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Posted 03/04/2021
On today’s episode of the B&H Photography Podcast, we welcome wedding and portrait photographer Kesha Lambert. We are excited to speak with Lambert about her approach to wedding photography on today’s show, but she is also speaking at the upcoming 4th annual Depth of Field Portrait, Wedding, and Event Photography Conference, which is a free virtual event to be held on March 7 – 8, 2021. The conference is hosted by B&H Photo and sponsored by Sony, Nikon, Canon, Godox, HP/NVIDIA, and others. The work of Kesha Lambert stands out for its ability to be both joyous and intimate. She deftly uses color and composition, as well as experience and intuition to tell unique and universal wedding day stories. Did I mention that Lambert is also a lawyer, mom to three boys, a member of the Wedding Photojournalist Association, and a Sony Artisan of Imagery? In our conversation, we discuss her business, intrapersonal, and photography skills to get a sense of how she runs her successful studio. Her website is a lesson in design and good business practices, and we discuss cameras and lenses, getting ahead of client expectations, contracts, and subjects as diverse as lighting kits and keeping large wedding parties focused and in frame. Join us for this insightful and enjoyable chat and register for Depth of Field 2021. Guest: Kesha Lambert Photograph © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert © Kesha Lambert Previous Pause Next Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Shawn C Steiner
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Posted 01/14/2021
On this week’s episode of the B&H Photography Podcast, photographer Matt Price describes skate photography as the “perfect blend between studio and sports photography” and, from our engaging conversation, this idea will be made clear. Price knows of what he speaks—in addition to an acclaimed freelance career, he has been a staff photographer and editor for The Skateboard Mag and is currently Brand Director at CCS Skateshop and creates the magazine, Golden Hours Skateboarding. Price has lost more than one lens to the rigors of his craft, and we talk with him about getting close to skateboarders with a fish-eye lens, as well as other shooting and lighting techniques. We also discuss how he fell in love with skating and, at a very young age, began to submit his work to forums and, ultimately, to editors. He admits to taking his lumps from online critics for his early work, but his passion for skating and desire to improve his photo craft provided the courage and commitment to keep going and, eventually, his “energy-based” photo style caught the eye of editors and brands who sent him around the world to cover the skate scene. We discuss many topics in this easygoing conversation, from skating techniques to the business of skateboard photography to the differences between the various skate publications. We also get into the relationship between skater and photographer and how such a niche photo style has grown to influence a range of disciplines. Finally, we talk about gear choices and what has worked for Price. Starting with a Canon Rebel that he purchased with money his grandmother helped him secure, Price has worked with Hasselblad and Sony systems, but is currently back where he started, shooting with a Canon EOS 5D Mark IV and the Canon EF 8-15mm f/4L lens. Guest: Matt Price Photographs © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price © Matt Price Host: Allan Weitz Senior Creative Producer: John Harris Senior Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 09/08/2017
The title “The Falling Man” has been acknowledged as the name of the photograph of a man falling from the north tower of the World Trade Center during the attacks of September 11, 2001. The image depicts a lone figure falling headfirst against the backdrop of the vertical lines of the twin towers. As an image, it is a striking composition and the casual position of the man’s body bisecting the two towers, has even been described as graceful. These visual elements mask the horror of its immediate context and perhaps add to the upsetting response that often accompanies this image. Unlike other photographs from that day, this image does not explicitly depict carnage and destruction, but it is this image that has been often singled-out as too disturbing to view, too galling to publish. In fact, the image was published by many newspapers on the day following the attacks and was received with such recoil that editors were called to apologize for its inclusion and almost immediately, it fell under a shroud of obscurity, which in the sixteen years since 9/11, has been slowly lifted. On today’s episode of the B&H Photography Podcast, we welcome veteran Associated Press photojournalist Richard Drew who took this now iconic photograph. We talk with Drew about his experiences on September 11, 2001, about media self-censorship and about how this photo, which is simultaneously peaceful and deeply painful, had been received, rejected and perhaps now, accepted as part of the whole story and a symbol of all that was lost that day. Guest: Richard Drew Editor’s Note: We have decided to not use “The Falling Man” photograph in our blog post because of its painful depiction, but we feel the conversation we hold has educational, emotional and historical value, especially as we approach the sixteenth anniversary of 9/11. We produced it and present it with the utmost of respect for those whose lives has been affected by the attacks of September 11, 2001, particularly the survivors, the victims and their families, the first-responders and the journalists, who also risked their lives that horrible morning. Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Assassination of Robert F. Kennedy, Los Angeles, 1968. Photograph: Richard Drew Muhammad Ali watches as defending world champion George Foreman goes down to the canvas in the eighth round of their WBA/WBC championship match in Kinshasa, Zaire, on October 30, 1974. (AP Photo/Richard Drew) Frank Sinatra escorts Jackie Onassis to the '21' Club on September 17, 1975 after she attended his concert at the Uris theater (AP Photo/Richard Drew) President Richard Nixon attends a baseball game at Yankee Stadium after his term in office (AP Photo/Richard Drew) Andy Warhol (AP Photo/Richard Drew) Texas billionaire Ross Perot laughs in response to reporters asking when he plans to formally enter the Presidential race. New York City, May 5, 1992 (AP Photo/Richard Drew) Britain’s Prince Charles, during a charity polo match in Mexico City’s Chapultepec Park. February 17, 1993 (AP Photo/Richard Drew) Cuban President Fidel Castro at a special commemorative meeting of the U.N. General Assembly, October 22, 1995. (AP Photo/Richard Drew) Specialist Anthony Rinaldi is reflected in a screen at his post on the floor of the New York Stock Exchange, April 19, 2017. (AP Photo/Richard Drew) Richard Drew at the B&H Photography Podcast. Photograph: John Harris Allan Weitz and Richard Drew. Photograph: John Harris Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 07/28/2017
On this month’s Gear Podcast, we take a look at wide-aperture, wide-angle lenses. With our guest, Neil Gershman, a lens expert from the B&H SuperStore, we touch upon the history of wide-angle lenses, their design and general applications, and then we discuss some pros and cons of wide-angle lenses with maximum apertures wider than f/2. Given the market demand and the technical capability, lens manufacturers have been introducing wide-angle prime and even zoom lenses with maximum apertures designed for better performance in low light and greater control of depth of field. We will discuss many of these newest lenses from Sigma, Nikon, and Canon and provide a run-down of all the fast aperture wide-angle lenses available from B&H. Join us for this educational episode. Guest: Neil Gershman Allan Weitz and Neil Gershman Click here if you missed our episode “Photographing the 2017 Solar Eclipse” DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 06/02/2017
It’s a short week here at the B&H Photography Podcast, so we thought we’d take care of some cleaning that we have put off all winter. Unless one is a full-time pro or serious enthusiast, most of one’s photography is done in the fairer months of spring and summer, whether that be on family vacations, at sporting events, weekend picnics, or just working out that macro lens in the garden. So, it’s time to pull the camera bag from the closet and give our gear a quick once-over to make sure everything is in working order. In this episode, we discuss little ways to maintain cameras and lenses, and things to do to prepare them for the shooting season. From firmware upgrades to mode settings to dust and grease removal, there is a lot you can do in a short time to better understand your camera and to keep it functioning smoothly. In the second half of the show, we continue our serial “Dispatch,” with Adriane Ohanesian. This ongoing segment takes an inside look at the life and work of a freelance photojournalist working in East Africa. In this episode, Ohanesian updates us on her coverage of the conflict in Somalia as she spends time embedded with African Union troops and travels north, to photograph the effects of the ongoing drought in Puntland. She discusses being contracted by the International Rescue Committee to document the refugees “flowing” from war-torn South Sudan to settlement camps in Uganda and, finally, analyzes the risks and expenses freelance photographers take on while working in conflict zones—and the often adverse objectives of news organizations and NGOs. Guests: Todd Vorenkamp and Adriane Ohanesian Click here if you missed Episode 1 of "Dispatch." Photographs © Adriane Ohanesian Mohamed Abdi Bare, age 4, stares at the line of people inside of the waiting area at the Department of Refugee Affairs office in Shauri Moyo, Nairobi, Kenya, January, 2017. Ugandan African Union armored personnel carriers at dusk along the Afgooye road outside of Mogadishu, Somalia, February, 2017. The Ugandan African Union Special Forces wait inside of an armored personnel carrier during a night patrol in Mogadishu, Somalia, February, 2017. The shelters of nearly 400 pastoralists families who have lost a majority of their livestock due to drought, have set up camp along the road in search of food and water in Uusgure, Puntland, Somalia, February, 2017. Severely malnourished, Farhiyah, age 2, lies on the floor of her family’s hut where she stays with her three siblings and mother who came to the area in search of food and water in Uusgure, Puntland, Somalia, February, 2017. The remains of dead goats lie next to the road in Puntland, Somalia, February, 2017. South Sudanese gather to collect their belongings that were transported to the Imvepi settlement for South Sudanese refugees who have fled to northern Uganda. March, 2017. Previous Pause Next DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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Posted 03/10/2017
Today’s episode broadens our normal photographic sphere as we discuss ophthalmic photography and how the eye’s own optical system is used in conjunction with camera equipment—some techniques very common, some not so—to examine the interior of the eye and to diagnose illnesses that go far beyond problems with vision. We are joined by Mark Maio, clinical medical and ophthalmic photographer and developer of the first high-resolution digital imaging system in ophthalmology. We talk with Maio about his early interest in social justice photography, working as a “jack-of-all-trades” photographer for a hospital, and how his eventual concentration in ophthalmic photography led to early adoption of digital technology and the development of a tool that helped to transform the industry. Throughout this conversation, we learn about the use of analog and digital photography in the biomedical field and how fundus cameras and other specialized gear are used to diagnose optical and systemic maladies. When the pupil is dilated, they eye becomes a portal into the body, and with the proper tools, we can see inside our corporeal system without cutting. Maio is also an accomplished fine art and documentary photographer, and we will also discuss how these various disciplines have intersected throughout his career and resulted in the workshops he leads on ophthalmic imaging, documentary, and landscape photography on the beautiful Isle of Skye. Guest: Mark Maio From the series Saving Sight-- The Flying Eye Hospital From the series Against the Grain – Buffalo Grain Industry From the series, Isle of Skye Previous Pause Next All photographs by Mark Maio DON'T MISS AN EPISODE SUBSCRIBE NOW:   Host: Allan Weitz Senior Creative Producer: John Harris Producer: Jason Tables Executive Producer: Lawrence Neves
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