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Posted 05/13/2021
This week’s episode of the B&H Photography Podcast is an old-fashioned hands-on review, but in this case, made with six hands. Allan, Jason, and I were pleased to be loaned the Leica Q2 Digital Camera and the Leica Q2 Monochrom Digital Camera, and we use our consideration of these 47MP cameras as a springboard to talk about camera grips, and point-and-shoot cameras, and value. We also talk about macro photography and cropping and about how to create black-and-white images from color files. We begin the conversation mentioning the specs and features of these two incredible cameras and each of us offers our pros and cons regarding the features we liked best and those we felt lacking. Autofocus, body design, focal length, and responsiveness are mentioned. Other Leica cameras, such as the Leica M10-P, get discussed, too, as do the practical differences between rangefinders with removable lenses and point-and-shoots. Join us for this casual chat about photography and about how each of us, with our different workflows, aesthetics, and goals, found these cameras to be versatile, yet also challenged us to create better images. Guests: Allan Weitz, Jason Tables, John Harris Photograph © John Harris © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris © John Harris Leica Q2 Monochrom Digital Camera © John Harris © Allan Weitz © Allan Weitz © Allan Weitz Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 03/04/2021
On today’s episode of the B&H Photography Podcast, we welcome wedding and portrait photographer Kesha Lambert. We are excited to speak with Lambert about her approach to wedding photography on today’s show, but she is also speaking at the upcoming 4th annual Depth of Field Portrait, Wedding, and Event Photography Conference, which is a free virtual event to be held on March 7 – 8, 2021. The conference is hosted by B&H Photo and sponsored by Sony, Nikon, Canon, Godox, HP/NVIDIA, and others. The work of Kesha Lambert stands out for its ability to be both joyous and intimate. She deftly uses color and composition, as well as experience and intuition to tell unique and universal wedding day stories. Did I mention that Lambert is also a lawyer, mom to three boys, a member of the Wedding Photojournalist Association, and a Sony Artisan of Imagery? In our conversation, we discuss her business, intrapersonal, and photography skills to get a sense of how she runs her successful studio. Her website is a lesson in design and good business practices, and we discuss cameras and lenses, getting ahead of client expectations, contracts, and subjects as diverse as lighting kits and keeping large wedding parties focused and in frame. Join us for this insightful and enjoyable chat and register for Depth of Field 2021. Guest: Kesha Lambert Photograph © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 02/18/2021
Has the Canon EOS R5 changed the conversation about using mirrorless cameras for bird and wildlife photography? This is the position of our guest, David Speiser, who, this summer, traded his Canon 1D X Mark III for the R system camera and lenses. But his colleague, fellow bird photographer and—for now—DSLR stalwart Grace Scalzo, is not quite ready to make that switch. Today’s episode of the B&H Photography Podcast focuses on the features of the Canon R5 and RF lenses that specifically benefit bird photographers. Speiser relates his decision to sell a treasure trove's worth of gear and reinvest in Canon’s mirrorless system. He notes the advanced eye focus, the customization features, in-body image stabilization, and new, sharp lenses as factors in his decision. Scalzo, however, is not ready to give up her rugged, fast, and ergonomically balanced DSLR with its broad selection of quality glass and an optical viewfinder. This is a fun-spirited and well-articulated debate between two shooters who really know their gear and their craft. In addition to the DSLR vs. mirrorless smackdown, we discuss 600mm lenses, adapters, gimbal heads, tripods, sharpening software, and even some land management and wildlife ethics issues. Join us for this vastly informative conversation, ideal for Canon photographers and wildlife shooters considering their next purchase. Also, please check out the Musea Gathering virtual photo conference, a wonderful two-day event on wedding and family photography. Guests: Grace Scalzo and David Speiser Photograph © David Speiser Black-chinned Hummingbird. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/3200 second at ISO 1600 © Grace Scalzo Great Horned Owl. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/125 second at ISO 1600 © Grace Scalzo Summer Tanager with Bug. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 1600 © Grace Scalzo Gray Fox. Canon 1D X Mark II with 600mm f/4L IS III USM Lens. 1/500 second at ISO 3200 © Grace Scalzo Painted Lady on Thistle. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 400 © Grace Scalzo Common Cuckoo, 2020. Canon R5 with adapter and 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/4000 second at ISO 1600 © David Speiser Barred Owl, NYC, 2020. Canon R5 with RF 100-500mm f/4.5 Lens. 300mm at 1/40 second, ISO 3200 © David Speiser Western Tanager, NYC, 2020. Canon R5 with RF 100-500mm f/4.5-7.1L IS USM Lens. 500mm at 1/320 second, ISO 2000 © David Speiser Atlantic Puffin, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Black Guillemot, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Ruby-throated Hummingbird, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/800 second at ISO 3200 © David Speiser Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/04/2019
We have been hosting the B&H Photography Podcast Panasonic LUMIX S1 Sweepstakes for the past several weeks and, today, we are excited to announce the winners of the LUMIX DC-S1 Mirrorless Digital Camera with 24-105mm lens and the LUMIX DC-G95 Mirrorless Camera with a 12-60mm lens. With that in mind, we’d like to thank all of our listeners who left ratings and reviews on Apple Podcasts, and particularly those who subscribed to the podcast and mentioned a favorite episode. This kind of feedback is well appreciated and helps us to develop the kind of episodes we hope you enjoy. Before we make that announcement, however, Allan, Jason, and I reflect on our “ photography New Year’s resolutions ” and discuss our personal photography projects from 2019 and the gear we have been using to make them happen. We start with Allan, who discusses his year-long process of culling his archive of images going back to 1969, including finding what he refers to as the very first “Allan Weitz photo.” He also explains how he uses his Sony Alpha a7R II Mirrorless Digital Camera as his “Franken-slide copier” and some of the gear that has impressed him this year, including the 7artisans Photoelectric 50mm f/1.1 lens and the Zeiss Batis 40mm f/2 CF lens, and his thoughts on the just-announced Leica M-E (Typ 240) Digital Rangefinder. John continues with a brief explanation of the resolutions on which he is procrastinating, and on his return to street photography and attempts to work with the FUJIFILM X100F Digital Camera, the Ricoh GR III, and the Leica M Monochrom (Typ 246) Digital Rangefinder. Finally, Jason updates us on his telephoto cityscapes, his abstract portraiture, the Sony Clear Image Zoom function and whether or not he purchased the Sony FE 100-400mm f/4.5-56 GM OSS lens. Join us for this enjoyable chat and check out some of the previous episodes of the podcast which we mention during this conversation, including our talks with Jay Maisel and Stephen Wilkes, our discussion about hard drives, and our talk with landscape photographer Erin Babnik. © Allan Weitz © Allan Weitz © Allan Weitz © Allan Weitz © Jason Tables © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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