Don’t Miss an Episode Subscribe Now

Refine
Done
0 Plays
Posted 05/06/2021
This is one of the most enjoyable chats on photography we’ve had in a while, and our subject is the history of amateur and popular photography as understood through photography how-to books and manuals. Joining us on the B&H Photography Podcast is Dr. Kim Beil, professor at Stanford University and author of Good Pictures: The History of Popular Photography, and with Professor Beil we not only speak about what is and has been considered a “good photo,” we specifically talk about her collection of photography how-to books and camera manuals, which act as a guide to this “good photography” over the years. A sense of the collection can be found on her Instagram page, and we discuss examples from various decades, as well as those aimed at certain disciplines and those written by popular instructors and well-known photographers, such as Ansel Adams and Gordon Parks. We also talk with Beil about certain trends in popular photography, including ideas as simple as cropping and the many techniques born of technical and artistic innovation. The role that Kodak played in the early years of amateur photography is touched upon, as is that of Polaroid instant photos of the 1970s. Beil has her favorite type of instructional book and we discuss authors who insisted on a prescriptive style of photography rules and those that were more “amateur to amateur.” We find out how she acquires books and also how YouTube tutorials are affecting the genre. Finally, we talk about digital photography trends and what she considers a good photo. Join us for this wide-ranging conversation sure to please any lover of amateur photography. Guest: Kim Beil Photograph © Kim Beil © Kim Beil © Kim Beil © Kim Beil © Kim Beil © Kim Beil © Kim Beil Cover of “Good Pictures: The History of Popular Photography” © Kim Beil From “Good Pictures: The History of Popular Photography” © Kim Beil From “Good Pictures: The History of Popular Photography” © Kim Beil Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
0 Plays
Posted 06/17/2020
On this week’s episode of the B&H Photography Podcast, we welcome Margit Erb and Michael Parillo, of the Saul Leiter Foundation, to discuss Saul Leiter’s career and their work preserving the art and the legacy of this pioneer of color photography. Born and raised in Pittsburgh, Leiter veered from the traditional religious path his parents desired for him and moved to New York City to follow his own calling. Met with early success in the 1950s—Leiter’s photography was included in exhibits at MoMA and he built a steady career as a fashion photographer for Esquire and Harper’s Bazaar —by the 1980s, he was forced to give up his studio and struggled financially, but late in life his huge archive of color street photography, much of which was unseen beyond a few curators and colleagues, became a treasure chest of fine art photography. A painter and photographer, he left behind a tremendous amount of work, including hundreds of rolls of unprocessed film, that has been entrusted to Erb and the Leiter Foundation. We talk with Erb and Parillo about Leiter’s early life, his growth as a photographer, his shooting style, his work in fashion, and even how he turned down an invitation to be included in the legendary “Family of Man” exhibition at MoMA. After a break, we discuss the nuts and bolts of organizing and maintaining an archive that is at once massive and unwieldy and a never-ending source of inspiration. Join us for this fascinating conversation about a photographer whose complete body of work is yet to be fully appreciated. Guests: Margit Erb and Michael Parillo Photograph © Saul Leiter Foundation, courtesy of Howard Greenberg Gallery Sunday Morning at the Cloisters, 1947 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Five and Dime, 1950 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery From Harper’s Bazaar, February, 1959 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Mirrors, 1962 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Red Curtain, 1956 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Red Umbrella, 1955 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Haircut, 1956 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Snow, 1970 © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Untitled, 1950s © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Self-portrait, 1950s © Saul Leiter Foundation, courtesy Howard Greenberg Gallery Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 01/22/2020
On this week’s episode of the B&H Photography Podcast, we welcome editorial, fashion, art, and music photographer Olivia Bee. That’s a lot of tags and she’s earned them all in a relatively short time span. Her “origin story” is well-documented in photo circles, so we won’t go into that much, but in a career now a decade old, we discuss where those early successes have brought her, what she enjoys about photography, and what she is working on now. With clients that include Hermes, Nike, L’Oreal, Sony, and editorial assignments from Vice, Elle, the New York Times, and Complex Magazine, Bee has created a comprehensive body of commercial work while continuing to evolve the personal aesthetic that got her noticed in the first place. She is also now directing music and other videos and beginning a narrative film effort. We speak with Bee from her bucolic Oregon acreage and discuss a wide range of topics, from the evolution of her gear, including her current use of view cameras, to her self-portraiture techniques, to publishing her first book, Kids in Love, with Aperture. We also spend some time discussing her work with musicians, the different approaches to an editorial assignment with a musician, and working on album art or a portrait. Finally, Bee lets us in on her dream assignment and Allan promises to make that dream come true. Join us for this pleasant and informative conversation. Guest: Olivia Bee Lovers, 2013; from “Kids in Love” © Olivia Bee Baller, 2011; from “Kids in Love” © Olivia Bee Purple Haze, 2011; from “Enveloped in a Dream” © Olivia Bee from “Viva Las Vegas,” 2015 © Olivia Bee from “Viva Las Vegas,” 2015 © Olivia Bee Migos for Billboard, 2017 © Olivia Bee Kesha for Billboard, 2017 © Olivia Bee Larsen Thompson, 2016 © Olivia Bee Birdy for REDValentino SS16 Campaign © Olivia Bee Schiaparelli Couture © Olivia Bee Max and Opal (Barely Seventeen), 2016 © Olivia Bee Portrait of the American West, 2017 © Olivia Bee Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 06/29/2018
On this week’s episode of the B&H Photography Podcast, we welcome photographer Michael Sanders and model Jayne Moore to discuss the collaborative process between model and photographer on a fashion shoot. From “go-sees” and casting via Instagram, to the rhythm of a shoot, working with on-set teams, lighting insights, and the dos and don'ts of professional interaction, we discuss the P.O.V. from both sides of the lens. The thread that runs through our conversation, though, is how a photographer and a model work together to create the best images to please themselves and their clients. Jayne Moore is represented by IMG Models, and has appeared in Elle, Cosmopolitan, and Marie Claire and in ads for Calvin Klein and L’Oreal, among many others. She has worked with photographers such as Annie Leibovitz, Dean Isidro, and Pamela Hanson, and brings to the conversation an incredible insight, not only to the work of a model, but also to the fashion industry in general and to the role a photographer should play. Michael Sanders is a return guest to our show and a regular contributor to Italian Elle magazine. His work can also be found in the international editions of Vogue, Glamour, and Marie Claire, and in the June, 2018 edition of U.S. Elle he photographed model Hailey Baldwin on the beaches of St. Lucia. Loaded with insight for photographers of any stripe and certainly for aspiring models or anyone interested in the creative fields, this is an enjoyable and informative chat. Join us. Guests: Jayne Moore and Michael Sanders © Michael Sanders for Elle Italia © Michael Sanders for Elle US © Michael Sanders for Elle US © Michael Sanders for Elle International Courtesy Jayne Moore Courtesy Jayne Moore Courtesy Jayne Moore Courtesy Jayne Moore © Pamela Hanson, Courtesy Jayne Moore Courtesy Jayne Moore Michael Sanders, Jayne Moore, Allan Weitz © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 06/01/2018
From massive ensemble photographs to celebrity portraiture, advertising high-rollers, and about every movie and television poster you’ve ever seen, Art Streiber anchors the spot where Hollywood and the magazine industry meet. His versatility and production acumen are well recognized, and our conversation ambles easily through a wide range of subjects, but what remains evident—in addition to his quick wit—is that Streiber is a problem solver. Big concept, small budget? No problem. Giant set piece with 150 A-list subjects? We’ll figure it out. Just you, me, a camera and a hotel room window? Done. Streiber learned early that being a jack-of-all-trades does not correlate to a master-of-none and that the answer is always, “Yes.” In addition to his obvious photographic chops, this attitude seems to be at the heart of his success. With Streiber, we speak about soaking up the magazine aesthetic through his family’s business in Los Angeles, about early rejections, understanding the story behind a photo concept, and how the image “bears the burden” of telling that story. We also dig deep into his archive to discuss specific images of Steven Spielberg, Paul Rudd, Oscar nights, and others. We touch on picture research, budgeting concepts, lighting choices, working with celebrities, seeing big photos on small screens, older CCD sensors, and “how to eat an elephant.” This is a funny and incredibly informative episode of the B&H Photography Podcast. Join us. Guest: Art Streiber Seth Rogen as Cary Grant, in "North by Northwest," 2008 © Art Streiber Paul Rudd as Gene Wilder, in "Young Frankenstein" © Art Streiber Paramount 100th Anniversary Photo, 2012 © Paramount Pictures, Courtesy Art Streiber Campus Climate Challenge Activists © Art Streiber Steven Spielberg, for Empire Magazine © Art Streiber Brie Larson, for WWD, 2016 © Art Streiber Cate Blanchett, for Entertainment Weekly, 2014 © Art Streiber Behind the scenes at the Oscars © Art Streiber Behind the scenes at the Oscars © Art Streiber Behind the scenes at the Oscars © Art Streiber The cast of "The Princess Bride," for Entertainment Weekly, 2011 © Art Streiber The cast of "Taking Woodstock," for Vanity Fair, 2009 © Art Streiber Blaine Lourd, for Conde Nast Portfolio © Art Streiber Art Streiber on B&H Photography Podcast © John Harris Allan Weitz and Art Streiber © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 05/04/2018
The B&H Photo SuperStore recently hosted the two-day Depth of Field Portrait, Wedding, and Event Photography Conference, in New York City, and invited many talented, experienced photographers to speak and show work. The conference also included representatives from most of the major camera, lens, and lighting companies. We set up our mics close to the main stage, grabbed vendors as they passed by and spoke with them about their latest and greatest offerings for photographers and videographers. For this week's episode of the B&H Photography Podcast, we have edited together a sampling of our conversations with the following manufacturers: Nikon, Pentax/Ricoh, Westcott, Sony, Sigma, Luxli, Canon LG, TogTees, Godox, Leica, and Adobe. It's a long one, but we have blended a bit of elucidation with some humor and, hopefully, created an informative and enjoyable show. Join us, por favor. Guests: Lindsay Silverman, Nikon (01:16) Ken Curry, Ricoh (03:15) David Piazza, Westcott (08:16) Lavonne Hall, Adobe (16:35) Jason Mantell, Sony (22:20) Marc Farb, Sigma (36:24) Casey Krugman, Luxli (45:06) Rudy Winston, Canon (53:04) Gregg Lee, LG (01:00:54) Pano Kalogeropoulos, TogTees (01:10:14) Stephen Gomez, Godox (01:18:32) John Kreidler, Leica (01:25:49) Top Shot © Lindsay Adler DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 03/09/2018
Are the 1990s history? Well, for today’s episode of the B&H Photography Podcast, we look back to that decade when a new aesthetic in fashion photography was born in England, and later spread to the United States and the world; a transformative style whose influence is apparent almost thirty years after its birth. First appearing in small but influential magazines such as The Face, i-D, and Blitz, and growing from a reactionary youth culture, this raw style reflected a new aesthetic, one that rejected the glam, the supermodel, and the highly stylized photos of the 1980s in favor of eclectic clothing, waifish models, a low-tech, "straight-up" photo style, and a lot of “frickin’ attitude.” For this episode, we welcome fashion photographer Michael Sanders, who is a regular contributor to Italian Elle and who shot for many of the ’90s “style bibles” mentioned above. Sanders came of age in this era and discusses the social and economic factors that lead to this new aesthetic, the cyclical nature of fashion, and the overly simplistic idea of heroin-chic. He also provides a sense of the technologies that made this movement a reality, the gear most commonly used, and the assignment process and shooting-styles embraced. Finally, Sanders offers firsthand insight into the community of photographers, stylists, and models who are associated with this movement, including David Sims, Corinne Day, Kate Moss, Melanie Ward, and the important photographer and bridge figure, Nick Knight. Join us for this interesting look back to the birth of a style and photographic movement that is still reverberating. Guest: Michael Sanders Photograph © Corinne Day, model: Kate Moss, The 3rd Summer of Love cover from “The Face.” 1990 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders from “Blood Simple”, “The Face.” 1997 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, 2018 from “Italian Elle”, March 2018 Photograph © Michael Sanders, courtesy “Italian Elle” Allan Weitz and Michael Sanders, Photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 02/02/2018
This week’s episode of the B&H Photography Podcast posits the notion that we are in a new “Golden Age” of landscape photography, and a fundamental attribute of this landscape photography is its embracing of digital and mobile technologies. From soaring ISO capabilities and improved dynamic range to stacking and correction software to weather, mapping, and pre-production apps, the willing photographer can plan and execute landscape images that would have been impossible to create only a few short years ago. We also suggest that the Pacific Northwest, with its proximity to the cradle of the tech industry and a spectrum of natural wonders, is the hub of this progressive landscape photography movement. Veteran photographers have adopted new technologies and created a movement, and a younger generation is following suit, certain to take landscape photography into a future that includes drones, VR, and imaging technologies yet to be imagined. We also discuss the influence of photo-sharing platforms and new career models that enable photographers to distribute their work and travel to destinations that editorial assignments would never cover. We welcome to our conversation two preëminent landscape photographers, Erin Babnik and Sean Bagshaw, who discuss their work and the use of the high-tech gear and applications in the creation of their photography. In addition to the obligatory Q and A about camera and lens choices, we discuss location and weather apps, post-process plug-ins, and even the latest foul-weather gear, all of which enable them to create the stunning work for which they are known. Both photographers are members of Photo Cascadia, and have a wide following of supporters and students. Their workshops sell out months in advance. After hearing their insights and seeing their imagery, there will be no doubt as to why. Also, at the end of today’s episode, we announce the winners of our Canon 5D Mark IV sweepstakes. Guests: Erin Babnik and Sean Bagshaw The Lost Ark © Erin Babnik Enigma © Erin Babnik Kairos © Erin Babnik Rhapsody in Blue © Erin Babnik Requiem © Erin Babnik Catching Air © Erin Babnik Wood and Stone © Sean Bagshaw The Gift Tree © Sean Bagshaw Summer Seclusion © Sean Bagshaw Mostnica Autumn © Sean Bagshaw Okshornan Peaks © Sean Bagshaw Bohinj Woods © Sean Bagshaw Lineage © Sean Bagshaw Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 09/20/2017
This week, we took our mics and questions to Photoville, the free nine-day photography festival held in in the shadow of the beautiful Brooklyn Bridge. With exhibitions held in re-purposed shipping containers and on fences throughout the DUMBO neighborhood of Brooklyn, not only does Photoville offer a variety of incredible photography series, but it integrates seamlessly into its urban home. In its sixth year, Photoville Brooklyn has grown to include evening programming, lectures, panels, and workshops. Photoville, founded and run by United Photo Industries, has expanded to seven cities with plans for three more in 2018. The wealth of visual storytelling at Photoville is impressive—in our afternoon visit we saw exhibitions from every corner of the world, touching on the important issues of our day, and passing through all photographic genres. While there, we spoke with several photographers and curators about their work, as well as Photoville co-founder Laura Roumanos. Join our conversations with Daniella Zalcman of Women Photograph on their exhibition “Insider/Outsider,” with Sergeant John Martinez of the United States Marine Corps, about the series “ Battles Won,” and with the Director of Photography of The Player’s Tribune, Nate Gordon. We also speak with Rachel Dennis and Julie Winokur, of Talking Eyes Media, about their multimedia exhibit “Newest Americans,” organized in coordination with the Center for Migration and the Global City at Rutgers University, Newark, and the VII Photo Agency. Photography festivals and workshops are a gift to photographers and non-photographers alike. Join us as we find inspiration and motivation from the incredible image-makers found at Photovilleand, if you are in New York, check out all the exhibitions and activities yourself, from September 21-24, 2017. Guests: Laura Roumanos, Daniella Zalcman, Nate Gordon, Sgt. John Martinez, and Rachel Dennis Photoville Brooklyn, with Brooklyn Bridge and downtown New York across the East River All available space at Photoville is used to exhibit photography. Interior of container exhibit, “The Blood and the Rain,” by Yael Martinez and Orlando Velazquez Allan Weitz at Photoville; photographs in background by Lynn Johnson Allan Weitz, Laura Roumanos (Co-founder and Executive Producer of Photoville), and Jason Tables Container exhibit, “Battles Won,” from United States Marine Corps Sgt. John Martinez presents his photography in the exhibit, “Battles Won.” Container exhibit, “Battles Won,” from United States Marine Corps School children visit the exhibit, “Facing Change: Documenting Detroit.” From the exhibit, “Insider/Outsider,” photograph by Yagazie Emezi From the exhibit “Insider/Outsider,” photograph by Griselda San Martin From the exhibit, “Insider/Outsider,” photograph by Annie Tritt from her project, “Transcending Self” Nate Gordon (Director of Photography, “The Player’s Tribune”) with Allan Weitz and Jason Tables New York Liberty players, photograph by Annie Flanagan/The Players' Tribune Pop Warner Football, photograph by Walter Iooss Jr./The Players' Tribune Markelle Fultz pumping gas, photograph by Sam Maller/The Players' Tribune Ricardo Lockette, photograph by Taylor Baucom/The Players Tribune “The Family Imprint,” a photo series by Nancy Borowick, is displayed on a fence in the Brooklyn neighborhood of DUMBO, near Photoville. Allan Weitz and Jason Tables at Photoville Brooklyn Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
1 — 11 of 13 items

Pages

Close

Close

Close