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Posted 02/11/2021
When we started the B&H Photography Podcast more than six years ago, the concept was “watercooler conversations” with photographers, about gear. Well, honestly, it hasn’t always turned out that way, but this episode with famed photojournalist David Burnett comes as close to that idea as any we have done; there’s barely an edit in the whole episode. Burnett joins us, and we just talk. We begin with his coverage of the recent presidential inauguration and his decision to use a 1930 Graflex 4 x 5 camera in addition to his Sony mirrorless with an FE 100-400mm lens. Burnett reflects on the reasons he incorporates vintage cameras and lenses into his workflow and the need to challenge your own point of view as a photographer. We discuss the motivations that bring a particular camera to his eye and his sense of “obligation to all that has come before.” In the second half of the show, we talk about using legacy glass on mirrorless cameras and the relentless (and at times “goofy”) experimentation that both Burnett (and Allan) enjoy. From aerial reconnaissance lenses to old Kodak cine lenses, there is nothing that can’t be adapted, and we go into the weeds to discuss some of the many, many lenses Burnett has not just tried, but used successfully for his professional assignments. We also ask about the new Sony Alpha 1, the benefits of customizable functions, and his preference for the Sony a9 II and a6600 cameras. Join us for this easy-going conversation. Guest: David Burnett Photograph © David Burnett A soldier with a letter from home, Lang Vei, Vietnam, 1971 © 2020 David Burnett/Contact Press Images Bob Marley, 1976 © 2020 David Burnett/Contact Press Images Al Gore on the presidential campaign trail, 2001 © David Burnett/ Contact Press Images John Kerry in the last days of the presidential campaign, Manchester, New Hampshire, 2004 © David Burnett /Contact Press Images Daniel Céspedes arrested by the Chilean military, 1973 © 2020 David Burnett/Contact Press Images Ayatollah Khomeini, spiritual leader of the Iran Revolution, 1979 © 2020 David Burnett/Contact Press Images Mary Decker looks on in pain after colliding with Zola Budd and falling during the 3000-meter race at the 1984 Olympics, in Los Angeles © 2020 David Burnett/Contact Press Images Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 01/15/2020
Imagine the privilege of being present at the creation of one of the “wonders of the world,” and then imagine being asked to document the magnitude—and the details—of that creation. Our guest on today’s episode of the B&H Photography Podcast has just that privilege and that responsibility and, as he puts it, this telescope may “change the way we understand our universe.” Chris Gunn has been a NASA contract photographer for almost twenty years but, for the past ten, he has dedicated himself to the James Webb Space Telescope and documenting the construction and eventual launch of this spacecraft, which will replace the Hubble as NASA’s most powerful telescope. We speak with Gunn about all aspects of his job and, specifically, about the gorgeous medium format images he creates that are made available to the public. Gunn is responsible for documenting the construction process, which includes portraits of scientists, as well as macro shots of screws, and he relates how he has “taken the extra step” to evolve as a photographer, incorporating medium format photography and detailed setups. Gunn must be prepared to shoot any style of photo and he discusses his daily responsibilities, how his gear has evolved over time, the lighting he chooses, and his interaction with the hundreds and technicians and scientists he works with regularly. We also discuss marketing yourself as a photographer and the specific challenges that make his job like no other, including working in giant “clean rooms,” accepting that your work is immediately in the public domain, and incorporating the aesthetics from science-fiction films. Sitting in on this recording is our own member of the B&H Space Force, writer Todd Vorenkamp. Join us for this fascinating episode in which we learn about this incredible spacecraft and the work that goes into documenting its creation and check out our 2016 episode, in which we speak with the imaging scientists from the  Hubble Telescope mission. Guest: Chris Gunn Above photograph © Chris Gunn Chamber A Door © Chris Gunn/NASA Blanket Inspection © Chris Gunn/NASA Wings Deployed © Chris Gunn/NASA Lights Out Inspection © Chris Gunn/NASA Container Doors © Chris Gunn/NASA Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/17/2019
On this week’s episode of the B&H Photography Podcast, we welcome photographer Ashok Sinha, who talks about his forthcoming book, Driver-full City: The Unique Architecture of Car Culture in Greater Los Angeles, and discusses the Cartwheel Initiative, a nonprofit that he founded, which works with displaced and refugee youth, using photography and multimedia tools to inspire these youth to find their voice through art and creative thinking. Above photograph © Ashok Sinha Before we get into our conversation with Sinha, however, we want to let you know about an opportunity we are offering our listeners. We will be giving away forty free tickets to a private screening of the film, Jay Myself, directed by photographer Stephen Wilkes, about the photographer Jay Maisel. Wilkes will be in attendance for a Q/A session after the screening. Many of you may remember when Maisel and Wilkes joined us to talk about the making of this movie, and we are excited to extend this offer to the first forty listeners who request a ticket. This screening will be in New York City, on August 4, so if you cannot be in New York on that date, please do not request a ticket, which are limited to two per person. If you would like to attend the screening and meet the filmmakers, send a request to podcast@bhphoto.com or join our B&H Photography Podcast Facebook Group and comment on the post regarding the free screening. Screening details are in the post and we look forward to meeting you. Ashok Sinha is a complete photographer and filmmaker, able to make a living from his architecture and interior design photography, but also adept at large-scale landscapes, human-interest editorial stories, and portraiture. His photographs have been widely published by editorial outlets such as The New York Times, TIME, Interior Design, and exhibited by The Museum of the City of New York, the International Center of Photography, and The Royal Photographic Society. And, as mentioned, Sinha has found a wonderful way to use photography to give back to the youth most in need of a helping hand. Join us for this inspiring episode and request your free tickets to Jay Myself. Guest: Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/19/2019
B&H recently hosted the OPTIC Outdoor, Photo/Video, Travel Imaging Conference, which gave us an opportunity to sit with many wonderful photographers including Ron Magill, Frans Lanting, and Erin Babnik, and we will be publishing these conversations over the next few weeks. Today we welcome representatives from Canon, Panasonic Lumix, and Sony to discuss their latest wares. First we speak with Ross Joseph from Canon about his company's  photo printer options, specifically the imagePROGRAF PRO-1000, a wonderful 17” desktop printer with professional features. Next we welcome Tom Curley from Panasonic to talk about the LUMIX camera line and the incredible new DC-S1H full-frame mirrorless camera and the L-mount consortium. Finally, we welcome Ben Manlove, Sr. Representative from Sony Digital Imaging PRO Support. Ben discusses new firmware updates and a range of Sony gear, including the gems of the E-mount system, new lenses from Sony and the waterproof/crushproof Cyber-shot DSC-RX0 II Digital Camera. Join us for this informative episode of the B&H Photography Podcast. Guests: Ross Joseph, Tom Curley, Ben Manlove Canon imagePROGRAF PRO-2000 24" Professional Photographic Large-Format Inkjet Printer Canon imagePROGRAF PRO-6000 60" Professional Photographic Large-Format Inkjet Printer Panasonic Lumix DC-S1 Mirrorless Digital Camera Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital Camera Panasonic Lumix S PRO 70-200mm f/4 O.I.S. Lens Panasonic DMW-STC14 Lumix S 1.4x Teleconverter Sony Alpha a7 III Mirrorless Digital Camera Sony RX0 Ultra-Compact Waterproof/Shockproof Camera Sony FE 24mm f/1.4 GM Lens Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/02/2018
On this week’s episode of the B&H Photography Podcast, we’re talking gear—specifically, the latest gear announced at the two most recent trade shows, the Consumer Electronics Show (CES), and Wedding and Portrait Photographers International (WPPI). In addition to a summary of some of the items announced at CES, like the Panasonic Lumix GH5S, we speak with B&H writers Shawn Steiner and Liz Groeschen, who are currently in attendance at WPPI. Steiner gives us the lowdown on some of the big-ticket items and mentions many of the new lenses announced at this important conference and Groeschen offers her opinion on the latest cameras and items of specific interest to wedding photographers. Some of the cameras we discuss are the new Sony a7 III Mirrorless Digital Camera, the Fujifilm X-H1, the Panasonic Lumix DC-GX9, the Canon EOS M50 Mirrorless Camera, the Pentax K-1 Mark II DSLR and the Polaroid Originals OneStep2 Instant Film Camera. In terms of lenses, we mention the new set of Sigma Art lenses for Sony E mount cameras, as well as the Tokina FiRIN 20mm f/2 FE AF, the Tamron 28-75mm f/2.8 Di III RXD,  the Rokinon SP 50mm f/1.2 for Canon EF, the Zeiss Loxia 25mm f/2.4, and others. Two new flashes made our critic’s picks: the new Canon Speedlite 470EX-AI with auto intelligent bounce head, and the Sony HVL-F60RM Wireless Radio Flash, as did a handful of paper and presentation material. Join us for this informative episode. Guests: Shawn Steiner and Liz Groeschen Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence N
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Posted 11/03/2017
New York City affords a photographer many opportunities, including the annual gathering of photo professionals at the PDN PhotoPlus International Conference + Expo. Founded in 1983, it is the largest photography and imaging event in North America and features seminars, master classes, portfolio reviews, and a convention center filled with the latest cameras, lenses, and accessories from the major manufacturers and the not-so-major manufacturers. It is at the latter at whom we aimed our microphones as we wandered around the Expo floor. It’s certainly beneficial to handle new cameras and test lenses, but at events like these, speaking with the functionaries from Canon, Nikon, Sony, etc. rarely elicits candid answers or information you can’t already find on a press release, so we decided to skip the big booths and concentrate on the vendors from smaller manufacturers to find out what they are bringing to market. We spoke with representatives of long-established firms like Beseler, Fotodiox, Denny Manufacturing, and Platypod to hear what’s new in their catalogs, and we also spoke with newer brands and services such as My Case Builder, Foto Op, COOPH and Film Toaster to better understand their new ideas and products, with hopes they will find a life in the competitive business of photography. Guests: Charlie Knecht, Steven Holand, Robert Maclay, Bohuš Blahut, Cecil Williams, Ulrich Grill, Colbert Colin, Larry Tiefenbrunn The expo floor of PhotoPlus Expo 2017 from the Javits Center entrance, New York Bohuš Blahut, of Fotodiox, speaking with Allan Weitz The Fotodiox booth at PhotoPlus Expo 2017 Steve Holand at the My Case Builder booth with examples of his company's handiwork Bob Maclay, of Denny Manufacturing, speaks with Allan Weitz at PhotoPlus Expo. Examples of backdrops at the Denny Manufacturing booth at PhotoPlus Expo 2017 Cecil Williams, of Film Toaster, describes the company's custom-built film carriers to Allan Weitz at PhotoPlus Expo. Ulrich Grill, of COOPH, explains the features of their photographer apparel at PhotoPlus Expo 2017 The Beseler 23C III Enlarger on display at PhotoPlus Expo 2017 A Platypod Max on display outside the Javits Center, New York City A visitor to Photo Plus Expo 2017 checks out Nikon cameras, lenses, and accessories. An overview of the entrance to PhotoPlus Expo 2017, in New York City Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/21/2017
When you get a chance to speak with an expert, you take advantage. At this year’s OPTIC 2017 Conference, when Lance Keimig and Chris Nicholson passed by our mobile studio, we did just that. Keimig is an author, instructor, and above all, a photographer who specializes in night photography. Well before digital technology made photographing the Milky Way an easy endeavor, Keimig was experimenting with film stock and developing processes to create long-exposure images. He is currently an instructor at National Parks at Night and along with Nicholson, offers workshops in night photography at many US National Parks. On today’s episode, we speak with Keimig and Nicholson about the differences between creating night photography with film and with digital cameras. There are obviously many modes and functions on a digital camera that make night photography simpler, but at the heart of the enterprise, is the process the same? We ask this question and discuss techniques used with film and the advantages that accompany digital cameras. We also ask, “What is night photography?” and “What are the charms that keep these two photographers interested in this specific discipline?” Listen as Keimig provides insight into the history of night photography and Nicholson discusses his shooting methods and ideas on composition that he applies while working in national parks. Guests: Lance Keimig and Chris Nicholson Click here if you missed our episode,  Night Photography—Exploring the Creative Possibilities. Click here for Jill Waterman’s article on Lance Keimig’s switch from Canon to Nikon equipment. Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Digital photograph, Lance Keimig Digital photograph, Lance Keimig Blue Ridge Parkway, Chris Nicholson Cape Cod National Seashore, Chris Nicholson Death Valley National Park, Chris Nicholson Joshua Tree National Park, Chris Nicholson Mount Rainier National Park, Chris Nicholson Olympic National Park, Chris Nicholson Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/16/2017
At this year’s OPTIC Photography Conference, we sat down with representatives from camera and gear manufacturers to talk about their latest products, and question them on their company philosophies and the general state of the camera industry. We present here a compilation of conversations with four of our guests: Rudy Winston from Canon, Marc Farb from Sigma, Thomas Curley from Panasonic and Rod Clark, founder and CEO of Wine Country Camera. Within this informative episode, we speak about Canon’s response to the rise of the smartphone, the success of entry-level DSLRs, possible mirrorless offerings and this year’s new releases, at 02:05. With Sigma, we discuss the latest Art series lenses and just who is buying the Foveon-sensor cameras, at 34:40 and, with Panasonic, there is much talk about the GH5, but also about new lenses and the company’s Lumix point-and-shoots, at 47:15. Finally, we chat with Wine Country, which is producing beautiful filter systems for high-end users, and how this small company is making a go of it in the tricky business of camera and lens accessories, at 58:30. Guests: Rudy Winston, Marc Farb, Thomas Curley, Rod Clark DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/12/2017
A simple twist of fate (OK, I clicked a link) introduced me to the wedding photography of Jide Alakija and I immediately knew he should be a guest on the podcast. His work falls into the category of documentary wedding photography, but the intimate connection he seems to make with his subjects, as well as his compositional skills, place his work above the popular trend of fly-on-the-wall work. He captures moments of humor, tenderness, and joy that many photographers would miss, but still fills a frame the way Grandma wants the photos on her mantel to look. We talk about his composition decisions and shooting techniques, but we also wanted him on the show because his work brings him to many different countries and cultures. With this in mind, we take on numerous aspects of traveling to shoot a wedding, whether that is a "destination" wedding or simply being invited to shoot a wedding far from home. Our conversation includes the practical side of travel—what gear to bring, who to hire as an assistant, how to budget—but we also discuss the intricacies of working in a locale where you are not familiar with the cultural traditions and may not even speak the language. Join us for a lively chat with our new friend, Jide Alakija. Guest: Jide Alakija Jide Alakija and Allan Weitz Previous Pause Next All Photographs by Jide Alakija DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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