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Posted 07/01/2021
Beginning with an iPhone and an “a-ha moment” in the beautiful San Francisco City Hall, photographer Arthur Drooker began a project that would last five years and take him across the United States to photograph the most impressive and interesting city halls in the nation. The project culminated with his wonderful book, City Hall: Masterpieces of American Civic Architecture, from Schiffer Publishing, and it brings him to the B&H Photography Podcast to discuss photographing architecture, civic pride, research and interviews, book publishing, zoom and tilt-shift lenses, and a host of other subjects related to his photography. Join us for this practical and insightful episode. “To me, the best city halls are not just office buildings to administer services, they also use architecture and design to express something about civic pride, civic virtue, and democratic engagement.” —Arthur Drooker Guest: Arthur Drooker Photograph © Arthur Drooker San Francisco City Hall rotunda © Arthur Drooker Buffalo City Hall council chamber © Arthur Drooker Cincinnati City Hall © Arthur Drooker Philadelphia City Hall © Arthur Drooker Detail of William Penn statue atop Philadelphia City Hall © Arthur Drooker San Jose City Hall interior reflections © Arthur Drooker “City Hall” book cover © Arthur Drooker “American Ruins” book cover © Arthur Drooker “Conventional Wisdom” book cover © Arthur Drooker “Pie Town Revisited” book cover © Arthur Drooker Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 06/03/2021
Every now and again there are conversations that flow and sparkle; they seem laden with professional insights and creative gems. Our chat with photographer Mona Kuhn is one, and perhaps it’s Kuhn’s self-awareness, her quiet confidence, and an ability to articulate her motivations that make it so. There are few who will disagree that her visual stories, her portraits, nudes, landscapes, and photo essays are among the most assured in contemporary photography, and on this episode of the B&H Photography Podcast we just revel in her good humor and willingness to share process. We speak a good deal about Kuhn’s new book Mona Kuhn: Works, and how it distills twenty years of an evolving career without ever seeming like a “retrospective.” We discuss editing strategies for this and previous books, how she created her intimate series, and why the sustained connections and relationships with her subjects are, to Kuhn, the most successful results of her extremely well-regarded work. As mentioned, she is very generous with her thoughts on photography, on how she used photo techniques to avoid the “gratuitous presence of the nude” and that the human figures she photographs are used to communicate “beyond just what you see.” She also references the work of Mike Disfarmer, how the square Hasselblad format forced her to be creative when photographing the “rectangular” human body. In the second half of the program, we cover aspects of her commissioned work and the satisfaction of being spontaneous in editorial work and of exercising the “problem-solving side of your brain” in the commercial sphere. We also discuss the differences between stories told in a book compared to a gallery, how she is comfortable on a monitor using Lightroom, but her book edits need to be printed and arranged physically to cull and order into “visual sentences.” Finally, Kuhn offers a very nuanced thought on the meaning of her personal images, encouraging “a dialogue of meanings” and noting that sometimes "quiet images last longer.” Join us for this delightful chat and have a look at Kuhn’s other new book, Study, from TBW Books. Guest: Mona Kuhn Photograph © Mona Kuhn Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 09/02/2020
On this week’s episode of the B&H Photography Podcast, we welcome editor, educator, and photographer Joan Liftin, and Michelle Dunn Marsh, founder and publisher of Minor Matters Books. In the first half of the show, we speak with Liftin about her latest book, Water for Tears, and then we focus on Minor Matters and the unique business model this publishing house utilizes. We also discuss the person who brought them together, the late photographer Charles Harbutt. Liftin was married to Harbutt and was his collaborator, and Marsh has recently published a book of Harbutt’s work and words, titled The Unconcerned Photographer. With Liftin we discuss the genesis of Water for Tears, which is a sort of photo memoir—images from travel and family and fleeting impressions that tie together a lifetime. We discuss editing, sequencing, collaboration, and the subtle difference between narrative and story. We also talk about editing Harbutt’s work and, along with Marsh, about the creation of The Unconcerned Photographer. After a break, Marsh elaborates on the publishing model they employ at Minor Matters—a hybrid of crowdfunding, support membership, and a direct, organic connection between artist, publisher, and consumer. Have a look at their catalog, which presents work from established photographers and new voices in the medium. Join us for this compelling discussion. Guests: Joan Liftin and Michelle Dunn Marsh Photograph © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin Cover of "The Unconcerned Photographer," published by Minor Matters Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/22/2020
Whether photographing your own garden or the sculpted acreage of the Rockefellers, following the light and finding infinite new angles to present the flora is time well spent. That is the clear takeaway from this week’s episode of the B&H Photography Podcast with photographer Larry Lederman. However, we also discuss practical tips on bracketing, histograms, tripods, and zoom lenses for medium format cameras. It really is a nice chat with a photographer who has found pleasure in photographing not only his own garden, but some of the most immaculate gardens, both public and private, on the East Coast. Lederman is the author of six books featuring his botanical and horticultural photography, including the upcoming Garden Portraits: Experiences of Natural Beauty, which will be published by The Monacelli Press on October 13, 2020 and is available for pre-order. He has photographed for the New York Botanical Garden and other famed gardens in the New York area and brings a perspective that, forgive me, sees the forest for the trees. He understands blending the universal with the personal and capturing his impression of the natural and designed beauty while also illustrating the unique essence that the gardener, landscape architect, or owner has created. Largely self-taught as a photographer, Lederman discusses his transition from using Leica M system cameras to the Nikon D850 and the Pentax 645Z system. We also talk about his preference for zoom lenses, the relationship he feels between architecture and landscape photography, his technique when approaching a new space, and the need to return to a garden in all four seasons, often starting in winter, in order to fully understand and depict these spaces that are both natural and human-made. Join us for this informative chat and let us know in the Comments section the tricks and techniques you use to photograph the gardens in your life. Also join Larry Lederman as he leads a webinar for B&H on October 28, 2020. Guest: Larry Lederman Photograph © Larry Lederman The Beckoning Path, Armonk, NY. Mirrored fall colors. © Larry Lederman Hawks Nest, Chappaqua, NY. A hedge of forsythia that burst into brilliant yellow bloom in early spring. © Larry Lederman Hawks Nest, Chappaqua, NY. Winter reveals the structure of the Rose Garden. © Larry Lederman Hawks Nest, Chappaqua, NY. Fall leaves over the falling brook. © Larry Lederman Glimcher Garden, Long Island, NY. This work by Zhang Huan playfully commands the landscape. © Larry Lederman Innisfree, Millbrook, NY. Pond in a stand of conifers. © Larry Lederman Japanese Garden at Kykuit, Pocantico Hills, NY. © Larry Lederman Merrin Garden, Cortlandt Manor, NY. © Larry Lederman Brubeck Garden, Wilton, CT. A Japanese-style gate sets the tone of the garden and its surrounding planting. © Larry Lederman Cover art from “Garden Portraits: Experiences of Natural Beauty” by Larry Lederman, published by The Monacelli Press, 2020 Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/08/2020
During a little holiday trip, producer John Harris made a visit to the gallery and studio of photographer Clyde Butcher. For anyone who grew up in Florida, Butcher’s work should be very familiar; his photography is often found on the walls of local libraries, municipal buildings, and, as Miami native Jason Tables points out, “every doctor’s office I’ve ever been in.” Butcher’s images of the Florida landscapes, particularly of the Everglades, are legendary, and although he has a brisk print-sales business, many of the photos in libraries have the attached placard, “Donated by Clyde Butcher.” Although he is known primarily for his large format black-and-white photography of “the swamp,” Butcher’s photographic career extends back many decades and includes architectural photography, mountain and western landscapes, filmed documentaries, and decorative color photography. Interestingly, Butcher began his career selling prints at small art fairs and, in the 1970s, he had a thriving business selling thousands of prints through department stores such as Sears and Montgomery Ward. This episode of the B&H Photography Podcast is a casual conversation that glides through several topics, including Butcher’s work with large format cameras, his recent foray into Sony digital cameras paired with Canon tilt-shift lenses, the incredible set of vintage enlargers in his giant darkroom space, the business models he and his family employ to market his images, water conservation, and, of course, his relationship to the Florida landscape for which he will be forever linked. Join us for this conversation with a true master. Guest: Clyde Butcher Above photograph © Clyde Butcher Tamiani Trail © Clyde Butcher Cigar Orchid Pond © Clyde Butcher Ochopee © Clyde Butcher Big Cypress © Clyde Butcher Moonrise © Clyde Butcher Plaja-S’Arenella-with-Boat, from Salvador Dali series © Clyde Butcher Cadaques, from Salvador Dali series © Clyde Butcher Cap-de-Creus, from Salvador Dali series © Clyde Butcher Clocks by Clyde Butcher circa, 1970s © Clyde Butcher Clyde Butcher and John Harris © Niki Butcher Niki and Clyde Butcher © John Harris Clyde Butcher in his Venice, Florida office © John Harris Butcher workshop and darkroom, 2019 © John Harris Niki Butcher with enlarger, 2019 © John Harris Clyde Butcher in Movie Dome with 11 x 14" view camera © Clyde Butcher Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 10/03/2019
We welcome to the B&H Photography Podcast two photographers who have brought their talent and dedication to bear on the complex and beautiful lives that exist on the U.S.-Mexico border. Our first guest is photographer Stefan Falke, who is engaged in a 10-year portrait project called LA FRONTERA: Artists along the US-Mexico Border, which is dedicated to documenting the “influence that artists have on their community.” He has photographed more than 200 artists, writers, singers, and photographers who live on both sides of the 2,000-mile-long border. With Falke we discuss the development of this project, his style of shooting, how he met the many artists he has photographed, and the complications and joys of shooting in border towns in the U.S. and Mexico. He also discusses how he pared down his camera and lens choices for this project to just his trusty Nikon D850 and a 24-70mm lens. After a short break, we welcome photographer Monica Lozano, who is included in Falke’s project, and describes her portrait session with him in the main market, in Juarez, Mexico. We also discuss her incredible photographic series, which blend documentary and fine art styles to bring awareness to the struggle of migrants in Europe and the Americas. Lozano, a Mexican-American artist with roots in both countries, brings a compassionate yet objective depiction to a complex situation, and she even blends in a touch of humor. With Lozano, we discuss her evolution as an artist, the differing effects that stylized photos have compared to straight documentary, and the resounding need to understand the long and evolving history and culture of “la frontera.” Join us for this compelling conversation and check out the B&H Photography Podcast Facebook Group. Guests: Stefan Falke and Monica Lozano Raechel Running, Agua Prieta, Mexico, 2015© Stefan Falke Alfredo “Libre” Gutierrez, Tijuana, Mexico, 2016 © Stefan Falke Tom Kiefer, Ajo Arizona, 2017 © Stefan Falke Jellyfish, Ciudad Juarez, Mexico, 2015 © Stefan Falke Monica Lozano, Ciudad Juarez, Mexico, 2015 © Stefan Falke Pablo Llana, Playas de Tijuana, Mexico, 2016 © Stefan Falke from the “What Remains” series © Monica Lozano from the “What Remains” series © Monica Lozano from the “What Remains” series © Monica Lozano from the “What Remains” series © Monica Lozano from the “Borders” series © Monica Lozano from the “Borders” series © Monica Lozano from the “Borders” series © Monica Lozano from the “Hugs Not Walls” series © Monica Lozano from the “Hugs Not Walls” series © Monica Lozano Allan Weitz, Monica Lozano, and Stefan Falke © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/31/2019
This week, we welcome two photographers who know the joys of spending a late afternoon waiting for super cells to form, or that perfect lightning strike to appear, as well as the perils of rising waters, golf-ball-sized hail, and projectile debris in flight. Our topic today is extreme-weather photography, and we welcome photographers from two different continents to tell us about their shooting styles, safety precautions, gear, and their general thoughts on weather, social media, and the photography business. We are joined first by photographer and filmmaker Jim Reed, who is a represented by National Geographic Image Collection. His work has been published in National Geographic magazine, the New York Times, Scientific American, and The Guardian, and has been featured on the Weather Channel, Discovery Network, and the Oprah show. He is the author of the critically acclaimed 2007 photo book, “Storm Chaser: A Photographer's Journey.” With Reed, we discuss his minimal gear setup, safety precautions, useful apps, and how his client base has shifted during his thirty-year career. After a short break, we welcome Jordan Cantelo, from the Western Australian town of Jurien Bay. Cantelo is a local wildfire officer who began photographing weather during long stints in the bush. With Cantelo, we speak about the specific weather and storm types in Western Australia, his use of lightning triggers, his preference for medium format cameras, landscape compositions, and how he follows weather systems to get the shots he is after. For many photographers, being a “storm chaser” seems like a thrilling way to earn a living, so tune in to the B&H Photography Podcast for our conversation with two seasoned weather and landscape photographers to get a better understanding of the dos, the don’ts, and the practical side of extreme-weather photography. Guests: Jim Reed and Jordan Cantelo Above photograph © Jim Reed Professional storm chasers monitor an approaching tornado in western Kansas on May 8, 2008 © Jim Reed Concurrent Tornadoes at Night, 2012 © Jim Reed A Bolt from the Gray, 2004 © Jim Reed A severe thunderstorm brings much needed rain to a drought-stricken farm near Roswell, New Mexico, 2013. © Jim Reed Cloud-to-ground lightning bolts strike a field in eastern Wyoming, 2011. © Jim Reed Waves explode over a seawall and into Galveston, Texas as Hurricane Ike approaches, on September 12, 2008. © Jim Reed Ominous Skies © Jordan Cantelo Dowerin Evening Lightning © Jordan Cantelo Microburst- Between Beacon and Wialki © Jordan Cantelo Electric Skies – Beacon © Jordan Cantelo Kimberley Wet Season Skies © Jordan Cantelo Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/24/2019
For this episode of the B&H Photography Podcast, we took our portable recorders to an elegant mansion along Central Park, which had been decked out by Sony as a series of stylized photography sets, complete with full lighting, backdrops, and models. They also happened to have on hand many brand-new Sony Alpha a7R IV Mirrorless Digital Cameras and hundreds of lenses for the guests to shoot with in these mini studios. Let’s not forget about the great music, delicious food, and open bar Sony provided. All in all, it was a wonderful event to celebrate the highest megapixel full-frame camera on the market. Sony invited many impressive photographers, writers, influencers, retailers, and… us. And we made our way through the many rooms, speaking with Sony representatives and photographers, getting their first impressions of this latest incarnation of the Alpha a7R series. Needless to say, people were impressed and, after seeing the specs and handling this new camera, so were we. Our first guest is Michael Bubolo, Senior National Manager from Sony PRO Support. We sat with Bubolo before the crowds arrived and were able to go over some of the upgrades and features and get his thoughts on what makes this camera stand out from previous models. Next, we welcome the one and only Ken Rockwell to ask his thoughts on the camera and anything else he wanted to talk about. After a short break, we speak with visual artist Lori Grinker about her potential uses for the a7R IV and, then, with landscape and travel photographer Jude Allen, who happened to be in town from San Francisco, about his first impressions after handling the camera. Finally, we sit down with Sony Artisans Andy Katz and Colby Brown, who both had had the opportunity to shoot the new camera for a couple of weeks and report back on the features they most appreciate for the specific work they do. Join us for this in-depth look at the latest Sony full-frame mirrorless camera, and let us know if you are ready to upgrade. Guests: Michael Bubolo, Ken Rockwell, Lori Grinker, Jude Allen, Andy Katz, and Colby Brown created with the new Sony Alpha a7R IV camera © Andy Katz created with the new Sony Alpha a7R IV camera © Andy Katz created with the new Sony Alpha a7R IV camera © Andy Katz created with the new Sony Alpha a7R IV camera © Andy Katz created with the new Sony Alpha a7R IV camera © Andy Katz created with the new Sony Alpha a7R IV camera © Colby Brown created with the new Sony Alpha a7R IV camera © Colby Brown created with the new Sony Alpha a7R IV camera © Colby Brown created with the new Sony Alpha a7R IV camera © Colby Brown created with the new Sony Alpha a7R IV camera © Colby Brown © Allan Weitz © Allan Weitz Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/11/2019
We hosted several wonderful conversations at this year’s OPTIC Photography Conference, and will be presenting many of these recordings over the coming weeks, but our chat with veteran B&H Photography Podcast guest Chris Nicholson surprised even the normally unflappable Allan Weitz. We have become very familiar with Nicholson’s professional tennis photography and his wonderful color night photography with the National Parks at Night team, so we were understandably surprised when he told us that he is red-green color blind. With that information as our starting point, we discussed how his condition manifests itself, and the obstacles he has overcome to create his beautiful color images. We also segued into general thoughts on color blindness and the inexact nature of colors, and on the tools Nicholson relies on to get his colors as close to “accurate” as possible, specifically new LED lights from Luxli that have enabled him to improve his “light painting.” Join us for this informative and inspiring conversation and, while you are at it, join the B&H Photography Facebook group —it is growing to become an active forum to share your images and thoughts on photography and to stay in touch with Jason, John, and Allan of the B&H Photography Podcast. Guest: Chris Nicholson Photographs © Chris Nicholson Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/09/2019
On this week's episode of the B&H Photography Podcast, we welcome two artists whose work blurs the line between street photography, documentary, installation and digital art, while cultivating a contemporary interpretation of the art and craft of collage. Both artists utilize photography-based processes and take urban architecture and street scenes as their subject, but from there, the work goes in very different directions. Jennifer Williams creates large, often site-specific collages that inspect but distort the architectural scenes she documents. As she has stated, “The rectilinear shape that is the traditional photograph never fulfilled my desire to show everything in space," and that will be immediately clear upon seeing her work. Layering images of buildings upon one another, she creates angular and abstract collages while still providing a path for the viewer to connect the image she creates with the neighborhood or street that she photographed. Williams speaks about her process, including the original imaging, her manipulation in post-process, and her large-scale installations, often made on Photo Tex media. Tommy Mintz wrote a software program that creates "automated digital collages" and he has experimented over the years how he (and the program) composes the street scenes he photographs. The tools he uses for image capture and computation have evolved and become more powerful, but unlike the painstaking control Williams exercises over her collages, the key element in Mintz's process is the random arrangement and layering of images that the software creates. This is not to say that his images are out of control—after all, he wrote the program. He selects scenes to photograph and he does adjust the final product in Photoshop, but the software-generated placement of images creates layers, unexpected shadows, multiple exposures and even seeming glitches that add up to an intriguing and whimsical take on street photography. Join us as we learn about the conceptualizations and processes of these two visual artists and hear how they integrate Nodal Ninja, Epson 24" printers, and the Sigma dp2 Quattro Digital Camera into their workflow. Guests: Jennifer Williams and Tommy Mintz City of Tommorow- Manhatten: Billionaire's Row (57th Street) © Jennifer Williams Blacksburg Unfurled (Virginia Tech, Blacksburg, Virginia) © Jennifer Williams Surveying Liberty (Newbugrh, NY) © Jennifer Williams The High Line Effect: Approaching Hudson Yards © Jennifer Williams Ladders (Installed at Robert Mann Gallery) © Jennifer Williams © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz © Tommy Mintz Jennifer Williams, Tommy Mintz, and Allan Weitz © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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