Don’t Miss an Episode Subscribe Now

Refine
Done
0 Plays
Posted 08/05/2021
The photos of David Rothenberg are some of the most exciting that we have seen in a while―condensed and entangled compositions of airplanes over urban housing and portraits of travelers, through plane windows, or bathed in a holy light at a train station. His work is provocative, playful, and compassionate and asks us to look at compositions and subjects carefully, addressing issues of isolation and hope. On this episode of the B&H Photography Podcast, we ask how a fine-art photographer works his way through the neighborhoods and transportation hubs of Queens, NY, making such insightful images. Rothenberg’s books, Landing Lights Park and Roosevelt Station, are wonderful series and, with him, we discuss the evolution of these projects, the gear and locations he chooses, how he interacts with subjects, and the editing and sequencing of the books. Guest: David Rothenberg Photograph (detail) © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Roosevelt Station” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg From “Landing Lights Park” © David Rothenberg Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
0 Plays
Posted 03/11/2021
This is the second episode of the B&H Photography Podcast produced with the collaboration of Leica Camera, and we are pleased to welcome photographer Stella Johnson to the show. It is the “in-between moments of life” that Johnson describes as the subject of her work, work that includes books and documentary series made in Cameroon, Greece, Nicaragua, and Mexico. In this easygoing conversation, we discuss the nature of her long-term projects, and the motivations that return her to the same places year after year. We also talk about composing with rangefinder cameras, being at the eye level of your subject, and the weeks that go by without making pictures and the verbal and nonverbal communication necessary when you are invited as a photographer into a community or home, as Johnson has been. For her personal documentary work, Johnson has relied on Leica M cameras and a 35mm focal length lens. We discuss this focal distance in terms of a personal comfort zone and one that even felt safer during pandemic time. Johnson keeps her settings simple and concentrates on composition and the moment; she tends to find light and locations that she likes and waits for the images. Because Johnson’s compositions are so strong in black-and-white and her color work is minimal and adroit, we ask for her thoughts on how to work with both formats and if a fluidity between them is easy. Finally, in searching for a definition of documentary photography, we mulled over the effect of time, of returning to locations and subjects, of its distinction from photojournalism, as seeing “what life is like” and the stories of “just daily life.” Guest: Stella Johnson Photograph © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “RE-CREATIONS” © Stella Johnson Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C. Steiner
0 Plays
Posted 02/18/2021
Has the Canon EOS R5 changed the conversation about using mirrorless cameras for bird and wildlife photography? This is the position of our guest, David Speiser, who, this summer, traded his Canon 1D X Mark III for the R system camera and lenses. But his colleague, fellow bird photographer and—for now—DSLR stalwart Grace Scalzo, is not quite ready to make that switch. Today’s episode of the B&H Photography Podcast focuses on the features of the Canon R5 and RF lenses that specifically benefit bird photographers. Speiser relates his decision to sell a treasure trove's worth of gear and reinvest in Canon’s mirrorless system. He notes the advanced eye focus, the customization features, in-body image stabilization, and new, sharp lenses as factors in his decision. Scalzo, however, is not ready to give up her rugged, fast, and ergonomically balanced DSLR with its broad selection of quality glass and an optical viewfinder. This is a fun-spirited and well-articulated debate between two shooters who really know their gear and their craft. In addition to the DSLR vs. mirrorless smackdown, we discuss 600mm lenses, adapters, gimbal heads, tripods, sharpening software, and even some land management and wildlife ethics issues. Join us for this vastly informative conversation, ideal for Canon photographers and wildlife shooters considering their next purchase. Also, please check out the Musea Gathering virtual photo conference, a wonderful two-day event on wedding and family photography. Guests: Grace Scalzo and David Speiser Photograph © David Speiser Black-chinned Hummingbird. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/3200 second at ISO 1600 © Grace Scalzo Great Horned Owl. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 1.4x teleconverter. 1/125 second at ISO 1600 © Grace Scalzo Summer Tanager with Bug. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 1600 © Grace Scalzo Gray Fox. Canon 1D X Mark II with 600mm f/4L IS III USM Lens. 1/500 second at ISO 3200 © Grace Scalzo Painted Lady on Thistle. Canon 1D X Mark II with 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/640 second at ISO 400 © Grace Scalzo Common Cuckoo, 2020. Canon R5 with adapter and 600mm f/4L IS III USM Lens and 2.0x teleconverter. 1/4000 second at ISO 1600 © David Speiser Barred Owl, NYC, 2020. Canon R5 with RF 100-500mm f/4.5 Lens. 300mm at 1/40 second, ISO 3200 © David Speiser Western Tanager, NYC, 2020. Canon R5 with RF 100-500mm f/4.5-7.1L IS USM Lens. 500mm at 1/320 second, ISO 2000 © David Speiser Atlantic Puffin, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Black Guillemot, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/2500 second at ISO 800 © David Speiser Ruby-throated Hummingbird, 2020. Canon R5 with adapter and 300mm f/2.8L IS II USM Lens and 2.0x teleconverter. 1/800 second at ISO 3200 © David Speiser Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 10/22/2020
In the 1970s, under the aegis of the Great Society’s Model Cities Program, photographer Earlie Hudnall, Jr. began to document the predominantly African-American neighborhoods of Houston’s 3rd, 4th, and 5th wards, and for more than forty years he has continued to create an indelible portrait of life in these neighborhoods. To be sure, Hudnall has photographed all around the world, and worked for years as the photographer for Texas Southern University, but it is his images of the people of Houston that we discuss today, and that are included in his current exhibition at the Photographs Do Not Bend Gallery in Dallas, running through October 31, 2020. On this week’s episode of the B&H Photography Podcast, we talk with Hudnall about the relationship between the stories he tells with his images and those he grew up with in his native Mississippi; how the tradition, culture, and community of his youth reveal themselves in the faces and facades of modern Houston. We also talk about his organic approach to photography and how respect for his subjects informs his process, and how eye contact and body language are tools to connect with people on the street. Hudnall is old school—he works with digital cameras when needed—but his Hasselblad and Nikon film cameras are his primary tools and he discusses why he chooses one over the other to make a particular image. Hudnall also prints his photographs, so we talk about sourcing supplies, Ilford paper, and darkroom techniques. And while we do get into camera talk and a “sweet, sweet, sweet, soft Rolleiflex,” much of our conversation with Hudnall focuses on how memory and inspiration react in a moment to create a powerful image and how staying sensitive to your surroundings will serve your imaging. It is a joy to listen to Hudnall; please join us for this conversation. Guest: Earlie Hudnall, Jr. Photograph © Earlie Hudnall, Jr. Mr. Shine, 3rd Ward, Houston, 1988 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Girl with Flag, 3rd Ward, Houston, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Hip Hop, Galveston, TX, 1993 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Looking Out, 3rd Ward, Houston, TX, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Feeling the Spirit, 3rd Ward, Houston, TX, 1987 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Boy Eastern Star, 3rd Ward, Houston, TX, 1984, © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, T Roots, 1997 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 08/21/2020
We present a fun and insightful conversation on this week’s episode of the B&H Photography Podcast, perhaps due to the Midwestern charm of photographer Julie Blackmon and the enjoyable discussion of her wonderful tableaux vivants of family life in middle America. We also welcome back to the show gallery owner Robert Mann, who is currently hosting an exhibit of Blackmon’s photographs titled Talent Show. Mann was a guest on our show, in 2018, when we spoke about the work of Australian photographer Murray Fredericks. The medium format compositions of Julie Blackmon infuse innocent playtime with a creeping sense of danger to create works with a wonderful dark humor. There is also a welcome DIY spirit to her work, and we talk about the creation of her photos and the involvement of her own family and friends in the images; even photos that have up to twenty-five subjects are produced and organized with her sisters and fellow parents.  She is hands-on in all aspects of the work, including making the large prints herself. We also talk about her use of the Hasselblad H system and how she combines wide angle and normal perspectives in her detailed final prints. After a break, Robert Mann takes the lion’s share of the questions as we discuss the many challenges faced by photography galleries. In addition to the expense of a brick and mortar gallery and the proliferation of online viewing and sales, the COVID-19 pandemic has forever changed the idea of a public art gallery.  Mann relates the decision to close his Chelsea gallery and receive collectors on a by-appointment basis, as well as his thoughts on creating editions and limiting prints and the general state of the fine art photo market. Join us for this enlightening four-way conversation as we gain insight from the perspective of the artist and the gallerist. Guests: Julie Blackmon and Robert Mann Photograph © Julie Blackmon River, 2020 © Julie Blackmon, Courtesy Robert Mann Gallery Baby Toss, 2009 © Julie Blackmon, Courtesy Robert Mann Gallery Stock Tank, 2012 © Julie Blackmon, Courtesy Robert Mann Gallery Talent Show, 2019 © Julie Blackmon, Courtesy Robert Mann Gallery Outing, 2019 © Julie Blackmon, Courtesy Robert Mann Gallery Spray Paint, 2020 © Julie Blackmon, Courtesy Robert Mann Gallery Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 10/25/2018
Can you imagine a better perspective? On today's episode of the B&H Photography Podcast, we welcome two shooting buddies who, perhaps not so coincidentally, happen to be talented and inspirational landscape photographers. Ryan Dyar and Miles Morgan are both well recognized for their gorgeous "land-based" landscape photography and post-production skills, but over the past few years, both have incorporated drone photography into their workflow. Our show today is a discussion of their aesthetic approach, and of the techniques and gear Dyar and Morgan use to make their stylized landscape images using drones. The topics we discuss are the differences between aerial photography and drone photography (Morgan is also a pilot) and, of course, composing from a tripod as opposed to a monitor image relayed from a few hundred feet in the air. We also talk about camera settings, long-exposure photography, drone choices, flying techniques, how to handle inclement weather, scouting locations, and the legal restrictions on drone operation. It is quite an informative episode, but, what also becomes clear is the camaraderie between Dyar and Morgan and how their friendship not only informs when and where they photograph but also how they work, how they view photography as a practice and, certainly, the influence each has upon the other in terms of their shooting styles. Join us for this enjoyable conversation. Guests: Miles Morgan and Ryan Dyar Photograph © Miles Morgan © Ryan Dyar © Ryan Dyar © Ryan Dyar © Ryan Dyar © Ryan Dyar © Ryan Dyar © Ryan Dyar © Miles Morgan © Miles Morgan © Miles Morgan © Miles Morgan © Miles Morgan © Miles Morgan Previous Pause Next   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 03/16/2018
As Allan Weitz says in the introduction, when you see a Jeffrey Milstein photo, you know it. He has a distinctive style, which is not an easy accomplishment for an aerial photographer. But, of course, not all his images are taken from high above—he also has an incredible series shot from underneath airplanes. All kidding aside, Milstein’s work—aerial or otherwise—is infused with the complexity of observation and with the fascination of how similar forms repeat themselves in distinctive ways. On this episode of the B&H Photography Podcast, we speak with Jeff Milstein about his photography, with an emphasis on his aerial photography and the process, gear, and technique he uses to capture these stunning images. We discuss his previous career as an architect and the influence that carries into his work, the medium format and 35mm format digital camera he prefers, and his lens choices. Along with Weitz, who also has much aerial photography experience, we discuss using a gyro stabilizer and the advancements made in in-camera stabilization systems. We also chat about communication with pilots and how to plan a helicopter aerial shoot. Milstein also discusses the post-production techniques used to create his geometric compositions and the large format prints he makes, many of which are currently on exhibit at the Benrubi Gallery, in New York. Guest: Jeffrey Milstein Boeing 757-200, Photograph © Jeffrey Milstein Airbus A340-300, Photograph © Jeffrey Milstein Boeing 737-700, Photograph © Jeffrey Milstein Boeing 747-400, Photograph © Jeffrey Milstein Caribbean Princess, Photograph © Jeffrey Milstein Carnival Sensation, Photograph © Jeffrey Milstein Carnival Victory at Night, Photograph © Jeffrey Milstein 5th Ave. Midtown, New York, NY, Photograph © Jeffrey Milstein Park La Brea, Los Angeles, CA, Photograph © Jeffrey Milstein Stuyvesant Town, New York, NY, Photograph © Jeffrey Milstein Coney Island, Photograph © Jeffrey Milstein Disneyland, Photograph © Jeffrey Milstein Gatwick Airport, Photograph © Jeffrey Milstein LAX Airport, Photograph © Jeffrey Milstein Jeffrey Milstein, Photograph © John Harris Jeffrey Milstein and Allan Weitz, Photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 10/27/2017
Bird photography is a big deal around B&H, and we’re not just talking about the lenses needed to get those wonderful close-ups of warblers, herons, gulls, and raptors. Bird photography is a passion that grabs pros and amateurs alike and seems to not let go; there are very few photographers as dedicated to their craft (and gear) as bird photographers. We are fortunate to have two photographers with us to discuss the gear, technique, and protocols necessary to capture pleasing images of our feathered friends. David Speiser is a member of the Board of Directors of New York City Audubon and has been an avid bird photographer for more than twenty years. He has an incredible body of work that includes birds of all varieties, and brings not only technical excellence to his photographs, but a birder’s meticulousness to his archive. Klemens Gasser is a visual artist who became enthralled with birding several years ago and turned his fixation into an exhibit of bird photographs enlarged to 72 inches across. He brings an artist’s spirit to his bird photography and humor to our discussion, and clearly loves the thrill of the chase. We speak with these two photographers about the gear and apps they use, their shooting styles, favorite locations, and how digital technology has transformed bird photography. Join us for some very practical advice and a fun conversation. Guests: David Speiser and Klemens Gasser Baltimore oriole, photograph © David Speiser Blackburnian warbler, photograph © David Speiser Canada warbler, photograph © David Speiser Great gray owl, photograph © David Speiser Prairie warbler, photograph © David Speiser Red-shouldered hawk, photograph © David Speiser Red-tailed hawk, photograph © David Speiser Snowy owl, photograph © David Speiser Spruce grouse, photograph © David Speiser Upland sandpiper, photograph © David Speiser Common grackle, photograph © Klemens Gasser American bittern, photograph © Klemens Gasser Snowy owl I, photograph © Klemens Gasser Glaucous gull, photograph © Klemens Gasser Saltmarsh sparrow, photograph © Klemens Gasser Franklin’s gull, photograph © Klemens Gasser Painted bunting, photograph © Klemens Gasser Snowy owl II, photograph © Klemens Gasser Snowy owl III, photograph © Klemens Gasser Klemens Gasser, Allan Weitz, David Speiser, photograph © John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 03/03/2017
The B&H Photography Podcast team was invited to a special event hosted by DJI and the B&H Marketing team to introduce filmmakers and photographers to the Phantom 4 Pro and Inspire 2 drones. Not only did we get to fly these incredible machines, but we took the time to talk with several photographers and drone experts to get their impressions, not only on the latest DJI models, but on other drone platforms and aerial photography applications. We begin this episode with Adam Lisberg, U.S. spokesperson for DJI, and hear his thoughts on its most recent offerings. We then sit with a previous guest, Randy Scott Slavin, of Yeah Drones and the New York City Drone Film Festival. Slavin discusses the technical leaps that drones have made in the past year, and highlights his favorite platforms. Next, we talk with Andrew Scrivani, food photographer and stylist for the New York Times and other publications, on how he is incorporating drones into his work. After a pause, we turn to a lively chat with Sara Dietschy, Kraig Adams, and Ollie Ritchie, three social media influencers using drones in their content creation. Then we speak with Roberto Blake, a YouTube educator, who took advantage of this event to fly his first drone; he offers wonderful insight from the perspective of a newbie. We then welcome podcasters Chris Barrows and Amir Zonozi, from “ Why I Social,” for information on the P4 Pro and on flying in restricted areas, and we conclude with drone builder and pilot Parker Gyokeres, from Propellerheads Aerial Photography, to get his take on why he switched from homebuilding drones to DJI. Join us for this multifaceted episode on the latest in drone technology, and listen for a B&H Photography Podcast exclusive promo code to get free propellers and a discount on the extended protection plan for the Mavic Pro, from DJI. Guests: Adam Lisberg, Randy Scott Slavin, Andrew Scrivani, Sara Dietschy, Kraig Adams, Ollie Ritchie, Roberto Blake, Chris Barrows, Amir Zonozi, and Parker Gyokeres Photographs © John R Harris The DJI Inspire 2 Drone Flying the Phantom 4 Pro on the roof of the Bathhouse Studio Randy Scott Slavin and Allan Weitz Andrew Scrivani Kraig Adams, Ollie Ritchie, Allan Weitz and Sara Dietschy Parker Gyokeres with the Inspire 2 My first photo taken with a drone DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
0 Plays
Posted 08/08/2016
Drones are definitely a hot-button topic and not only for photographers! Despite the controversy and legal conundrums, aerial photography is entering an incredible exciting era with the proliferation of drones. Director and photographer, Randy Slavin, founder of Yeah Drones and the New York City Drone Film Festival, provides his enthusiastic input, with product specialist Dan Campo, to a conversation about the use and misuse of drones. We talk about the legal and safety issues of flying drones, as well as the practical applications of drone shooting and, of course, highlight the best and latest in gear for the drone photographer. Randy, Dan, and our host, Allan, pepper our conversation with anecdotes from their experiences flying and filming with drones.  Guests: Randy Scott Slavin and Dan Campo Randy Scott Slavin   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
1 — 10 of 10 items

Close

Close

Close