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Posted 10/14/2020
Recognized as a premier headshot and portrait photographer, Peter Hurley has quite the tale to tell. His work is known for the genuine expressions he captures, and he has expanded his business into an international organization. He is also an in-demand speaker and photo educator, but Hurley has an interesting “origin story” when it comes to photography, and we will discuss how he went from being a competitive sailor to a model to a photographer and how sailing remains an integral part of his creative life. This week’s episode of the B&H Photography Podcast is a casual but insightful conversation about life’s twists and turns taking you to a place you never expected and how being open to challenges and to advice can motivate creativity. Sometimes “failing” is the best way to find your success, and Hurley tells us about competing for the U.S. Sailing Team and how accepting opportunities that seemed far from his initial goal led him to photography. We also talk about how he turned his headshot business into the “ Headshot Crew ” and now coaches and disperses work to a network of photographers around the world. Throughout the conversation, we touch on tips to improve your own portrait and headshot game, and Hurley mentions the lighting kit he has created with Westcott. We also discuss the “10,000 Headshot” project, for which he helped to organize his network of photographers to aid folks left unemployed by the COVID-19 pandemic. With the support of Canon and others, members of the Headshot Crew have photographed thousands of people, creating free headshots for anyone out of work. And as we discuss, a quality headshot is increasingly important in the “work from home” era. Join us for this enjoyable conversation. Guest: Peter Hurley Photograph © Peter Hurley Alfredo Plessman III © Peter Hurley Ben Yannette © Peter Hurley Carina Goldbach © Peter Hurley Deborah Robinson © Peter Hurley Fernando Romero © Peter Hurley Jan McCay © Peter Hurley Nancy Randall © Peter Hurley March Palou © Peter Hurley Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/07/2019
“A wiser feller than myself once said, ‘Sometimes you eat the bear, and sometimes the bear, well, he eats you.’” A few of our listeners may recognize this quote from a certain 1998 movie but, for others, well, it may just be a confusing adage. For today’s episode of the B&H Photography Podcast, however, we did indeed “eat the bear” and are very fortunate to welcome actor, musician, and photographer Jeff Bridges to our show. In addition to being an Academy Award-winning actor, Bridges photographs the “behind-the-scenes” making of his movies with a Widelux swing-lens panoramic film camera, and over the years has collected those images in private editions, made for the cast and crew. In 2003, he published a book called, Jeff Bridges: Pictures, and in October 2019, is releasing the incredible Jeff Bridges: Pictures Volume 2, which “expands on Bridges' intimate vision of Hollywood behind-the-scenes. Included within are rare looks at the famed actors, top directors, talented costumers, and makeup artists, skilled and creative set and art decoration, and the rest of the passionate crews involved in such memorable movies as True Grit, Crazy Heart, The Giver, TRON: Legacy, and Hell or High Water. ” With Bridges, we discuss his affinity for the Widelux, and how he handles this camera—known for its idiosyncrasies. We relate the nuts-and-bolts aspects of his workflow, from using the viewfinder (or not) to measuring exposure with a Minolta spot meter, to how he composes a frame with a 140-degree angle of view. We also discuss other wide-format cameras, how Bridges works on set with other actors and crew members, the creation of his new book, and the scope of his photographic work, which has become a unique documentation of movie-making from the 1980s until today. Join us for this lively conversation and look for Jeff Bridges: Pictures Volume 2, published by powerHouse Books and distributed by Penguin Random House. All of Bridge’s proceeds from the sale of his book go to the Motion Picture & Television Fund, a nonprofit organization that offers charitable care and support to film-industry workers. When you visit his website, check the link for No Kid Hungry, an organization dedicated to ending childhood hunger and for which Bridges is the national spokesperson. Finally, if you are in the Los Angeles area on October 15, take the opportunity to have Jeff sign your copy of his book at the Book Soup event, on Sunset Blvd. Guest: Jeff Bridges Above photograph © Jeff Bridges George Clooney, Tragedia/Comedia, "The Men Who Stare at Goats," 2009 © Jeff Bridges Iron Man Suit, "Iron Man," 2008 © Jeff Bridges Stan Winston’s Workshop, "Iron Man," 2008 © Jeff Bridges Stephen Bruton, Songwriter, "Crazy Heart," 2009 © Jeff Bridges Jack Nation, "Crazy Heart," 2009 © Jeff Bridges Gary Ross, Director, and Tobey Maguire, "Seabiscuit," 2003 © Jeff Bridges Claudio Miranda and Olivia Wilde, "Tron: Legacy," 2010 © Jeff Bridges Loyd Catlett, "Seventh Son," 2014 © Jeff Bridges "Scenes of the Crime," 2001 © Jeff Bridges Jodelle Ferland, Tragedia/Comedia, "Tideland," 2005 © Jeff Bridges Jeff Bridges, "True Grit," 2010 © Jeff Bridges Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/05/2019
Do you have undeveloped rolls of film that have been sitting around forever? Maybe you don't even realize that you have unprocessed rolls from the "good ol' days of analog" in an old camera bag or a dresser drawer. Now is the time to look into this matter and have the chance to explore and share your memories, perhaps even rediscover events and people that memory has left behind. On this week's episode of the B&H Photography Podcast, we welcome the directors of Lost Rolls America, Ron Haviv and Lauren Walsh. Inspired by Haviv's own The Lost Rolls book, they have initiated this project to create a national archive of lost, yet now found, images "to form a collective memory that prioritizes the role of photos in constructing our personal and shared pasts. In revisiting the past, this project also encourages contemplation of how the present and future will be remembered." The idea is simple, but one look at the growing archive and the memories shared, and it becomes clear how powerful this project can be. With Haviv and Walsh, we recount the genesis of the project, how PhotoShelter, PhotoWings, and FUJIFILM came onboard as partners, and they offer insight on the future plans for the project. They also discuss a few of the more interesting images and recollections submitted, how the submission process works and, of course, they encourage our listeners to submit lost rolls. Above Photograph © Mette Lampcov/Lost Rolls America Lost Rolls America: What kind of memories does this photo bring back? Valentina Zavarin: I was leaving alone to America. Time for adventure away from my mother and siblings. I remember how excited I was for this new life ahead after World War II. Everyone is smiling but I remember they were in a shock that they were left behind. Valentina Zavarin/Lost Rolls America, 1950 Lost Rolls America: Does this photo bring back any memories? Debra Miller: Yes. Sadness, horror, shock. Debra Miller/ Lost Rolls America, 2001 Lost Rolls America: Is this what you expected to see? Elizabeth Kamir: No. The old roll of Tri-X that had taken up residence in my drawer for nearly 30 years always dared me to imagine. I never planned to develop it. I assumed if there was anything on the roll, it would either be something innocuous, like pictures of my grandmother or something embarrassing, like theatrical, nude self-portraits. I might have taken pictures like that back then. Elizabeth Kamir/Lost Rolls America, 1990 Lost Rolls America: What kind of memories does this photo bring back? Mette Lampcov: It makes me think of how much I used to laugh my head off with her (Tracy). It makes me miss London and old friends, especially people who have a wicked sense of humor- and seeing her head float in the back garden is a perfect reminder of her beautiful funny madness. Mette Lampcov/Lost Rolls America, 2002 Lost Rolls America: How does this old photo make you feel? Michael Starensic: I feel a sense of accomplishment that I was able to capture the times and emotions as the country swayed from crisis to crisis. This was the last interlude- "coming up for air" I called it- between the major tumult of the Kosovo War two months earlier and the start of renewed opposition that month. We soon headed back to the capital and events were intense for the next 14 months. Nevena and I married 2 months later in Belgrade in the midst of mounting protest and turmoil. Michael Starensic/Lost Rolls America, 1999 Lost Rolls America: How does this old photo make you feel? Bruce Lampcov: Very nostalgic. I miss the days when my children were young and together we discovered new places, new cultures. Bruce Lampcov/Lost Rolls America, 2004 Lost Rolls America: What kind of memories does this photo bring back? Tamika Jancewicz: Just how huge I was when I was pregnant! I think I felt that way when I took the picture as well. Tamika Jancewicz/Lost Rolls America, 2007 Lost Rolls America: What are we looking at here? Russell Gontar: This is my friend, Linda. We spent an afternoon taking pictures at the beach and old amusement park. I asked her to close her eyes in an attempt to be "arty". Russell Gontar/Lost Rolls America, 1977 Lost Rolls America: How does this old photo make you feel? Jennifer Mitchell: As all the kiddos in the picture are my nieces and nephew, it makes me feel amazingly proud. One is in the Air Force Academy, one is a wedding planner in a Colorado Rocky Mountain resort, and one just got accepted into a PhD program for Astrophysics. I bet my sister (who is reading to them) thinks that she might have had a little something to do with it.:) When I showed her the picture, she sighed and said, "Oh, that was always one of my favorite things to do with those kids!" Jennifer Mitchell/Lost Rolls America, 2004 Lost Rolls America: How does this old photo make you feel? Keith Munger: Like One Of The Miraculous Few That Loves His Wife As Much Now As In 1969. I Am A Very Lucky Guy! Keith Munger/Lost Rolls America, 1969 Guests: Lauren K. Walsh and Ron Haviv Ron Haviv is a is an Emmy nominated, award-winning photojournalist and co-founder of the photo agency VII, dedicated to documenting conflict and raising awareness about human rights issues around the globe. He has worked in more than one hundred countries and published four critically acclaimed collections of photography. His work has been featured in numerous museums and galleries, including the Louvre, the United Nations, and the Council on Foreign Relations. Lauren Walsh is a professor and writer who teaches at The New School and NYU, where she is the Director of NYU Gallatin's Photojournalism Lab. She is editor of Macondo, a photo book documenting the long-term conflict in Colombia, and coeditor of the collection, The Future of Text and Image, as well as the Millennium Villages Project, a photography book about efforts to relieve extreme poverty in sub-Saharan Africa. She has appeared on CNN as a scholar of photography and digital culture, as well as in the documentary 9/11: Ten Years Later. Ron Haviv, Allan Weitz, and Lauren Walsh John Harris   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/01/2018
From massive ensemble photographs to celebrity portraiture, advertising high-rollers, and about every movie and television poster you’ve ever seen, Art Streiber anchors the spot where Hollywood and the magazine industry meet. His versatility and production acumen are well recognized, and our conversation ambles easily through a wide range of subjects, but what remains evident—in addition to his quick wit—is that Streiber is a problem solver. Big concept, small budget? No problem. Giant set piece with 150 A-list subjects? We’ll figure it out. Just you, me, a camera and a hotel room window? Done. Streiber learned early that being a jack-of-all-trades does not correlate to a master-of-none and that the answer is always, “Yes.” In addition to his obvious photographic chops, this attitude seems to be at the heart of his success. With Streiber, we speak about soaking up the magazine aesthetic through his family’s business in Los Angeles, about early rejections, understanding the story behind a photo concept, and how the image “bears the burden” of telling that story. We also dig deep into his archive to discuss specific images of Steven Spielberg, Paul Rudd, Oscar nights, and others. We touch on picture research, budgeting concepts, lighting choices, working with celebrities, seeing big photos on small screens, older CCD sensors, and “how to eat an elephant.” This is a funny and incredibly informative episode of the B&H Photography Podcast. Join us. Guest: Art Streiber Seth Rogen as Cary Grant, in "North by Northwest," 2008 © Art Streiber Paul Rudd as Gene Wilder, in "Young Frankenstein" © Art Streiber Paramount 100th Anniversary Photo, 2012 © Paramount Pictures, Courtesy Art Streiber Campus Climate Challenge Activists © Art Streiber Steven Spielberg, for Empire Magazine © Art Streiber Brie Larson, for WWD, 2016 © Art Streiber Cate Blanchett, for Entertainment Weekly, 2014 © Art Streiber Behind the scenes at the Oscars © Art Streiber Behind the scenes at the Oscars © Art Streiber Behind the scenes at the Oscars © Art Streiber The cast of "The Princess Bride," for Entertainment Weekly, 2011 © Art Streiber The cast of "Taking Woodstock," for Vanity Fair, 2009 © Art Streiber Blaine Lourd, for Conde Nast Portfolio © Art Streiber Art Streiber on B&H Photography Podcast © John Harris Allan Weitz and Art Streiber © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/09/2018
Are the 1990s history? Well, for today’s episode of the B&H Photography Podcast, we look back to that decade when a new aesthetic in fashion photography was born in England, and later spread to the United States and the world; a transformative style whose influence is apparent almost thirty years after its birth. First appearing in small but influential magazines such as The Face, i-D, and Blitz, and growing from a reactionary youth culture, this raw style reflected a new aesthetic, one that rejected the glam, the supermodel, and the highly stylized photos of the 1980s in favor of eclectic clothing, waifish models, a low-tech, "straight-up" photo style, and a lot of “frickin’ attitude.” For this episode, we welcome fashion photographer Michael Sanders, who is a regular contributor to Italian Elle and who shot for many of the ’90s “style bibles” mentioned above. Sanders came of age in this era and discusses the social and economic factors that lead to this new aesthetic, the cyclical nature of fashion, and the overly simplistic idea of heroin-chic. He also provides a sense of the technologies that made this movement a reality, the gear most commonly used, and the assignment process and shooting-styles embraced. Finally, Sanders offers firsthand insight into the community of photographers, stylists, and models who are associated with this movement, including David Sims, Corinne Day, Kate Moss, Melanie Ward, and the important photographer and bridge figure, Nick Knight. Join us for this interesting look back to the birth of a style and photographic movement that is still reverberating. Guest: Michael Sanders Photograph © Corinne Day, model: Kate Moss, The 3rd Summer of Love cover from “The Face.” 1990 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, courtesy “Italian Elle” Allan Weitz and Michael Sanders, Photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
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Posted 03/17/2017
For this week’s episode of the B&H Photography Podcast, we replace the camera in our hand with a game controller, but if artistic interpretation of your surroundings is the goal, is there any difference between the two? Today, we talk gaming and photography and, specifically, the practice of in-game or virtual photography. While grabbing a screenshot of your high score is nothing new, using a gaming system’s increasingly advanced photo tools to capture images of the gaming world in which you are immersed is becoming a discipline unto itself. For sure, some gamers are still looking to show off their accomplishments and share them with fellow gamers, but others approach it as a landscape photographer, documentarian or combat photographer might, utilizing light and exposure controls to create dramatic images that showcase or even surpass those created by the game itself. We are joined today by our in-house gaming expert, Akeem Addy, as well as Tobias Andersson, Senior Producer of the Hunter: Call of the Wild, by Avalanche Studios, and two gamers who have explored in-game photography from distinctive perspectives, photographer Leo Sang and artist Eron Rauch. We also take time to talk a bit about the history of in-game photography and suggest games with some of the strongest photo tools. The debate about whether this is “real” photography will rage on. However, our guests are over that, not only creating beautiful and interesting photos, but elevating the dialogue to create images that question the relationship between the virtual and the “work-a-day” world. Join us for this multi-faceted episode and let us know your thoughts on gaming and photography—and even share with us your best images on Twitter @BHPhotoVideo with #BhPhotoPodcast. Guests: Akeem Addy, Tobias Andersson, Leo Sang, and Eron Rauch © Battlefield 1 Image by Leo Sang © Battlefield 1 Image by Leo Sang © Ghost Recon: Wildlands Image by Leo Sang © Grand Theft Auto V Image by Leo Sang Made with NVIDIA Ansel Image by Leo Sang From the series A Land to Die In by Eron Rauch From the Series A Land to Die In by Eron Rauch From the series A Land to Die In by Eron Rauch From the series Arcana by Eron Rauch From the series Valhalla Nocturnes by Eron Rauch © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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