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Posted 07/31/2019
This week, we welcome two photographers who know the joys of spending a late afternoon waiting for super cells to form, or that perfect lightning strike to appear, as well as the perils of rising waters, golf-ball-sized hail, and projectile debris in flight. Our topic today is extreme-weather photography, and we welcome photographers from two different continents to tell us about their shooting styles, safety precautions, gear, and their general thoughts on weather, social media, and the photography business. We are joined first by photographer and filmmaker Jim Reed, who is a represented by National Geographic Image Collection. His work has been published in National Geographic magazine, the New York Times, Scientific American, and The Guardian, and has been featured on the Weather Channel, Discovery Network, and the Oprah show. He is the author of the critically acclaimed 2007 photo book, “Storm Chaser: A Photographer's Journey.” With Reed, we discuss his minimal gear setup, safety precautions, useful apps, and how his client base has shifted during his thirty-year career. After a short break, we welcome Jordan Cantelo, from the Western Australian town of Jurien Bay. Cantelo is a local wildfire officer who began photographing weather during long stints in the bush. With Cantelo, we speak about the specific weather and storm types in Western Australia, his use of lightning triggers, his preference for medium format cameras, landscape compositions, and how he follows weather systems to get the shots he is after. For many photographers, being a “storm chaser” seems like a thrilling way to earn a living, so tune in to the B&H Photography Podcast for our conversation with two seasoned weather and landscape photographers to get a better understanding of the dos, the don’ts, and the practical side of extreme-weather photography. Guests: Jim Reed and Jordan Cantelo Above photograph © Jim Reed Professional storm chasers monitor an approaching tornado in western Kansas on May 8, 2008 © Jim Reed Concurrent Tornadoes at Night, 2012 © Jim Reed A Bolt from the Gray, 2004 © Jim Reed A severe thunderstorm brings much needed rain to a drought-stricken farm near Roswell, New Mexico, 2013. © Jim Reed Cloud-to-ground lightning bolts strike a field in eastern Wyoming, 2011. © Jim Reed Waves explode over a seawall and into Galveston, Texas as Hurricane Ike approaches, on September 12, 2008. © Jim Reed Ominous Skies © Jordan Cantelo Dowerin Evening Lightning © Jordan Cantelo Microburst- Between Beacon and Wialki © Jordan Cantelo Electric Skies – Beacon © Jordan Cantelo Kimberley Wet Season Skies © Jordan Cantelo Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/10/2019
This is one of the more informative and hands-on practical episodes of the B&H Photography Podcast that we have produced in some time. Obviously, it helps if you are “practicing” car photography, but the insights provided in this episode are useful for a wide range of photo disciplines, and touch on techniques for making better images of moving objects, reflective and non-reflective products, tight interiors, and how to photograph large items in a studio or on location. For this wealth of information, we must thank photographer Nate Hassler, who joined us to talk about his extensive work photographing cars, whether for advertising, editorial, or for personal projects, a.k.a. fun. Hassler is accomplished in each of these areas, and his advertising clients include Toyota, Honda, Lexus, and Mercedes. He is also a respected motorsport photographer, with work appearing regularly in Road & Track magazine. We find out that Hassler grew up around photography, helping in his parents’ photo studio, but developed a love for cars all on his own and seems to have found the perfect career that blends his two passions. We learn a bit about the automobile advertising business, but mostly we discuss capture technique, including the rigs and gear he prefers, shooting moving vehicles, stabilization, bracketing, back-lighting, lens distortion, and post-process. This truly is an educational and entertaining episode, and check out the B&H Photography Podcast Facebook Group for an image of Hassler’s “Franken-Instax” camera that he created to make instant photos with a Schneider lens. Guest: Nate Hassler Photograph © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler “Franken-Instax” camera © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler © Nate Hassler Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
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Posted 06/23/2017
On August 21, 2017 there will be a total solar eclipse passing across the United States from the northwest to the southeast. While the path of totality will be in the center of the country, at least 60% obscuration will be seen throughout the U.S. and into Canada and Mexico. This is a historic event and millions of people will be viewing and photographing it. On today’s episode, we will discuss the what, when, and where of the eclipse and concentrate on the best and safest ways to view and photograph it. Joining us for this discussion are Senior Staff Writer Christopher Witt, our in-house telescope and optics expert, and B&H Photography Podcast veteran Todd Vorenkamp, who will explore the best ways for novices as well as experts to view and photograph the eclipse. After a break, we welcome noted astronomer and photographer Dr. Tyler Nordgren who will offer his thoughts on the eclipse and explain why it might be best to not photograph this eclipse. Finally, we will be joined by Dr. Laura Peticolas from the Space Sciences Laboratory at the University of California, Berkeley. Laura will discuss her plans for the eclipse, specifically discussing the Eclipse Megamovie project, a crowd-sourcing effort to collect and share images across the path of totality. Join us for a multi-faceted conversation about this once-in-a-lifetime event. Guests: Dr. Tyler Nordgren, Dr. Laura Peticolas, Christopher Witt, Todd Vorenkamp Route of 2017 solar eclipse across United States Global map of 2017 solar eclipse The 2013 eclipse as seen from the deck of a four-masted sailing ship racing across the Atlantic Ocean, totality was 42 seconds long. Photograph by Tyler Nordgren My first eclipse photo that I took in 1999 superimposed on the Hungarian stamp I bought there commemorating the eclipse by showing its path across the country. Photograph by Tyler Nordgren A petroglyph in Chaco Canyon, New Mexico showing what could be a 1000 year old solar eclipse. Photograph by Tyler Nordgren A partial phase of an eclipse just a minute or two before totality in the Faroe Islands. Those clouds totally socked us all in 30 seconds before totality so we saw nothing. Photograph by Tyler Nordgren The 2012 partial solar eclipse in San Diego, California with approximately 76% obscuration. Photograph by Todd Vorenkamp The sun photographed with a 50mm lens on a full frame camera with Mylar white light solar filter. Photograph by Todd Vorenkamp The sun photographed with a 300mm lens on an APS-C sensor camera with Mylar white light solar filter. Photograph by Todd Vorenkamp The sun photographed with a 300mm lens on APS-C sensor camera using a DayStar Camera Quark Hydrogen-alpha filter. Photograph by Todd Vorenkamp Photographing the sun with a 300mm lens on APS-C sensor camera using a DayStar Camera Quark Hydrogen-alpha filter and iOptron Sky Guider Pro Tracking Mount Mylar white light filter. Photograph by Todd Vorenkamp Digiscoping with iPhone and Skywatcher Virtuoso Telescope with Motorized Mount and Carson HookUpz 2.0. Photograph by Christopher Witt Prime-focus solar photography through a Sky Watcher Maksutov-Cassegrain telescope with Canon DSLR, on Sky Watcher Virtuoso motorized mount. Photograph by Christopher Witt Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/12/2017
A simple twist of fate (OK, I clicked a link) introduced me to the wedding photography of Jide Alakija and I immediately knew he should be a guest on the podcast. His work falls into the category of documentary wedding photography, but the intimate connection he seems to make with his subjects, as well as his compositional skills, place his work above the popular trend of fly-on-the-wall work. He captures moments of humor, tenderness, and joy that many photographers would miss, but still fills a frame the way Grandma wants the photos on her mantel to look. We talk about his composition decisions and shooting techniques, but we also wanted him on the show because his work brings him to many different countries and cultures. With this in mind, we take on numerous aspects of traveling to shoot a wedding, whether that is a "destination" wedding or simply being invited to shoot a wedding far from home. Our conversation includes the practical side of travel—what gear to bring, who to hire as an assistant, how to budget—but we also discuss the intricacies of working in a locale where you are not familiar with the cultural traditions and may not even speak the language. Join us for a lively chat with our new friend, Jide Alakija. Guest: Jide Alakija Jide Alakija and Allan Weitz Previous Pause Next All Photographs by Jide Alakija DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2016
In Part II of our series on astrophotography, we talk with Ian Norman, founder of Lonely Speck, a site dedicated to making astrophotography easy and accessible to all photographers. The website is loaded with great advice, gear reviews, and simple tutorials on how to photograph the night sky and specifically, the Milky Way. Our conversation with Ian centers on his development as a photographer and provides many tips on how, with very affordable equipment and apps and basic processing, you can create stunning dark sky images. As you will hear, Norman, like his website, is all about sharing experiences and advice on how to simplify and improve your photography. As he says, “there are few photographs that have as much existential impact as a nighttime landscape against the Milky Way.” Join us for this educational and inspirational episode. Guests: Ian Norman Photo: Ian Norman, LonelySpeck.com Last week's episode, Shooting Stars, Part I – Imaging from the Hubble Telescope Trona Pinnacles looking south with Milky Way Lone Pinnacle, Pinnacles National Park and Milky Way Eastern Sierras by moonlight and the Milky Way Milky Way and Alabama Hills Diana Southern and the Heavens Above Her Diana Southern, Allan Weitz, and Ian Norman Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/02/2016
In the first of our two-part series on astrophotography, we are fortunate to be joined by two scientists responsible for some of the most awe-inspiring images ever created. Astrophysicist Dr. Jeff Hester was a member of the team that built the camera on the Hubble Space Telescope and is credited with taking the “Pillars of Creation,” an extraordinary image of the Eagle Nebula that has been selected by Time magazine as one of the 100 most influential photographs in history. Dr. Hester tells us about his time working on the Hubble and how this image was created, as well as offering his insight on the nature of beauty and the relationship between science and art (Hint: They’re not as different as you might think.) Also participating in our conversation is Zoltan Levay, the Imaging Team Leader at the Space Telescope Science Institute, whose principal responsibility is to produce and publicize pictures from the Hubble. Mr. Levay discusses the relative nature of color, his techniques for coloring and composing photographs, and the differences between the images that come to him as “data” from the telescope and the published images with which we are more familiar. Again, science and art blend as we ask why certain colors are chosen to represent various celestial bodies, and come to realize that the decisions made and processes used in the top tiers of astrophotography are not that different from those we ourselves make in our own post-processing. Guests: Zoltan Levay and Dr. Jeff Hester Next week’s episode, Shooting Stars, Part II- Deep Sky DIY The views and opinions expressed in this podcast are those of the individual guests and do not necessarily represent the views of B&H Photo. Bubble Nebula NASA, ESA, and the Hubble Heritage Team (STScI/AURA) The “Pillars of Creation” from the Eagle Nebula NASA, ESA, STScI, J. Hester and P. Scowen (Arizona State University) Carina Nebula Mosaic NASA, ESA, N. Smith (University of California, Berkeley), and The Hubble Heritage Team (STScI/AURA) Galaxy Cluster Abell 2744 NASA, ESA, and J. Lotz (STScI) Barred Spiral Galaxy NGC 1300 NASA, ESA, and The Hubble Heritage Team (STScI/AURA) Image Processing Workflow Image Courtesy of Zoltan Levay and STScI Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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