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Posted 05/20/2021
Making photographs about the important social issues of our day should not be only in the hands of photojournalists working for large news organizations. Greg Constantine and Monica Lozano, our guests on this week’s episode of the B&H Photography Podcast, as well as past guests of our program, distribute and exhibit their work outside the familiar “news” outlets. Both use their photographic work to address the stories of migrants, and both have spent the last two years documenting the human consequences of the United States’ ever-changing immigration policies. We welcome them back to discuss the specific work they have produced and how they disseminate their images. Monica Lozano is a respected fine art and documentary photographer who grew up in Texas and Mexico. Her work deals with issues of immigration, normally from a slightly abstracted and decontextualized, yet emotionally powerful, vantage point. For her recent series, “The Camps,” however, Lozano went directly to the refugee camps that began to appear in her hometown of Juarez, Mexico, in 2019. Her images tell the stories of the stranded asylum seekers by documenting the conditions they lived in and the community they developed. We speak with Lozano about her working process before and during the COVID pandemic. Greg Constantine, prior to joining us on a 2018 episode, had spent years in Asia documenting the Rohingya refugee crisis and other “stateless” peoples. Over the last three years, he has worked on a project about the U.S. immigration detention system. With grant funding and his own money, he has traveled the country creating a comprehensive yet personal document, taking photos and videos, and interviewing numerous detainees and their families. His work came to fruition in the journal Seven Doors, which has an online component, a print version, and exhibits in pop-up shows. We speak with Constantine about the difficulty and pride of being his own “author,” about grant writing, about using FUJIFILM and Mamiya film cameras, and about the value of giving away magazines and being a part of a larger community of image makers. Constantine and Lozano are moved by the injustices they see and have made it their lives’ work to document them and to tell the stories of those most vulnerable, and it is our pleasure to shine a light on their hard work. Guests: Monica Lozano and Greg Constantine Photograph © Greg Constantine © Greg Constantine/Seven Doors © Greg Constantine/Seven Doors © Greg Constantine/Seven Doors © Greg Constantine/Seven Doors © Greg Constantine/Seven Doors From “The Camps” series © Monica Lozano From “The Camps” series © Monica Lozano From “The Camps” series © Monica Lozano From “The Camps” series © Monica Lozano From “The Camps” series © Monica Lozano Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 04/29/2021
It’s Macro Photo Week at the Explora blog and you’ll find many helpful articles and videos about the tools, techniques, and practitioners of macro photography. On the podcast, however, we go deeper than macro, like 1000x deeper—our conversation is with geologist, gemologist, and microscopist Nathan Renfro, of the Gemological Institute of America. Renfro is a renowned photomicrographer, and his images of the interiors of gems, with their unique inclusions and imperfect perfections, are stunning color abstractions of the natural world. With Renfro we speak about the art, craft, and science of photomicrography—using microscopes to make photos—and how he documents the inner life of a stone. Renfro got his start in gemology thanks to the collection of rocks and gems his grandfather, a miner from North Carolina, left to him. From this collection a fascination grew, ultimately taking him to GIA as a protégé of John Koivula, noted gemologist and author of the Photo Atlas of Gems series. Renfro himself has become one of the leading image makers in his field, and we discuss the tools and techniques he uses to create his work, including fiber optic lighting, focus stacking, and Differential Interference Contrast. We also discuss the surprisingly simple cameras that he uses, as well as the adapters, filters, and apps that enable his wonderful creations. We ask about the advantages that mirrorless photography holds for his craft, about the commercial and scientific applications of his work, and how traditional photography with a standard zoom lens has improved his understanding of composition and color, thus benefiting his photomicrography. Join us for this exploration deep into microverses, which are as complex and unique as any place on Earth or beyond. Guest: Nathan Renfro Photograph © Nathan Renfro Today’s episode of the B&H Photography Podcast was produced using Audio-Technica  microphones. Amethyst © Nathan Renfro Arkansas Quartz © Nathan Renfro Blue Diamond © Nathan Renfro Chrysoprase © Nathan Renfro New South Wales Sapphire © Nathan Renfro Greenland Diamond Trigons © Nathan Renfro Topaz © Nathan Renfro New South Wales Iris Agate © Nathan Renfro ZEISS microscope with Canon 6D DSLR © Nathan Renfro Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 02/11/2021
When we started the B&H Photography Podcast more than six years ago, the concept was “watercooler conversations” with photographers, about gear. Well, honestly, it hasn’t always turned out that way, but this episode with famed photojournalist David Burnett comes as close to that idea as any we have done; there’s barely an edit in the whole episode. Burnett joins us, and we just talk. We begin with his coverage of the recent presidential inauguration and his decision to use a 1930 Graflex 4 x 5 camera in addition to his Sony mirrorless with an FE 100-400mm lens. Burnett reflects on the reasons he incorporates vintage cameras and lenses into his workflow and the need to challenge your own point of view as a photographer. We discuss the motivations that bring a particular camera to his eye and his sense of “obligation to all that has come before.” In the second half of the show, we talk about using legacy glass on mirrorless cameras and the relentless (and at times “goofy”) experimentation that both Burnett (and Allan) enjoy. From aerial reconnaissance lenses to old Kodak cine lenses, there is nothing that can’t be adapted, and we go into the weeds to discuss some of the many, many lenses Burnett has not just tried, but used successfully for his professional assignments. We also ask about the new Sony Alpha 1, the benefits of customizable functions, and his preference for the Sony a9 II and a6600 cameras. Join us for this easy-going conversation. Guest: David Burnett Photograph © David Burnett A soldier with a letter from home, Lang Vei, Vietnam, 1971 © 2020 David Burnett/Contact Press Images Bob Marley, 1976 © 2020 David Burnett/Contact Press Images Al Gore on the presidential campaign trail, 2001 © David Burnett/ Contact Press Images John Kerry in the last days of the presidential campaign, Manchester, New Hampshire, 2004 © David Burnett /Contact Press Images Daniel Céspedes arrested by the Chilean military, 1973 © 2020 David Burnett/Contact Press Images Ayatollah Khomeini, spiritual leader of the Iran Revolution, 1979 © 2020 David Burnett/Contact Press Images Mary Decker looks on in pain after colliding with Zola Budd and falling during the 3000-meter race at the 1984 Olympics, in Los Angeles © 2020 David Burnett/Contact Press Images Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/21/2021
On this week’s episode of the B&H Photography Podcast, we welcome Malike Sidibe to the show. With just 23 years under his belt, Sidibe has accomplished a great deal in his relatively short time on planet Earth, and not just photographically. But 2020 has been quite a busy year, even for him. His photography has generally been in the realm of editorial, fashion, and personal projects, and he has a lengthy list of clients that include Time, The Atlantic, Nikon, Nike, and The New Yorker, but this year he created a bold body of work covering the Black Lives Matter marches in New York and made a name for himself with editors shooting portraits via Zoom and FaceTime. We talk with Sidibe about how he has been able to move back and forth between these various genres of photography, concentrating the first part of the show on his experiences covering protests in Brooklyn and how his emotions brought him to the street, but his photographer’s spirit and eye enabled him to capture some of the most arresting images of the summer. We discuss shooting style, the Nikon Z 7 and lens choices, keeping gear secure, and staying safe in the midst of chaos. In addition, we talk about his process in portrait shoots through FaceTime, the iPad he used, and the tools he sent to his models and subjects for these unique collaborations. We also discuss Sidibe’s personal story of immigrating to the United States at age 13, his early struggles in school, and how NYC SALT, a high school photography program, helped him on his journey. It’s easy to recognize the talent, time, and work that Sidibe is dedicating to “making the future me happy,” but his good humor and creative love for photography are evident in this informative and lively conversation. Join us. Guest: Malike Sidibe Photograph © Malike Sidibe From “Black Lives Matter” series © Malike Sidibe From “Black Lives Matter” series © Malike Sidibe From “Black Lives Matter” series © Malike Sidibe From “Mami Wata” series © Malike Sidibe From “Mami Wata” series © Malike Sidibe From “Mami Wata” series © Malike Sidibe From “Mami Wata” series © Malike Sidibe From “facetime” series © Malike Sidibe From “facetime” series © Malike Sidibe Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/03/2020
Today we welcome back to the B&H Photography Podcast  Pulitzer Prize-winning photojournalist and friend to the show, Salwan Georges. Georges joined us four years ago to talk about his documentary project centered around the Arabic communities in Michigan, but a great deal has changed since then, and today he joins us to discuss his work covering the 2020 presidential campaigns for the Washington Post. With Georges, we dig into the nuts and bolts of navigating a presidential election in the middle of a pandemic. We talk about press pools, political rallies, booking your own airfare, and making sure your hotel room is disinfected. We also discuss getting new angles to tell stories, prime versus zoom, switching to the Sony a9 II, and using an iPhone when that’s the only option. Georges also relates his experiences working with editors, having the backs of other photographers, and his additional work covering the opioid crisis and other painful stories of our time. Join us for this insightful conversation that we recorded in the days immediately following the 2020 U.S. Presidential Election. Guest: Salwan Georges Photograph © Salwan Georges Supporters of Democratic presidential candidate former Vice President Joe Biden listen outside of the Chase Center as he speaks during the Democratic National Convention, in Wilmington, Delaware on Thursday, August 20, 2020. Photograph © Salwan Georges/The Washington Post President Donald J. Trump listens to a question from a reporter during a news briefing in the James S. Brady Press Briefing Room at The White House, in Washington, D.C. on Sunday, September 27, 2020. Photograph © Salwan Georges/The Washington Post Sen. Bernie Sanders, I-Vt., 2020 Democratic Presidential Candidate, gives a victory speech after winning the New Hampshire Primary during Primary Night Celebration at SNHU Field House on Tuesday, February 11, 2020 in Manchester, New Hampshire. Photograph © Salwan Georges/The Washington Post President Donald J. Trump throws a hat to supporters during a “Make America Great Again Victory Rally,” in Waterford Township, Michigan on Friday, Oct. 30, 2020. Photograph © Salwan Georges/The Washington Post Democratic presidential candidate former Vice President Joe Biden, and his wife, Jill Biden, greet supporters with Democratic vice presidential candidate Sen. Kamala Harris and her husband, Doug Emhoff, outside of the Chase Center, the secondary location of the Democratic National Convention, in Wilmington, Delaware on Thursday, August 20, 2020. Photograph © Salwan Georges/The Washington Post The final presidential debate between President Donald Trump and Democratic nominee Joe Biden appears on screens during a flight from Detroit on Thursday, Oct. 22, 2020. Photograph © Salwan Georges/The Washington Post Nash Ismael, 20, places his arms around his sisters Nadeen, 18, left, and Nancy, 13, as they visit the gravesite of their parents on Father's Day at White Chapel Memorial Park Cemetery on Sunday, June 21, 2020, in Troy, MI. The Ismael children lost their parents within weeks to COVID-19. Photograph © Salwan Georges/The Washington Post Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/26/2020
What a treat to welcome photographer Ami Vitale to the B&H Photography Podcast. Vitale is mustering her high profile as a National Geographic photographer, as well as the talents of eighty-nine other incredible photographers, to raise funds for Conservation International. The Prints for Nature Sale runs until December 10, 2020 and offers gorgeous gallery-quality prints at a very affordable price. Please check this link for more information and to support this worthy initiative. We also speak with Vitale about her career trajectory and commitment to telling the stories of endangered species and the humans around them. We discuss her work photographing Sudan, the last male white rhinoceros in existence, and her incredible series about pandas in China. We also ask Vitale how she bridges the gap (or perceived gap) between journalism and advocacy photography and about her commitment to long-term engagement with the stories she covers. Vitale also addresses the changing dynamics of print journalism and the need to find funding for her projects, and we briefly mention her work as a Nikon ambassador. The dearth of tourism to many protected wildlife parks around the world due to the COVID-19 pandemic has brought conservation efforts to a crisis point and the Prints for Nature Sale, with images by Art Wolfe, Steve Winter, Pete McBride, Alison Wright (all past guests of the podcast) and many other great photographers, is a way that lovers of wildlife and of photography can help. Guest: Ami Vitale Photograph © Ami Vitale Photograph © Ami Vitale Photograph © Ami Vitale Photograph © Ami Vitale Photograph © Ami Vitale Photograph © Anand Varma, from the Prints for Nature Sale Photograph © David Doubilet, from the Prints for Nature Sale Photograph © Jody MacDonald, from the Prints for Nature Sale Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/12/2020
Eight months ago, on the B&H Photography Podcast, we welcomed four photojournalists who were covering the beginning stages of the COVID-19 crisis in New York. We discussed their fears and the stories they hoped to cover; we also discussed safety precautions, limited access to subjects, and altered workflows. It was the beginning of a new reality. On today’s episode, we welcome back two of those photographers— Desiree Rios and Sarah Blesener —for a follow-up conversation on how their work has evolved since March. We first welcome Desiree Rios, who photographs for the New York Times and Wall Street Journal. We speak with Rios about her daily assignments covering the effects of the pandemic in New York, primarily in the Bronx. We talk about using her work as a support for the community, about building solidarity with the people she photographs, and about trying to tell deeper aspects of a story with daily news images. We also marvel over how attitudes about masks and PPE were so different in March. After a break, we speak with Sarah Blesener. She also works for the Times and WSJ, but thanks to a commission from the International Center for Photography and a grant from National Geographic, she was able to focus on a long-term project over these months. Specifically, she photographed her eighty-year-old landlady and how she, along with the neighborhood community she is a part of, came together to withstand the effects of the pandemic and shutdown. Blesener relates how she came to appreciate working in a less intimate and less spontaneous manner than normal, how she avoided risky assignments so as not to risk infecting her landlady, and how the project grew to involve the neighborhood and became a very optimistic story, despite the situation. This series is currently on exhibition at ICP. Join us for this topical and interesting conversation on the evolving role of photojournalism during 2020. Guests: Desiree Rios and Sarah Blesener Photograph © Sarah Blesener From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 Our Lady of Mount Carmel was open for private prayer in the Belmont neighborhood of The Bronx, New York on Sunday, May 24, 2020. © Desiree Rios for The New York Times Mercedes poses for a portrait with her daughter down the street from her apartment building in the Washington Heights neighborhood of Manhattan, New York on June 19, 2020. Mercedes, who has no income since her husband lost his construction job due to the pandemic, is unable to receive unemployment benefits because of their immigration status. © Desiree Rios for The New York Times Residents wear face masks while sitting on the stoop of their building in the Morrisania neighborhood of The Bronx, New York on April 14, 2020. © Desiree Rios for The New York Times Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/02/2020
On this week’s episode of the B&H Photography Podcast, we welcome editor, educator, and photographer Joan Liftin, and Michelle Dunn Marsh, founder and publisher of Minor Matters Books. In the first half of the show, we speak with Liftin about her latest book, Water for Tears, and then we focus on Minor Matters and the unique business model this publishing house utilizes. We also discuss the person who brought them together, the late photographer Charles Harbutt. Liftin was married to Harbutt and was his collaborator, and Marsh has recently published a book of Harbutt’s work and words, titled The Unconcerned Photographer. With Liftin we discuss the genesis of Water for Tears, which is a sort of photo memoir—images from travel and family and fleeting impressions that tie together a lifetime. We discuss editing, sequencing, collaboration, and the subtle difference between narrative and story. We also talk about editing Harbutt’s work and, along with Marsh, about the creation of The Unconcerned Photographer. After a break, Marsh elaborates on the publishing model they employ at Minor Matters—a hybrid of crowdfunding, support membership, and a direct, organic connection between artist, publisher, and consumer. Have a look at their catalog, which presents work from established photographers and new voices in the medium. Join us for this compelling discussion. Guests: Joan Liftin and Michelle Dunn Marsh Photograph © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin From "Water for Tears" © Joan Liftin Cover of "The Unconcerned Photographer," published by Minor Matters Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/01/2019
Our offices are just a few blocks from the convention center where the annual PhotoPlus Expo is held, and each year we wander over with our portable recorders to chat with the exhibitors whose new gear catches our eye. We approach large vendors and small and try to give our listeners a peek into the “the largest photography and imaging event in North America.” This year, we spoke with representatives from Sky-Watcher regarding this company’s motorized astro-photography mounts; Chimera about its new lighting products; and Orangemonkie about its portable lightbox studios. We also chatted with a rep from Fujifilm about the new X-Pro3 Mirrorless camera; with folk from Hahnemühle, the oldest paper mill in Germany, and their new natural line of inkjet papers; with a representative from Viltrox, about their new lenses and adapters; and finally, with Allesandro Gibellini, the founder of Gibellini cameras and its beautiful large format cameras. After a short break, we are joined by the two winners of our B&H Photography Podcast Panasonic LUMIX S1 Sweepstakes. This sweepstakes concluded in August, but we wanted the winners to have time to experiment with their new cameras and lenses before we requested feedback from them on how they like the gear and how it might effect their photography. We are joined by Joseph Lockwood, of Baton Rouge, Louisiana, winner of the Panasonic Lumix DC-S1 Mirrorless Digital Camera with 24-105mm lens; and then by Roger Longenbach, winner of the Panasonic LUMIX DC-G95 Mirrorless Camera with 12-60mm lens. Join us for this very informative episode. Guests: Joseph Lockwood and Roger Longenbach Sky-Watcher Star Adventurer Motorized Mount Astro Package Chimera Panel Lantern John Fuller of Chimera speaks with Allan at PhotoPlus 2019 Justin Cho of OrangeMonkie speaks with Allan at PhotoPlus 2019 FUJIFILM X-Pro3 Mirrorless Digital Camera (Dura Silver) Jason and Allan record conversation with FUJIFILM representative at PhotoPlus 2019 Hahnemühle Natural Line Sample Pack Jason and Allan record conversation with Hahnemühle representative at PhotoPlus 2019 Viltrox Lens Mount Adapter Jason and Allan record conversation with Viltrox representative at PhotoPlus 2019 Gibellini View Camera Jason and Allan record conversation with Alessandro Gibellini at PhotoPlus 2019 Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/04/2019
We have been hosting the B&H Photography Podcast Panasonic LUMIX S1 Sweepstakes for the past several weeks and, today, we are excited to announce the winners of the LUMIX DC-S1 Mirrorless Digital Camera with 24-105mm lens and the LUMIX DC-G95 Mirrorless Camera with a 12-60mm lens. With that in mind, we’d like to thank all of our listeners who left ratings and reviews on Apple Podcasts, and particularly those who subscribed to the podcast and mentioned a favorite episode. This kind of feedback is well appreciated and helps us to develop the kind of episodes we hope you enjoy. Before we make that announcement, however, Allan, Jason, and I reflect on our “ photography New Year’s resolutions ” and discuss our personal photography projects from 2019 and the gear we have been using to make them happen. We start with Allan, who discusses his year-long process of culling his archive of images going back to 1969, including finding what he refers to as the very first “Allan Weitz photo.” He also explains how he uses his Sony Alpha a7R II Mirrorless Digital Camera as his “Franken-slide copier” and some of the gear that has impressed him this year, including the 7artisans Photoelectric 50mm f/1.1 lens and the Zeiss Batis 40mm f/2 CF lens, and his thoughts on the just-announced Leica M-E (Typ 240) Digital Rangefinder. John continues with a brief explanation of the resolutions on which he is procrastinating, and on his return to street photography and attempts to work with the FUJIFILM X100F Digital Camera, the Ricoh GR III, and the Leica M Monochrom (Typ 246) Digital Rangefinder. Finally, Jason updates us on his telephoto cityscapes, his abstract portraiture, the Sony Clear Image Zoom function and whether or not he purchased the Sony FE 100-400mm f/4.5-56 GM OSS lens. Join us for this enjoyable chat and check out some of the previous episodes of the podcast which we mention during this conversation, including our talks with Jay Maisel and Stephen Wilkes, our discussion about hard drives, and our talk with landscape photographer Erin Babnik. © Allan Weitz © Allan Weitz © Allan Weitz © Allan Weitz © Jason Tables © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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