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Posted 03/11/2021
This is the second episode of the B&H Photography Podcast produced with the collaboration of Leica Camera, and we are pleased to welcome photographer Stella Johnson to the show. It is the “in-between moments of life” that Johnson describes as the subject of her work, work that includes books and documentary series made in Cameroon, Greece, Nicaragua, and Mexico. In this easygoing conversation, we discuss the nature of her long-term projects, and the motivations that return her to the same places year after year. We also talk about composing with rangefinder cameras, being at the eye level of your subject, and the weeks that go by without making pictures and the verbal and nonverbal communication necessary when you are invited as a photographer into a community or home, as Johnson has been. For her personal documentary work, Johnson has relied on Leica M cameras and a 35mm focal length lens. We discuss this focal distance in terms of a personal comfort zone and one that even felt safer during pandemic time. Johnson keeps her settings simple and concentrates on composition and the moment; she tends to find light and locations that she likes and waits for the images. Because Johnson’s compositions are so strong in black-and-white and her color work is minimal and adroit, we ask for her thoughts on how to work with both formats and if a fluidity between them is easy. Finally, in searching for a definition of documentary photography, we mulled over the effect of time, of returning to locations and subjects, of its distinction from photojournalism, as seeing “what life is like” and the stories of “just daily life.” Guest: Stella Johnson Photograph © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “Al Sol” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “ZOI” © Stella Johnson From “RE-CREATIONS” © Stella Johnson Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C. Steiner
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Posted 10/22/2020
In the 1970s, under the aegis of the Great Society’s Model Cities Program, photographer Earlie Hudnall, Jr. began to document the predominantly African-American neighborhoods of Houston’s 3rd, 4th, and 5th wards, and for more than forty years he has continued to create an indelible portrait of life in these neighborhoods. To be sure, Hudnall has photographed all around the world, and worked for years as the photographer for Texas Southern University, but it is his images of the people of Houston that we discuss today, and that are included in his current exhibition at the Photographs Do Not Bend Gallery in Dallas, running through October 31, 2020. On this week’s episode of the B&H Photography Podcast, we talk with Hudnall about the relationship between the stories he tells with his images and those he grew up with in his native Mississippi; how the tradition, culture, and community of his youth reveal themselves in the faces and facades of modern Houston. We also talk about his organic approach to photography and how respect for his subjects informs his process, and how eye contact and body language are tools to connect with people on the street. Hudnall is old school—he works with digital cameras when needed—but his Hasselblad and Nikon film cameras are his primary tools and he discusses why he chooses one over the other to make a particular image. Hudnall also prints his photographs, so we talk about sourcing supplies, Ilford paper, and darkroom techniques. And while we do get into camera talk and a “sweet, sweet, sweet, soft Rolleiflex,” much of our conversation with Hudnall focuses on how memory and inspiration react in a moment to create a powerful image and how staying sensitive to your surroundings will serve your imaging. It is a joy to listen to Hudnall; please join us for this conversation. Guest: Earlie Hudnall, Jr. Photograph © Earlie Hudnall, Jr. Mr. Shine, 3rd Ward, Houston, 1988 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Girl with Flag, 3rd Ward, Houston, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Hip Hop, Galveston, TX, 1993 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Looking Out, 3rd Ward, Houston, TX, 1991 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Feeling the Spirit, 3rd Ward, Houston, TX, 1987 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Boy Eastern Star, 3rd Ward, Houston, TX, 1984, © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, T Roots, 1997 © Earlie Hudnall, Jr., courtesy PDNB Gallery, Dallas, TX Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 02/28/2019
On this week’s episode of the B&H Photography Podcast, we welcome representatives from SanDisk, Lexar, and B&H writer John-Paul Palescandolo to discuss memory cards, storage solutions, and best practices for capturing and storing digital images. We have also officially launched our B&H Photography Facebook Group and invite our listeners to join. Follow the link above to the group page and request to join—it’s as simple as that. We have added a small incentive: we will be giving away SanDisk 64GB Extreme PRO UHS-I SDXC Memory Cards. Everyone who joins our Facebook group by March 13 will be eligible to win, and we will draw two winners at random to receive a card, generously provided by SanDisk. We start our conversation today with Pete Isgrigg, from the Channel Marketing team at Western Digital. Western Digital is the parent company of G-Technology and SanDisk, and we speak with Isgrigg about the products they offer, as well as some basic best practices for memory card and hard drive usage.  After our conversation with Isgrigg, we welcome Andrew Nahmias, from NTI sales, representing Lexar. Nahmias provides further insight into which cards are best for your workflow and how to keep your image files safe and retrievable. We spoke with Isgrigg and Nahmias at the 2019 Depth of Field Wedding and Portrait Photography Conference, but after a short break, we’re joined in our studio by John-Paul Palescandolo to discuss other brands of memory cards sold by B&H, and to answer some general questions on the subject. Join us for this very informative episode—and don’t forget to join the B&H Photography Podcast Facebook Group. Guests: Pete Isgrigg, Andrew Nahmias, and John-Paul Palescandolo   Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/23/2017
On August 21, 2017 there will be a total solar eclipse passing across the United States from the northwest to the southeast. While the path of totality will be in the center of the country, at least 60% obscuration will be seen throughout the U.S. and into Canada and Mexico. This is a historic event and millions of people will be viewing and photographing it. On today’s episode, we will discuss the what, when, and where of the eclipse and concentrate on the best and safest ways to view and photograph it. Joining us for this discussion are Senior Staff Writer Christopher Witt, our in-house telescope and optics expert, and B&H Photography Podcast veteran Todd Vorenkamp, who will explore the best ways for novices as well as experts to view and photograph the eclipse. After a break, we welcome noted astronomer and photographer Dr. Tyler Nordgren who will offer his thoughts on the eclipse and explain why it might be best to not photograph this eclipse. Finally, we will be joined by Dr. Laura Peticolas from the Space Sciences Laboratory at the University of California, Berkeley. Laura will discuss her plans for the eclipse, specifically discussing the Eclipse Megamovie project, a crowd-sourcing effort to collect and share images across the path of totality. Join us for a multi-faceted conversation about this once-in-a-lifetime event. Guests: Dr. Tyler Nordgren, Dr. Laura Peticolas, Christopher Witt, Todd Vorenkamp Route of 2017 solar eclipse across United States Global map of 2017 solar eclipse The 2013 eclipse as seen from the deck of a four-masted sailing ship racing across the Atlantic Ocean, totality was 42 seconds long. Photograph by Tyler Nordgren My first eclipse photo that I took in 1999 superimposed on the Hungarian stamp I bought there commemorating the eclipse by showing its path across the country. Photograph by Tyler Nordgren A petroglyph in Chaco Canyon, New Mexico showing what could be a 1000 year old solar eclipse. Photograph by Tyler Nordgren A partial phase of an eclipse just a minute or two before totality in the Faroe Islands. Those clouds totally socked us all in 30 seconds before totality so we saw nothing. Photograph by Tyler Nordgren The 2012 partial solar eclipse in San Diego, California with approximately 76% obscuration. Photograph by Todd Vorenkamp The sun photographed with a 50mm lens on a full frame camera with Mylar white light solar filter. Photograph by Todd Vorenkamp The sun photographed with a 300mm lens on an APS-C sensor camera with Mylar white light solar filter. Photograph by Todd Vorenkamp The sun photographed with a 300mm lens on APS-C sensor camera using a DayStar Camera Quark Hydrogen-alpha filter. Photograph by Todd Vorenkamp Photographing the sun with a 300mm lens on APS-C sensor camera using a DayStar Camera Quark Hydrogen-alpha filter and iOptron Sky Guider Pro Tracking Mount Mylar white light filter. Photograph by Todd Vorenkamp Digiscoping with iPhone and Skywatcher Virtuoso Telescope with Motorized Mount and Carson HookUpz 2.0. Photograph by Christopher Witt Prime-focus solar photography through a Sky Watcher Maksutov-Cassegrain telescope with Canon DSLR, on Sky Watcher Virtuoso motorized mount. Photograph by Christopher Witt Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/02/2017
It’s a short week here at the B&H Photography Podcast, so we thought we’d take care of some cleaning that we have put off all winter. Unless one is a full-time pro or serious enthusiast, most of one’s photography is done in the fairer months of spring and summer, whether that be on family vacations, at sporting events, weekend picnics, or just working out that macro lens in the garden. So, it’s time to pull the camera bag from the closet and give our gear a quick once-over to make sure everything is in working order. In this episode, we discuss little ways to maintain cameras and lenses, and things to do to prepare them for the shooting season. From firmware upgrades to mode settings to dust and grease removal, there is a lot you can do in a short time to better understand your camera and to keep it functioning smoothly. In the second half of the show, we continue our serial “Dispatch,” with Adriane Ohanesian. This ongoing segment takes an inside look at the life and work of a freelance photojournalist working in East Africa. In this episode, Ohanesian updates us on her coverage of the conflict in Somalia as she spends time embedded with African Union troops and travels north, to photograph the effects of the ongoing drought in Puntland. She discusses being contracted by the International Rescue Committee to document the refugees “flowing” from war-torn South Sudan to settlement camps in Uganda and, finally, analyzes the risks and expenses freelance photographers take on while working in conflict zones—and the often adverse objectives of news organizations and NGOs. Guests: Todd Vorenkamp and Adriane Ohanesian Click here if you missed Episode 1 of "Dispatch." Photographs © Adriane Ohanesian Mohamed Abdi Bare, age 4, stares at the line of people inside of the waiting area at the Department of Refugee Affairs office in Shauri Moyo, Nairobi, Kenya, January, 2017. Ugandan African Union armored personnel carriers at dusk along the Afgooye road outside of Mogadishu, Somalia, February, 2017. The Ugandan African Union Special Forces wait inside of an armored personnel carrier during a night patrol in Mogadishu, Somalia, February, 2017. The shelters of nearly 400 pastoralists families who have lost a majority of their livestock due to drought, have set up camp along the road in search of food and water in Uusgure, Puntland, Somalia, February, 2017. Severely malnourished, Farhiyah, age 2, lies on the floor of her family’s hut where she stays with her three siblings and mother who came to the area in search of food and water in Uusgure, Puntland, Somalia, February, 2017. The remains of dead goats lie next to the road in Puntland, Somalia, February, 2017. South Sudanese gather to collect their belongings that were transported to the Imvepi settlement for South Sudanese refugees who have fled to northern Uganda. March, 2017. Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2016
In Part II of our series on astrophotography, we talk with Ian Norman, founder of Lonely Speck, a site dedicated to making astrophotography easy and accessible to all photographers. The website is loaded with great advice, gear reviews, and simple tutorials on how to photograph the night sky and specifically, the Milky Way. Our conversation with Ian centers on his development as a photographer and provides many tips on how, with very affordable equipment and apps and basic processing, you can create stunning dark sky images. As you will hear, Norman, like his website, is all about sharing experiences and advice on how to simplify and improve your photography. As he says, “there are few photographs that have as much existential impact as a nighttime landscape against the Milky Way.” Join us for this educational and inspirational episode. Guests: Ian Norman Photo: Ian Norman, LonelySpeck.com Last week's episode, Shooting Stars, Part I – Imaging from the Hubble Telescope Trona Pinnacles looking south with Milky Way Lone Pinnacle, Pinnacles National Park and Milky Way Eastern Sierras by moonlight and the Milky Way Milky Way and Alabama Hills Diana Southern and the Heavens Above Her Diana Southern, Allan Weitz, and Ian Norman Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/02/2016
In the first of our two-part series on astrophotography, we are fortunate to be joined by two scientists responsible for some of the most awe-inspiring images ever created. Astrophysicist Dr. Jeff Hester was a member of the team that built the camera on the Hubble Space Telescope and is credited with taking the “Pillars of Creation,” an extraordinary image of the Eagle Nebula that has been selected by Time magazine as one of the 100 most influential photographs in history. Dr. Hester tells us about his time working on the Hubble and how this image was created, as well as offering his insight on the nature of beauty and the relationship between science and art (Hint: They’re not as different as you might think.) Also participating in our conversation is Zoltan Levay, the Imaging Team Leader at the Space Telescope Science Institute, whose principal responsibility is to produce and publicize pictures from the Hubble. Mr. Levay discusses the relative nature of color, his techniques for coloring and composing photographs, and the differences between the images that come to him as “data” from the telescope and the published images with which we are more familiar. Again, science and art blend as we ask why certain colors are chosen to represent various celestial bodies, and come to realize that the decisions made and processes used in the top tiers of astrophotography are not that different from those we ourselves make in our own post-processing. Guests: Zoltan Levay and Dr. Jeff Hester Next week’s episode, Shooting Stars, Part II- Deep Sky DIY The views and opinions expressed in this podcast are those of the individual guests and do not necessarily represent the views of B&H Photo. Bubble Nebula NASA, ESA, and the Hubble Heritage Team (STScI/AURA) The “Pillars of Creation” from the Eagle Nebula NASA, ESA, STScI, J. Hester and P. Scowen (Arizona State University) Carina Nebula Mosaic NASA, ESA, N. Smith (University of California, Berkeley), and The Hubble Heritage Team (STScI/AURA) Galaxy Cluster Abell 2744 NASA, ESA, and J. Lotz (STScI) Barred Spiral Galaxy NGC 1300 NASA, ESA, and The Hubble Heritage Team (STScI/AURA) Image Processing Workflow Image Courtesy of Zoltan Levay and STScI Don't miss an episode! Subscribe on iTunes;   Stitcher; and  Google Play         Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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