mentioned a favorite episode. This kind of feedback is well appreciated and helps us to develop the kind of episodes we hope you enjoy. Before we make that announcement, however, Allan, Jason, and I reflect on our “ photography New Year’s resolutions ” and discuss our personal photography projects from 2019 and the gear we have been using to make them happen. We start with Allan, who discusses his year-long process of culling his archive of images going back to 1969, including finding what he refers to as the very first “Allan Weitz photo.” He also explains how he uses his Sony Alpha a7R II Mirrorless Digital Camera as his “Franken-slide copier” and some of the gear that has impressed him this year, including the 7artisans Photoelectric 50mm f/1.1 lens and the Zeiss Batis 40mm f/2 CF lens, and his thoughts on the just-announced Leica M-E (Typ 240) Digital Rangefinder. John continues with a brief explanation of the resolutions on which he is procrastinating, and on his return to street photography and attempts to work with the FUJIFILM X100F Digital Camera, the Ricoh GR III, and the Leica M Monochrom (Typ 246) Digital Rangefinder. Finally, Jason updates us on his telephoto cityscapes, his abstract portraiture, the Sony Clear Image Zoom function and whether or not he purchased the Sony FE 100-400mm f/4.5-56 GM OSS lens. Join us for this enjoyable chat and check out some of the previous episodes of the podcast which we mention during this conversation, including our talks with Jay Maisel and Stephen Wilkes, our discussion about hard drives, and our talk with landscape photographer Erin Babnik. © Allan Weitz © Allan Weitz © Allan Weitz © Allan Weitz © Jason Tables © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/16/2019
This week, we recognize the 10th anniversary of the "Miracle on the Hudson." On January 15, 2009, with both engines crippled, US Airways Flight 1549 made an emergency landing in the icy waters of the Hudson River, with 155 people onboard. All passengers and crew survived. On this week's episode of the B&H Photography Podcast, we welcome photographer Stephen Mallon, who documented the recovery of the airplane from the river, and Denise Lockie, who was a passenger on Flight 1549. Stephen Mallon is that rare photographer who successfully blends editorial, documentary, commercial, and fine art photography, often in the same image. He is recognized for documenting large-scale industrial and marine projects, including the "The Reefing of USS Radford," "Next Stop Atlantic," and, of course, "Brace for Impact: The Salvage of Flight 1549." His clients include the New York Times Magazine, The Wall Street Journal, Fortune, Publicis, Sudler & Hennessey, and MAYTAG; and his series, "American Reclamation," is currently exhibiting at the Front Room Gallery, in New York. Mallon discusses his career trajectory, his medium format and full-frame gear choices, and how he straddles the line between his documentary subjects and a fine art photographer's vision. Of course, we also talk about the series he produced on the recovery of Flight 1549 and how he approached such a historical subject. In the second half of the episode, we are also very fortunate to welcome Denise Lockie, who survived the crash landing and a protracted stay in the icy waters. Lockie tells of her experience that day, her recovery process, and about looking back on such a life-changing event after ten years. We also discuss with Lockie her feelings about Mallon's images and the other iconic photographs from that fateful day. Guests: Stephen Mallon and Denise Lockie from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Brace for Impact: The Salvage of Flight 1549”, 2009 © Stephen Mallon from “Next Stop Atlantic”, 2010 © Stephen Mallon from “American Reclamation”, 2017 © Stephen Mallon Allan Weitz, Denise Lockie, and Stephen Mallon © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
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Posted 02/09/2018
Murray Fredericks considers his landscape photography series, "Vanity," as just one aspect of a larger body of work, a project for which he has spent fifteen years shooting in southern Australia's remote Kati Thanda–Lake Eyre. However, this part of the larger series has one aspect that the others do not—a large mirror placed in the lake bed, reflecting other angles of the land and sky. This seemingly simple idea transforms not only the vista but our visual understanding of this singular place, and I think it's fair to say that there is nothing comparable to these large color photographs that attempt to represent the "overwhelming emptiness and powerful emotional resonance of remote land and sky." For this episode of the B&H Photography Podcast, we took our mics to the Robert Mann Gallery, in New York, to speak with Murray Fredericks and gallery owner Robert Mann on the opening day of Fredericks’s first solo exhibit in the United States. We walked through the gallery, soaking up the sublimity of these images and discussing the challenges of the project, the gear, the prints, and all aspects of the collaboration between artist and gallery. Join us for this extraordinary conversation. Stay tuned toward the end of the show, when we chat with the two winners of our Canon 5D Mark IV Sweepstakes and hear their reactions to winning and how they will be using their new cameras. Guests: Murray Fredericks and Robert Mann; Canon Sweepstakes winners Hillary Dunning and Tim Couch Mirror 8, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 12, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 7, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 14, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 16, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 18, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 19, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Mirror 21, 2017 © Murray Fredericks, courtesy Robert Mann Gallery Installation view of “Vanity”, courtesy Robert Mann Gallery Murray Fredericks and the B&H Podcast team © Todd Vorenkamp Robert Mann, Allan Weitz, Murray Fredericks © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/17/2017
We’re offering our annual end-of-year listicle of a podcast a bit early, but it comes with a good deal more information than usual. We polled the writers and experts at B&H to put together a set of cameras that represent the best or most important cameras released in 2017 and we welcomed Levi Tenenbaum and Yaakov Adler, two of our most knowledgeable staffers, to talk about the pros and cons of these cameras. To anyone paying attention to the photo industry, it should be none too surprising that new cameras from Nikon and Sony are competing for top honors, but you might be surprised at the rest of the cameras in our top ten list and at which point-and-shoot and medium format cameras come into play. Additionally, in the second half of the show, we offer statistics from the B&H website regarding the best-selling and the top-rated cameras of the year. These are not necessarily cameras announced in 2017, but we provide the top scores for cameras in all categories, as well as for lenses and accessories. Also, be sure to tune in next week for our companion episode on “Industry Trends for 2018!” Any podcast with Levi and Yaakov as guests is bound to be informative and entertaining, and this is no exception. Enjoy. Guests: Yaakov Adler and Levi Tenenbaum Levi Tenenbaum, Allan Weitz, and Yaakov Adler DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/11/2017
Structure and limitation is the key to the artistic process. This is the idea that opens our conversation with photographer and publisher Brooks Jensen. In addition to his work as a fine-art photographer, Jensen is well recognized as the publisher of LensWork, the beautiful print magazine (and website) about photographs (not cameras!). We speak with him about LensWork’s “Seeing in Sixes” competition, in which photographers submit a series of just six images with the idea that this limited number forces efficiency and creativity. Our discussion glides to other topics, such as the purpose of art, digital versus analog preservation, and the simple joy of creating and sharing your work. On the second half of our show we return for Episode Four of “Dispatch,” with Adriane Ohanesian. In this segment, Ohanesian talks about the cameras, lenses, and gear she uses in covering breaking and long-form news in Africa. She compares her newer Sony mirrorless to her Canon “tanks,” and offers insight on working in some of the toughest conditions imaginable. Ohanesian also continues to detail her assignment work and, on this occasion, she is in the Democratic Republic of the Congo with rangers combating illegal poaching and mining in the Okapi Wildlife Reserve. She tells of the region and its struggle for resources, and of the dangers, both natural and human, which confront locals and visitors. Chronicling her time with the rangers and her miles-long hikes through thick jungle, she shares thoughts on developing the photo narrative she hopes to relate with understated humor, and prepares us for the next chapter to this story, which ultimately turns quite tragic. Guests: Brooks Jensen and Adriane Ohanesian Previous Pause Next "Shoji – In Praise of Shadows," from Seeing in Sixes Brooks Jensen DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/12/2017
A simple twist of fate (OK, I clicked a link) introduced me to the wedding photography of Jide Alakija and I immediately knew he should be a guest on the podcast. His work falls into the category of documentary wedding photography, but the intimate connection he seems to make with his subjects, as well as his compositional skills, place his work above the popular trend of fly-on-the-wall work. He captures moments of humor, tenderness, and joy that many photographers would miss, but still fills a frame the way Grandma wants the photos on her mantel to look. We talk about his composition decisions and shooting techniques, but we also wanted him on the show because his work brings him to many different countries and cultures. With this in mind, we take on numerous aspects of traveling to shoot a wedding, whether that is a "destination" wedding or simply being invited to shoot a wedding far from home. Our conversation includes the practical side of travel—what gear to bring, who to hire as an assistant, how to budget—but we also discuss the intricacies of working in a locale where you are not familiar with the cultural traditions and may not even speak the language. Join us for a lively chat with our new friend, Jide Alakija. Guest: Jide Alakija Jide Alakija and Allan Weitz Previous Pause Next All Photographs by Jide Alakija DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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