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Posted 02/19/2020
This week’s episode of the B&H Photography Podcast is a healthy set of conversations with gear representatives and camera experts from several of the major camera and lighting companies that we recorded at the 2020 Depth of Field Conference. First we speak with Steve Heiner, of Nikon, discussing that company’s new DSLRs, including the flagship D6 and the D780. We also ask about the mirrorless Z system cameras and new lenses for that system. Next up is Joe Edelman, of Olympus, to discuss his company’s new flagship, the OM-D E-M1 Mark III, and its incredible image stabilization system. Our next guest is Shar Taylor, from Profoto, and with her we discuss the A1 AirTTL Studio Light, the Air Remote TTL, as well as the popular Profoto B10 OCF Flash Head. After a short break, we welcome Casey Krugman, product develop from Luxli, to discuss the incredible LED light panels, including the new Taiko 2x1 RGBAW LED light. Our next guest is food photographer Chelsea Kyle, who joins us on behalf of Canon to discuss the gear she works with, including the Canon EOS 5DS DSLR. Canon has also just announced the new EOS R5 full-frame mirrorless camera and other lenses in development. It has also released the RF 24-105mm f/4-7.1 IS STM lens for its full-frame mirrorless system. Following our visit with Chelsea Kyle, we welcome Marc Farb, from Sigma, to update us on the latest news from the L-mount alliance and the Sigma fp Mirrorless Digital Camera. He also discusses new lenses, including the highly anticipated Sigma 24-70mm f/2.8 DG DN Art lens for Sony E-mount cameras and the 14mm f/1.8 DG HSM Art lens from Leica L mount cameras. Our final guest is Jason Mantell, of Sony, who updates us on the latest from the Alpha mirrorless systems, including the Alpha a7R IV Mirrorless Digital Camera and the Alpha a9 II Mirrorless Digital Camera. Join us for this informative conversation. Guests: Steve Heiner, Joe Edelman, Shar Taylor, Casey Krugman, Chelsea Kyle, Marc Farb, and Jason Mantell Canon RF 24-105mm f/4-7.1 IS STM Lens Canon EOS Rebel T8i DSLR Camera Luxli Taiko 2x1 RGBAW LED Light Nikon D6 DSLR Camera Nikon D780 DSLR Camera Olympus OM-D E-M1 Mark III Mirrorless Digital Camera Profoto A1X AirTTL-C Studio Light Profoto Air Remote TTL-N Sigma 24-70mm f/2.8 DG DN Art Lens for Sony E Sigma fp Mirrorless Digital Camera Sony Alpha a7R IV Mirrorless Digital Camera Sony Alpha a9 II Mirrorless Digital Camera Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/13/2018
Sometimes you just have to shake your head and say, “Wow, it was a good day.” When you have the opportunity to sit and chat about photography with Keith Carter, Douglas Kirkland and Joyce Tenneson, things can’t be all bad. On today’s episode of the B&H Photography Podcast we return to recordings made at B&H OPTIC and Depth of Field Conferences and present segments of our conversations with these three photo legends—and we are not using that word lightly when speaking about these artists. Unique and prolific in their respective genres, each bring a sense of humility and sincere respect for the artistic process and the medium to which they have given so much. With Keith Carter we compare music, sculpture, and literature to photography and hear of his mother’s early influence on his career. With Douglas Kirkland we also chat family and how a humble upbringing brought him to photography and the glamour of Hollywood. We also find out where and when Doug Kirkland's and Allan Weitz's photo careers intersected. After a short break, Joyce Tenneson discusses being inspired by surroundings, exploring the inner self through photography, and accepting new challenges. Each of these photographers has created enough, accomplished enough, to rest on laurels, but each is still striving, experimenting, and creating. Like I said, sometimes you just have to say, “Wow.” Join us for this special episode and listen for information about our upcoming B&H Photography Podcast FUJIFILM X-H1 Sweepstakes. Guests: Keith Carter, Douglas Kirkland and Joyce Tenneson © Joyce Tenneson © Joyce Tenneson © Joyce Tenneson © Joyce Tenneson Fireflies, 1992. © Keith Carter Meagan’s New Shoes, 1993. © Keith Carter Radio Flyer, 2000. © Keith Carter Keith Carter and Allan Weitz © John Harris Joyce Tenneson © John Harris Joyce Tenneson and Allan Weitz © John Harris Douglas Kirkland and Allan Weitz with the last issue of Look magazine, on which they worked together. © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/18/2018
The two-day Depth of Field Conference, hosted by B&H, was an impressive gathering of wedding and portrait photographers, each sharing their unique talents, styles, and techniques with a receptive crowd. We had our microphones ready to speak with some of the photographers before and after their presentations, and offer here our conversations with four exceptional photographers. We chose these four not only because their work is impeccable, but because they possess distinct views on the aesthetics and business of wedding photography. We start with Andy Marcus, of Fred Marcus Studios, one of the preëminent wedding-photography studios in New York, whose clientele includes celebrities, CEOs—and even Presidents and their daughters. With Marcus, we discuss keeping a family business running across three generations, how to work huge weddings, keeping A-list clients satisfied, and the importance of consistency. Next, we are joined by Sara France, of France Photographers, who has taken her business from a “girl with a camera” to a full-service studio with branches in California, Texas, and Hawaii. We speak about how to expand your business across states, the advantages of a woman-run enterprise, and how to best utilize the “blue hour.” France is Sony’s most recent “Artisan of Imagery,” so we also speak about her use of the Sony Alpha series cameras and continuous lighting. After a break, we are joined by Laurent Martin of Helena & Laurent Photography, a Bay Area-based husband-and-wife team who create straight-up gorgeous wedding photos. With Laurent, we discuss presets, using natural light, the joys of the wedding day, and how to embrace the chaos that comes with those joys. The success of this duo is seen in their ability to work together seamlessly, find the magical in small moments, and the lushness of their final product. Finally, we speak with Sal Cincotta, a St. Louis-based photographer running a studio whose team travels extensively. The list of Cincotta’s accomplishments as a wedding photographer would take a second page to list, and he is also an in-demand author and educator and expert on all forms of lighting. He speaks with us about the importance of constantly improving your craft and finding the time to do so. Despite the varied approaches to wedding photography offered by each of our guests, one theme reoccurred in each of the conversations: the need to use your photography to tell the story of a wedding. Guests: Andy Marcus, Sara France, Laurent Martin, Sal Cincotta © Fred Marcus Studio © Fred Marcus Studio © Fred Marcus Studio © Fred Marcus Studio © Fred Marcus Studio © Helena & Laurent Photography © Helena & Laurent Photography © Helena & Laurent Photography © Helena & Laurent Photography © Helena & Laurent Photography Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 05/04/2018
The B&H Photo SuperStore recently hosted the two-day Depth of Field Portrait, Wedding, and Event Photography Conference, in New York City, and invited many talented, experienced photographers to speak and show work. The conference also included representatives from most of the major camera, lens, and lighting companies. We set up our mics close to the main stage, grabbed vendors as they passed by and spoke with them about their latest and greatest offerings for photographers and videographers. For this week's episode of the B&H Photography Podcast, we have edited together a sampling of our conversations with the following manufacturers: Nikon, Pentax/Ricoh, Westcott, Sony, Sigma, Luxli, Canon LG, TogTees, Godox, Leica, and Adobe. It's a long one, but we have blended a bit of elucidation with some humor and, hopefully, created an informative and enjoyable show. Join us, por favor. Guests: Lindsay Silverman, Nikon (01:16) Ken Curry, Ricoh (03:15) David Piazza, Westcott (08:16) Lavonne Hall, Adobe (16:35) Jason Mantell, Sony (22:20) Marc Farb, Sigma (36:24) Casey Krugman, Luxli (45:06) Rudy Winston, Canon (53:04) Gregg Lee, LG (01:00:54) Pano Kalogeropoulos, TogTees (01:10:14) Stephen Gomez, Godox (01:18:32) John Kreidler, Leica (01:25:49) Top Shot © Lindsay Adler DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/02/2018
This week’s episode of the B&H Photography Podcast posits the notion that we are in a new “Golden Age” of landscape photography, and a fundamental attribute of this landscape photography is its embracing of digital and mobile technologies. From soaring ISO capabilities and improved dynamic range to stacking and correction software to weather, mapping, and pre-production apps, the willing photographer can plan and execute landscape images that would have been impossible to create only a few short years ago. We also suggest that the Pacific Northwest, with its proximity to the cradle of the tech industry and a spectrum of natural wonders, is the hub of this progressive landscape photography movement. Veteran photographers have adopted new technologies and created a movement, and a younger generation is following suit, certain to take landscape photography into a future that includes drones, VR, and imaging technologies yet to be imagined. We also discuss the influence of photo-sharing platforms and new career models that enable photographers to distribute their work and travel to destinations that editorial assignments would never cover. We welcome to our conversation two preëminent landscape photographers, Erin Babnik and Sean Bagshaw, who discuss their work and the use of the high-tech gear and applications in the creation of their photography. In addition to the obligatory Q and A about camera and lens choices, we discuss location and weather apps, post-process plug-ins, and even the latest foul-weather gear, all of which enable them to create the stunning work for which they are known. Both photographers are members of Photo Cascadia, and have a wide following of supporters and students. Their workshops sell out months in advance. After hearing their insights and seeing their imagery, there will be no doubt as to why. Also, at the end of today’s episode, we announce the winners of our Canon 5D Mark IV sweepstakes. Guests: Erin Babnik and Sean Bagshaw The Lost Ark © Erin Babnik Enigma © Erin Babnik Kairos © Erin Babnik Rhapsody in Blue © Erin Babnik Requiem © Erin Babnik Catching Air © Erin Babnik Wood and Stone © Sean Bagshaw The Gift Tree © Sean Bagshaw Summer Seclusion © Sean Bagshaw Mostnica Autumn © Sean Bagshaw Okshornan Peaks © Sean Bagshaw Bohinj Woods © Sean Bagshaw Lineage © Sean Bagshaw Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/20/2017
This week, we took our mics and questions to Photoville, the free nine-day photography festival held in in the shadow of the beautiful Brooklyn Bridge. With exhibitions held in re-purposed shipping containers and on fences throughout the DUMBO neighborhood of Brooklyn, not only does Photoville offer a variety of incredible photography series, but it integrates seamlessly into its urban home. In its sixth year, Photoville Brooklyn has grown to include evening programming, lectures, panels, and workshops. Photoville, founded and run by United Photo Industries, has expanded to seven cities with plans for three more in 2018. The wealth of visual storytelling at Photoville is impressive—in our afternoon visit we saw exhibitions from every corner of the world, touching on the important issues of our day, and passing through all photographic genres. While there, we spoke with several photographers and curators about their work, as well as Photoville co-founder Laura Roumanos. Join our conversations with Daniella Zalcman of Women Photograph on their exhibition “Insider/Outsider,” with Sergeant John Martinez of the United States Marine Corps, about the series “ Battles Won,” and with the Director of Photography of The Player’s Tribune, Nate Gordon. We also speak with Rachel Dennis and Julie Winokur, of Talking Eyes Media, about their multimedia exhibit “Newest Americans,” organized in coordination with the Center for Migration and the Global City at Rutgers University, Newark, and the VII Photo Agency. Photography festivals and workshops are a gift to photographers and non-photographers alike. Join us as we find inspiration and motivation from the incredible image-makers found at Photovilleand, if you are in New York, check out all the exhibitions and activities yourself, from September 21-24, 2017. Guests: Laura Roumanos, Daniella Zalcman, Nate Gordon, Sgt. John Martinez, and Rachel Dennis Photoville Brooklyn, with Brooklyn Bridge and downtown New York across the East River All available space at Photoville is used to exhibit photography. Interior of container exhibit, “The Blood and the Rain,” by Yael Martinez and Orlando Velazquez Allan Weitz at Photoville; photographs in background by Lynn Johnson Allan Weitz, Laura Roumanos (Co-founder and Executive Producer of Photoville), and Jason Tables Container exhibit, “Battles Won,” from United States Marine Corps Sgt. John Martinez presents his photography in the exhibit, “Battles Won.” Container exhibit, “Battles Won,” from United States Marine Corps School children visit the exhibit, “Facing Change: Documenting Detroit.” From the exhibit, “Insider/Outsider,” photograph by Yagazie Emezi From the exhibit “Insider/Outsider,” photograph by Griselda San Martin From the exhibit, “Insider/Outsider,” photograph by Annie Tritt from her project, “Transcending Self” Nate Gordon (Director of Photography, “The Player’s Tribune”) with Allan Weitz and Jason Tables New York Liberty players, photograph by Annie Flanagan/The Players' Tribune Pop Warner Football, photograph by Walter Iooss Jr./The Players' Tribune Markelle Fultz pumping gas, photograph by Sam Maller/The Players' Tribune Ricardo Lockette, photograph by Taylor Baucom/The Players Tribune “The Family Imprint,” a photo series by Nancy Borowick, is displayed on a fence in the Brooklyn neighborhood of DUMBO, near Photoville. Allan Weitz and Jason Tables at Photoville Brooklyn Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 08/11/2017
Structure and limitation is the key to the artistic process. This is the idea that opens our conversation with photographer and publisher Brooks Jensen. In addition to his work as a fine-art photographer, Jensen is well recognized as the publisher of LensWork, the beautiful print magazine (and website) about photographs (not cameras!). We speak with him about LensWork’s “Seeing in Sixes” competition, in which photographers submit a series of just six images with the idea that this limited number forces efficiency and creativity. Our discussion glides to other topics, such as the purpose of art, digital versus analog preservation, and the simple joy of creating and sharing your work. On the second half of our show we return for Episode Four of “Dispatch,” with Adriane Ohanesian. In this segment, Ohanesian talks about the cameras, lenses, and gear she uses in covering breaking and long-form news in Africa. She compares her newer Sony mirrorless to her Canon “tanks,” and offers insight on working in some of the toughest conditions imaginable. Ohanesian also continues to detail her assignment work and, on this occasion, she is in the Democratic Republic of the Congo with rangers combating illegal poaching and mining in the Okapi Wildlife Reserve. She tells of the region and its struggle for resources, and of the dangers, both natural and human, which confront locals and visitors. Chronicling her time with the rangers and her miles-long hikes through thick jungle, she shares thoughts on developing the photo narrative she hopes to relate with understated humor, and prepares us for the next chapter to this story, which ultimately turns quite tragic. Guests: Brooks Jensen and Adriane Ohanesian Previous Pause Next "Shoji – In Praise of Shadows," from Seeing in Sixes Brooks Jensen DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/17/2017
For this week’s episode of the B&H Photography Podcast, we replace the camera in our hand with a game controller, but if artistic interpretation of your surroundings is the goal, is there any difference between the two? Today, we talk gaming and photography and, specifically, the practice of in-game or virtual photography. While grabbing a screenshot of your high score is nothing new, using a gaming system’s increasingly advanced photo tools to capture images of the gaming world in which you are immersed is becoming a discipline unto itself. For sure, some gamers are still looking to show off their accomplishments and share them with fellow gamers, but others approach it as a landscape photographer, documentarian or combat photographer might, utilizing light and exposure controls to create dramatic images that showcase or even surpass those created by the game itself. We are joined today by our in-house gaming expert, Akeem Addy, as well as Tobias Andersson, Senior Producer of the Hunter: Call of the Wild, by Avalanche Studios, and two gamers who have explored in-game photography from distinctive perspectives, photographer Leo Sang and artist Eron Rauch. We also take time to talk a bit about the history of in-game photography and suggest games with some of the strongest photo tools. The debate about whether this is “real” photography will rage on. However, our guests are over that, not only creating beautiful and interesting photos, but elevating the dialogue to create images that question the relationship between the virtual and the “work-a-day” world. Join us for this multi-faceted episode and let us know your thoughts on gaming and photography—and even share with us your best images on Twitter @BHPhotoVideo with #BhPhotoPodcast. Guests: Akeem Addy, Tobias Andersson, Leo Sang, and Eron Rauch © Battlefield 1 Image by Leo Sang © Battlefield 1 Image by Leo Sang © Ghost Recon: Wildlands Image by Leo Sang © Grand Theft Auto V Image by Leo Sang Made with NVIDIA Ansel Image by Leo Sang From the series A Land to Die In by Eron Rauch From the Series A Land to Die In by Eron Rauch From the series A Land to Die In by Eron Rauch From the series Arcana by Eron Rauch From the series Valhalla Nocturnes by Eron Rauch © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios © theHunter: Call of the Wild, courtesy Avalanche Studios Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/15/2016
The iPhone 7 and iPhone 7 Plus will be available on September 15, 2016, and we’ve organized an episode to celebrate iPhone photography, including a hands-on review of the new iPhone 7 Plus. Joining us are three photographers who bring unique perspectives to the imaging capabilities of the iPhone. First, we speak with Robin Robertis, a 2016 winner of the iPhone Photography Award and an artist for whom the iPhone provided a new creative tool for her ethereal and vibrant work. Next, we speak with Ed Kashi, a multi-faceted, veteran photojournalist and filmmaker who was one of five photographers assigned by Time magazine to document Hurricane Sandy with just an iPhone. Kashi also teaches workshops in iPhone photography for National Geographic, and will discuss how he incorporates mobile photography into his journalistic work. After a break, we speak with Brendan Ò Sè, a photographer from Cork, Ireland, whose playful image of the curved lines in Copenhagen’s Superkilen Park was chosen for the “Shot on iPhone 6” ad campaign. He'll talk with us about that experience and how the iPhone revived his love for photography. Finally, to put a bow on this episode, we sit with Olivier Laurent, editor of LightBox, at Time.com, to chat about his first impressions of the iPhone 7 Plus. Mr. Laurent was given the latest iPhone 7 before its official announcement to test and review its camera, and he shares his thoughts with us on the new features and specs. Guests: Robin Robertis- 02:00 Ed Kashi- 16:37 Brendan Ò Sè- 37:36 Olivier Laurent- 57:25 (iPhone 7 Review) Photographs above ©  Robin Robertis Photographs above ©  Ed Kashi Photographs above ©  Brendan Ò Sè Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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