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Posted 02/11/2021
When we started the B&H Photography Podcast more than six years ago, the concept was “watercooler conversations” with photographers, about gear. Well, honestly, it hasn’t always turned out that way, but this episode with famed photojournalist David Burnett comes as close to that idea as any we have done; there’s barely an edit in the whole episode. Burnett joins us, and we just talk. We begin with his coverage of the recent presidential inauguration and his decision to use a 1930 Graflex 4 x 5 camera in addition to his Sony mirrorless with an FE 100-400mm lens. Burnett reflects on the reasons he incorporates vintage cameras and lenses into his workflow and the need to challenge your own point of view as a photographer. We discuss the motivations that bring a particular camera to his eye and his sense of “obligation to all that has come before.” In the second half of the show, we talk about using legacy glass on mirrorless cameras and the relentless (and at times “goofy”) experimentation that both Burnett (and Allan) enjoy. From aerial reconnaissance lenses to old Kodak cine lenses, there is nothing that can’t be adapted, and we go into the weeds to discuss some of the many, many lenses Burnett has not just tried, but used successfully for his professional assignments. We also ask about the new Sony Alpha 1, the benefits of customizable functions, and his preference for the Sony a9 II and a6600 cameras. Join us for this easy-going conversation. Guest: David Burnett Photograph © David Burnett A soldier with a letter from home, Lang Vei, Vietnam, 1971 © 2020 David Burnett/Contact Press Images Bob Marley, 1976 © 2020 David Burnett/Contact Press Images Al Gore on the presidential campaign trail, 2001 © David Burnett/ Contact Press Images John Kerry in the last days of the presidential campaign, Manchester, New Hampshire, 2004 © David Burnett /Contact Press Images Daniel Céspedes arrested by the Chilean military, 1973 © 2020 David Burnett/Contact Press Images Ayatollah Khomeini, spiritual leader of the Iran Revolution, 1979 © 2020 David Burnett/Contact Press Images Mary Decker looks on in pain after colliding with Zola Budd and falling during the 3000-meter race at the 1984 Olympics, in Los Angeles © 2020 David Burnett/Contact Press Images Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/31/2019
This week, we welcome two photographers who know the joys of spending a late afternoon waiting for super cells to form, or that perfect lightning strike to appear, as well as the perils of rising waters, golf-ball-sized hail, and projectile debris in flight. Our topic today is extreme-weather photography, and we welcome photographers from two different continents to tell us about their shooting styles, safety precautions, gear, and their general thoughts on weather, social media, and the photography business. We are joined first by photographer and filmmaker Jim Reed, who is a represented by National Geographic Image Collection. His work has been published in National Geographic magazine, the New York Times, Scientific American, and The Guardian, and has been featured on the Weather Channel, Discovery Network, and the Oprah show. He is the author of the critically acclaimed 2007 photo book, “Storm Chaser: A Photographer's Journey.” With Reed, we discuss his minimal gear setup, safety precautions, useful apps, and how his client base has shifted during his thirty-year career. After a short break, we welcome Jordan Cantelo, from the Western Australian town of Jurien Bay. Cantelo is a local wildfire officer who began photographing weather during long stints in the bush. With Cantelo, we speak about the specific weather and storm types in Western Australia, his use of lightning triggers, his preference for medium format cameras, landscape compositions, and how he follows weather systems to get the shots he is after. For many photographers, being a “storm chaser” seems like a thrilling way to earn a living, so tune in to the B&H Photography Podcast for our conversation with two seasoned weather and landscape photographers to get a better understanding of the dos, the don’ts, and the practical side of extreme-weather photography. Guests: Jim Reed and Jordan Cantelo Above photograph © Jim Reed Professional storm chasers monitor an approaching tornado in western Kansas on May 8, 2008 © Jim Reed Concurrent Tornadoes at Night, 2012 © Jim Reed A Bolt from the Gray, 2004 © Jim Reed A severe thunderstorm brings much needed rain to a drought-stricken farm near Roswell, New Mexico, 2013. © Jim Reed Cloud-to-ground lightning bolts strike a field in eastern Wyoming, 2011. © Jim Reed Waves explode over a seawall and into Galveston, Texas as Hurricane Ike approaches, on September 12, 2008. © Jim Reed Ominous Skies © Jordan Cantelo Dowerin Evening Lightning © Jordan Cantelo Microburst- Between Beacon and Wialki © Jordan Cantelo Electric Skies – Beacon © Jordan Cantelo Kimberley Wet Season Skies © Jordan Cantelo Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/10/2019
This is one of the more informative and hands-on practical episodes of the B&H Photography Podcast that we have produced in some time. Obviously, it helps if you are “practicing” car photography, but the insights provided in this episode are useful for a wide range of photo disciplines, and touch on techniques for making better images of moving objects, reflective and non-reflective products, tight interiors, and how to photograph large items in a studio or on location. For this wealth of information, we must thank photographer Nate Hassler, who joined us to talk about his extensive work photographing cars, whether for advertising, editorial, or for personal projects, a.k.a. fun. Hassler is accomplished in each of these areas, and his advertising clients include Toyota, Honda, Lexus, and Mercedes. He is also a respected motorsport photographer, with work appearing regularly in Road & Track magazine. We find out that Hassler grew up around photography, helping in his parents’ photo studio, but developed a love for cars all on his own and seems to have found the perfect career that blends his two passions. We learn a bit about the automobile advertising business, but mostly we discuss capture technique, including the rigs and gear he prefers, shooting moving vehicles, stabilization, bracketing, back-lighting, lens distortion, and post-process. This truly is an educational and entertaining episode, and check out the B&H Photography Podcast Facebook Group for an image of Hassler’s “Franken-Instax” camera that he created to make instant photos with a Schneider lens. Guest: Nate Hassler Photograph © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler “Franken-Instax” camera © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
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Posted 05/12/2017
A simple twist of fate (OK, I clicked a link) introduced me to the wedding photography of Jide Alakija and I immediately knew he should be a guest on the podcast. His work falls into the category of documentary wedding photography, but the intimate connection he seems to make with his subjects, as well as his compositional skills, place his work above the popular trend of fly-on-the-wall work. He captures moments of humor, tenderness, and joy that many photographers would miss, but still fills a frame the way Grandma wants the photos on her mantel to look. We talk about his composition decisions and shooting techniques, but we also wanted him on the show because his work brings him to many different countries and cultures. With this in mind, we take on numerous aspects of traveling to shoot a wedding, whether that is a "destination" wedding or simply being invited to shoot a wedding far from home. Our conversation includes the practical side of travel—what gear to bring, who to hire as an assistant, how to budget—but we also discuss the intricacies of working in a locale where you are not familiar with the cultural traditions and may not even speak the language. Join us for a lively chat with our new friend, Jide Alakija. Guest: Jide Alakija Jide Alakija and Allan Weitz Previous Pause Next All Photographs by Jide Alakija DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/17/2017
For this week’s episode of the B&H Photography Podcast, we replace the camera in our hand with a game controller, but if artistic interpretation of your surroundings is the goal, is there any difference between the two? Today, we talk gaming and photography and, specifically, the practice of in-game or virtual photography. While grabbing a screenshot of your high score is nothing new, using a gaming system’s increasingly advanced photo tools to capture images of the gaming world in which you are immersed is becoming a discipline unto itself. For sure, some gamers are still looking to show off their accomplishments and share them with fellow gamers, but others approach it as a landscape photographer, documentarian or combat photographer might, utilizing light and exposure controls to create dramatic images that showcase or even surpass those created by the game itself. We are joined today by our in-house gaming expert, Akeem Addy, as well as Tobias Andersson, Senior Producer of the Hunter: Call of the Wild, by Avalanche Studios, and two gamers who have explored in-game photography from distinctive perspectives, photographer Leo Sang and artist Eron Rauch. We also take time to talk a bit about the history of in-game photography and suggest games with some of the strongest photo tools. The debate about whether this is “real” photography will rage on. However, our guests are over that, not only creating beautiful and interesting photos, but elevating the dialogue to create images that question the relationship between the virtual and the “work-a-day” world. Join us for this multi-faceted episode and let us know your thoughts on gaming and photography—and even share with us your best images on Twitter @BHPhotoVideo with #BhPhotoPodcast. Guests: Akeem Addy, Tobias Andersson, Leo Sang, and Eron Rauch © Battlefield 1 Image by Leo Sang © Battlefield 1 Image by Leo Sang © Ghost Recon: Wildlands Image by Leo Sang © Grand Theft Auto V Image by Leo Sang Made with NVIDIA Ansel Image by Leo Sang From the series A Land to Die In by Eron Rauch From the Series A Land to Die In by Eron Rauch From the series A Land to Die In by Eron Rauch From the series Arcana by Eron Rauch From the series Valhalla Nocturnes by Eron Rauch © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/14/2016
Are dance and photography natural enemies? Well, of course not, but one art form is about the still, captured moment, and the other about choreographed movement and fluidity. However, anyone who truly understands photography knows the importance of timing, grace, and harmony, and a dancer must also recognize the relevance of rest and static. Sculpture, or gesture perhaps, is their common bond and our two guests know well the significance of gesture and the conflicting and compatible characteristics of dance and photography. They join us to talk about their distinct work and shooting styles. Lois Greenfield is one of the recognized masters of the craft, having developed a singular style sought by the world’s most renowned dance companies, and Omar Z Robles, an official Fujifilm X-Photographer, brings a fresh take, blending aspects of documentary and street photography. Enjoy this episode as we discuss improvisation, inspiration, dodging taxis and, of course, lighting systems and camera and lens choices. Guests: Lois Greenfield and Omar Z. Robles   Photographs by ©  Lois Greenfield Photographs by ©  Omar Z. Robles   Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play           Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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