Don’t Miss an Episode Subscribe Now

Refine
Done
0 Plays
Posted 04/29/2021
It’s Macro Photo Week at the Explora blog and you’ll find many helpful articles and videos about the tools, techniques, and practitioners of macro photography. On the podcast, however, we go deeper than macro, like 1000x deeper—our conversation is with geologist, gemologist, and microscopist Nathan Renfro, of the Gemological Institute of America. Renfro is a renowned photomicrographer, and his images of the interiors of gems, with their unique inclusions and imperfect perfections, are stunning color abstractions of the natural world. With Renfro we speak about the art, craft, and science of photomicrography—using microscopes to make photos—and how he documents the inner life of a stone. Renfro got his start in gemology thanks to the collection of rocks and gems his grandfather, a miner from North Carolina, left to him. From this collection a fascination grew, ultimately taking him to GIA as a protégé of John Koivula, noted gemologist and author of the Photo Atlas of Gems series. Renfro himself has become one of the leading image makers in his field, and we discuss the tools and techniques he uses to create his work, including fiber optic lighting, focus stacking, and Differential Interference Contrast. We also discuss the surprisingly simple cameras that he uses, as well as the adapters, filters, and apps that enable his wonderful creations. We ask about the advantages that mirrorless photography holds for his craft, about the commercial and scientific applications of his work, and how traditional photography with a standard zoom lens has improved his understanding of composition and color, thus benefiting his photomicrography. Join us for this exploration deep into microverses, which are as complex and unique as any place on Earth or beyond. Guest: Nathan Renfro Photograph © Nathan Renfro Today’s episode of the B&H Photography Podcast was produced using Audio-Technica  microphones. Amethyst © Nathan Renfro Arkansas Quartz © Nathan Renfro Blue Diamond © Nathan Renfro Chrysoprase © Nathan Renfro New South Wales Sapphire © Nathan Renfro Greenland Diamond Trigons © Nathan Renfro Topaz © Nathan Renfro New South Wales Iris Agate © Nathan Renfro ZEISS microscope with Canon 6D DSLR © Nathan Renfro Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
0 Plays
Posted 06/30/2020
This week on the B&H Photography Podcast, we welcome two old friends of the podcast to talk about the latest gear from their respective companies. First up is Rudy Winston, Technical Advisor at Canon USA, and then we welcome Marc Farb, Technical Rep from Sigma. Both Winston and Farb are breaking records with this, their fifth visit to our show. With Rudy Winston, we discuss a few cameras that were released last year or earlier in 2020, such as the Canon EOS 6D Mark II DSLR and the EOS 1D X Mark III DSLR, to get a sense of how they are being received, and then we briefly discuss what may be the most-anticipated camera of 2020, the upcoming EOS R5 Mirrorless Digital Camera. In addition, we talk about the latest Rebel T8i DSLR, CF Express memory cards, and the incredible RF 50mm f/1.2L USM Lens. After a short break, we start our conversation with Marc Farb, discussing the impressive Sigma fp Mirrorless Camera, which was announced almost a year ago but has become the latest big deal for those wanting a compact full frame camera that can be the basis of both a complete photo or cine system. From there, we talk lenses. Sigma continues to produce incredible lenses in all categories and for most major camera systems, including the 100-400mm f/5-6.3 DG DN OS Lens for the Sony E system and the just-announced 16mm f/1.4 DC DN and 30mm f/1.4 DC DN for L-mount systems. After a quick mention of Sigma’s adapters and its new UD-11 USB Dock for Leica L-mount lenses, Farb relates an all-time favorite lens of his that is ideal for sports, wedding, and concert photographers, among others: the Sigma 120-300mm f/2.8 DG OS HSM Sports Lens. Join us for this informative and practical discussion of the most interesting new gear from Canon and Sigma. Guests: Rudy Winston and Marc Farb Canon EOS 6D Mark II DSLR Camera Body with Accessory Kit Canon EOS 1D X Mark III DSLR Camera Canon EOS Rebel T8i DSLR Camera Canon RF 50mm f/1.2L USM Lens Sigma fp Mirrorless Digital Camera Sigma 16mm f/1.4 DC DN Contemporary Lens Sigma 100-400mm f/5-6.3 DG DN OS Contemporary Lens for Sony E-mount Sigma 120-300mm f/2.8 DG OS HSM Sports Lens Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 06/19/2019
B&H recently hosted the OPTIC Outdoor, Photo/Video, Travel Imaging Conference, which gave us an opportunity to sit with many wonderful photographers including Ron Magill, Frans Lanting, and Erin Babnik, and we will be publishing these conversations over the next few weeks. Today we welcome representatives from Canon, Panasonic Lumix, and Sony to discuss their latest wares. First we speak with Ross Joseph from Canon about his company's  photo printer options, specifically the imagePROGRAF PRO-1000, a wonderful 17” desktop printer with professional features. Next we welcome Tom Curley from Panasonic to talk about the LUMIX camera line and the incredible new DC-S1H full-frame mirrorless camera and the L-mount consortium. Finally, we welcome Ben Manlove, Sr. Representative from Sony Digital Imaging PRO Support. Ben discusses new firmware updates and a range of Sony gear, including the gems of the E-mount system, new lenses from Sony and the waterproof/crushproof Cyber-shot DSC-RX0 II Digital Camera. Join us for this informative episode of the B&H Photography Podcast. Guests: Ross Joseph, Tom Curley, Ben Manlove Canon imagePROGRAF PRO-2000 24" Professional Photographic Large-Format Inkjet Printer Canon imagePROGRAF PRO-6000 60" Professional Photographic Large-Format Inkjet Printer Panasonic Lumix DC-S1 Mirrorless Digital Camera Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital Camera Panasonic Lumix S PRO 70-200mm f/4 O.I.S. Lens Panasonic DMW-STC14 Lumix S 1.4x Teleconverter Sony Alpha a7 III Mirrorless Digital Camera Sony RX0 Ultra-Compact Waterproof/Shockproof Camera Sony FE 24mm f/1.4 GM Lens Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 02/23/2018
We are delighted, at the B&H Photography Podcast, to present our chat with acclaimed portrait photographer Chris Buck. Buck is an in-demand celebrity and advertising photographer, but he also maintains ongoing personal projects, such as his current series, “Gentleman’s Club.” We speak with him on a range of topics, from concept development, shooting technique, and gear, to editing decisions and self-publishing. With a flexible yet unmistakable style that blends insight, a touch of dry, almost absurdist humor, and a pinch of the darkness within, Buck has photographed a host of luminaries from the worlds of film, music, and politics, including four of our last five Presidents. His most recent book, Uneasy, is a 30-year compendium of incredible portraits; we discuss the making of this book and, of course, some of his most recognized images. We also speak with Buck about process: his “three tiers of ideas,” thoughts on humor, his adjustment to digital photography, and DSLR versus medium format. In this wide-ranging conversation, Buck opines on his relationship with subjects, the nature of portraiture, his influences from pop culture and photography, and how “being relaxed and having fun are the enemies of a good Chris Buck photo.” Guest: Chris Buck Barack Obama, from the book, "Uneasy" © Chris Buck Elvis Costello, from the book, "Uneasy" © Chris Buck George McGovern, from the book, "Uneasy" © Chris Buck Leonard Cohen, from the book, "Uneasy" © Chris Buck Philip Seymour Hoffman and John C. Reilly, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck Steve Martin, from the book, "Uneasy" © Chris Buck William F. Buckley, from the book, "Uneasy" © Chris Buck Jonathan Millet, from the "Gentleman’s Club" series © Chris Buck Vincent Rodriguez, from the "Gentleman’s Club" series © Chris Buck Chris Buck on the B&H Photography Podcast © John Harris Allan Weitz and Chris Buck © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence
0 Plays
Posted 12/29/2017
For the B&H Photography Podcast, 2017 has been a wonderful year. We published our 100 th episode, surpassed one million downloads, and reached #1 on the iTunes podcast chart in the Visual Arts category. Achievements aside, we are simply pleased with the remarkable guests we have hosted on our show, the variety of subjects we have covered, and the consistently entertaining and intelligent conversations we have published. And honestly, we are proud to have maintained our production output—week in week out—and to still really enjoy what we do. With this in mind and with gratitude to our listeners, guests, co-workers, and the management at B&H, we have cobbled together a 2017 year-in-review episode in which we discuss our favorite shows from 2017 and play a few clips of the most interesting moments from these episodes. The highlights were many and hard to narrow down, but Allan Weitz chose our episode with photographer Lynn Goldsmith as his favorite, with a close second being our talk with Bellamy Hunt, aka the Japan Camera Hunter. He also mentioned our talks with Richard Drew on his photograph, referred to as “Falling Man,” and our episodes with photojournalists (and husband and wife) Ben Lowy and Marvi Lacar. As for Jason Tables, he pointed to History of Hip-Hop Photography and Night Photography—From Film into Digital, as his favorites. My list included a few of those mentioned above, as well as an episode on social documentary projects and the clip I chose from our serial segment, “Dispatch,” with Adriane Ohanesian, in which she recounts the story of a fatal attack she survived while covering a story in Congo. We discuss several more episodes during this end-of-year extravaganza and hope that the clips pique your interest and inspire you to subscribe to our show and check out programs from our catalog, which now includes more than 100 episodes. Thank you and happy New Year from Allan, Jason, and John. Guests: Lynn Goldsmith, Bellamy Hunt, Richard Drew, Ben Lowy, Marvi Lacar, Danny Hastings, Eric Johnson, Janette Beckman, Vicky Tobak, Chris Nicholson, Lance Keimig, Adriane Ohanesian   Jason Tables, Allan Weitz, and John Harris   Jolene Lupo, Penumbra Foundation DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 06/02/2017
It’s a short week here at the B&H Photography Podcast, so we thought we’d take care of some cleaning that we have put off all winter. Unless one is a full-time pro or serious enthusiast, most of one’s photography is done in the fairer months of spring and summer, whether that be on family vacations, at sporting events, weekend picnics, or just working out that macro lens in the garden. So, it’s time to pull the camera bag from the closet and give our gear a quick once-over to make sure everything is in working order. In this episode, we discuss little ways to maintain cameras and lenses, and things to do to prepare them for the shooting season. From firmware upgrades to mode settings to dust and grease removal, there is a lot you can do in a short time to better understand your camera and to keep it functioning smoothly. In the second half of the show, we continue our serial “Dispatch,” with Adriane Ohanesian. This ongoing segment takes an inside look at the life and work of a freelance photojournalist working in East Africa. In this episode, Ohanesian updates us on her coverage of the conflict in Somalia as she spends time embedded with African Union troops and travels north, to photograph the effects of the ongoing drought in Puntland. She discusses being contracted by the International Rescue Committee to document the refugees “flowing” from war-torn South Sudan to settlement camps in Uganda and, finally, analyzes the risks and expenses freelance photographers take on while working in conflict zones—and the often adverse objectives of news organizations and NGOs. Guests: Todd Vorenkamp and Adriane Ohanesian Click here if you missed Episode 1 of "Dispatch." Photographs © Adriane Ohanesian Mohamed Abdi Bare, age 4, stares at the line of people inside of the waiting area at the Department of Refugee Affairs office in Shauri Moyo, Nairobi, Kenya, January, 2017. Ugandan African Union armored personnel carriers at dusk along the Afgooye road outside of Mogadishu, Somalia, February, 2017. The Ugandan African Union Special Forces wait inside of an armored personnel carrier during a night patrol in Mogadishu, Somalia, February, 2017. The shelters of nearly 400 pastoralists families who have lost a majority of their livestock due to drought, have set up camp along the road in search of food and water in Uusgure, Puntland, Somalia, February, 2017. Severely malnourished, Farhiyah, age 2, lies on the floor of her family’s hut where she stays with her three siblings and mother who came to the area in search of food and water in Uusgure, Puntland, Somalia, February, 2017. The remains of dead goats lie next to the road in Puntland, Somalia, February, 2017. South Sudanese gather to collect their belongings that were transported to the Imvepi settlement for South Sudanese refugees who have fled to northern Uganda. March, 2017. Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 01/20/2017
We are living in a Golden Age of landscape photography. Digital cameras and improved software enable the kind of imaging that until recently was only possible via the budgets of large publications and the talents and ambitions of a few select photographers. Ambition and talent remain, and with enhanced dynamic range and color algorithms, higher sensitivity settings, simplified stitching and compositing software, and a network of websites to display work, impressive landscape photography is abundant; however,  there are new masters and the skill set of current practitioners includes not only those of the photographer, but also of the savvy digital graphic artist.  With the ability to pull details from shadows, augment colors, and combine distinct files into a single image now easier than ever, we must ask—is it acceptable to represent nature without natural characteristics, to merge photos from different focal lengths into one image, or add a blazing sunset to a foreground taken hours or days apart? Can images composed in such a way even be defined as photography and does an ethos, akin to that in photojournalism, apply to nature photography? These are some of the questions we pose to two incredible landscape photographers,  Adam Burton  and  Ryan Dyar. We spoke with them separately, but prepared a similar set of questions, and asked them to walk us through their in-camera workflow and post-process techniques. We spoke about their approach to a scene, their use of “grad-filters” and plug-ins, acceptable degrees of enhancement, and strove to understand if there is indeed an ethics to landscape photography. Guests:  Ryan Dyar and Adam Burton Unprocessed image (left) and post processed image (right) Adam Burton Adam Burton Adam Burton Adam Burton Adam Burton Adam Burton Unprocessed image (left) and post processed image (right) Ryan Dyar Ryan Dyar Ryan Dyar Ryan Dyar Ryan Dyar DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 12/02/2016
On this week’s episode, we return to our roots—and not just our photographic roots—but we return to our podcast’s original design of chatting about photography among B&H photographers and writers. We welcome back an original co-host of the podcast, Todd Vorenkamp, as we discuss the basics of photography—the control of light through aperture, shutter speed, and ISO sensitivity. Yes, this episode could be considered a Photo 101 course, and for those who are new to photography (or new to manual control of your imaging) this episode should be very helpful. We walk through the core concepts of how to expose your images to get the look you want and try to clarify the sometimes confusing nomenclature and camera settings. We talk depth of field, diffraction, motion blur, digital noise, “Sunny 16,” and the necessary balance between aperture, shutter speed, and ISO that is required for proper exposure. Photo veterans should tune in, too, because our conversation is by photographers for photographers, and will provide insights and anecdotes that may even improve your skills. Guest: Todd Vorenkamp Shallow depth of field can be created by opening up your lens to its maximum aperture.         John Harris High ISO settings enable sharp imaging in low light but can also produce “noise,” apparent in the sky. John Harris Even a shutter speed of less than 1 second can create blur or, in this case, a short light trail.     John Harris Utilizing a 30 second exposure with tripod, low ISO and a small (f/22) aperture, long light trails and intentional blur are created. An auto white balance setting facilitates the proper rendition of the many different color temperatures in this frame. Jason Tables   DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 11/03/2016
The B&H Photography Podcast was very fortunate to be invited to the 29th Eddie Adams Workshop this year. The annual workshop, officially sponsored by Nikon, with support from B&H, is a unique and inspiring event, bringing together 100 young photographers with some of the world’s most recognized photojournalists and editors, including thirteen Pulitzer Prize winners, for four intense days of photographic presentation and collaboration. Tim Rasmussen, Director of Digital and Print Photography at ESPN, joined us for a chat in our improvised studio in the fabled barn on the Eddie Adams farm. Prior to ESPN, Rasmussen was the Assistant Managing Editor of Photography and Multimedia at the Denver Post and under his lead, their photo department earned three Pulitzer Prizes. Tim is also a member of the Board of Directors at the Eddie Adams Workshop and, in addition to having been a team leader, producer and editor at the workshop, he was a student in its very first year—1988. Our conversation with Rasmussen revolves around the workshop—how he came to attend the first-ever workshop, why it has become a breeding ground and “sanctuary” for two generations of talented photojournalists and, of course, around Eddie Adams himself. We also talk with Rasmussen about his own career, transition from photographer to editor, and how he ended up at ESPN. Within this relaxed conversation there is much to learn—about the threads of life and the nature of commitment, about the practice of photojournalism and, particularly for young photographers, about what an editor looks for when hiring a photographer. Photograph above © Tim Rasmussen Guest: Tim Rasmussen Eddie Adams. Photograph by ©Tim Rasmussen The Board of Directors of the Eddie Adams Workshop, 1992. Photo Courtesy Tim Rasmussen The first Black Team at the workshop recreates Joe Rosenthal’s famous Iwo Jima image with Rosenthal in attendance. Photo Courtesy Tim Rasmussen Gregory Heisler at the first ever Eddie Adams Workshop, 1988. Photo courtesy Tim Rasmussen From the 2016 Eddie Adams Workshop Photographer Carol Guzy preparing for her talk at the barn Photographer Adrees Latif with student at 11:30 Club portfolio review Tim Rasmussen editing student’s work Photographer Marco Grob during his talk in the barn Editor Jim Colton offers advice to a student Photographer Nick Ut running for “president” at the 2016 Eddie Adams Workshop Students check out each other’s work at 11:30 Club   DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
1 — 9 of 9 items

Close

Close

Close