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Posted 03/18/2021
Eye-catching and grotesque are words not often placed together, but those accurate descriptors are part of the charm and beauty in the still life and food photography of Emma Ressel. Ressel joins us on this episode of the B&H Photography Podcast to talk about her work, which takes inspiration from, among other things, Dutch Master paintings and her own upbringing in Maine. We discuss with Ressel the evolution of her work and how she attempts to balance the genres of food photography and still life. Many of her images contain aspects of decay and death, and in her personal fine art photography, food is one way to address these topics. She also is a commercial photographer of food, wine, and still life work commissioned by New York Magazine, Refinery29, and other publications and clients. Ressel works with both a 4 x 5" Toya medium format film camera and with a Nikon DSLR, and we find out how and why she chooses which system to utilize. We also talk about her varied lighting choices and how she came to food photography not knowing much about professional workflows and food stylists and how that may have helped her define her look. She is very hands-on with her work, and we discuss sourcing items as diverse as coral snakes and pig’s heads. We also consider issues of waste and overconsumption and how her work attempts to deal with those ideas within an industry that uses food for purposes not directly related to human sustenance. Ressel also tells us about an inspiring artists residency in which she tackled the subject of a decaying whale carcass. This is a very well-rounded conversation, at ease discussing the technical issues of using a view camera as easily as literary inspiration, and how to walk the fine line between working as a commercial food photographer and pushing the genre to uncomfortable new places. Join us for a listen and have a look at Ressel’s Artfare page to see her larger prints. Guest: Emma Ressel Photograph © Emma Ressel From “Trouble in the Garden” © Emma Ressel From “Trouble in the Garden” © Emma Ressel From “Trouble in the Garden” © Emma Ressel From “Olives in the Street” © Emma Ressel From “Olives in the Street” © Emma Ressel From “Olives in the Street” © Emma Ressel From “Insatiable Hunger and the Peacock’s Plume” © Emma Ressel Commission for New York Magazine © Emma Ressel Commission for Wines of Sicily/Refinery29 © Emma Ressel © Emma Ressel Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 01/15/2020
Imagine the privilege of being present at the creation of one of the “wonders of the world,” and then imagine being asked to document the magnitude—and the details—of that creation. Our guest on today’s episode of the B&H Photography Podcast has just that privilege and that responsibility and, as he puts it, this telescope may “change the way we understand our universe.” Chris Gunn has been a NASA contract photographer for almost twenty years but, for the past ten, he has dedicated himself to the James Webb Space Telescope and documenting the construction and eventual launch of this spacecraft, which will replace the Hubble as NASA’s most powerful telescope. We speak with Gunn about all aspects of his job and, specifically, about the gorgeous medium format images he creates that are made available to the public. Gunn is responsible for documenting the construction process, which includes portraits of scientists, as well as macro shots of screws, and he relates how he has “taken the extra step” to evolve as a photographer, incorporating medium format photography and detailed setups. Gunn must be prepared to shoot any style of photo and he discusses his daily responsibilities, how his gear has evolved over time, the lighting he chooses, and his interaction with the hundreds and technicians and scientists he works with regularly. We also discuss marketing yourself as a photographer and the specific challenges that make his job like no other, including working in giant “clean rooms,” accepting that your work is immediately in the public domain, and incorporating the aesthetics from science-fiction films. Sitting in on this recording is our own member of the B&H Space Force, writer Todd Vorenkamp. Join us for this fascinating episode in which we learn about this incredible spacecraft and the work that goes into documenting its creation and check out our 2016 episode, in which we speak with the imaging scientists from the  Hubble Telescope mission. Guest: Chris Gunn Above photograph © Chris Gunn Chamber A Door © Chris Gunn/NASA Blanket Inspection © Chris Gunn/NASA Wings Deployed © Chris Gunn/NASA Lights Out Inspection © Chris Gunn/NASA Container Doors © Chris Gunn/NASA Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/01/2019
Our offices are just a few blocks from the convention center where the annual PhotoPlus Expo is held, and each year we wander over with our portable recorders to chat with the exhibitors whose new gear catches our eye. We approach large vendors and small and try to give our listeners a peek into the “the largest photography and imaging event in North America.” This year, we spoke with representatives from Sky-Watcher regarding this company’s motorized astro-photography mounts; Chimera about its new lighting products; and Orangemonkie about its portable lightbox studios. We also chatted with a rep from Fujifilm about the new X-Pro3 Mirrorless camera; with folk from Hahnemühle, the oldest paper mill in Germany, and their new natural line of inkjet papers; with a representative from Viltrox, about their new lenses and adapters; and finally, with Allesandro Gibellini, the founder of Gibellini cameras and its beautiful large format cameras. After a short break, we are joined by the two winners of our B&H Photography Podcast Panasonic LUMIX S1 Sweepstakes. This sweepstakes concluded in August, but we wanted the winners to have time to experiment with their new cameras and lenses before we requested feedback from them on how they like the gear and how it might effect their photography. We are joined by Joseph Lockwood, of Baton Rouge, Louisiana, winner of the Panasonic Lumix DC-S1 Mirrorless Digital Camera with 24-105mm lens; and then by Roger Longenbach, winner of the Panasonic LUMIX DC-G95 Mirrorless Camera with 12-60mm lens. Join us for this very informative episode. Guests: Joseph Lockwood and Roger Longenbach Sky-Watcher Star Adventurer Motorized Mount Astro Package Chimera Panel Lantern John Fuller of Chimera speaks with Allan at PhotoPlus 2019 Justin Cho of OrangeMonkie speaks with Allan at PhotoPlus 2019 FUJIFILM X-Pro3 Mirrorless Digital Camera (Dura Silver) Jason and Allan record conversation with FUJIFILM representative at PhotoPlus 2019 Hahnemühle Natural Line Sample Pack Jason and Allan record conversation with Hahnemühle representative at PhotoPlus 2019 Viltrox Lens Mount Adapter Jason and Allan record conversation with Viltrox representative at PhotoPlus 2019 Gibellini View Camera Jason and Allan record conversation with Alessandro Gibellini at PhotoPlus 2019 Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/04/2019
We have been hosting the B&H Photography Podcast Panasonic LUMIX S1 Sweepstakes for the past several weeks and, today, we are excited to announce the winners of the LUMIX DC-S1 Mirrorless Digital Camera with 24-105mm lens and the LUMIX DC-G95 Mirrorless Camera with a 12-60mm lens. With that in mind, we’d like to thank all of our listeners who left ratings and reviews on Apple Podcasts, and particularly those who subscribed to the podcast and mentioned a favorite episode. This kind of feedback is well appreciated and helps us to develop the kind of episodes we hope you enjoy. Before we make that announcement, however, Allan, Jason, and I reflect on our “ photography New Year’s resolutions ” and discuss our personal photography projects from 2019 and the gear we have been using to make them happen. We start with Allan, who discusses his year-long process of culling his archive of images going back to 1969, including finding what he refers to as the very first “Allan Weitz photo.” He also explains how he uses his Sony Alpha a7R II Mirrorless Digital Camera as his “Franken-slide copier” and some of the gear that has impressed him this year, including the 7artisans Photoelectric 50mm f/1.1 lens and the Zeiss Batis 40mm f/2 CF lens, and his thoughts on the just-announced Leica M-E (Typ 240) Digital Rangefinder. John continues with a brief explanation of the resolutions on which he is procrastinating, and on his return to street photography and attempts to work with the FUJIFILM X100F Digital Camera, the Ricoh GR III, and the Leica M Monochrom (Typ 246) Digital Rangefinder. Finally, Jason updates us on his telephoto cityscapes, his abstract portraiture, the Sony Clear Image Zoom function and whether or not he purchased the Sony FE 100-400mm f/4.5-56 GM OSS lens. Join us for this enjoyable chat and check out some of the previous episodes of the podcast which we mention during this conversation, including our talks with Jay Maisel and Stephen Wilkes, our discussion about hard drives, and our talk with landscape photographer Erin Babnik. © Allan Weitz © Allan Weitz © Allan Weitz © Allan Weitz © Jason Tables © Jason Tables © Jason Tables © Jason Tables © John Harris © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/20/2019
This week’s episode of the B&H Photography Podcast is a bit of a grab bag. We start with an update of our new B&H Photography Podcast Facebook group and announce the winners of the SanDisk 64GB memory card sweepstakes. We also discuss the enthusiastic support we received during the first week of the new group and give a shout out to some of the individuals who have submitted images and comments. We then have a quick chat among ourselves about our photography New Year’s resolutions to see how (and if) we are following through with our plans. We also discuss some of the gear we were interested in at that time and update whether that was a true photographic need or just G.A.S. On the second half of the show, we offer excerpts from conversations with photographers Tomaiya Colvin and Tony Gale. Colvin is a photographer from Houston who has made a career shooting senior portraits, while Gale is a portrait photographer, lighting expert, and Sony Artisan of Light. We discuss some of the trends in senior portraiture with Colvin, as well as her choice of gear, and she provides a dose of real-world motivation for photographers of all stripes. Tony Gale speaks about his blend of corporate and editorial portrait work, as well as his series on women mayors. He also discusses his switch to mirrorless cameras and the lighting systems he uses on his various shoots. Join us for this easygoing episode and subscribe to our podcast on Apple Podcasts, Google Podcasts, or Overcast, and join the B&H Photography Podcast Facebook group. Guests: Tomaiya Colvin and Tony Gale Salman Rushdie, 2017 © Tony Gale Betsy Price, Mayor of Fort Worth, Texas, 2018 © Tony Gale Anne Huntington, 2018 © Tony Gale High School Senior Portrait © Tomaiya Colvin High School Senior Portrait © Tomaiya Colvin High School Senior Portrait © Tomaiya Colvin Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/01/2018
When you think of an image from your favorite movie, what comes to mind? Is it a well-edited sequence, a dramatic crescendo, or perhaps simply a static photo, maybe even the poster art itself? If it is a static image, chances are it’s a photo taken by an on-set “still” photographer. On today’s episode of the B&H Photography Podcast, we discuss this craft with two photographers who make their living  as still photographers, working on location and in-studio on television and film productions alongside the camera assistants, boom operators, grips, DPs and myriad crew members, who make the movie magic. Joining us are  JoJo Whilden, a fine art and still photographer who has worked on numerous films, including Silver Linings Playbook and The Fighter and television series such as Orange Is the New Black, and Homeland. Her clients include HBO, Netflix, CBS, Sony, and Killer Films. She is the 2018 recipient of The Society of Camera Operators Lifetime Achievement Award in Still Photography. Also joining us in the studio is David Giesbrecht, an editorial and still photographer with credits on The House of Cards, The Blacklist, Mr. Robot, Jessica Jones, and many other programs and films. We speak with Giesbrecht and Whilden about the specific photography skills required on-set, the working relationship within a film crew, their gear setup, and the changes that the profession has seen with the onset of digital streaming, cell phones, mirrorless cameras, social media, and the growth of the episodic television series. This is a very informative episode about a craft that is often overlooked and misunderstood. Guests: JoJo Whilden and David Giesbrecht  From “Orange is the New Black”, Photograph Courtesy JoJo Whilden From “Boardwalk Empire”, Photograph Courtesy JoJo Whilden From “Olive Kitteridge”, Photograph Courtesy JoJo Whilden From “A Late Quartet”, Photograph Courtesy JoJo Whilden From “The Fighter”, Photograph Courtesy JoJo Whilden John Turturro directing “Fading Gigolo”, Photograph Courtesy JoJo Whilden From “Jessica Jones”, Photograph Courtesy David Giesbrecht From “Jessica Jones”, Photograph Courtesy David Giesbrecht From “Luke Cage”, Photograph Courtesy David Giesbrecht From “House of Cards”, Photograph Courtesy David Giesbrecht Box art from “The Tick”, Photograph Courtesy David Giesbrecht JoJo Whilden and David Giesbrecht hamming it up in the podcast studio Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/06/2018
The spot where still photography, video, animation, and drawing on your shoes meet is where you can find Sam Cannon and Matthias Brown. They may not always be together at that spot, but they’re sure to be within shouting distance. On today’s episode of the B&H Photography Podcast, we discuss the role that still photography plays in their work and how they see the distinctions between still and moving images, as well as between old and new technologies. Matthias Brown is also TraceLoops, an “animation experiment centered around hand-drawn, physical animations that experiments with the creation and perception of movement.” He specializes in hand-drawn, stop-motion, black-and-white animation and his work has been commissioned by Converse, MTV, Purina, Warby Parker, and others, and his fine art work has been displayed at the Tate Modern. Sam Cannon is an artist and director who works between still photography and video and focuses on the “manipulation of time, space, and the female form.” Whichever format the final image takes—still, video, GIF—her works asks us to explore the “never-ending” moment. She has produced commercial assignments for Nike, Samsung, and H&M, editorial and fashion pieces, and her fine art work has been exhibited extensively, including at MANA Contemporary, in Jersey City. True multi-disciplinarians, Cannon and Brown are comfortable with a variety of techniques and art forms; we discuss rotoscopes and oscilloscopes, After Effects and Dragonframe, projection pieces and soap sculptures. We also talk briefly on camera gear, self-portraiture, William Kentridge and, once and for all, we resolve the pronunciation of GIF. Join us for this enjoyable conversation. Guests: Sam Cannon and Matthias Brown Animation © Sam Cannon Animation © Sam Cannon Animation © Sam Cannon Animation © Sam Cannon Photo © Sam Cannon Photo © Sam Cannon Animation © Matthias Brown Animation © Matthias Brown Animation © Matthias Brown Animation © Matthias Brown Photo © Matthias Brown Photo © Matthias Brown Previous Pause Next NOTE: Please click to view animated images. Sam Cannon & Matthias Brown provided four animated images, and two still photos. DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/21/2017
When you get a chance to speak with an expert, you take advantage. At this year’s OPTIC 2017 Conference, when Lance Keimig and Chris Nicholson passed by our mobile studio, we did just that. Keimig is an author, instructor, and above all, a photographer who specializes in night photography. Well before digital technology made photographing the Milky Way an easy endeavor, Keimig was experimenting with film stock and developing processes to create long-exposure images. He is currently an instructor at National Parks at Night and along with Nicholson, offers workshops in night photography at many US National Parks. On today’s episode, we speak with Keimig and Nicholson about the differences between creating night photography with film and with digital cameras. There are obviously many modes and functions on a digital camera that make night photography simpler, but at the heart of the enterprise, is the process the same? We ask this question and discuss techniques used with film and the advantages that accompany digital cameras. We also ask, “What is night photography?” and “What are the charms that keep these two photographers interested in this specific discipline?” Listen as Keimig provides insight into the history of night photography and Nicholson discusses his shooting methods and ideas on composition that he applies while working in national parks. Guests: Lance Keimig and Chris Nicholson Click here if you missed our episode,  Night Photography—Exploring the Creative Possibilities. Click here for Jill Waterman’s article on Lance Keimig’s switch from Canon to Nikon equipment. Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Film photograph, Lance Keimig Digital photograph, Lance Keimig Digital photograph, Lance Keimig Blue Ridge Parkway, Chris Nicholson Cape Cod National Seashore, Chris Nicholson Death Valley National Park, Chris Nicholson Joshua Tree National Park, Chris Nicholson Mount Rainier National Park, Chris Nicholson Olympic National Park, Chris Nicholson Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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