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Posted 08/10/2021
We have been looking forward to this conversation for weeks. On today’s episode of the B&H Photography Podcast, we sit down with retired Detective 1 st Grade Michael Cunningham, of the New York City Police Department, to talk about crime-scene unit photography. Cunningham is an expert on crime-scene photography and forensics—in addition to his twenty-seven years with the NYPD, he has worked as a trainer for the Department of Homeland Security, authored a book on crime-scene management, and currently works for ShotSpotter Investigate, an investigative case management solution service. We discuss the various aspects of crime-scene photography, from camera and lens selection to shooting technique, along with storage, retrieval, and sharing of images. We compare the use of film and digital imaging and the challenges and benefits brought on by new technology. In addition, we talk about photos used for case solving and those of evidentiary value and the different photography departments within the NYPD. Cunningham walks us through the procedures and shot selection of a photographer when approaching a crime scene, and the protocols involved when documenting it. He also regales us with a few stories of his many investigations during his years on the force. We would like to hear from our listeners about the B&H Photography Podcast. Please take a minute to complete this simple survey about listening habits and potential topics. Thank you, from the B&H Podcast team. Guest: Michael Cunningham Photograph: Courtesy of Michael Cunningham Photograph: Courtesy of Michael Cunningham Michael Cunningham and Allan Weitz. Photograph © John Harris Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 04/29/2021
It’s Macro Photo Week at the Explora blog and you’ll find many helpful articles and videos about the tools, techniques, and practitioners of macro photography. On the podcast, however, we go deeper than macro, like 1000x deeper—our conversation is with geologist, gemologist, and microscopist Nathan Renfro, of the Gemological Institute of America. Renfro is a renowned photomicrographer, and his images of the interiors of gems, with their unique inclusions and imperfect perfections, are stunning color abstractions of the natural world. With Renfro we speak about the art, craft, and science of photomicrography—using microscopes to make photos—and how he documents the inner life of a stone. Renfro got his start in gemology thanks to the collection of rocks and gems his grandfather, a miner from North Carolina, left to him. From this collection a fascination grew, ultimately taking him to GIA as a protégé of John Koivula, noted gemologist and author of the Photo Atlas of Gems series. Renfro himself has become one of the leading image makers in his field, and we discuss the tools and techniques he uses to create his work, including fiber optic lighting, focus stacking, and Differential Interference Contrast. We also discuss the surprisingly simple cameras that he uses, as well as the adapters, filters, and apps that enable his wonderful creations. We ask about the advantages that mirrorless photography holds for his craft, about the commercial and scientific applications of his work, and how traditional photography with a standard zoom lens has improved his understanding of composition and color, thus benefiting his photomicrography. Join us for this exploration deep into microverses, which are as complex and unique as any place on Earth or beyond. Guest: Nathan Renfro Photograph © Nathan Renfro Today’s episode of the B&H Photography Podcast was produced using Audio-Technica  microphones. Amethyst © Nathan Renfro Arkansas Quartz © Nathan Renfro Blue Diamond © Nathan Renfro Chrysoprase © Nathan Renfro New South Wales Sapphire © Nathan Renfro Greenland Diamond Trigons © Nathan Renfro Topaz © Nathan Renfro New South Wales Iris Agate © Nathan Renfro ZEISS microscope with Canon 6D DSLR © Nathan Renfro Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 04/08/2021
On today’s episode of the B&H Photography Podcast, we welcome B&H Senior Sales Trainer Kevin Rickert back to the program to discuss the latest cameras and lenses released over the past few months. For today’s episode, we have the support of Audio-Technica and are using its BP40 Large Diaphragm Dynamic Broadcast Microphone. We start with Sony’s new flagship camera, the Alpha A1 Mirrorless Digital Camera, and discuss its impressive features, as well some of the new lenses Sony has introduced, including the Sony FE 50mm f/1.2 GM Lens. We also talk about the new FUJIFILM GFX 100S Medium Format Mirrorless Camera and the FUJIFILM X-E4 Mirrorless Camera. The rest of the episode is dedicated to lenses and a quick look back at some camera releases from late 2020. We mention the incredible new Leica M-mount 35mm f/2 lens and the 28mm f/2 SL lens, a trio of  Pentax  "Limited" lenses, including the tiny 43mm f/1.9 lens, a 15mm Sunstar lens from NiSi, and several others. Cameras from late last year that get a mention are the Nikon Z6 II, the Olympus OM-D E-M10 III, and the Canon PowerShot ZOOM. Join us for this informative chat and start thinking about your spring and summer photography plans! Guest: Kevin Rickert Editor’s Note: Since this podcast was recorded, both Pentax and Sigma have announced new cameras. Both are substantial updates to existing models: Pentax announced the new APS-C flagship Pentax K-3 Mark III DSLR and Sigma introduced the modular fp L Mirrorless Digital Camera. Sony Alpha 1 Mirrorless Digital Camera FUJIFILM GFX 100S Medium Format Mirrorless Camera FUJIFILM X-E4 Mirrorless Digital Camera Sigma fp L Mirrorless Digital Camera Leica APO-Summicron-M 35mm f/2 ASPH. Lens Pentax HD Pentax-FA 43mm f/1.9 Limited NiSi 15mm f/4 Sunstar ASPH Lens Sony FE 50mm f/1.2 GM Lens Sigma 28-70mm f/2.8 DG DN Contemporary Lens Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 02/25/2021
Live event and concert photography have, obviously, been drastically impacted by the global pandemic and related shutdowns. Let’s give a shout-out to all the photographers, musicians, technicians, and crew who have struggled with the loss of that part of their income and craft, but also make time on the B&H Photography Podcast to talk about concert photography as we inch toward a hopeful return to live music and art performances. Today’s guest is Christie Goodwin, a premier concert and music photographer. She has been the tour photographer for the likes of Taylor Swift and Usher and has shot in venues around the world. She is also the house photographer for the famed Royal Albert Hall, in London. Her work is impeccable, and a quick glance at her website features some of the most recognized faces in contemporary music today. With Goodwin we speak on a range of topics, including her goals as a concert photographer based on the needs of the artist, the management team, the venue, or the fans. We also talk about life on tour, the trust necessary to work with musicians, shooting techniques learned from experience, and how she lets a concert “speak to her” as she decides her photographic approach. We also talk briefly about her Canon DSLR cameras and lenses, and about her side hustle, creating conceptual images for book covers, and how this primarily mirrorless endeavor is the yin to her concert photography yang. Join us for this insightful and practical conversation. Guest: Christie Goodwin Photograph © Christie Goodwin Celine Dion, Hyde Park, London, 2019 © Christie Goodwin Dream Theater, Wembley Arena, London, 2014 © Christie Goodwin Iggy Pop, Royal Albert Hall, London, 2016 © Christie Goodwin Marillion, Royal Albert Hall, London, 2017 © Christie Goodwin James Taylor backstage at Royal Albert Hall, London, 2014 © Christie Goodwin Sting backstage at Royal Albert Hall, London, 2015 © Christie Goodwin Photograph © Christie Goodwin Photograph © Christie Goodwin Photograph © Christie Goodwin Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 12/03/2020
Today we welcome back to the B&H Photography Podcast  Pulitzer Prize-winning photojournalist and friend to the show, Salwan Georges. Georges joined us four years ago to talk about his documentary project centered around the Arabic communities in Michigan, but a great deal has changed since then, and today he joins us to discuss his work covering the 2020 presidential campaigns for the Washington Post. With Georges, we dig into the nuts and bolts of navigating a presidential election in the middle of a pandemic. We talk about press pools, political rallies, booking your own airfare, and making sure your hotel room is disinfected. We also discuss getting new angles to tell stories, prime versus zoom, switching to the Sony a9 II, and using an iPhone when that’s the only option. Georges also relates his experiences working with editors, having the backs of other photographers, and his additional work covering the opioid crisis and other painful stories of our time. Join us for this insightful conversation that we recorded in the days immediately following the 2020 U.S. Presidential Election. Guest: Salwan Georges Photograph © Salwan Georges Supporters of Democratic presidential candidate former Vice President Joe Biden listen outside of the Chase Center as he speaks during the Democratic National Convention, in Wilmington, Delaware on Thursday, August 20, 2020. Photograph © Salwan Georges/The Washington Post President Donald J. Trump listens to a question from a reporter during a news briefing in the James S. Brady Press Briefing Room at The White House, in Washington, D.C. on Sunday, September 27, 2020. Photograph © Salwan Georges/The Washington Post Sen. Bernie Sanders, I-Vt., 2020 Democratic Presidential Candidate, gives a victory speech after winning the New Hampshire Primary during Primary Night Celebration at SNHU Field House on Tuesday, February 11, 2020 in Manchester, New Hampshire. Photograph © Salwan Georges/The Washington Post President Donald J. Trump throws a hat to supporters during a “Make America Great Again Victory Rally,” in Waterford Township, Michigan on Friday, Oct. 30, 2020. Photograph © Salwan Georges/The Washington Post Democratic presidential candidate former Vice President Joe Biden, and his wife, Jill Biden, greet supporters with Democratic vice presidential candidate Sen. Kamala Harris and her husband, Doug Emhoff, outside of the Chase Center, the secondary location of the Democratic National Convention, in Wilmington, Delaware on Thursday, August 20, 2020. Photograph © Salwan Georges/The Washington Post The final presidential debate between President Donald Trump and Democratic nominee Joe Biden appears on screens during a flight from Detroit on Thursday, Oct. 22, 2020. Photograph © Salwan Georges/The Washington Post Nash Ismael, 20, places his arms around his sisters Nadeen, 18, left, and Nancy, 13, as they visit the gravesite of their parents on Father's Day at White Chapel Memorial Park Cemetery on Sunday, June 21, 2020, in Troy, MI. The Ismael children lost their parents within weeks to COVID-19. Photograph © Salwan Georges/The Washington Post Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 11/12/2020
Eight months ago, on the B&H Photography Podcast, we welcomed four photojournalists who were covering the beginning stages of the COVID-19 crisis in New York. We discussed their fears and the stories they hoped to cover; we also discussed safety precautions, limited access to subjects, and altered workflows. It was the beginning of a new reality. On today’s episode, we welcome back two of those photographers— Desiree Rios and Sarah Blesener —for a follow-up conversation on how their work has evolved since March. We first welcome Desiree Rios, who photographs for the New York Times and Wall Street Journal. We speak with Rios about her daily assignments covering the effects of the pandemic in New York, primarily in the Bronx. We talk about using her work as a support for the community, about building solidarity with the people she photographs, and about trying to tell deeper aspects of a story with daily news images. We also marvel over how attitudes about masks and PPE were so different in March. After a break, we speak with Sarah Blesener. She also works for the Times and WSJ, but thanks to a commission from the International Center for Photography and a grant from National Geographic, she was able to focus on a long-term project over these months. Specifically, she photographed her eighty-year-old landlady and how she, along with the neighborhood community she is a part of, came together to withstand the effects of the pandemic and shutdown. Blesener relates how she came to appreciate working in a less intimate and less spontaneous manner than normal, how she avoided risky assignments so as not to risk infecting her landlady, and how the project grew to involve the neighborhood and became a very optimistic story, despite the situation. This series is currently on exhibition at ICP. Join us for this topical and interesting conversation on the evolving role of photojournalism during 2020. Guests: Desiree Rios and Sarah Blesener Photograph © Sarah Blesener From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 From the series, "Slow as Summer Is, Still" © Sarah Blesener, 2020 Our Lady of Mount Carmel was open for private prayer in the Belmont neighborhood of The Bronx, New York on Sunday, May 24, 2020. © Desiree Rios for The New York Times Mercedes poses for a portrait with her daughter down the street from her apartment building in the Washington Heights neighborhood of Manhattan, New York on June 19, 2020. Mercedes, who has no income since her husband lost his construction job due to the pandemic, is unable to receive unemployment benefits because of their immigration status. © Desiree Rios for The New York Times Residents wear face masks while sitting on the stoop of their building in the Morrisania neighborhood of The Bronx, New York on April 14, 2020. © Desiree Rios for The New York Times Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/23/2020
For the headline of this week’s episode of the B&H Photography Podcast, we lifted a line from our guest’s own Instagram bio. It would have been too easy to call a show with Walter Iooss Jr. “Sports Photography Legend” or some such, but that pigeonholes Iooss too easily, and does not recognize the scope of his engagement with photography and with the creative process. Yes, Walter Iooss Jr. is sports photography. He has more than 300 Sports Illustrated covers to his name, his first professional gig was at age 17, and for six decades he has photographed several Hall of Fames’s worth of athletes, including names like Arnold, Mary Lou, Muhammad, and Tiger, and his work with Michael Jordan is unparalleled. Also—every Super Bowl. But he has also photographed rock stars, models, fashion and commercial assignments, portraits, and documentary series. And he tells us of his love for music and that if not for a twist of fate, he might have been a musician. The man is a creator for life, a photographer for life. With Iooss, our conversation takes a leisurely approach, touching on a few of his more memorable photos and some of the interesting lesser knowns; the breadth of his work alone could keep us talking for hours. Along the way, we learn a little about his upbringing, the love for music, his mentors, and the time he shot for Atlantic Records. We discuss how he builds a composition, whether it be an action shot during a game or a complicated portrait setup. We also talk about using a giant Polaroid camera, the coming of autofocus, and Canon DSLRs. Join us for this pleasant conversation that is sure to interest not only fans of sports, but fans of photography. Guest: Walter Iooss Jr. Photograph © Walter Iooss Jr. Andy Samberg, 2011 © Walter Iooss Jr. Muhammad Ali and Joe Frazier, 2003 © Walter Iooss Jr. Emmet Ashford, 1968 © Walter Iooss Jr. Tony Scott and Gary Templeton, 1979 © Walter Iooss Jr. Greg Louganis, 1984 © Walter Iooss Jr. Dave Parker and Grant Jackson, 1980 © Walter Iooss Jr. Jack Nicklaus, 1967 © Walter Iooss Jr. The Blue Dunk, Michael Jordan, 1987 © Walter Iooss Jr. The Corner, Havana, Cuba, 1999 © Walter Iooss Jr. Leipzig, East Germany, 1976 © Walter Iooss Jr. Lee Trevino, 1991 © Walter Iooss Jr. Willis Reed, 1973 © Walter Iooss Jr. Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/30/2020
This week on the B&H Photography Podcast, we welcome two old friends of the podcast to talk about the latest gear from their respective companies. First up is Rudy Winston, Technical Advisor at Canon USA, and then we welcome Marc Farb, Technical Rep from Sigma. Both Winston and Farb are breaking records with this, their fifth visit to our show. With Rudy Winston, we discuss a few cameras that were released last year or earlier in 2020, such as the Canon EOS 6D Mark II DSLR and the EOS 1D X Mark III DSLR, to get a sense of how they are being received, and then we briefly discuss what may be the most-anticipated camera of 2020, the upcoming EOS R5 Mirrorless Digital Camera. In addition, we talk about the latest Rebel T8i DSLR, CF Express memory cards, and the incredible RF 50mm f/1.2L USM Lens. After a short break, we start our conversation with Marc Farb, discussing the impressive Sigma fp Mirrorless Camera, which was announced almost a year ago but has become the latest big deal for those wanting a compact full frame camera that can be the basis of both a complete photo or cine system. From there, we talk lenses. Sigma continues to produce incredible lenses in all categories and for most major camera systems, including the 100-400mm f/5-6.3 DG DN OS Lens for the Sony E system and the just-announced 16mm f/1.4 DC DN and 30mm f/1.4 DC DN for L-mount systems. After a quick mention of Sigma’s adapters and its new UD-11 USB Dock for Leica L-mount lenses, Farb relates an all-time favorite lens of his that is ideal for sports, wedding, and concert photographers, among others: the Sigma 120-300mm f/2.8 DG OS HSM Sports Lens. Join us for this informative and practical discussion of the most interesting new gear from Canon and Sigma. Guests: Rudy Winston and Marc Farb Canon EOS 6D Mark II DSLR Camera Body with Accessory Kit Canon EOS 1D X Mark III DSLR Camera Canon EOS Rebel T8i DSLR Camera Canon RF 50mm f/1.2L USM Lens Sigma fp Mirrorless Digital Camera Sigma 16mm f/1.4 DC DN Contemporary Lens Sigma 100-400mm f/5-6.3 DG DN OS Contemporary Lens for Sony E-mount Sigma 120-300mm f/2.8 DG OS HSM Sports Lens Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/21/2019
Shiv Verma is a Panasonic LUMIX Global Ambassador, so it’s no coincidence that he is joining us to discuss the LUMIX S1 Full-Frame Mirrorless Digital Camera —which is part of our current sweepstakes —and other cameras in the LUMIX line, but Verma is also a multi-talented photographer and educator who offers insight into the subtle aspects of light and narrative, as well as the technical know-how to achieve your desired photographic results. We start our conversation relating a William Faulkner quote that Verma uses on his website, and this leads us to speculate on the nature of photography and how images can tell stories and inspire emotion. From there, we dig into Verma’s body of work to understand more clearly the threads that connect his range of styles and abilities. What connects his wildlife and bird photography to his landscapes and the professional and technical product photography he creates? We also delve into the skill sets needed for macro photography and his specialty… time-lapse photography. In-camera time-lapse capabilities were what initially drew Verma to the LUMIX line, and we discuss how this function has evolved and, in addition to relating his experience shooting with the LUMIX S1 and S1R cameras, he provides insight into the best applications for the various LUMIX mirrorless cameras and lenses, including the GH5 and G9. Join us for this informative episode and enter our B&H Photography Podcast Panasonic LUMIX S1 Sweepstakes for a chance to win an S1 with 24-105mm lens or a DC-G95 Mirrorless Camera with a 12-60mm lens. Guest: Shiv Verma Above photograph © Shiv Verma Palouse Sunset © Shiv Verma Palouse Sunrise © Shiv Verma Notre Dame Cathedral © Shiv Verma Fire in the Mist © Shiv Verma Red-Shouldered Hawk © Shiv Verma Vietnamese Elder © Shiv Verma Light House Steps © Shiv Verma Allan Weitz and Shiv Verma © John Harris Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/20/2017
This week, we took our mics and questions to Photoville, the free nine-day photography festival held in in the shadow of the beautiful Brooklyn Bridge. With exhibitions held in re-purposed shipping containers and on fences throughout the DUMBO neighborhood of Brooklyn, not only does Photoville offer a variety of incredible photography series, but it integrates seamlessly into its urban home. In its sixth year, Photoville Brooklyn has grown to include evening programming, lectures, panels, and workshops. Photoville, founded and run by United Photo Industries, has expanded to seven cities with plans for three more in 2018. The wealth of visual storytelling at Photoville is impressive—in our afternoon visit we saw exhibitions from every corner of the world, touching on the important issues of our day, and passing through all photographic genres. While there, we spoke with several photographers and curators about their work, as well as Photoville co-founder Laura Roumanos. Join our conversations with Daniella Zalcman of Women Photograph on their exhibition “Insider/Outsider,” with Sergeant John Martinez of the United States Marine Corps, about the series “ Battles Won,” and with the Director of Photography of The Player’s Tribune, Nate Gordon. We also speak with Rachel Dennis and Julie Winokur, of Talking Eyes Media, about their multimedia exhibit “Newest Americans,” organized in coordination with the Center for Migration and the Global City at Rutgers University, Newark, and the VII Photo Agency. Photography festivals and workshops are a gift to photographers and non-photographers alike. Join us as we find inspiration and motivation from the incredible image-makers found at Photovilleand, if you are in New York, check out all the exhibitions and activities yourself, from September 21-24, 2017. Guests: Laura Roumanos, Daniella Zalcman, Nate Gordon, Sgt. John Martinez, and Rachel Dennis Photoville Brooklyn, with Brooklyn Bridge and downtown New York across the East River All available space at Photoville is used to exhibit photography. Interior of container exhibit, “The Blood and the Rain,” by Yael Martinez and Orlando Velazquez Allan Weitz at Photoville; photographs in background by Lynn Johnson Allan Weitz, Laura Roumanos (Co-founder and Executive Producer of Photoville), and Jason Tables Container exhibit, “Battles Won,” from United States Marine Corps Sgt. John Martinez presents his photography in the exhibit, “Battles Won.” Container exhibit, “Battles Won,” from United States Marine Corps School children visit the exhibit, “Facing Change: Documenting Detroit.” From the exhibit, “Insider/Outsider,” photograph by Yagazie Emezi From the exhibit “Insider/Outsider,” photograph by Griselda San Martin From the exhibit, “Insider/Outsider,” photograph by Annie Tritt from her project, “Transcending Self” Nate Gordon (Director of Photography, “The Player’s Tribune”) with Allan Weitz and Jason Tables New York Liberty players, photograph by Annie Flanagan/The Players' Tribune Pop Warner Football, photograph by Walter Iooss Jr./The Players' Tribune Markelle Fultz pumping gas, photograph by Sam Maller/The Players' Tribune Ricardo Lockette, photograph by Taylor Baucom/The Players Tribune “The Family Imprint,” a photo series by Nancy Borowick, is displayed on a fence in the Brooklyn neighborhood of DUMBO, near Photoville. Allan Weitz and Jason Tables at Photoville Brooklyn Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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