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Posted 09/11/2019
On today’s episode of the B&H Photography Podcast we take a deep dive into one bag and then into another one, and another. We welcome Jeannette Garcia and Yaakov Katz, two experts from the B&H SuperStore, to discuss the materials, capacities, features, and styles of camera bags and cases that are available today. We start with a simple question for each of them: what should one ask when purchasing a new camera bag? Both offer simple yet insightful answers to that question as they walk us down the path to finding the right camera bag for our needs. From slings to messenger bags, holsters, and pouches, we examine the differences in materials and mention the features that might serve one’s particular photographic application. We also consider rolling cases, hard cases,  lens cases, designer camera bags, and  inserts and run down a list of various brands to get feedback from Garcia and Katz, including several well-known bag companies that were founded by photographers, such as Think Tank, Tenba, and  Domke. Join us for this informative and enjoyable conversation. Guests: Jeannette Garcia and Yaakov Katz Jeannette Garcia, Allan Weitz, and Yaakov Katz John Harris   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/17/2019
On this week’s episode of the B&H Photography Podcast, we welcome photographer Ashok Sinha, who talks about his forthcoming book, Driver-full City: The Unique Architecture of Car Culture in Greater Los Angeles, and discusses the Cartwheel Initiative, a nonprofit that he founded, which works with displaced and refugee youth, using photography and multimedia tools to inspire these youth to find their voice through art and creative thinking. Above photograph © Ashok Sinha Before we get into our conversation with Sinha, however, we want to let you know about an opportunity we are offering our listeners. We will be giving away forty free tickets to a private screening of the film, Jay Myself, directed by photographer Stephen Wilkes, about the photographer Jay Maisel. Wilkes will be in attendance for a Q/A session after the screening. Many of you may remember when Maisel and Wilkes joined us to talk about the making of this movie, and we are excited to extend this offer to the first forty listeners who request a ticket. This screening will be in New York City, on August 4, so if you cannot be in New York on that date, please do not request a ticket, which are limited to two per person. If you would like to attend the screening and meet the filmmakers, send a request to podcast@bhphoto.com or join our B&H Photography Podcast Facebook Group and comment on the post regarding the free screening. Screening details are in the post and we look forward to meeting you. Ashok Sinha is a complete photographer and filmmaker, able to make a living from his architecture and interior design photography, but also adept at large-scale landscapes, human-interest editorial stories, and portraiture. His photographs have been widely published by editorial outlets such as The New York Times, TIME, Interior Design, and exhibited by The Museum of the City of New York, the International Center of Photography, and The Royal Photographic Society. And, as mentioned, Sinha has found a wonderful way to use photography to give back to the youth most in need of a helping hand. Join us for this inspiring episode and request your free tickets to Jay Myself. Guest: Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha “Driver-full City” © Ashok Sinha Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/20/2017
This week, we took our mics and questions to Photoville, the free nine-day photography festival held in in the shadow of the beautiful Brooklyn Bridge. With exhibitions held in re-purposed shipping containers and on fences throughout the DUMBO neighborhood of Brooklyn, not only does Photoville offer a variety of incredible photography series, but it integrates seamlessly into its urban home. In its sixth year, Photoville Brooklyn has grown to include evening programming, lectures, panels, and workshops. Photoville, founded and run by United Photo Industries, has expanded to seven cities with plans for three more in 2018. The wealth of visual storytelling at Photoville is impressive—in our afternoon visit we saw exhibitions from every corner of the world, touching on the important issues of our day, and passing through all photographic genres. While there, we spoke with several photographers and curators about their work, as well as Photoville co-founder Laura Roumanos. Join our conversations with Daniella Zalcman of Women Photograph on their exhibition “Insider/Outsider,” with Sergeant John Martinez of the United States Marine Corps, about the series “ Battles Won,” and with the Director of Photography of The Player’s Tribune, Nate Gordon. We also speak with Rachel Dennis and Julie Winokur, of Talking Eyes Media, about their multimedia exhibit “Newest Americans,” organized in coordination with the Center for Migration and the Global City at Rutgers University, Newark, and the VII Photo Agency. Photography festivals and workshops are a gift to photographers and non-photographers alike. Join us as we find inspiration and motivation from the incredible image-makers found at Photovilleand, if you are in New York, check out all the exhibitions and activities yourself, from September 21-24, 2017. Guests: Laura Roumanos, Daniella Zalcman, Nate Gordon, Sgt. John Martinez, and Rachel Dennis Photoville Brooklyn, with Brooklyn Bridge and downtown New York across the East River All available space at Photoville is used to exhibit photography. Interior of container exhibit, “The Blood and the Rain,” by Yael Martinez and Orlando Velazquez Allan Weitz at Photoville; photographs in background by Lynn Johnson Allan Weitz, Laura Roumanos (Co-founder and Executive Producer of Photoville), and Jason Tables Container exhibit, “Battles Won,” from United States Marine Corps Sgt. John Martinez presents his photography in the exhibit, “Battles Won.” Container exhibit, “Battles Won,” from United States Marine Corps School children visit the exhibit, “Facing Change: Documenting Detroit.” From the exhibit, “Insider/Outsider,” photograph by Yagazie Emezi From the exhibit “Insider/Outsider,” photograph by Griselda San Martin From the exhibit, “Insider/Outsider,” photograph by Annie Tritt from her project, “Transcending Self” Nate Gordon (Director of Photography, “The Player’s Tribune”) with Allan Weitz and Jason Tables New York Liberty players, photograph by Annie Flanagan/The Players' Tribune Pop Warner Football, photograph by Walter Iooss Jr./The Players' Tribune Markelle Fultz pumping gas, photograph by Sam Maller/The Players' Tribune Ricardo Lockette, photograph by Taylor Baucom/The Players Tribune “The Family Imprint,” a photo series by Nancy Borowick, is displayed on a fence in the Brooklyn neighborhood of DUMBO, near Photoville. Allan Weitz and Jason Tables at Photoville Brooklyn Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/14/2016
Are dance and photography natural enemies? Well, of course not, but one art form is about the still, captured moment, and the other about choreographed movement and fluidity. However, anyone who truly understands photography knows the importance of timing, grace, and harmony, and a dancer must also recognize the relevance of rest and static. Sculpture, or gesture perhaps, is their common bond and our two guests know well the significance of gesture and the conflicting and compatible characteristics of dance and photography. They join us to talk about their distinct work and shooting styles. Lois Greenfield is one of the recognized masters of the craft, having developed a singular style sought by the world’s most renowned dance companies, and Omar Z Robles, an official Fujifilm X-Photographer, brings a fresh take, blending aspects of documentary and street photography. Enjoy this episode as we discuss improvisation, inspiration, dodging taxis and, of course, lighting systems and camera and lens choices. Guests: Lois Greenfield and Omar Z. Robles   Photographs by ©  Lois Greenfield Photographs by ©  Omar Z. Robles   Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play           Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 04/14/2016
Lens adapters are certainly not new items in the savvy photographer’s gear bag, but they have taken on an added significance since the onset of mirrorless camera production, and can be the literal link between the cold efficiency of digital cameras and the distinctive charm of exotic lenses from an earlier era. Of course, they are high-tech electronic adapters and what may be surprising is just how important they are to filmmakers and how they have up-ended the used lens market. In this episode, we talk with two unapologetic lens zealots who use adapters regularly to connect lenses from a range of manufacturers to their many cameras. We start with a basic introduction to the common types and brands of adapters and then “geek out” on the many ways to use adapters for creative experimentation and unique imaging. Guests: Johnny Tsang and Victor Samoilovich  To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS. 35mm Angenieux Lens in M42 mount, from early 1950s Allan Weitz currently uses three adapters to mount six lenses from four manufacturers on his Sony A7R II, including a Zeiss 16mm f/8 Hologon lens. Berthiot Cinor lens designed for 16mm movie cameras   b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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Posted 01/27/2016
Not one of us is perfect, and thank goodness for that. As my favorite saying goes, perfection is the opposite of good, but that doesn’t mean we shouldn’t strive to be better. Whether you are a newbie or a more experienced photographer, there is a constant need to improve your skills, and to open your mind to new approaches.  With the spirit of the New Year still warming our souls, we brought in Jason Fulford, co-editor of The Photographer’s Playbook, and Todd Vorenkamp, author of 13 Creative Exercises for Photographers, to discuss methods that will feed your creativity and improve your photography. From simple games to daily exercises to deep thoughts, all wrapped in a pleasant conversation, let’s just call this episode the “Coffee Klatch on Creativity.” Guests: Jason Fulford and Todd Vorenkamp To listen to this week’s episode: Listen to or download on  SoundCloud, or subscribe to the B&H Photography Podcast on  iTunes;  Stitcher;   SoundCloud; or via  RSS.       Photographs by Jason Fulford  (www.jasonfulford.com)       Photographs by Todd Vorenkamp  (www.trvphoto.com) b Host: Allan Weitz Producer: John Harris Engineer: Jason Tables Executive Producers: Bryan Formhals, Mark Zuppe
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